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All Items / HHV Records / Vinyl, CD & Tape / Electronic & Dance / Downbeat | Electronica | Leftfield

Downbeat | Electronica | Leftfield Vinyl 5521 Items

Hip Hop 4539 Organic Grooves 10048 Rock & Indie 28668 Electronic & Dance 23575 Drum & Bass | Jungle 1372 Electro 2522 Techno | Minimal | Tech-House 7744 House | Deep House 5738 Nu Disco | Disco Edits | Cosmic 1856 Downbeat | Electronica | Leftfield 5521 Nu-Jazz | Broken Beat 267 Dubstep 396 Grime 37 Garage | 2Step | UK Funky | Bassline 490 Breaks | Breakbeat 280 Bmore | Baile Funk 13 Mash-Ups 7 Trance 142 Reggae & Dancehall 2085 Pop 5813 Classical Music 813 Soundtracks 1541 Childrens 56
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36
7fo
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A Mountain Of One
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Abul Mogard & Rafael Anton Irisarri
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Johanna Knutsson - Dingsbums Homage
Johanna Knutsson
Dingsbums Homage
12" | 2022 | EU | Original (Patience)
11,49 €* 22,99 € -50%
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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For her outing on Patience, Swedish producer Johanna Knutsson departs on a sweeping, drifting electronica dream suite, a cloud-level glide through the subconscious that returns back to reality just before the alarm sounds. Dingsbums Homage is Johanna’s engulfing evocation of eyes shut wonder and a compelling 6th entry into the Patience catalogue of long-form explorations.

Conceived as a single piece, Dingsbums Homage features two distinct movements. The A side Bersteinsee floats into view on a soft breeze, with cosmic keys puncturing the ozone layer, before a gentle, almost tropical rhythm bobs into being and celestial shapes career in and out of view - comets, ufos or other, the truth is out there somewhere. The track settles into a supple groove that cruises on out of range, as whimsical synthesized strings bring part one to a close.

On Side B Beilsteinerstrasse picks up where the A left off, with an array of twinkling electronics, piano and snippets of memories in reverse weightlessly whizzing through the mind. The light sleep state is abruptly transformed by a monumental arpeggio that rises from the depths and propels the mind beyond the clouds and into a deeper inner space. Eventually the track re-enters the atmosphere and gently lowers to earth on some bittersweet strings, leaving a slowly dissolving outline of melancholic silver clouds behind the eyelids on waking.

Recently returned to Sweden after a long stint in Berlin, as a producer Johanna’s music veers between lucid, pumping techno and ethereal ambience. She's released records on Klasse Wrecks, Kontra-Musik, Oscillate Tracks and her own UFO Station Recordings, and she also ran Zodiac44 with Luca Lozano. Her DJ sets of nimble, spacey techno have seen her play sets in some of Europe’s finest outposts, and more recently she has performed ambient live sets at Intonal in Sweden and an all night “sleep set” at ADE, and in addition she composes music for documentaries.
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Interstellar Funk - Into The Echo
Interstellar Funk
Into The Echo
2LP | 2022 | EU | Original (Dekmantel)
28,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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2x12" vinyl with printed innersleeves.

"Interstellar Funk has crafted a raw, yet simultaneously hauntingly beautiful and endlessly intricate record. Layers of blended harmonies and melodies form the basis for jettisons into leftfield experimentation, heavily processed drums and oscillating frequencies. The result is as infectious as it is pensive; a transcendental journey into a synth-laden landscape.

A stalwart name on our Dekmantel line-ups and with prior releases on the likes of Rush Hour, Berceuse Heroique and L.I.E.S., Interstellar Funk is synonymous with the more brooding side of Dutch electronica. Akin to his DJ sets, which also glide effortlessly between genre, tempo and sound, Into the Echo is daringly eclectic, combining sung-spoken iterations with hypnotic samples and machinic industrial. The release will be supported by a hardware based live-show tour later in 2022.

Ethereal voices haunt the album, a spectral presence emanating both on the titular track and its eponymous twin, 'Octave Echoes.' The latter is built up around breathy reverberations partnered with steely chords and dissected drumbeats. While 'Crickets at Night,' featuring fellow Amsterdam-based producer Loradeniz, switches pace from ghostly ambient to a pulsating, metronome's tick, clockwork rhythms and eerily looped vocals.

Channelling introspective atmospheres, Into the Echo nevertheless holds steadfast to a club- ready beat and momentous bass. 'Northern Winds,' composed with Jasss, edges along the hardcore continuum, exploding with spiraling percussion and flashes of the pair's shared affinity for electro's gyrating-circuitry and dub's ominous dread. And, ionised by piercing synth and bolts of acid, 'Psycho Panner's occultist refrain climbs to an otherworldly crux.

A homage to the potency of analogue machinery and experimental electronica, Into the Echo fluctuates with organic life, often melding synthetic and acoustic instruments together. Guitar riffs flutter on 'Dreamers' before pattering out into warbling, glacial fragments and 'Last Piece of the Puzzle' features a glockenspiel-esque rhythmic element rising to a harmonic crescendo.

Sleeve Photograpy by Bea1991. "
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Shelley Parker - Wisteria
Shelley Parker
Wisteria
2x12" | 2022 | EU | Original (Hypercolour)
26,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Very much at the forefront of the UK electronic scene, since 2001, Shelley Parker has innovated and thrilled with live performances, DJ sets, sound installations, and scores for contemporary dance. Parker's recorded output is just a small part of her musical orbit. That said, a debut album 'Spurn Point' in 2014 and various singles, remixes and EPs for Hessle Audio, One Little Indie, Honest Jon's, Houndstooth, Structure Recordings and OOH-sounds have whet the appetite for more. 'Wisteria' lands on Hypercolour, and succinctly encapsulates Parker's layered and dense production aesthetic, as a myriad of concrete rhythms, breakbeat science, inner city ambience and industrial strength bass unfurl over eight uncompromising compositions. ‘Wisteria’ by Shelley Parker is available on 2LP/Digital from 25th March 2022 on Hypercolour.
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Stelios Vassiloudis - All Else Fails
Stelios Vassiloudis
All Else Fails
2LP | 2022 | EU | Original (Balance Music)
26,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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2LP + MP3 (incl. bonus exclusive digital download code). All Else Fails is a stimulating odyssey to anyone listening. Harmonically dense, arcadian glistens seep throughout the ten tracks, each complementary to the next. Bask in the wistful iridescence and you won't be disappointed. Also featured remixes by John Beltran, Heathered Pearls and more.
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Zulu - Smart & Loyal
Zulu
Smart & Loyal
10" | 2022 | EU | Original (Deardogs)
13,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Soundtrack for your Pagan rituals next weekend.
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Modula - Paranormal Phenomena - The Icelandic Expedition
Modula
Paranormal Phenomena - The Icelandic Expedition
LP | 2022 | EU | Original (Tartelet)
19,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Tapping into the seductive unease of the unexplained, Modula lands on Tartelet Archives with Paranormal Phenomena – The Icelandic Expedition, a nine-track album that evokes alien synth-electro and New Age soundscapes. During a trip to Iceland in February 2020, Naples native Filippo Colonna Romano (Modula) experienced the raw power of the island’s otherworldly natural forces. Inspired by his field recordings and a rekindled interest in sci-fi, Paranormal Phenomena – The Icelandic Expedition was born. Steeped in haunting LA synthesis and cinematic tension, the album is an imagined soundtrack to a supernatural thriller, cast in the icy tones of the Roland Jd-800. “When I went to Iceland I was so excited about the ambience and sounds,” says Modula. “I felt everything was stronger than normal; the wind was brutal, the waves fast and noisy. I came to the conclusion that what I had captured all sounded strangely eerie and otherworldly. I decided to compose music that had the same vibe as the field recordings – cold and strange, mysterious and alien.” The album includes nine tracks each representing a scene in the “movie” ranging from alien synth-electro to New Age ambient moods and soundscapes, inviting the listener on a journey through cold landscapes and into the caves where unknown creatures lurk in the shadows. Paranormal Phenomena leads logically on from Modula’s previous work for Bordello A Parigi and Firecracker, not to mention his Alba – Tempesta – Notturno EP on Tartelet Records which drew on field recordings from the jungles of South America. Merging extreme environments with a rich palette of classic outboard gear, Modula’s music transports listeners through space and time. Given the heavy motion-picture theme present in Paranormal Phenomena – The Icelandic Expedition, the album is a fitting release to inaugurate Tartelet Archives, a new sub-label to Tartelet Records focusing on electronic obscurities and sounds from the past. The first single ‘Diamond Beach’ will be out February 16th on all digital platforms. Paranormal Phenomena – The Icelandic Expedition will be out on vinyl and digital March 18th.
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Werkha - Eterno Retorno / In Saint-Gilles
Werkha
Eterno Retorno / In Saint-Gilles
7" | 2022 | UK | Original (First Word)
10,99 €*
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Release: 2022 / UK – Original
Genre: Electronic & Dance
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First Word Records is very pleased to bring you more music from Werkha! Following on from his EP 'The Rigour' from early 2020, the Mancunian musician dropped a little taste of his new material late last year in the form of single 'Battered Mars Bar' and limited cassette 'Beat Tapestry'. Now we have a double aa-side single featuring two cuts from his forthcoming album 'All Werk Is Play'.

'Eterno Retorno' features the glorious Portuguese vocals of Moreiya, gliding across Werkha's uniquely skippy bruk vibes, with squelchy bass stabs and delicate guitar strums in tow.

'In Saint-Gilles' keeps the tempo up, cleverly switching between a 4/4 and a half-time rhythm. This one bringing more European vibes with the talents of Brussels-based DJ/Producer Le Motel also behind the boards.

Both tracks have already been shown support from the likes of AtJazz & DJ Paulette.

Werkha hails from Manchester and has been releasing music for a decade, collaborating and remixing artists such as Quantic, Bryony Jarman-Pinto, Marcos Valles and Andrew Ashong, and touring with Bonobo, Chet Faker and Mr Scruff.
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Funeral Parade Of Roses - Funeral Parade Of Roses
Funeral Parade Of Roses
Funeral Parade Of Roses
12" | 2022 | EU | Original (Lost Soul Enterprises)
13,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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This is the debut album by Funeral Parade Of Roses. It takes the form of a suite of four ominous, cinematic soundscapes suffused with foreboding and unease. In each track, dread-laden industrial atmospherics are punctuated by scorching bursts of rhythm, pantomiming an ongoing struggle between loss and liberation.

The presentation of this body of sound work is also conceived as a collaboration between the artist and designer / illustrator Priscilla Genet, whose artwork is featured both on the full color printed insert sleeve and the accompanying zine.

The zine itself is a booklet of stream of consciousness verse that explores a highly personal meditation on negation, the anarchic, and utopian eschatology.
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nula.cc - Bells / Cicadas
nula.cc
Bells / Cicadas
7" | 2022 | EU | Original (Staalplaat)
13,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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nula.cc is the brainchild of intermedia artist Lloyd Dunn, a founding member of the Tape-Beatles, and editor and publisher of the zines „PhotoStatic“ and „Retrofuturism“. Bells is a unmanipulated recording, a performance of the bells of the Transfiguration Cathedral Spaso-Efimeyev Monastery in Suzdal, Russia. On Cicadas, a brood of cicadas creates a dense sonic atmosphere from their treetop feeding zone, recorded near Lake Lisi, on a plateau overlooking the Saburtalo district of Tbilisi, Georgia.
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Jonny Nash & Ana Stamp - There Up, Behind The Moon
Jonny Nash & Ana Stamp
There Up, Behind The Moon
LP | 2022 | EU | Original (Melody As Truth)
22,99 €*
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Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Melody As Truth is proud to announce ‘There Up, Behind the Moon’, a collaborative album from Romanian musician Ana Stamp and Jonny Nash. For this collaboration, the pair spent over two years researching, arranging and recording Romanian folklore songs, aiming to give new context to these traditional, forgotten melodies.Throughout the album Ana’s vocals sit in delicate balance with Nash’s signature minimalist arrangements, accompanied with cimbalom, piano, double bass and guitar.

‘Bright Girl’, ‘For You I Am Missing’, ‘On a Mountain Realm’, ‘Sacred Conversations’, ‘Noble Tree’ are arrangements from traditional Romanian “star songs” and carols, usually sung in connection to various rituals that take place throughout the year. ‘Clouds Passing By’ is a cover of a traditional song, covered by Oșoianu Sisters.

In addition the album contains two classical piano compositions by Romanian composer Sigismund Toduță’, ’Upwards’ and ‘There Up, Behind The Moon’ to complete the atmosphere. Ana’s contemplative, thoughtfully paced re-interpretation and performance of these pieces reflects feelings of waiting and longing over time.

In describing her first album ‘There Up, Behind The Moon, Ana says “it represents an important element of my connection with Romanian folklore and the country landscape that encompasses many feelings, ranging from longing to joy or melancholy at times. Rituals and traditions are part of our roots that we take with us wherever we go.”
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Syne / Influx - Pulse 01 Clear Vinyl Edition
Syne / Influx
Pulse 01 Clear Vinyl Edition
LP | 2022 | US | Original (Past Inside The Present)
16,09 €* 22,99 € -30%
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Release: 2022 / US – Original
Genre: Electronic & Dance
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Pulse 01' is the first release in PITP's new series, which is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 01 features brand new tracks by Syne and Influx. Syne is Dennis Huddleston from the UK, who is most recognized for his ambient work as 36. He returns to his Syne alias for the first time in nearly 5 years, with only his second record since his 2017 self-titled debut LP. 'Dystalgia' is a 12 minute opus, spread over 3 movements. Soaring pads and razor sharp percussion combine for a dynamic, emotionally charged journey in sound. Showing love to the Detroit greats, but recognising the distinct UK influence which made him fall in love with Techno in the early 90's, it's a surprising pivot in Dennis' sound and one which all lovers of beautiful, melodic ambient techno should enjoy. Influx is James Bernard from the US, who is most recognized for his solo work in recent years. Influx was his trance/techno alias for much of the early to late 90's and released his work with well-respected UK and US labels.
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Eldritch Priest - Omphaloskepsis
Eldritch Priest
Omphaloskepsis
2LP | 2022 | EU | Original (Halocline Trance)
22,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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It might seem tongue-in-cheek on the surface, but the fact that the title of Eldritch Priest's sprawling debut vinyl release, Omphaloskepsis, is the Greek translation for “navel-gazing” unlocks something essential to the Vancouver-based composer and writer's singular outlook.
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Kenny Dickenson - Les Rivieres
Kenny Dickenson
Les Rivieres
LP | 2022 | EU | Original (Be With)
18,74 €* 24,99 € -25%
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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We finally made it: Bewith100lp! And what better way for a re-issue label to celebrate such a landmark catalogue number than to give it to a record of new music. We couldn’t resist when the artist is Official Be With Family Member Kenny Dickenson and when the music is his lovely, lovely score to French-Vietnamese artist Mai Hua's 2020 documentary film “Les Rivières”. If you enjoy the more minimal, intimate piano of the likes of Nils Frahm or John Carroll Kirby’s solo work, you’re certain to fall for this beautiful album.

Taking six years to make, Mai’s film explores what happened when she brought her dying grandmother to France, pulling together four generations of women from the same family. Kenny’s score accompanies all the pretty things, sad things, dirty, beautiful, happy, broken and reborn moments of these women’s experiences.
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Rick Myers - Obstacle #80: Indices
Rick Myers
Obstacle #80: Indices
LP | 2022 | EU | Original (Cejero)
21,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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This LP forms an index to a body of artwork called Obstacle Corpus, encompassing drawing, writing, photographic and book works, video and sound. For the recording, Rick alternated between the same note on two pianos, played at once, with a spoken text. The text was written in two parts, using the titles of 75 artworks made during 2019, interspersed with a Field text, written as a form of drawing. Tape recordings of the performance were exposed to magnetic fields and amplified back through a piano using electromagnetic and physical contact with its strings, making a circuit that occasionally emited sparks during the recording.

For those of us that require categories such as non-music, anti-music and broken-music to predetermine how we listen to a record Obstacle #80: Indices is maybe a genuine non-music record for people who also actually like music a bit. Let’s say the noises engraved on this piece of plastic are a handy by-product of Rick Myers’ artistic disciplines that will also appeal to people who appreciate Popol Vuh, François Tusques, Karel Goeyvaerts, Gruppo di Improvvisazione Nuova Consonanza, AR Luciani, Katalin Ladik, Jean Guérin, Igor Whakevitch, Milan Grygar, Jean Dubuffet and even the prepared piano film soundtracks of Andrzej Korzynski and Jean-Claude Vannier. Does that sound good? The nuts and bolts behind the making of this album is the business of Rick’s art practice (which you can look forward to reading about elsewhere) but let’s just say: You had me at two open pianos, magnetic fields and transducer mic.
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Emissive - City Of Rooms
Emissive
City Of Rooms
LP | 2022 | EU | Original (Telephone Explosion)
21,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Originally a digital-only release, this album carries the Toronto electronic music artist's body of work into a temporal loop of sorts, uniting a bond with Wave Science, his June 2021 EP on Pacific Rhythm. City of Rooms was completed in February 2021 and written as an escape during pressurized times. It invites an abstract style of listening in which any given sound links to various moments throughout the album.

The EP flows like scenery on a long train ride. Track lights pass with a rhythmic certainty as foreground and background twist around each other. Listeners will be transported through a geography of sounds that function as independent parts of a whole. Triangulations occur as elements fall into different forms of relief against each other.

A sense of technologically alienated mystery envelops the wings of this album in the distant clicks and hums that churn beneath jeweled synth extremities. Rings of Roland toms and hi-hats pierce clouds of ambient pads, the signature chaotic truth of acidic 303 patterns cross time kept by a twitching rhythm section rendered in field samples from the local grocery store. Arpeggiated slopes built off of echo and fuzz ascend, a remote whistle answers the syncopated call of a güiro before transforming into a cricket in flight and revealing that there is a latin backbone to much of the percussion on City of Rooms.

In a few instances Emissive hides gemlike hooks beneath minutes of intricate construction.The album opens with Quartz Register, a steady and intricate gallop of servos and circuit noise at times verging on conga.On Natural Springs, an acid riff announces an amazingly perplexing synth güiro solo. Sunset Yellow sees tubular horn-like barks emerge in a flurry before pulling off to form a sparse alternating backbeat that haunts the rest of the track. The final track, Constellation of Friends, is an arrangement of familiar 808 samples treated to an exquisitely measured mix that turns an 808 cowbell sample into an otherworldly clock.
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Jennifer O'Connor - Born At The Disco
Jennifer O'Connor
Born At The Disco
LP | 2022 | US | Original (Kiam)
31,99 €*
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Release: 2022 / US – Original
Genre: Electronic & Dance
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Born at the Disco is the seventh studio album by Jennifer O’connor. Recorded in large part by O’Connor herself at home, using drum machines and synthesizers as her primary writing tools and sources of inspiration, the album took shape over the course of several years. Here’s what O’Connor has to say about the album: “Lest you think I have made a disco record, that is not exactly the case. A nod to the disco era? Yes, you could call it that. It was during the late 70s that I began to forge my first and most long-lasting bond—the one I have with music itself. This album is influenced by some of the era’s music, but probably even more so by the 80s synth-pop triumvirate of Madonna, Prince and George Michael, the soundtracks of Giorgio Moroder and Harold Faltermeyer, and the Funk/Soul/Disco bins at Main Street Beat, the record/clothing/book shop that I co-own with my wife and label mate, Amy Bezunartea. What can I say? Heaven is a Shep Pettibone remix.”
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Tom Trago - Tide Will Turn
Tom Trago
Tide Will Turn
12" | 2022 | EU | Original (Jong Nederland)
12,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Fresh material from the most talented Mr Trago. Locked in during 2020/21, Tom Trago kept himself busy by increasing his daily music-making activities. As he had done pre-pandemic, Trago set aside time each day to improvise and record tracks in the studio attached to his home in Bergen on the Netherlands’ North-West coast. Tide Will Turn, Trago’s third release on the Jong Nederlands label he established to share his work, showcases three such outings. As with previous EPs on Jong Nederlands, each of the tracks was created using a small selection of electronic instruments, drumcomputers and effects units. EP opener ‘Number Own’ is typically emotive and quietly colourful, with chiming lead lines, sustained synthesizer chords, stirring riffs and fluid electronic motifs rising above bustling, body-popping beats and a smooth, jazzy bassline. Bubbly and ear-pleasing, it’s the aural equivalent of watching sunlight bounce off the waves that wash up on the beach just a few hundred metres from Trago’s studio. Title track ‘Tide Will Turn’ is an altogether more relaxed and becalmed affair. Its drowsy chords and gentle, undulating melodies slowly sashay their way between clicking drum machine percussion and slow-motion beats. Trago picks things up again on ‘Understood’, wrapping attractive synth stabs, cascading lead lines and fizzing electronics around a pulsating bassline and breathless, all-action, electro-influenced beats. It provides a fittingly attractive and emotion-rich conclusion to another fine batch of straight-to-tape improvisations.
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Tal - Sapiduz
Tal
Sapiduz
LP | 2022 | EU | Original (Svart)
25,99 €*
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Release: 2022 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Black vinyl Tuomas A. Laitinen’s debut album Sapiduz is a shapeshifting spectre containing traces of early music, mutated vocals, and granular electronic composition techniques. The album process started when Laitinen commissioned samples from vocalist Milla Mäkinen and created compositional tools out of this material. Sapiduz is like medieval music played on an interstellar journey, creating both absurd and chimeric combinations of sounds and moods. Analogous to Laitinen’s other works as an artist, the album is an entanglement of symbiotic processes and worldbuilding where the (mythical) past is attuned to submit questions about emerging futures. Sapiduz is a sibling to Laitinen’s installation in the 2021 Helsinki Biennial. The online part of this artwork contains an ambient 24h radio station transmitted every full moon until the end of 2021. In the radio station ΨFM, a fluid music technology Bronze AI is utilised to create a neverending composition from the same root samples used in Sapiduz. This generative system is steered with the logic of mRNA codons. The album’s title is a word for a bee in the medieval polymath Hildegard of Bingen’s constructed language Lingua Ignota. Tuomas A. Laitinen is an artist who works with sound, glass, and video installation. Laitinen composes situations and installations that inquire into the porous interconnectedness of language, body, and matter within morphing ecosystems. Album is released on Öm-sound label curated by Timo Kaukolampi, and distributed by Svart Records.
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Bright Future - Babel EP
Bright Future
Babel EP
12" | 2022 | EU | Original (Versatile)
10,79 €* 11,99 € -10%
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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After it became known that the Red Light Complex in Amsterdam had to close Gilb’R invited his friends Satoshi Yamamura and Abel Nagengast down for a session up in the ‘… studio’. The trio dived in head first and with eyes closed. The night was buzzing with impromptu music, singing and poetry and one evening lead to another. The gathered results are a raw homage to its illustrious surroundings and can be listened to on an inspired 6 track 12”. The Babel EP is out on Versatile Records.
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Z - Unreasonable Since
Z
Unreasonable Since
12" | 2022 | EU | Original (Organic Downbeat)
12,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Sandile's « Alternative Pop » side project under the moniker Z Expressing the need to create something more personal during the pandemic, Sandi curated a rich selection of tunes oscillating between Electro Pop, Breaks, Ambient and Trip Hop… A brilliant album with 9 versatile tracks where the Groove is always in the center, meaningful and magic vocals. Let the music talk.
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Hexagon Seam (Planet 43 & Freind) - Foray
Hexagon Seam (Planet 43 & Freind)
Foray
12" | 2022 | EU | Original (Altered Sense)
14,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Beautiful timeless Electronix tracks, limited copies..
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K-6000 - Bloodsport
K-6000
Bloodsport
12" | 2022 | EU | Original (100 Limousines)
24,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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Bloodsport is the nine track debut from K-6000. From the first to last thud, Bloodsport is a sample-soaked miasma of sonic mutations that moves the listener from head-shaking bewilderment to head nods of agreement at a moment's notice. Not much is known about K-6000. Based on this initial offering it is evident that the orbit of this group is broad.
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V.A. - Various - Acid Compilatio ... Clear Vinyl Edition
V.A.
Various - Acid Compilatio ... Clear Vinyl Edition
12" | 2021 | EU | Original (Jack Playmobil)
17,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Limited edition clear vinyl in hardplastic cover with visual illusion effect.
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Ramona Córdova - Naive
Ramona Córdova
Naive
LP | 2021 | EU | Original (Hidden Harmony)
22,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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When I first started working on Naïve I was completely consumed by all of the technical details involved in making a 'professional studio recording' on my own - one which could not be refuted or disregarded as subpar. My only other hope was to tell some sort of story with whichever songs i could piece together. The content and message of which were much less important to me.

The story that Naïve ended up telling comes from a cohesion of themes, ceaseless in my personal experiences living day to day in the world. Although the album dares to tread on tact while speaking poetically and lyrically about issues such as systemic oppression, racism, misogyny, policing and patriarchy - I think the album really just wants to reflect - to serve as a reflection - in order to foster healing and healthy growth towards maturing. I feel it commanding a kind of firm kindness as a reminder to love yourself enough to accept others, by way of accepting yourself.

Pressed onto this 180-gram vinyl are 10 songs I wrote while living in many different places around the world. Spontaneous recordings of inspired notions of song, written one rainy evening up high above the vineyards in Banyuls-sur-Mer became Men on the Mountain. A Scrap of paper holding jots about a sudden storm on a hot day in August while helping friends on their farm in Puglia became Mouth of Autumn and Peace Through Violence. As I dressed myself into the fragile reality of the United States, I became flooded by its manipulative social governing systems. As the monuments of slave-owners, colonisers, and white supremacists came crashing down in the name of responsibility and accountability, The Bridge Works was built, a song about crossing bridges towards empathy and equality. Civil rights activist and American-Football quarterback, Colin Kaepernick, taking the knee during the United States national anthem pre-game ceremony, brought about So Long. The incessant murdering of black, brown, and transgender citizens brought Woke, Scared I'll Bite You, and The End. The murder of Eric Garner and the feeling of being choked-out and suffocated under the weight of systemic oppression brought about Still.

From all of this birthed the collection of songs that is Naïve, a title given to the album by French Ghanian artist Eden Tinto Collins. Although written both in Europe and the U.S., most of the songs were performed and recorded at the end of the year 2018 in Philadelphia, during the American-Holidays season. Still, Loving Him, and The End were written in Philadelphia, but produced in Vlorë, Albania. This helped serve as a reminder that the issues these songs speak of are not isolated to the United States of America. - Ramona Córdova
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Roedelius Story - 4 Hands Black Vinyl Editoin
Roedelius Story
4 Hands Black Vinyl Editoin
LP | 2022 | EU | Original (Erased Tapes)
23,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance, Classical Music
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Elg - Dans Le Salon Du Nous
Elg
Dans Le Salon Du Nous
LP | 2021 | EU | Original (Vlek)
18,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Since 2004, Laurent Gérard alias Èlg (Opéra Mort, Orgue Agnès) has never ceased to draw the sonic equivalent of concentric spirals and labyrinths made of cedars, brambles and guts. By constantly renewing his instrumentarium over the years, he has built improbable bridges between musique concrète and songwriting (Vu du Dôme, Mauve Zone), diagonal spoken word and wormhole (Amiral Prose), electronic incantations in crypt and blob choirs (Mil Pluton, La Chimie). The language is sometimes francophone, sometimes reduced to an alien babble, invoking the old man, the madman, the child, the dusty revenant, the epileptic bard or the messenger of love. In 2019 he began composing a series of sound paintings to illustrate multiple states of being, which constitute the album "Dans le Salon du Nous", scheduled for release at the end of november 2021 on the Belgian label Vlek. He collaborated with his brother Mim on the production, and numerous collaborators across the tracks and the result is a stirring journey, whispered, sung and shouted flat on the stomach on the great slide that leads from birth to the Bardo. This experience lead to the formation of the ensemble “La Chimie” to dig into this raw energy and redraw the contours of the record again and feel confident enough to present the most pop side of his fractal brain live. Èlg composes new songs with drawers and summons three mutant musicians whose imagination, personality and almost vegetal elasticity exceeded all expectations from the very first rehearsals. Èlg et La Chimie is a four-headed hydra chanting its poly-melodies in songs that clash like so many small galaxies giving birth to a new map of the pop sky.
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Aisie - Halcyon Gang Poet
Aisie
Halcyon Gang Poet
12" | 2021 | EU | Original (Studio 33)
24,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Debut EP from enigmatic newcomer(?) aisie on the newly established studio 33 label. Featuring a lush set of genreless aetheric applications that transmute the ineffable to pure sound through a series of immaculately designed, free-flowing haptic assaults on the auditory perception system.
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Coded Forms - Red Liminal
Coded Forms
Red Liminal
12" | 2021 | US | Original (Confused House)
13,99 €*
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Limit point deviations, perturbations around steady state.

Partitioned residue.

Going. Going; Gone — before exhaustion.

Gestural exchange : Durational Side I - Cherry-picked Largesse Side II - Acute Sendoff

After a long hiatus Confused House returns with its eighth installment by Coded Forms.
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Cult 48 - Underground Signals From An Unknown Place
Cult 48
Underground Signals From An Unknown Place
2LP | 2021 | EU | Original (Furthur Electronix)
31,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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The mysterious Cult 48 with another future classic IDM album, for fans of Boards Of Canada etc..
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Sean Curtis Patrick - The Best Driving Music In The World Ever Transparent Blue Vinyl Edition
Sean Curtis Patrick
The Best Driving Music In The World Ever Transparent Blue Vinyl Edition
LP | 2021 | EU | Original (Past Inside The Present)
26,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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"The Best Driving Music in the World Ever" was written and recorded during a 48 hour lock-in session, having never left the studio until completion. The artist stated, "This all came together due to a bout of loneliness and depression that swept over me one Friday evening. Being lonely sometimes can render positive results, something I am learning. I decided to go and make a guitar-based record and not leave the house until it was done. I succeeded and this is what was made." The tracks were then sent over to be mastered by Rafael Anton Irisarri at his incredible studio, Black Knoll in New York, US.
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Die Drei ??? - Folge 215: Und Die Verlorene Zeit
Die Drei ???
Folge 215: Und Die Verlorene Zeit
LP | 2022 | EU (Europa)
29,99 €*
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Release: 2022 / EU
Genre: Electronic & Dance
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Shokuchudoku Center (Food Poison Center) Foodman & Hair Stylistics - Hakimakuri Olympic
Shokuchudoku Center (Food Poison Center) Foodman & Hair Stylistics
Hakimakuri Olympic
LP | 2021 | EU | Original (Will)
24,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Speaker-busting, genre-defying improvisational noise musician “Hair Stylistics” (previously Violent Onsen Geisha) and juke/footwork inspired intricate irregular percussion expert “Foodman” ong-awaited collaborative project “Shokuchudoku Center” (Food Poison Center) will finally released on new label “Will records”. These two experimental Japanese artists teamed up to combine their unique sounds, edgy noise spectrum and intensive rhythms to create “Shokuchudoku Center” (Food Poison Center). Their respectively strong characters brought these two together and they met for the first time during “Tokyo Noise Theater”, a show held at the late, great Nishiazabu venue “SuperDeluxe” in 2017. With a raging, wild, vicious sound, tempered by moments of lighthearted improvisation, their live sets serve both as a showcase of their character and a tool to crushing audiences. This release was performed and recorded at venue forestlimit in Hatagaya, Tokyo as a joint recording session during summer 2020. Amalgamative ideas together with repeated improvisation and overdubbing/sampling created a sonic record that displays each of their near-maniacal music senses. Lack of perfection, the spirit of resistance and black humor are some of the notes emphasized, and are both mirroring and set against the backdrop of our present social situations and those which are deeply embedded in their life. This human quality may be one of the reasons why this project engages the listener so effectively, whether or not this humanity and error are needed for our present era. We hope you have the chance to witness their live set someday
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Paula Schopf - Espacios En Soledad
Paula Schopf
Espacios En Soledad
12" | 2021 | EU | Original (Karaoke Kalk)
17,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Does returning to a place have a sound? Can the ear have a memory? And what if places which we return to are just empty shells? Choreographed rooms which we need to play, fill from scratch each time with fragments from the past and present, layer upon layer, familiar and still somehow always new and differently assembled. Paula Schopf’s Espacios en Soledad are acoustic walks around present day Santiago de Chile, the city where she was born - which she always left, had to leave and to which she always returns - but more than anything also through her own memories which resonate throughout the public places, squares, streets though still in their own way remain strange.

„Every immigrant in the world has a piece like this - a kind of missing link, something which is incomplete. And every time one returns to the home country you are looking for it. For me it was a matter of sound.“ (Paula 2019).

In the mid 70s leaving Santiago was a flight of exile as a child with her family. Leaving in 1990 was an autonomous decision to head for Europe, Berlin, where the wall fell, where the heavens opened up all at once and electronic music became a kind of new home to so many. Paula Schopf belonged there. For her the Ocean Club at Tresor club was a central place where friends and mentors like Gudrun Gut and Thomas Fehlmann made it possible for her to get really into it. Dancing, being and feeling your body, forgetting oneself in the bass and beats, who one is and where one’s from, to becoming the DJ Chica Paula. Chile was very far away during this time, Latin America was more just a code, a musical and habitual cliche to be cautious of. This was especially true for the culture of the Chilean exile, the pathos of the “Canto Nuevo”, the sound and ideologically charged instruments of the „música andina“, for example the Zampoña, Quena or Charango. Techno was the greatest thinkable alternative to this even if or perhaps because so many kids exiled from Chile became key figures in the German and European scene: Ricardo Villalobos, Dandy Jack, Cristian Vogel, Matias Aguayo and many more.

How does returning to a place sound? Does the ear have its own memory? The field recordings which were recorded in Santiago de Chile in 2016 and form the central sonic material for Espacios en Soledad represent the paradox for Schopf’s return to her home country after emigrating: the inevitable drifting apart of her own lived time from that of her former home. Already the Venezuelan and Colombian hawkers are unmistakable signs of the deep change in Chilean society which has happened in recent years due to immigration. Which is in contrast to the old lady who sits on the floor in a pedestrian zone and without break sings the same three songs by Violeta Parra and then keeps falling asleep while doing so. The fragile presence of her voice is joined with a repertoire which is almost mythologically timeless in Chile in a particularly moving way.

By layering, ordering and conjoining such found sounds from modern day Santiago this piece become about the urban sound of Chile’s present. But more than anything by doing this Paula Schopf becomes an arranger of her own sonic memory or sound-triggered memories of returning to this city. Just as techno and Berlin helped her for such a long time to get away from too strong of an identification as a Chilean in exil, now with Espacios en Soledad she has found a way to bring these two seemingly disparate lives and remembered worlds together.

Matthias Pasdzierny
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Organizatsiya - Vlug
Organizatsiya
Vlug
LP | 2021 | EU | Original (Raakvlak)
17,09 €* 18,99 € -10%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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After two archival releases, Raakvlak appears in the frontline of contemporary sonics, and it is the French collective Organizatsiya that gets the label’s feet wet.

Vlug, Dutch for rapid, is a work marked by a sense of being in transit. Bent under lockdown circumstances and corresponding feelings, all tracks were created in a car (!) and on the road throughout various places in Europe. Haunted by good old escapism, yet already too remote from anything to really drive away from. This translates to a dreamlike album that provokes the past and the present by taking elements of both, and stirring it up until something in-between comes out. The organic and the digital blend effortlessly, as acoustic guitar and bass sit next to intelligent electronix and similar FX. Sometimes this takes centre stage, while at others it forms a natural canvas for spoken words.

On Akzident and Een Lied Voor Jou these words are provided by that other lyrical maverick, Rik van Boeckel, whose archives had been subject of Raakvlak’s second release Deze Hoofden Praten. Here too, old and new blend, into an in-betweenness that forms an entity of its own.
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Myxomy (James Ginzburg & Ziur) - Myxomy
Myxomy (James Ginzburg & Ziur)
Myxomy
LP | 2021 | UK | Original (Subtext)
19,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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Artistic collaborations don't have to be exhaustive, competitive or combative. And for Berlin-based producers James Ginzburg and Ziúr, their work together as myxomy has been almost effortless. Both artists bring with them a deep history of recording in vastly different circumstances: Ginzburg has worked on bass music, folk, experimental techno (as half of Emptyset) and experimental drone, while Ziúr played in a number of bands before settling into her current explorative electronic mode. So when they started working together in 2020, it was their respective backgrounds that provided the touch-paper for an explosive artistic head-to-head.

Ginzburg instigated the process by sending Ziúr beats he'd made in Bristol in a former life, and Ziúr, fresh from finishing her PAN-released third solo album "Antifate", set about sculpting them into completely new forms. In response, Ziúr dispatched vignettes to Ginzburg and he did the same. As they exchanged ideas back and forth and lapsed into absurdity, the songs followed suit, evolving from raw concepts and loops into proper songs as both Ziúr and Ginzburg traded melodies, lyrics and production tricks. The duo's fragmented sketches and scribbles took on new life, channeled, refined and re-invigorated as they developed into anxious, hybridized pop jewels.

Their surprising stylistic choice is revealed immediately on opening track 'Sloppy Attempt', a fractured mood stabilizer that dissociates from Bristolian trip-hop into glossy android pop. Ziúr's singing voice carries the track into a sonic black hole, mutated into an alien gurgle as she gently coos the prophetic words, "a sloppy attempt won't cut it, no no." And as Ginzburg takes the reins on 'A little opaque', singing over Ziúr's twisted neon electronics, it's clear that both artists have pushed each other outside of their comfort zones, providing the reassurance and comfort necessary to evolve.

On 'In and Until', they find an exact median between their two most recent albums. Twanging hurdy-gurdy sounds remind of Ginzburg's 'crystallise, a frozen eye', compelled forward by brittle foley percussion we last heard on "Antifate". A scalding industrial boil of deranged synthesizer squeals and rolling drums parts like the Red Sea on 'Toxin Out', cooling to a crust for Ziúr's half-sung words to echo overhead. "Burn the bridges it's a choice, eat the rich, and throw up on the fuckbois."

"Myxomy" isn't an overtly political album, but driven by a desire to create and a shared philosophical space, Ziúr and Ginzburg are naturally outspoken. Their vision of pop is twisted through history and floated on frustration, growth and constant reinvention. It's a unique mix of polar elements - light and dark, noise and silence, joy and melancholy - that centers itself on one important theme: together, we're far more powerful than we ever could be alone.
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Progedia - We Are The Night
Progedia
We Are The Night
12" | 2021 | EU | Original (R&S)
14,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Master sampler Fed Conti has a way of making grooves sound as light as a feather, elevating kraut and jazz phrases to dreamy realms where the imagination is tickled. To kick off the forthcoming debut PROGedia album, revered producer and remixer Charles Webster adds his inimitable touch to the single ‘We Are The Night’, expanding on Conti’s heartfelt arrangements, playing with beats and textures, as he travels smooth melodic lines.

PROGedia is the newest alias of the Italian producer Fed Conti, also known as Mahjong and Nardis. After having played his Hammond organ with several jazz deities, and produced samples for Coca Cola and Universal, he is finally unleashing his kinky musical imagination in the PROGedia album; ‘We Are The Night’ kicks off a mixture of kraut, psychedelic grooves and nu jazz, tied together through clever arrangements and a refined sampling process. ‘It’s an escape from modern decadence,’ says Fed, who adores the authentic and offbeat. It only makes sense, then, that the first track of his upcoming album is called ‘We Are The Night’; during the darkest hours PROGedia’s retro extravagance can claim a foothold, offering a warm breeding ground for quirkiness, infatuation, and musical liberation.

The renowned producer Charles Webster, too, is a real music fetishist; he got his first instruments at the age of 13 and went on to collaborate with the likes of Juan Atkins, Derrick May and Kevin Saunderson, founding his own Love From San Francisco project and following with two decades of classy and sophisticated music productions. For this occasion, he has added his unmistakable touch to the ‘We Are The Night’ title track, complementing PROGedia’s infectious grooves with poignant rhythms and motley textures.
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Konstantin Schimanowski - Vague Pure Affection
Konstantin Schimanowski
Vague Pure Affection
LP | 2021 | EU | Original (St. Vladimir)
9,99 €* 19,99 € -50%
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Release: 2021 / EU – Original
Genre: Rock & Indie, Electronic & Dance
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Konstantin Schimanowskis debut E.P. Vague Pure Affection is a love letter to an island in the deep north of Europe. The little Shetland island of Vaila. It is a sprawling collection of lush and airy songs, showcasing the artist talent in both songwriting and production. The music seems to drift high above the ground and Schimanowski’s voice breaks out of every pattern introduced - liberating itself the most in the E.P’s forth track „Crossing the Bridge“, where it leaps with bold passion into another space. The artwork is created by renowned danish-ukranian artist Sergei Sviatchenko. Riyl: Burial, Dean Blunt, Sebastien Tellier, Serge Gainsbourg, John Maus, Conan Mockasin
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Stanislav Tolkachev - To You
Stanislav Tolkachev
To You
7" | 2021 | EU | Original (Muscut)
13,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Stanislav is a well-known techno musician and a passionate analogue photo and synth enthusiast constantly experimenting with his visual and audio outputs. As a result, Stan brought us three timeless electronic pieces wonderfully fitting and at the same time complementing the Muscut soundscape.
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V.A. - Kimera Mendax Volume 2
V.A.
Kimera Mendax Volume 2
2LP | 2021 | EU | Original (New Interplanetary Melodies / Kuro Jam)
31,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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After the success of volume 1 (2020), the label run by Simona Faraone and the Roman collective Kuro Jam relaunch with Kimera Mendax Volume 2 Double EP, a limited edition double colored vinyl (300 copies) that consolidates the “disco-graphic” collaboration between the two realities (nim / Kuro Jam Recordings).

The record accompanies the release of the final chapter of the homonymous cyberpunk comics saga and represents its original soundtrack.

Kimera Mendax is the title of the debut graphic novel of the team Kuro Jam, composed by the artists Enrico Carnevale (Inkiostro, Markosia), Mattia De Iulis (Marvel), Giulia D'Ottavi(Manfont), Stefano Garau (Editions Glénat, Mondadori), and by the screenwriter Gianluca Pernafelli.

The comic tells the story of a group of rebels who, from the underground of an esoteric Rome of the future (2048), struggle to neutralize the KX bio-operative system, a sort of invasive and all-encompassing social network, to which humanity is connected through robotic appendages. Vinyl records are the instrument of struggle for the “disconnected”: they try using music to awaken the natural human vibrations, atrophied by the massive use of technology. The final battle is a spectacular and liberating “sonic tsunami” in the heart of the Eternal City, a journey for the eyes... and the ears!

On the pages of the two volumes, there are tributes and quotes to Gurdjieff, Aphex Twin, Giordano Bruno, Lory D, and the underground rave culture of the early 90s, with a particular reference to the London scene.

In continuity with the EP KM vol.1, eight Italian musicians with different sensibilities were involved to make their interpretation and sound reinforcement of the story. This time the tracklist is truly cinematic, spanning across the four sides of the two colored vinyl records - on the labels, we find the two alchemical principles of Salt and Sulfur, in addition to Mercury that was used for the label of the first EP - flowing in 8 acts without solution of continuity, enriched by a Prelude and 4 Interludes that draw on the noises, music, and voices of the city of Rome.

The A Side begins with the Prelude, where a robotic voice introduces us to the KX bio-operating system, but it's silenced by strange disturbing frequencies: the “antisystem” sonic journey can begin. The first track of the disc is Massimo Amato's rarefied and dreamy “Later That Night”, followed by the dissonant “Antimente” by visual artist Tiziano Lucci, preceded by the screech of seagulls flying over the city of Rome in the first Interlude.

The B Side opens with a track by Milan based producer Giona Vinti (Hyena), inspired by one of the key characters from the comic: “Talamo, o la Memoria”. The second Interlude transports us into the electro-futurist dimension of T / Error with the solid “kx2048”. The third Interlude closes the side with the announcements -partly sampled, partly reconstructed - of the roman subway, imagining that in 2048 there will be alternative routes, passing through the Colosseum station.

The C Side explodes with the massive “Cyb(Moth)er” by Mattia Trani, with his electro-alias 051 Destroyer, who gives us an electro-techno pearl with drexciyane shades inspired by the character of Falena. MA Spaventi dedicates his liquid and melancholic "Tevere (Somewhere in Rome)” to the river, an emblem of the Roman metropolis, which incorporates recordings of the tenuous city watercourse.

In the D Side, we reach the emotional climax of the soundtrack. The brothers Fabrizio and Marco D'Arcangelo, masters of the IDM / Braindance scene, are inspired by the epic and kaleidoscopic battle of the latest comic strips for their glowing "Dive Reverse Universe Edit". The fourth Interlude is dominated by the distant melody of an accordion - the magic touch, here as in the oud of Interlude II, is provided by Greek musician Maria Arampatzi - which anticipates the theme of the only proper "song" of the record, "Orizzonti Perfetti". The song, co-produced with Halfcastle and masterfully interpreted by the powerful and unmistakable voice of NicoNote, lends the definitive missing piece to an articulated, complex, ambitious..., and a little crazy musical and visual project: the first original soundtrack of a graphic novel!

The record is a new, colorful, unmissable collector's art object, made precious by the gatefold cover signed by international star Elena Casagrande, Marvel and DC Comics designer - 2021 Eisner Award winner for her “Black Widow”! - and conceived as a maxi comic composed of boards signed by the artists of the Kuro Jam collective.
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Beats Unlimited - Human Music / Who Broke This?!
Beats Unlimited
Human Music / Who Broke This?!
7" | 2021 | EU | Original (Hypno Discs)
14,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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After the self-titled album on Tokyo-based label Diskotopia, Beats Unlimited (Doc Sleep & Hypno Discs) follow up with two dubbed out, bass-heavy companions for the Hypno Discs label. Heavy on the low-end, easy on the wallet.
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Ultra Random Analog Orchestra - Ultra Random Analog Orchestra
Ultra Random Analog Orchestra
Ultra Random Analog Orchestra
12" | 2022 | EU | Original (Third Ear)
11,99 €*
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Release: 2022 / EU – Original
Genre: Electronic & Dance
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When you cut into the present, the future leaks out" William S. Burroughs. Third Ear are proud and excited to release a new Brendon Moeller project exclusive to Third Ear... Ultra Random Analog Orchestra. The project kicks off with 13 tracks released on vinyl over 3 individually released 12" and a digital album with 16 tracks. The music ranges from deep, wide-screen Techno to Ambient and beatless, that pushes the limits of the sonic palette. Artwork by The Designers Republic. Brendon says, "The ability to sculpt an audio collage in realtime employing techniques of randomness is one of my favorite pursuits using a eurorack modular system.
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Golden Bug - Tokoyo No Kuni Feat. Vega Voga Nicola Cruz, Wolf Müller & Michael Mayer Remixes
Golden Bug
Tokoyo No Kuni Feat. Vega Voga Nicola Cruz, Wolf Müller & Michael Mayer Remixes
12" | 2021 | EU | Original (La Belle)
12,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Born from my meeting with japanese artist Vega Voga, ‘Toyoko No Kuni’ builds a bridge between our two cultures by creating a musical epic sounding like an imaginary, acid-drenched Toshiya Fujita movie. By homaging the 70’s Avant-garde scene and by channelling Akiko Yano and Midori Takada’s music, Tokoyo No Kuni combines a western approach to japanese traditional instruments in which lyrical vocal samples, synth lines, supersonic percussions and razor-sharp guitars drench the country of Chrysanthemums in an unsolved mystery. Remixed by Nicola Cruz, Michael Mayer and Wolf Müller, ‘Tokoyo No Kuni’ acts as the opening act of my new album Piscolabis.
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Therealsullyg - Otama-Tunes, Vol. 1 Black / White Vinyl Edition
Therealsullyg
Otama-Tunes, Vol. 1 Black / White Vinyl Edition
LP | 2022 | US | Original (Needlejuice)
48,99 €*
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Release: 2022 / US – Original
Genre: Electronic & Dance
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With about a million subscribers and millions upon millions of views, TheRealSullyG is the undisputed King of Otamatones. His lovingly-produced otamatone covers of pop-culture standards, paired with quirky and imaginative videos starring the adorable Japanese synthesizers, have proven to be a recipe for viral success. Covering roughly his first year of otamatone content, Otama-Tunes, Vol. 1 dazzles the ears and delights the senses with wahsome covers of Queen, Daft Punk, Michael Jackson, Dragonforce and more! Remastered by Angel Marcloid, TheRealSullyG’s debut on physical media is presented on two different deluxe gatefold vinyl variants as well as CD and cassette.
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Therealsullyg - Otama-Tunes, Vol. 1 Splatter Vinyl Edition
Therealsullyg
Otama-Tunes, Vol. 1 Splatter Vinyl Edition
LP | 2022 | US | Original (Needlejuice)
39,19 €* 48,99 € -20%
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Release: 2022 / US – Original
Genre: Electronic & Dance
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With about a million subscribers and millions upon millions of views, TheRealSullyG is the undisputed King of Otamatones. His lovingly-produced otamatone covers of pop-culture standards, paired with quirky and imaginative videos starring the adorable Japanese synthesizers, have proven to be a recipe for viral success. Covering roughly his first year of otamatone content, Otama-Tunes, Vol. 1 dazzles the ears and delights the senses with wahsome covers of Queen, Daft Punk, Michael Jackson, Dragonforce and more! Remastered by Angel Marcloid, TheRealSullyG’s debut on physical media is presented on two different deluxe gatefold vinyl variants as well as CD and cassette.
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Hans Solo & Endo Monk - Holy Chaos Rulez
Hans Solo & Endo Monk
Holy Chaos Rulez
7" | 2021 | EU | Original (Teerpappe)
12,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Blue - The Path Of Least Resistance Meets The Point Of No Return
Blue
The Path Of Least Resistance Meets The Point Of No Return
12" | 2021 | EU | Original (Souvenirs From Imaginary Cities)
25,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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28 years ago Chris Mann and Paul Darking released their debut EP on Andrew Weatherall’s (rip) Sabres Of Paradise. A year later another EP came out on the same imprint, followed by two albums on Weatherall’s label Emissions Audio Output and a bunch of EP’s on Emissions’ sub- labels. Two more albums saw the light of day on Iris Light Records, but the start of the new millennium brought a stop to the creative output of the production duo known as Blue.
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Pictureplane - Thee Physical Grape Splattered Vinyl Edition
Pictureplane
Thee Physical Grape Splattered Vinyl Edition
LP | 2011 | US | Reissue (100% Electronica)
26,94 €* 48,99 € -45%
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Release: 2011 / US – Reissue
Genre: Electronic & Dance
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Pictureplane has made his name circling the outer limits of pop culture in several mediums. The Brooklyn-based artist's gallery works, shown both in the U.S. and abroad, collide familiar with fringe and hard lines with visceral spatter. His Alien Body clothing line serves up a stylized study of symbology, the occult, and societal decay. And his music—beautiful yet heavy, swirling wild strains of industrial dance, gothic hip-hop, and emotive New Age—treats electronics not as artificial, but as extensions of our analog selves. After a decade thrashing the status quo, Egedy is not only kin to makers of lovely dark music everywhere, but a vital player in the global DIY community. He is a proud outsider, yes, but his tribe is legion and ever-growing.

In 2011, Pictureplane's Thee Physical arrived, marking a major leap forward. Egedy's voice was suddenly dripping sex at the forefront of a lush synthscape, while cuts like "Trancegender" and "Breath Work" explored the human body with gender-dissolving aplomb. He moved to Brooklyn in 2012 in order to stoke alt-rave culture from a more powerful vantage before teaming up with fabled indie-rap imprint Anticon for Technomancer (2015), an LP about the blurring line between ourselves and our machines. Along the way, Egedy's toured with everyone from Crystal Castles and Major Lazer to the Faint and Gang of Four. He has remixed Lil B; been remixed by Grimes; collaborated with bands (Prayers) and SoundCloud stars (Goth Boi Clique)
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Adhianto Aryo - Sintaksis
Adhianto Aryo
Sintaksis
LP | 2021 | EU | Original (Divisi62)
16,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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In ‘Syntactic Structures’ (1957), Noam Chomsky argues that language is unlike behavior, but is instead closer to the physical attributes of us humans. In short, once language penetrates the constellations of our physique, then it could be theoritized as empirical. Chomsky concluded that the human consciousness (at least in the syntactic context), is rather like a pendulum between two opposite poles: structural and creative. Its nature is generative and transformative. Free in metaphysical terms, yet bound by the natural laws of physics. Though abstract and speculative, this idea serves as the point of embarkation for the creation of ‘Sintaksis’ by artist Aryo Adhianto. Grounded by a set of rudimentary rules and minimal orchestration, each composition stretches skeletal rhythmic clauses into free-flowing pulses and timbres. Such is the process of untangling the clot of negative energy present within the artist as an individual, simultaneously governed by ‘feel’ and performative aspects. Despite the inward, expressionistic nature of ‘Sintaksis’, its diction is a direct bi-product of external factors. The accumulated distress and volatility that have become the fabric of normalcy in Jakarta urban conditions are present here in fluctuating sonic forms. This chaotic disposition questions the battle of narratives and the paradigm of the individual’s function in society while treading the path of a broad musical heritage with agility and virtuosic qualities.
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Ulrich Schnauss & Mark Peters - Destiny Waiving Yellow Extended Edition
Ulrich Schnauss & Mark Peters
Destiny Waiving Yellow Extended Edition
2LP | 2021 | EU | Original (Bureau B)
20,99 €* 29,99 € -30%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Limited to 150 copies. Yellow double LP edition.

‘Destiny Waiving’ completes a collaborative trilogy that began with 2011’s ‘Underrated Silence’ and followed by 2013’s ‘Tomorrow Is Another Day’ (Schnauss also became a full time member of Engineers at this time). Initial sessions began at Ulrich’s East London home studio in early 2017 and final mixes were completed there in late 2020. Despite its extended conception, most tracks were completed during 2017, in part informed by improvisational sets in London, Dublin and St James’ Church in Birmingham (as part of the Seventh Wave electronica festival).

Available on LP/CD/digital plus a limited edition with a bonus disc of alternate versions with added live drums by the Von Spar drummer Jan-Phillip Janzen.
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Ulrich Schnauss & Mark Peters - Destiny Waiving Black Vinyl Edition
Ulrich Schnauss & Mark Peters
Destiny Waiving Black Vinyl Edition
LP | 2021 | EU | Original (Bureau B)
27,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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‘Destiny Waiving’ completes a collaborative trilogy that began with 2011’s ‘Underrated Silence’ and followed by 2013’s ‘Tomorrow Is Another Day’ (Schnauss also became a full time member of Engineers at this time). Initial sessions began at Ulrich’s East London home studio in early 2017 and final mixes where completed there in late 2020. Despite it’s extended conception, most tracks where completed during 2017, in part informed by improvisational sets in London, Dublin and St James’ Church in Birmingham (as part of the Seventh Wave electronica festival).
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Mali Hayes - Forgive You / Come Closer
Mali Hayes
Forgive You / Come Closer
7" | 2021 | EU | Original (Band On The Wall)
11,99 €*
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Release: 2021 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Mali Hayes has been simmering to the surface for a while now. Emerging from a Manchester jazz community that's enjoying its own renaissance away from the much-reported on London scene, the vocalist and songwriter's bittersweet neo-soul sound is trans-Atlantic – think initial progenitors such as Erkyah Badu, D'Angelo and Jill Scott – but is rooted in Manchester's mixed communities and the different walks of life she encounters.
Forgive You / Come Closer – owes itself to Gilles Peterson and Brownswood Music's Future Bubblers programme, when Hayes met producers Cult Architect and Medikul while part of the mentorship scheme. Airplay from Gemma Bradley, Victoria Jane & Mo Ayoub on Radio 1, Jamz Supernova & Gilles Peterson on BBC Radio 6, Victoria Jane on BBC Introducing, Jamz Supernova on Selector Radio. Features in Clash Magazines 'Next Wave' playlist and Spotify's 'Rhythm & Groove by DJ Taro' playlist.
The two tracks come out as part of a new series of 7" releases from Manchester institution Band on the Wall and their new label Band on the Wall Recordings. Based out of the iconic music venue, charity and cultural hub, the label builds on a successful compilation released to raise funds during the Covid-19 pandemic
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Lotic - Water Blue Marbled Vinyl Edition
Lotic
Water Blue Marbled Vinyl Edition
LP | 2021 | UK | Original (Houndstooth)
25,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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Marco Gomes - Week
Marco Gomes
Week
LP | 2021 | EU | Original (Karat)
19,99 €* 24,99 € -20%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Marco Gomes is coming with a much personal and intimate album named ” week “, as much as a real research on sounds and textures. It’s a day to day travel in which each element of the week, each day, with its particular soundscape, is part of an ensemble that expresses the complexity of emotions and the difficulties to catch the real life in its crudeness. This album is kind of melancholic, it’s hard to deny it, but it’s not expressed in a naive or depressed language. Some dark sounds, industrial, are always balanced with melodic or harmonic elements. Rhythms change along the pieces, the idea remains, in this kind of sharp and sweet poetry, in a kind of spiritual romanticism. This quest of sound of structures is an existential investigation on the modern life through the prism of ruled time oppression versus sublimation of the machines.
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Umbra - And We Finally Heard Them Singing
Umbra
And We Finally Heard Them Singing
12" | 2021 | EU | Original (Magma)
13,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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And We Finally Heard Them Singing is the first release of Umbra and the first release on Magma Records. The Brussels based producer and magma co-founder produces frenetic yet refined and emotive tracks. His signature palette gathers melancholy and tension with a DIY approach, sampling and mixing live sounding beats and electronic percussions. A large range of influences are morphed into this record showcasing a perfect blend of organic warm sounds, melancholic pads and electronic production.
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Steoples - Wide Through The Eyes Of No One
Steoples
Wide Through The Eyes Of No One
LP | 2021 | US | Original
27,99 €*
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Release: 2021 / US – Original
Genre: Electronic & Dance
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The Steoples are avant-soul duo of GB and Yeofi.
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A Mountain Of One - Custards Last Stand
A Mountain Of One
Custards Last Stand
12" | 2021 | EU | Original (Amore)
14,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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A Mountain Of One are set to return to the musical landscape with their brand new track “Custard’s Last Stand”, released 30th July through new label Amore via Above Board distribution. It is the first new piece of music the band have released in over a decade.

”Custard’s Last Stand” shows the band, made up of musical soulmates Mo Morris and Zeben Jameson, have lost nothing in the past decade. Recorded over Skype during the coronavirus pandemic, with Mo now in Bali and Zeben in west London, it is a shimmering, modern classic, experimental but accessible, melodic and adventurous. As ever, it is utterly unique, made in a musical universe all of their own.

“Custard’s Last Stand” EP is out 27th August, and will come with an incredible Denis Bovell Dub Remix, as well as another new track “Stars, Planets, Dust, Me”. The full EP package will come with a dub remix from musical pioneer Dennis Bovell.

The forthcoming album will be released this autumn. The whole project has been mastered then remixed for a forthcoming album by the legendary Ricardo Villalobos.

When they first started performing, they quickly became one of the most-acclaimed bands out there, with the likes of i-D, Sunday Times Culture, Pitchfork, NME and more raving about them and their inspired and original approach, led by Mo and Zeben’s almost telepathic understanding.

Sold-out shows and awesome reviews followed with “Collected Works” and “Institute of Joy”, two phenomenal records that have stood the test of time, criss-crossing folk, jazz, dance, rock and psychedelia.

A Mountain Of One have collaborated to create a coming together of music and virtual reality. With NYX VX, the band have developed a virtual world, one that will help provide inspired opportunities for artists looking to identify, connect and engage with audiences on multiple levels. This is the first stage of a new world that people will be building out and inhabiting, as venue for performances, home for musical and visual archives, space for play and exploration. Welcome to 'Stars, Planets, Dust, Me'.
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Restless Leg Syndrome - Totem
Restless Leg Syndrome
Totem
2LP | 2021 | EU | Original (Duzz Down San / HHV)
26,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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With their head-bopping, hip-thrusting, zalghouta-inducing tunes, Restless Leg Syndrome have tastefully-crafted a mélange of global references and in their work.. The Vienna-based group is made up of longtime DJ and producer d.b.h and turntable maestros Chrisfader and Testa. A seasoned enthusiast of Lebanese music, d.b.h offered the influence for their critically acclaimed second EP Dabkeh. The project paid tribute to the Mediterranean form of line-dancing by flipping Lebanese samples into irresistibly groovy beats.

Over the course of 2021, RLS dropped four eclectic EPs that seamlessly fuse long-forgotten tunes with foot-stomping breaks. Their first EP Venom cinematically takes off with Arabic melodies coupled with their signature electronic bounce. The latter half of Venom introduces a fat bass and a tasteful sample selection highlighting the trios’ affinity for Hip Hop. To follow-up the trio released Falcon, a borderless trip through a range of samples from Gwen Stefani’s iconic “uh huh” in the third track ‘My Shit’ to homages to the golden age of Arabic music. Standout track “Represent the Fucking Planet” really underscores the trios’ appreciation for drums that knock.

The third EP ‘Spirit’ progresses the trio’s genre-defying sound through five tracks. The quintessential boombap sound in ‘Direction’ is contrasted with the African-inspired drums and oriental strings on ‘Anamur’. The groups’ mastery of the art of scratching is tastefully peppered throughout the EP to complement their arsenal of vinyls.

The fourth and final EP of the collection ‘Fool’ is immersively inventive and addictive. The single ‘Gönndir’ is studded with polyrhythms and a seductive bassline. With skittering backbeats and funky riffs, the EP is dynamic in its beat switches and laden with North African gems. ‘Embassadors of Rhythm’ features an instructional workshop by the iconic Egyptian percussionist and composer Hossam Ramzy (sampled by Timbaland for Jay-Z’s song ‘Big Pimpin’). Bass-heavy track ‘The Fools’ alludes to the popular Tunisian mizwed music, which uses the traditional ‘mizwad’ bagpipes and the ‘darbouka’ drum. ‘The Fools’ is accompanied by a music video composed of photographs taken in and around Beirut in 2021 highlighting the fruits of labor of a city plunged in crisis over the past two years.

Restless Leg Syndrome wraps up their marathon of releases with Totem, a 2LP vinyl release featuring the full collection of tracks from all four EPs. Its gatefold cover was crafted by Lebanese illustrator Raphaelle Macaron and imagines each EP as a tarot card.
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Alexander Melzak - Alexander Melzak
Alexander Melzak
Alexander Melzak
LP | 2021 | EU | Original (Light Sounds Dark)
23,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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New music on Light Sounds Dark from Alexander Melzak!
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Vaovao - Vaovao White Vinyl Edition
Vaovao
Vaovao White Vinyl Edition
LP | 2021 | EU | Original (Staatsakt)
13,79 €* 22,99 € -40%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Max Winter - One Thousand Lonely Places
Max Winter
One Thousand Lonely Places
LP | 2021 | EU | Original (Where To Now?)
19,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Max Winter’s music seeks to traverse a breadth of styles – a world where freewheeling jazzwise drum workouts linger behind silk bass and glooming electronics, where compositional flurries of flute, cello, keys, and violin playfully exchange with restrained melodic ambience, where driving & pummelling big drop productions resurface as introverted pop stunners, where crystalline vocal melodies float above terminator slap bass sessions… it’s literally all going on…and all at the same time. Max holds that rare ability to serve as a vector for his own sweeping ideas, to think something and ‘just do it’ – coming from a jazz & classical compositional background Max writes everything, plays everything, and masterfully grasps everything. To be frank, ‘One Thousand Lonely Places’ has ended up being one of the most mysterious and exciting things we’ve ever put out. Max strives to bring a very human element / approach to his electronic compositions, perhaps a result of the tactile nature of his classical training, he injects a unique rawness into his sound world via vocal experiments which breathe (literally) emotional states into much of the work, building and elevating his sound with the big room pieces, and pushing the other end extreme of anxious isolation deeper into the walls. There’s no denying the strong pop sensibility that permeates ‘One Thousand Lonely Places’, hushed vocal parts are shared between Max and recurring guest Imogen, and there’s a definite structure within the chaos, but this is mostly an odd, isolated, experimental take on formal song structure - walking the same restrained, understated pathways forged by bands such as Talk Talk and The Necks one moment, and then the next minute pointing towards the likes Arto Lindsey & Bill Laswell’s more playful forms of No Wave, and then from there gazing towards the future focus of musically informed, genre less freedom explored by artists such as Laurel Halo, Kaitlyn Aurelia Smith. All of these touchpoints are subtly underpinned with an understanding and appreciation of classical & quiet music forms of composition encompassed and explored by masters such as Akira Rabelais, Harold Budd, David Sylvian.
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Pole - Tanzboden
Pole
Tanzboden
12" | 2021 | EU | Original (Mute)
19,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Ivvvo - Greatest Hits Archive 2010-2015
Ivvvo
Greatest Hits Archive 2010-2015
LP | 2021 | EU | Original (Lith Dolina)
19,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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A collection of works and early studies
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Phanton - Bagufoshe
Phanton
Bagufoshe
LP | 2021 | EU | Original
13,29 €* 18,99 € -30%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Natural electronic music" is how producer and sound engineer Michael Springer aka Phanton describes his music. And that's pretty spot on.

What we hear is warm, earthy and at times slightly eccentric dance music, built on a foundation of organic grooves. Its unique character is created through acoustic instruments, which are looped and processed to generate the final electronic sound. African influences paired with 1980s Krautrock, produce an almost ritual-like, shamanic undertone, in which the minimal sound of the precisely tuned percussions stands out.

By the way: "Bagufoshe" is a Rwandan expression used as a proclamation of joy - no more, no less.
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Cole Pulice - Gloam
Cole Pulice
Gloam
LP | 2021 | EU | Original (Pingipung)
24,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Cole Pulice is a saxophone player from Minneapolis. An improviser of Ambient Jazz who earned his merits touring with Bon Iver, working with Godspeed You! Black Emperor and releasing wonderful electroacoustic gems with the groups Iceblink (Moon Glyph) and LCM (Orange Milk). With Gloam - his solo debut - Cole Pulice offers us six spacious audio holograms, one-take recordings of his saxophone entangled with live electronic hardware. We hear undulating pitch shifters, ring modulations and spectrally rich harmonizers. Cole applies all signal processing live, augmenting the calm, serene melodies Cole plays on his saxophone. The electronics never serve as a mere effect here. Instead, Cole’s fine-tuned setup functions as one whole instrument with which he effortlessly morphs shapes and colors, like fractals within a kaleidoscope or fragments of stained glass in a rock tumbler. Cole mentions the Synchromism visual art movement as an influence for this record, an American avantgarde style of the early 20th century in which colour and sound were treated as equivalents. It’s a spot-on analogy for these musical gems which serve to immerse us in imaginatory prisms. Cole’s sessions conjoin artificial processes with the vibrations of his breath to create electro-acoustic lullabies which reveal ever more timbral layers with each listen. Gloam was released on tape by the Moon Glyph imprint from Portland during the first lockdown in 2020 and has been licensed to Pingipung for this vinyl edition.
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Aestum - Aestum Purple Vinyl Edition
Aestum
Aestum Purple Vinyl Edition
LP | 2021 | EU | Original (AMMXX)
21,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Aestum’s self-titled debut album is an in-depth journey into supreme and tranceformative soundscapes. Oscillating around the apex of spacious power ambient and drone, the compositions recorded during 2020 combine monolithic electronica with decaying fantasies and slow-motion euphoria.

The imagination for the album was inspired by the idea of panortosia (universal reform) as described in old scholar books devoted to inter-communication and sacrosanct harmonies in order to find a way into divine temple and shining lux (eternal light). From sonic perspective Aestum created a juxtaposition between warped atmospheres and distant remnants for a state of trance, a multiverse vision of feeling that was evoked by timeless parties and almost religious peak-time club anthems during end of 90’s and 00’s when Aestum as a duo of young friends were entering dancefloors across Europe. With this attitude every composition - often accompanied with dreamy messages and heavenly choirs of Dutch vocalist Bobbie 0rkid - marks its own emotional landscape and reaches new enigmatic spheres.

Influenced by this concept a New York based multidisciplinary artist Emma Pryde created visuals for the album - not just the cover where the story of panartosia is being told across the front and back cover, but also transformative videos for tracks Panortosia and Himmel. Using pure elements like heaven or meadows on the base, she added layers of imagery from sci-fi effects to more ancient and religious images, warping and blending into each other, leading into a fantasy that represents the past and future, and gives a meaningful hope.
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Troniq - Never Say The Last One
Troniq
Never Say The Last One
12" | 2021 | EU | Original (Columbo)
12,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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The cirle is now complete. Well.. maybe because Never Say The Last One. Troniq left the Prague city life and now he's exploring ambient journeys under his real name Martin Kuška while for the dance stuff he reserved the new Goobye Mirage nick.
Two melancholic tracks were left behind unreleased and here they come as a first release on Columbo Records. Polished and glamorised for the hazy dance floors, boosted by stunning remixes of Etbonz and Imre Kiss.
Digital Bonus: Two more mixes from Imre Kiss!
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Gloved Hands - Empty Terminal
Gloved Hands
Empty Terminal
LP | 2021 | EU | Original (La Luna)
15,19 €* 15,99 € -5%
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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The debut full length album from Gloved Hands, entitled Empty Terminal, finds the musician straying from the dance floor in search of something amorphous and less tangible. Ambient in nature, the eight tracks that comprise the LP have a deep focus on texture, space, and human feelings rather than a need for constant propulsion and momentum.

The A-side, the more rhythmic and percussive of the two, is awash with vague echos and smudged, slow-moving chords. Subaqueous drums shift in and out of focus. Sound sources are at once distant and intimately close. The curtains part to reveal a glimpse of a crystalline melody or a fraction of a vocal phrase only for the room to fill with fragrant smoke and go dark. It is a place beyond the dance floor. Perhaps it's a place without any floor at all.

The B-side is even more fragile and diaphanous. The foreground and background are obscured, leaving a hazy mesh of delicate, interwoven forms and rhythms; glistening and brushing against one another in the warm, dimly-lit space in between. With a swirling mix of cavernous bass and sweet-but-never-saccharine melody, the details are stretched and abstracted into something new yet familiar. The compositions ripple in midair, appearing and vanishing, close but just out of reach.
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Frederic D. Oberland & Gaël Bonnefon - Meme Soleil
Frederic D. Oberland & Gaël Bonnefon
Meme Soleil
LP | 2021 | EU | Original (IIKKI)
22,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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"Même Soleil" is the result of a dialog between the French photographer Gaël Bonnefon and the French musician Frédéric D. Oberland initiated by Iikki, between December 2019 and June 2021. Self-taught multi-instrumentalist & photographer, Frédéric D. Oberland finds himself at the crossroads of image and sound, favoring a synesthetic approach. Gaël Bonnefon has exhibited at Villa Pérochon, at the Eté photographique in Lectoure, at the 104 in Paris during Jeune Création 2012, at Rencontres Internationales de la Photographie d’Arles and at PhotoEspaña, at the Abattoirs Museum in Toulouse in 2014, at the Château d’Eau Gallery in 2012 and 2019 and in the Vitrine of Frac Île-de-France in 2020.
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Dalhous - The Composite Moods Collection Vol.2: Point Blank Range
Dalhous
The Composite Moods Collection Vol.2: Point Blank Range
2LP | 2021 | EU | Original (Denovali)
42,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Dalhous end the 5-year silence with the long awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection. "Point Blank Range" reinterprets the established narrative with an inverse look at the proceedings. The entire record can be listened to as a continuous piece, each track seamlessly linked together as though part of an interconnecting nervous system. Where House Number 44 offered airy, widescreen soundscapes of detached detail, Point Blank Range presents an altogether different form. Creating airtight vacuums of agitated twitching feeling, tracks are pulled to the forefront of the stereo field, continually mutating their densely painted neurochemical hallucinations with a breadth of sound previously unheard on previous releases.
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Hugh Small & Brian Allen Simon - The Side I Never See
Hugh Small & Brian Allen Simon
The Side I Never See
LP | 2021 | EU | Original (Melody As Truth)
22,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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MAT is proud to announce the forthcoming release of ‘The Side I Never See’, by Hugh Small & Brian Allen Simon. Hugh forms half of Scottish post-punk duo Vazz, whose work was the subject of a recent retrospective by Belgian label Stroom. Brian is known best for his solo project Anenon, under which name he has released four full length albums and multiple remixes for artists including Ryuichi Sakamoto. An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together. The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-) ‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.
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Leslie Winer - When I Hit You You'll Feel It Blue Vinyl Edition
Leslie Winer
When I Hit You You'll Feel It Blue Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
46,99 €*
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”
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Leslie Winer - When I Hit You You'll Feel It Pink Vinyl Edition
Leslie Winer
When I Hit You You'll Feel It Pink Vinyl Edition
2LP | 2021 | US | Original (Light In The Attic)
47,19 €* 58,99 € -20%
Incl. VAT plus Shipping Costs
Release: 2021 / US – Original
Genre: Electronic & Dance
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Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon
Picture shows a mock up. The actual records are unique and will differ.

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”
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Niko Lfo - Aurality
Niko Lfo
Aurality
LP | 2021 | EU | Original (Famous Grapes)
25,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Aurality -20°10’45.3176” -044°04’01.4329” is an array of sonic encounters that floats and wavers above the
pliable junction of experimental electronics and field recording research.
The first release by French artist Niko de Paula Lefort for Famous Grapes Recordings reflects on the relationship between bioacoustics and harmonic space; it explores the effects of Time Lag Accumulation, a tape
looping technique developed by Terry Riley and Pauline Oliveros through their pioneering work in the 1960s.
Aurality -20°10’45.3176” -044°04’01.4329” was recorded at the Fazendinha, or Little Farm, near Belo Horizonte, in Minas Gerais, Brazil. Augmenting past inquiries into the materiality of sound and its role in mediating experience and transmitting knowledge, de Paula Lefort surveys the consonant properties of the region’s
biophony. According to field recordist Bernie Krause, biophony is the aural character of all living organisms
in a particular geographic area. Aurality -20°10’45.3176” -044°04’01.4329” is a two-sided exploit of a 24-
hour period radiating out of dawn and dusk. Divided further, each cyclical procession yields a new orchestra
of natural sonic phenomena.
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Wayne Robert Thomas - Canticles Of Bliss
Wayne Robert Thomas
Canticles Of Bliss
LP | 2021 | EU | Original (Past Inside The Present)
24,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Composed and recorded by Wayne Robert Thomas with an electric guitar at Stan Mikita's Donuts, Aurora, Indiana from October 2019 to August 2020. Design, layout and assemblage and christened by Sir Frizzell. Mastered and blessed at Schwebung Mastering (Germany) by Stephan Mathieu. Muted trombone by Ron-Robert Thompson on 'Just Be Patient With Me' Additional guitar by Andrew Bergman on 'Envoi' . "Love abounds in everything"
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Nostalgie Eternelle - Face A L'incertitude EP
Nostalgie Eternelle
Face A L'incertitude EP
12" | 2021 | EU | Original (Raw Culture)
16,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Nostalgie Éternelle might sound like a new name on our shameless label but in fact they are 2/3 of Sauerstofff and with Face á l'incertitude EP they keep us in balance between the 1987’s atmosphere of Leer and those of the city of Hamburg in 2019 where Inox Kapell and Dieter Mauson have recorded part of the record. A style lesson that we welcome with great pleasure by two artists with 35 years of friendship and militancy in the post-punk scene in Europe.

An EP that ranges between the dementia no wave of “Human Biodiversity”, the synthetic minimalism of “Die ganze Wut”, the atmospheric romance of “Under Water Dream”; between the dub sonorities of “Raumseelen” and the new wavish of “Wo es weiter geht” and “Thank You!”
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Blood Wine Or Honey - Dtx2
Blood Wine Or Honey
Dtx2
LP | 2021 | US | Original (Bastard Jazz)
25,99 €*
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Hong Kong based hypno-tropicalia duo Blood Wine or Honey are set to release their second album 'DTx2" on 30th June 2021. Made up of seasoned multi-instrumentalists James Banbury (synths, bass, percussion, cello) and Joseph von Hess (vocals, clarinet, sax, percussion), they create a heaving, heady brew of brazen sax themes, lo-fi/hi-tech electronics, densely layered cello inflections and motorik drums. These explorations start with the dance-floor then go above and beyond, taking notes from post-punk and tropical polyrhythms, always anchored by the bass weight of the sound system. Their distinctive sound is created in the industrial warehouses and hidden rural settlements of Hong Kong, surrounded by the low-end throb of heavy machinery, the lingering scent of hand sanitiser and the humidity of the South China Sea. Written and recorded during 2020-21, new album 'DTx2" looks ahead to an uncertain future, drawing deep on their experiences and influences.
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S?K - The S?K Files Black Vinyl Edition
S?K
The S?K Files Black Vinyl Edition
2LP | 2021 | US | Original (Sic)
29,39 €* 41,99 € -30%
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Edition OF 100 Copies
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S?K - The S?K Files Clear W/ Splatter Vinyl Edition
S?K
The S?K Files Clear W/ Splatter Vinyl Edition
2LP | 2021 | US | Original (Sic)
42,99 €*
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Edition OF 150 Copies
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Azu Hoyvoy - Future Literature EP
Azu Hoyvoy
Future Literature EP
12" | 2021 | EU | Original (Milkman)
12,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Since 2016, Milkman has been a pioneer in India’s ever-evolving electronic music scene. From building the foundations of India’s warehouse-rave culture, to consistently curating international and local artists at the forefront of the electronic musical underground, Milkman has quickly become a formidable force. Both editions of its festival, ‘Terminal 1’ were highly well-received, and this year, Milkman brings its first ever release as a label to the world. Azu Hoyvoy’s music feels like it has a toehold in the world of left-field dance-floors, while also being comfortable in any post-apocalyptic sensorium you can dream up. This peculiar trait should not come as a surprise. The chaos, darkness, and simultaneous beauty of the city from which he hails all make for a hard cocktail of deep-uplifting-frightening-introspective fervor, spilling appropriately into this record. The twenty-three-year-old Mumbai-native’s previous music is largely dominated by RnB and Soul, and in some ways feels like the proverbial Jekyll to Future Literature’s Mr. Hyde. To the extent that Azu’s previous incarnation still resides in his darker counterpart, it shows in Future Literature’s multi-faceted grooves and syncopations that are relatively unique in this spectrum of electronic music. This collection of tunes finds a very suitable corner in the eclectic and forward-thinking home of Milkman, and the result is an enjoyably mind-expanding, if sometimes disconcerting record.
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PYTKO - Save My Day Incl. DJ Python Remix
PYTKO
Save My Day Incl. DJ Python Remix
12" | 2021 | EU | Original (Phantasy Sound)
11,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Phantasy is proud to introduce the first release from Polish-born, London-based experimentalist, Pytko. ‘Save My Day’ and ‘Wife’ offer a tantalising introduction to a unique sonic world, remixed delicately by DJ Python. Bristling and vulnerable, ‘Save My Day’ is an aching internal monologue reborn as a haunting melody. Led by guitar in the outsider spirit of This Mortal Coil or Dead Can Dance, Pytko’s compelling vocals invite listeners to lean further in, conjuring dream pop textures within her personal but ambiguous songwriting. A student of sound design and composition for moving images, PYKTO’s approach is more abstract but no less intriguing on ‘Wife’, a cryptic story told through ghostly sonics, establishing a sensibility somewhere between DIY indie and futurist pop visions. One of the most creative and singular electronic musicians in recent years, DJ Python builds on his recent acclaim with a spectral and sensitive rework of ‘Save My Day’. Suspending Pytko’s vocals atop a weightless bed of dreamlike percussion, the New York producer pushes his signature ‘deep reggaeton’ style to its psychedelic finest.
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Pone - Listen And Donate Picture Disc Edition
Pone
Listen And Donate Picture Disc Edition
2LP | 2021 | Original (Naive)
30,99 €*
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Release: 2021 / Original
Genre: Electronic & Dance
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Beckahesten - Tydor
Beckahesten
Tydor
LP | 2021 | EU | Original (Cyclic Law)
22,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Second full length album from one of Sweden's most singular sonic entity. Featuring guest appearances by Kai Uwe Faust of Heilung, Lars-Magnar Enoksen and Anders Hovland, the music of Beckahesten emerges from a borderland where ambient, folk music and ritual converge. Recorded in various natural locations in Norway and Sweden, nature spirits have infused themselves in these recordings... Dancing with vague entities in a blackened cinder field, followers of dread that has woken, hypnotised one is drawn deeper into their realm. The trees moulder around and offer little protection. Haunting voices keep echoing in the dusk. Lost and trapped you lay down, shivering in the dew. You are their offering, sinking into the mire. Standard Edition LP of 200 copies in standard sleeve with spot UV and Matt lamination with printed inner sleeve.
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Kid Millions And Jan St. Werner Of Mouse On Mars - Imperium Droop Purple With White Vinyl Edition
Kid Millions And Jan St. Werner Of Mouse On Mars
Imperium Droop Purple With White Vinyl Edition
LP | 2021 | US | Original (Thrill Jockey)
28,79 €* 31,99 € -10%
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Release: 2021 / US – Original
Genre: Electronic & Dance
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Imperium Droop brings two mavericks of sweeping exploration together into new avenues of musical expression. Kid Millions and Jan St. Werner explore a liminal space between improvisation and composition, a fluid yet defined sound-space, founded on the unique chemistry of their friendship and pushing into the future. Kid Millions stands as one of the most sought after drummers and improvisers in NYC, known for his work as the drummer for Oneida, his expansive solo work as Man Forever, as well as collaborations and performances with the likes of Laurie Anderson, Philip Glass, Royal Trux, Boredoms, White Hills, and Spiritualized. Regardless of who he's working with Kid Millions radically redefines the drums as an instrument. Jan St. Werner has consistently remained at the vanguard of electronic music. In his work as one half of the visionary duo Mouse On Mars, as well as his acclaimed solo work both as a composer and sound artist, and in collaborations with The Fall's Mark E Smith, Oval's Markus Popp, Stereolab, and The National St. Werner constantly pushes the limits of recorded sound. Together, Millions and Werner have crafted a monument of unpredictable beauty built on breathless forays into the unknown. Werner's application of a seemingly infinite arsenal of textures unleashes colorful swaths of energy. Mats Gustaffson joins Werner on the maximalist "Color Bagpipes," unleashing torrents of swiveling melody and breathy clicks over the exponential thunder of Millions' drum kit. Pieces like "Dark Tetrad" and "Astral Stare" demonstrate the duo's mastery of space and surprise. Dark flutters flow in slow pulses across "Apotropaic" where erratic swirls of sound twist and mutate on "Sorrows and Compensations," unified as a single force by the overwhelming diversity of sounds. Millions' drums effortlessly rides each wave of Werner's prismatic deluges and channels their energy into dynamic movements. Through his singular prowess, Millions' tireless rhythms and subtle gestures mirror Werner's boundless textural palette and drive each piece towards transcendence. On Imperium Droop, Kid Millions and Jan St. Werner have combined their powers into an incomparable work of gripping and intrepid sonic fluctuations.
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Nwaq Aka Newworldaquarium - Above EP
Nwaq Aka Newworldaquarium
Above EP
12" | 2021 | EU | Original (Last Age)
13,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Jochem Peteri comes drifting back into earshot with some new Nwaq tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the Nwaq soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. Nwaq has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.
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Interstellar Funk / Guenter Raler - Scores III
Interstellar Funk / Guenter Raler
Scores III
12" | 2021 | EU | Original (Dekmantel)
11,69 €* 12,99 € -10%
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Release: 2021 / EU – Original
Genre: Electronic & Dance, Soundtracks
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Label Text "Dekmantel once again teams up with RE:VIVE, the cultural initiative setup by the The Netherlands Institute for Sound and Vision, to pair modern electronic talent with Dutch archival footage. The third EP in the Scores series sees Interstellar Funk and Italian producer Guenter Råler create innovative, modular soundscapes to the graceful visual arts unearthed from the EYE Filmmuseum archives. As Interstellar Funk, Olf van Elden uses his production competency to craft a heavenly arpeggiated, synth composition to the amateur aquarium movies by J.L. Clement which are edited for this project by Sjoerd Martens. Filmed in the 1940’s, the video’s turn-of-the-century black-and-white style aquatic footage is reanimated through van Elden’s tacit polyphonic, modular sonic soundtrack. Layering together multiple sequences, van Elden pieces together the music as a whole, to mimic the way in which the film was created. On the B-Side, Italian abstract artist and Dutch native Guenter Raler concocts a deeply introspective, and perfectly choreographed, ambient soundtrack to a select series of pieced together clips from the Collectie Natuurbeelden, [the Institute’s Collection of Natural Images]. The music plays against the depiction of multiple biological communities in transition; what is referred to as an ecotone. The title itself not only recalls that of a musical tone, but represents the ever-evolving aspect of life and nature as similar colours, along with movements of animals and plants pass on from one image to the next. Within their own right, the new scores not only give the age-old films new context and sonic character, but exist as creative works as their own, full of resonance and individualism that highlight the retrospective artists’ voices to their fullest."
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Flying Lotus - OST Yasuke (A Netflix Original Series ) Red Vinyl Edition
Flying Lotus
OST Yasuke (A Netflix Original Series ) Red Vinyl Edition
LP | 2021 | UK | Original (Warp)
25,99 €*
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Release: 2021 / UK – Original
Genre: Hip Hop, Electronic & Dance
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Given his noted love of anime, scoring a fantastical retelling of a 16th-century samurai warrior of African descent serving under a Japanese daimyo, must be a dream project for Flying Lotus. But, as we’ve come to expect from the man who brought us the mind-bending 2019 LP Flamagra and his own written, directed and scored full-length surrealist fever dream Kuso back in 2017, Steve Ellison is anything but predictable.

Where his recent work has ventured deep into the hitherto unexplored avant-garde reaches of contemporary electronic music, jazz and hip-hop, FlyLo’s score to renowned anime creators Studio MAPPA’s Netflix original series Yasuke — on which he also acts as story consultant and executive producer — sees FlyLo eschew his digital maximalism with rumblings of traditional instrumentation, sweeping romanticism and widescreen cinematic scope.

Broadening the canvas of show creators LeSean Thomas and Takeshi Satou’s alternative-historical Sengoku period of magic and swordplay, with a soundtrack of Morricone-style epic tones, traditional Japanese percussion instruments and West African percussion, the feudal yet futuristic world of Yasuke is summoned.

The drum-driven drama of ‘Your Armour’ and ‘Your Lord’ simmer with synth flutes, strings and koto, as the bubbling arps of ‘War Lords’ recall the cyberpunk noir of Vangelis’ Blade Runner score, while frequent collaborators Thundercat and Niki Randa, also make an appearance in this parallel universe.

Another spellbinding FlyLo release even without the stylish animations of the show, Yasuke is set to be one of Ellison’s most prized releases.
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Blanck Mass - Mind Killer HHV GSA Exclusive Edition
Blanck Mass
Mind Killer HHV GSA Exclusive Edition
LP | 2021 | UK | Original (10)
19,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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Exclucively available for mainland Europe except Scandinavia at HHV.

Blanck Mass - the project of musician Benjamin John Power - announces Mind Killer, out Friday, May 14th, via Power’s own Weirding Way label. Recorded in April 2020 at the beginning of the lockdown during the Covid-19 outbreak, Mind Killer is an improvised and original live-streamed performance by Blanck Mass. Using a core setup of the Korg Volca Series (beats, bass, sample & keys), the result is a 40+ minute long voyage into improvised techno and loop-work, warts and all. The only alteration is a slight edit in length so it fits onto a piece of vinyl. The release is extremely limited, one pressing only of 1,000 copies worldwide on black vinyl.

Mind Killer follows the recently released Blanck Mass album, In Ferneaux. The album is made of an archive of field recordings from a decade of global travels. Isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue.
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Cévennes - Vers Quelques Attracteurs Étranges
Cévennes
Vers Quelques Attracteurs Étranges
LP | 2021 | EU | Original (Les Disques Solubles)
20,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Cévennes is a project by Didier Delrieu, a French musician born in 1967. From the mid-90s, he creates his home-studio and begins to create electronic music. In 2000, he left Paris to set up a bookstore specializing in art in Toulouse. He divides his time between his job as a bookseller and musical creation.

Vers Quelques attracteurs étranges is the first album from Cévennes and the first release from Les Disques Solubles.

Slow electronic music composed mostly on Buchla and various analog synthesizers, this work is interested in sound poetry, exotic and cinematographic atmospheres.

Tracklist

A1. Cévennes - Misérable miracle A2. Cévennes - Soleil bas A3. Cévennes - Les Fins d'après-midi renoncent A4. Cévennes - Le Voyage des fragiles

B1. Cévennes - Hikikomori B2. Cévennes - Eloge de la mousse B3. Cévennes - Avec elle, dérivant B4. Cévennes - La Fin des oiseaux
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Beautify Junkyards With Belbury Poly - Painting Box
Beautify Junkyards With Belbury Poly
Painting Box
7" | 2021 | UK | Original (Ghost Box)
13,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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The A side is a cover of The Incredible String Band’s Painting Box, originally written by Mike Heron. It’s a collaboration between Beautify Junkyards and Belbury Poly and produced by Jim Jupp. The flipside is an original by Beautify Junkyards, Ritual in Transfigured Time, produced by João Branco Kyron.

Both have a delightfully disorientating sound. The artists complement each other perfectly with their through-the looking-glass electronic psychedelia.

Beautify Junkyards: A talented group of Lisbon based multi-instrumentalists headed up by João Branco Kyron on vocals and keyboards with Helena Espvall (formerly of Espers) on cello, flute and electric guitar, Martinez on vocals, João Moreira acoustic guitar and keyboards, Sergue Ra on bass and Antonio Watts on drums and percussion.

Belbury Poly: Jim Jupp is co-manager of UK label Ghost Box Records. As Belbury poly he’s released EPs, singles and six albums on the label. He is also a member of The Belbury Circle along with Jon Brooks (of The Advisory Circle) and occasional collaborator, John Foxx. He’s remixed tracks for several artists including John Foxx and Bill Ryder-Jones (The Coral) and has co-written a song with Paul Weller for his 2020 album On Sunset.
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Axel Dörner & Richard Scott - A Journal Of Elasticity
Axel Dörner & Richard Scott
A Journal Of Elasticity
LP | 2021 | UK | Original (Bohemian Drips)
23,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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»Journal of Elasticity« sees Richard Scott and Axel Dörner team up again after having previously collaborated live onstage and in the studio for albums such as »Orbit, Dialogue and Trajectory: Live In Berlin« with Thomas Lehn and »Seven Types of Ambiguity.« The duo came together for the 2017 edition of bohemian drips’ very own »Speicher – Festival for Site-Specific Music« to compose and record two sessions—one just by themselves in the empty tank and another one during which they were surrounded by an audience—at the big water reservoir in Berlin-Prenzlauer Berg, whose acoustic idiosyncrasies have been previously explored by Microtub on »Chronic Shift« (2019, Bd010) and Tomoko Sauvage on »Fischgeist« (2020, Bd013) released also on bohemian drips. Amplified through a hexaphonic sound system, Scott worked with a Eurorack modular synthesiser, an EMS Synthi A and a Ciat-Lonbarde Tetrassi, while Dörner played a a Holton Firebird trumpet with additional live-sampling via Max/MSP and a controller interface developed by Sukandar Kartadinata. Their two compositions are based around flexibility and elasticity and marked by a mutual understanding of the unpredictabilities of each other’s playing. The duo’s process is a fluctuating one that creates friction and tension along the way that are briefly resolved in one moment and then emerge anew while the duo goes on to find new sonic and musical formations in the next one. This compositional approach is further diversified and complicated by the space around the two players, whose acoustic qualities are directly shaped by the presence or absence of other bodies. Side A, »The Near-field of an Accelerating Dislocation,« recorded without any other people present, may be the shorter piece but uses the unique acoustics of the Großer Wasserspeicher as a third actor: while the musicians’ distinct voices converge and diverge, their reverberations overlap in space. »Discontinuity within a Continuum in the Presence of Electromagnetic Fields« on side B sees Dörner and Scott put a heavier emphasis on individual sonic events that are being layered and interwoven in an acoustically more confined setting. What resonates in the latter piece is less the naked brick walls of the reservoir than the physicality of the audience—bodies in space and time to sound. With »Journal of Elasticity,« two boundary-breaking musicians do not so much explore a middle ground between them, but rather use the dynamics of the peculiar spaces around them. Scott and Dörner masterfully construct and play with tonal, temporal, spatial and sonic dualities. The spatial information on this LP was captured with a binaural dummy head microphone (Neumann Ku-100) – listening with headphones is recommended for a more immersive experience.
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Mindspring Memories - earlytrance Magenta Vinyl Edition
Mindspring Memories
earlytrance Magenta Vinyl Edition
2LP | 2017 | CA | Reissue (Tiger Blood Tapes)
50,99 €*
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Release: 2017 / CA – Reissue
Genre: Electronic & Dance
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Limited edition double vinyl LP on magenta Colored Vinyl in full colour jackets in protective sleeves. Remastered by Angel Marcloid 2021. Contains new exclusive bonus track.
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Greville - Summer & Wonder
Greville
Summer & Wonder
12" | 2021 | UK | Original (Mad Habitat)
13,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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Greville translates the deft drum programming and atmospherics of their previous work on Mad Habitat into a dextrous downtempo odyssey. The tracks pair woody percussion with crystalline pads and figurative sounds that evoke their own biospheres; listen to the woodland motorik of “Marbles” or swingbeat syncopation and coruscating arps of “Time”. The depth of production here is best exemplified by “Night Light” where the “Ambient Mix” strips the track down the dreamy chords and the asynchronous twitter and chirrups of a synthesized bushland - and like the EP altogether, it's a curious sonification of Australia in the summer.
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On-Ly - Yurodivy
On-Ly
Yurodivy
LP | 2021 | UK | Original (La Sape)
24,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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On-Ly is the solo and collaborative moniker of pianist and producer Joshua Smeltink. On-Ly has been playing local traps since 2017, varying across numerous bands, recently settling into the second line-up for his own On-Ly band: Carl Lindeberg, bass (Surprise Chef), Henry Hicks, guitar (Horatio Luna) and Bryce Zelno, drums (Astral Flex).
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Basic House - Crown Ever Remain
Basic House
Crown Ever Remain
12" | 2021 | UK | Original (Sähkö)
18,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance
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Stephen Bishop is a Newcastle based producer behind the label Opal Tapes. As a solo artist he is called Basic House.

Crown Ever Remain is a contemporary bass heavy magical masterpiece in a tradition of the black experimental electronic noise of the North England.
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The Avalanches - Since I Left You 20th Anniversary Deluxe Edition
The Avalanches
Since I Left You 20th Anniversary Deluxe Edition
4LP | 2021 | UK | Original (XL)
58,99 €*
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Release: 2021 / UK – Original
Genre: Electronic & Dance, Pop
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One copy per customer.

The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.
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Body Meat - Year Of The Orc
Body Meat
Year Of The Orc
LP | 2021 | EU | Original (Body Meat)
17,99 €*
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Release: 2021 / EU – Original
Genre: Electronic & Dance
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Body Meat—the project of Philadelphia-based multi-instrumentalist and producer Christopher Taylor. Streched and bold out of shape pop accompanied by mangled electronics that meld together like a beautiful peice of abstract dance. full info soon!
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