Downbeat | Electronica | Leftfield Vinyl 4783 Items

Chordial Identikit (Step By Step)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Label head DJ Superherb debuts under this alias on Full Dose, in collaboration with fellow Glaswegian compatriot, TEN Years Lost. " Concrete City Merchandise " is a timely selection of iced out beats - a perfect companion to an unusually sweltering summer.

A surprising collision of minds has produced an album of near-horizontal belters. "Ocarina of Time", with its dusty vocal loops and shimmering high end induces a lazy euphoria like no other. The title's reference to Zelda aligns the pair with a long list of talented and game-obsessed beatmakers, matching the vibe of the track perfectly.

In an album clearly representing an evolution of the Full Dose sound, "Yeah"s dembow programming and stabby riff will be familiar to those who've been around since the beginning. Combine this with the clear G-funk influences found throughout, and you're on to a winner. "Pagan Golf" continues this amalgamation of styles, resulting in a sound that's perfectly Full Dose.

In a similar vein, "On the Rise" is as true to the West Coast sound as you're likely to find this side of the Atlantic. This hit sounds like the housier end of Stones Throw filtered through the mesh of the Glaswegian underground. Moogy synths carry loopy vocals, with the occasional fizzy and elongated riser to ensure you're not too deep in a trance.

Retaining these themes but slowing the pace right down is "Key Notez". Pulsating samples of running water sit low in the mix, providing a bed for the emotive pads and gently arpeggiated synth lines. The track somehow manages to combine elements of R&B with the more emotional end of electronic music, in a way that's rarely found."

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Ratkiller

7" | 2023 | UK | Original (Mida)

12,99 €*

12" | 2023 | EU | Original (0)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ratkiller steps into daylight for a brief moment with two tracks of fizzy experimental shenanigans. Let it fry your brain. Step by step. On & on! Ratkiller is one of many projects by Estonia's outsider don Mihkel Kleis.

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9,09 €* 12,99 € -30%

LP | 2022 | DE | Original (Bad Boy Jesus Tape Club)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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This board appears to be highly advanced and buggy as ever. The system is realised… a ton of blinking lights and information. The fourth release on 0 produced by c3d-e and hashman.

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Dialog Mit Der Jugend

Manual

LP | 2022 | DE | Original (Bad Boy Jesus Tape Club)

Release: 2022 / DE – Original

Genre: Electronic & Dance

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Words: Mitko Mitkov

Music: Museum of No Art (1–8) Ubaldo (9) Jonas Hinnerkort (10–16) Philomena Lauprecht (17–23) Manual is a guide of nonsense; a set of rules impossible to follow; a number of instructions not to be fulfilled; a bridge between processes that take place beyond consciousness; a conspiracy that has a beginning and an end.

Manual was created as a collaborative piece with a concept and words by Mitko Mitkov and music contributions by Museum of No Art, Ubaldo, Jonas Hinnerkort and Philomena Lauprecht. Every piece of music on this album is an interpretation, a reaction and in a way a subversive soundtrack to a set of texts providing instructions on how to deal with a world falling apart. The piece was originally released on a Telegram channel between the 1st and 31st of August 2022.

* Dialog MIT DER Jugend is a sound based project by Mitko Mitkov. All tracks are written, performed, recorded and mixed by Christoph Lohse. Acoustic Drums and Percussions performed by Manuel Chittka. Mastered by Fabian Tormin (Plätlin Mastering). / Dialog mit der Jugend Scenes from a Window

Score and Text: Mitko Mitkov Music: Jonas Hinnerkort, Hye-Eun Kim and Sebastian Kokus Voice: Rui Hernan Campos

Mastering: René Huthwelker Design: Stefan Fuchs

Recorded in Hamburg between July and August 2021.

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Dialog Mit Der Jugend

Scenes From A Window

2LP | 2022 | EU | Original (Masterworks)

Release: 2022 / DE – Original

Genre: Electronic & Dance

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All tracks are written, performed, recorded and mixed by Christoph Lohse. Acoustic Drums and Percussions performed by Manuel Chittka. Mastered by Fabian Tormin (Plätlin Mastering). / Dialog mit der Jugend Scenes from a Window

Score and Text: Mitko Mitkov Music: Jonas Hinnerkort, Hye-Eun Kim and Sebastian Kokus Voice: Rui Hernan Campos

Mastering: René Huthwelker Design: Stefan Fuchs

Recorded in Hamburg between July and August 2021.

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Dardust

Duality

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Lex)

Eyedress

Full Time Lover

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | UK | Original (Transgressive)

Beverly Glenn-Copeland

Primal Prayer

38,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Public Service Broadcasting

This New Noise Black Vinyl Edition

2LP | 2023 | EU | Original (Test Card)

34,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Earth Calling Red Vinyl Edition

Stefan Torto

LP | 2023 | EU | Original (Ensancha El Alma)

Earth Calling Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" 180g vinyl, gatefold sleeve. Available 2 versions: Dark Red and Green.

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Stefan Torto

LP | 2023 | EU | Original (Ensancha El Alma)

2LP | 2014 | EU | Reissue (Ensancha El Alma)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" 180g vinyl, gatefold sleeve. Available 2 versions: Dark Red and Green.

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Kurbeats

Folktronica

34,99 €*

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2016 | EU | Reissue (Ensancha El Alma)

Androcell

Imbue

34,99 €*

Pan Afrikan People Arkestra

Release: 2016 / EU – Reissue

Genre: Electronic & Dance, Reggae & Dancehall

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Reissue, in vinyl format only, of the last Androcell album released in 2014.

300 copies pressed in double 180 grams black vinyl, remastered for this special release.

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60 Years

2LP | 2023 | UK | Original (The Village)

58,99 €*

Stefan Neville & Greg Malcolm

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"60 Years" is a compilation of previously unreleased Papa recordings, featuring one track from each decade of the band's history, carefully picked by our team along with Papa members. From a recording of a small ensemble in Horace Tapscott's garage in the very early 60s to the Arkestra playing in its current form in 2019, from artists like Butch Morris all the way to Angel Bat Dawid, the range of Papa is shown in incredible detail. In 1961, a giant awoke in South Central Los Angeles: a musically radical, deep-rooted, politically engaged band, its members drawn from the community it represented and served, and its music composed by them alone – The Pan Afrikan Peoples Arkestra. The brainchild of pianist and composer Horace Tapscott, the Arkestra was intended to preserve Black music, nurture Black musicians, and above all contribute positively to community building in South Central LA.

60 Years celebrates six decades of his radical and uplifting musical and social vision. Digging deep into the Arkestra’s archives, the album gathers breath-taking unreleased material, including previously unheard compositions, from every stage of the band’s development – from Tapscott’s earliest iterations of the group, recording at home in 1961, to the current incarnation of the band, led by the new generation of young musicians. Tapscott passed on in 1999, but the Pan Afrikan Peoples Arkestra was built to outlast him: over more than half a century it has stayed true to its roots and to Tapscott’s vision, welcoming multiple generations of players into its fold, and celebrating their music. And with current leader Mekala Session – son of the Arkestra’s veteran altoist Michael Session – at the helm, the Ark is still going strong. 60 Years selects a song from every decade of its life, show-casing a musical family tree that includes renowned musicians such as Arthur Blythe, Dwight Trible, Phil Ranelin, Butch Morris, Kamau Daáood, Sonjia Maia Harper, Nate Morgan, Linda Hill, Adele Sebastian, Michael Session, Jesse Sharps and of course the late, great Horace Tapscott himself.

Remastered from archival sources by the Arkestra’s longstanding engineer Wayne Peet, 60 Years is presented by The Village – a label operated by members of the Pan Afrikan Peoples Arkestra. With archival photographs documenting the Arkestra’s history, the album arrives with liner notes featuring track-by-track commentary from Arkestra members past and present. In the words of Mekala Session, ‘This release is the culmination of 60 years of Black history through sound’. South Central’s musical colossus is still very much awake, and 60 Years reveals the secrets of the Ark.

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Don't Drown

2x10" | 2023 | UK | Original (Okraïna)

18,99 €* 19,99 € -5%

LP | 2023 | UK | Original (The Bluest Of Seas)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Two mavericks, out on the weekend, trying to make it pay...

"Maverick was the word that came to mind when I listened to this music. A slightly wayward independence of spirit and outlook. The word originally referred to an unbranded male calf that had become separated from the herd (because Texan rancher Sam Maverick was so negligent in his branding - ‘if it ain’t branded, it’s a Maverick’). But Sam’s grandson Maury Maverick gave it a different twist in his short but stormy Congressional career as the only liberal member of the Southern Democratic caucus. Maury was so out of step with his own folks that he not only voted in 1937 to make lynching a federal crime, he even addressed the House to condemn the practice as barbaric. His attempt to ban racist mob murder sadly failed, but it’s that refusal to march in step which distinguishes the two ‘mavericks’ who made this record.

Who would attempt to combine cunning ethnological forgery, Scottish folk songs, claw-hammer guitar, untutored horn-tootling, elastically relaxed drumming and garage electronic fuckery? Only Greg and Stefan, high on sea, sunshine and mis-judged micro-dosing – that’s who. ‘Don’t drown’ was offered as practical advice during the self-described ‘Yellow Submarine’ phase of making this record. And while they managed to avoid literally doing so (phew), they sound here like they got pretty ‘deep in’ to an Octopus’s sound world all their own. This surprisingly clear analogue recording has just enough Bikini Bottom grit to ensure traction. The tunes are inviting, and the sonic disruptions are too good-natured and goofy to upset even the most delicate digestion.

The sessions have had a couple of years to marinate, courtesy of some pandemic, and are here offered in that most Archducal of vinyl formats, the double ten inch. What are you waiting for, a side of Crabby Patties? Get your water-wings and dive in (unless you’re tripping)!" - Bruce Russell (The Dead C)

Pumice is the long-running, endlessly inventive project of New Zealand native Stefan Neville (1974), whose shambolic music is equally reminiscent of Kiwi pop groups such as The Clean and Tall Dwarfs as well as the country's experimental noise-rock bands like the Dead C. Largely recorded solo by himself on junky equipment, his songs typically feature blown-out guitars, wheezing chord organs, and vocals disguised by tape hiss and static.

Greg Malcolm (1965) is a guitarist from New Zealand who has played everywhere on the globe and with all most everyone, including Rosy Parlane, Toshimaru Nakamura, Tetuzi Akiyama and Bruce Russell, as well as solo releases on his own label, Corpus Hermeticum, Kraak and Celebrate Psi Phenomenon.

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Dry Speed

Indium

18,99 €* 19,99 € -5%

L'invisible Est Multiforme

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Intergenerational trio Dry Speed is one of the best-kept secrets of the Belgian free jazz and improvisation scene. Formed in the early 2000’s, trumpet player Joachim Devillé and saxophonist Thomas Olbrechts were in their twenties at that time, while drummer – their teacher at the art school in Brussels - Dirk Wauters was already in his fifties. Logically, twenty years later the first one are in their forties and the third one in his seventies. They only released a couple of CDs before “Indium” but never stopped to play, for themselves and for audiences, in concerts.

'Too often we describe music using classifications; genres like “jazz,” “experimental,” “avant- garde” are an easy shorthand to relay the rough parameters of the music to another person who may not have heard it. But these words are useful because they’re so vague, and they are most often used when the impression the music makes is equally vague. But when a group makes sounds that move the listener, these terms don’t hold up.

Dry Speed has released a record that is, at turns, futuristic and organic. It feels alien and new, like plastic or titanium, but at the same time as if it is shrouded in the natural, growing like moss or amplifying the sound of a great tree’s roots. ‘Indium’ gives the listener multiple entry points into the trio’s music: from a broad soundscape to a densely knitted series of minute and exacting musical gestures.' - Nate Wooley

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Delphine Dora & Mocke

2x10" | 2023 | UK | Original (The Bluest Of Seas)

12" | 2023 | EU | Original (Snail Editions)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After a first album as a duo released on Okraina Records: "Le Corps Défendant", Delphine Dora and Mocke invite us to join them again in listening to a new album. We slip into it as if in a dream, the music carries us away with its floating images.

Heard before on a handful of disturbingly beautiful solo albums and in collaborations such as Midget!, Arlt, Chevalrex, Mohamed Lamouri, Mocke (Dominique Dépret's nom de plume) is a subtle and inventive guitarist, who draws melancholic arpeggios, with a beautiful languor, that walk the line between tensions and tears. Delphine Dora has been heard with Roxane Métayer, Sophie Cooper, Andrew Chalk, Jackie McDowell, Helena Espvall, Valentina Magaletti ... meeting in a moment of improvisation, a solitary sincopated voice blooming between the black and white keys of her piano, tuning betwist these keys, or at other times in the gap of the right note. Here improvisation feeds on melody, or is it the other way round?

Recorded in an old church in the village of Mauzun in the Puy-de-Dôme, by Cyril Harrison, "L'invisible est multiforme" is an invitation to join them, to let these abstract songs erase our obsessive thoughts of the day, to open ourselves to the vibrant poetry of the air and the evening, to finally forget ourselves. Each note played by these four intertwined hands is like a slight break in the fabric of time, sliding one over the other, reminding us of mortality and its beauty. Ritornellas flow out of mechanical clocks, fragile, taking care not to hurt the silence. Both seek to dig and open up new paths to enrich their duet, to open up imaginary landscapes. Sometimes the guitar cuts through the fabric of an organ, fractures the song, just as the rain erases a landscape, redrawing it. But very quickly, both of them continue to follow this new path, improvising what will serve as a framework, a perspective, a language. There is a kind of praise for slowness in this "invisible", a desire to hold back the song, not to let it slip away, to let the listener's ear enter its course, to share the last note, its illumination. Each of these thirteen short sound pieces merge into a common colour, a vibration close to the different tonalities, which inter-penetrate, like a cubist painting. Words cannot take away the mystery of this record, words can only fail to describe the music, you must hear it.' - Michel Henritzi

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Low Flung

The Wheel

Waiting For The Grid To Go Down

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Carved out from between the cracks of life over a 2 year period, Low Flung presents his eighth full length album ‘The Wheel’. Together, the 11 tracks provide a space to process and sit with difficult change. This takes the form of microscopic minimalist landscapes. Presented in both audio and physical form as micro grooves on a 12” vinyl.

At times the sound wanders and walks, other times it remains still, clear and precise. The omni-present artifacts found in ‘The Wheel’ are left to breathe a different life during each listen. Drones act like familiar trails losing their path as space transforms like a breeze over a table of sand. Hyper focused spores evolve around blurred waves of time. Electronic tones are captured flowing to the rhythm of a decaying natural world.

‘The Wheel’ is a patchwork of sonic experiments made using modular synthesis, fixed architecture synthesis, Buchla Music Easel (replica), outboard effects, cassette manipulation techniques, samplers and field recordings taken along the texturally rich and historically questionable eastern coastline of Australia.

The tracks have been composed with a materiality that embraces the acoustics of different listening environments. Much like mood, this means each listening experience is unique due to the natural acoustics of your listening space. The sounds on this album embrace this phenomena, creating a rich, visceral listening experience that slowly scratches away at discrete moments of time

Rather than attempting to traverse new sonic fields of experimentation in ‘The Wheel’, the album touches on the various spaces Danny has explored over the past ten years as an Audio Visual artist. Although technically eighth, it would be more fitting to say this album draws a clear line from ‘Blow Waves (2018)’ to ‘Outside The Circle (2020)’ to become the third and final chapter in the expanded non linear, unintentional landscape series. Serendipitous that each was conceived over 2 year periods of time.

While the key focus is sitting with difficult change, this album is also a celebration of any moment you might find yourself in. Good, bad, easy or hard, this album is an attempt to help with feeling content wherever you are along your path. With each cycle a new context.

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Zoron

12" | 2023 | EU | Original (Doo)

11,39 €* 11,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Rhythm clusters and constellations.

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LP | 2023 | UK | Original (MAL)

Pressure (II)

18,74 €* 24,99 € -25%

Music From The Living Monument

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Hot on the heels of a sold out first volume, Elle Andrews & Jon K’s MAL serve a sick second battery of broken club PRESSURE featuring new and exclusive cuts from Jana Rush, Filter Dread, Time Cow, Avon Blume, Soltura and King Maceeyar, together making for the label’s hungriest delivery to date with skews of grime, breakbeat hardcore, footwork and gqom from friends and fam strewn between the Caribbean, South Africa, the US and the UK.

Avon Blume lights it off with screwed hardcore jungle drumfunk ‘3 Minutes Short’ like some vintage Mo Wax cut that's had years of heavy rotation by the likes of Tom Boogizm, while the consistently brilliant Filter Dread fires up the Amiga for the cuboid amen atom-splitting of ‘Digital Voodoo’ on a Rufige Kru flex, beside a sharp twist by Soltura, who makes good on the promise of her All Centre releases with a deadly new one on a sci-fi-drill tip.

‘A Study Of Asoa’ features Duster Valentine indexing the Soundcloud commentary of internet figure A Study of Arpeg (something to do with AYYA from PAN’s ‘Mono No Aware’ comp, maybe?), while ‘Real Pirates Don’t Say Okie Dokie Then’ finds Equiknoxx’s Time Cow on a freaky, tracky NYC buzz, based around a box of samples Jordan ripped after spending an afternoon pillaging Jon K’s record collection in Manchester, 2016.

South Durban’s enigmatic King Maceeyar came to Elle and Jon’s attention via Okzharp and the track included here has been heavily rinsed in recent MAL sets - 'Our Memories' serves a mad slice of emosh gqom, marrying melancholy pads to the taxi techno template including a literally tear-inducing spoken word section, and Chicago legend Jana Rush closes things off by reducing footwork to its sexiest, jazziest and most minimalist ends on the real future shockout ‘Pink Guava’ - a weightless monster.

All Killer²

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Carmen Villain

LP | 2023 | UK | Original (Smalltown Supersound)

Heaven Come Crashing Metallic Gold & Black Galaxy Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Carmen Villain follows last years ‘Only Love From Now On’ with this new full length exploration of soporific, slow-moving ambience and disemboweled dub, a score she composed for a contemporary dance performance by acclaimed Choreographer Eszter Salamon. Simply put, it’s one of the most captivating things we’ve heard this year; all luxurious texture-cycles in possession of a delirious, dreamlike quality that hits a rarified spot somewhere between Aphex Twin’s ‘Selected Ambient Works Vol.II’, classic Chain Reaction and Jim O'Rourke’s meditative electronic recordings.

‘Music from the Living Monument’ was written for choreographer Eszter Salamon's dance performance of the same name, a lavish and sculptural show for 14 performers dressed in ornamental fabrics (which you can see on the album art) while surrounded by slowly shifting environments. Carmen reflects the measured gestures of the dancers, ruminating on slowness and burying instrumentation in sensual abstraction.

Edited down from almost 3 hours of music, the album opens with ‘Multicolor’ and triggers the same sense of suspended animation you get from ‘Selected Ambient Works Vol.II’, its brooding mix of glacial gestures and fizzing pads suggestive of fuzzed, liminal states. From here it only gets deeper and more disorienting, peaking with the frankly majestic ‘Silver’, deployed at a pace that makes Rhythm & Sound’s beatless dub abstractions seem almost giddy by comparison. Villain locks us into infinitesimal movements with a slow, heartbeat-thud of a bassdrum crumbling around choral pads that grow in intensity over its 9 minute duration. Its one of those pieces you could get lost in for hours, such is the power of its swirling, meditative vibrations.

‘Pink’ ends the set by flexing more angular muscle, contorting what sounds like glassy clangs into electroacoustic pulses in a way that feels effortlessly engrossing, harmonising with Jim O'Rourke's stunning 'Hands That Bind' OST. Microtonality is an overused buzzword right now, but Carmen penetrates the essence of its magick, emphasising sensuality and mysticism in a way that feels like someone whispering softly into your ear as you pass from the waking world into a deep, dreamless sleep.

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Rachika Nayar

LP+7" | 2023 | US | Original (NNA Tapes)

Seven Commen Ways Of Disappearing

Release: 2023 / US – Original

Genre: Electronic & Dance

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Touching upon post-rock, trance, ambient, and more to create a colossal sonic world all of its own, Brooklyn-based electronic producer Rachika Nayar's second full-length is a dizzying plunge through the conflicted worlds of desire and grandiose fantasy. On Our Hands Against the Dusk, Nayar used her guitar as the primary source for sound design, mutating the instrument beyond recognition through layers of digital processing. Heaven Come Crashing retains the mangled guitar stylings, but expands the color palette with rapturous supersaw harmonies, M1 piano stabs, and glimpses of Amen breaks. Despite the manifold influences entering the frame, at its heart, a throughline remains: a breakneck exploration of desperate passion—romantic, nocturnal, and reckless in its velocity and emotional abandon. ~~~ “Fantasy is scenario, but a scenario in bits and pieces—always very brief, just a glimmer of the narrative of desire. What’s glimpsed is very sharply contoured, very brightly lit, but all of a sudden it’s gone: a body I catch sight of in a car as it goes round a bend, before it plunges into the shadows“

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Andrius Arutiunian

LP | 2023 | EU | Original (Hallow Ground)

28,99 €*

12" | 2023 | EU | Original (Riotvan)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Andrius Arutiunian’s debut album »Seven Common Ways of Disappearing« was first conceived as an installation for the Armenia Pavilion at the Venice Biennale in 2022. The Armenian-Lithuanian artist and composer uses hybrid forms of music, focusing on sonic vernaculars, hypnotic musical forms, and aural cosmologies. Arutiunian is known to work with installations, sound objects, and time-based collaborations with ensembles and performers.

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Kalexis & Paulor

In Between

12,34 €* 18,99 € -35%

LP | 2023 | UK | Original (Castles In Space)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Rolling up on Leipzig’s finest disco emporium, Riotvan, Mexican sensations Kalexis and Paulor make their debut with a fresh four track selection on their ‘In Between’ EP.

Well, ok. Not strictly a debut. Our Mexico maestro, Paulor, did feature on the third instalment of our Familiar Faces series back in 2020, and now he’s back, as one half of our new cosmic couple. As resident DJ of the legendary Futuro Primitivo he has soundtracked the nights for so many and showcased his own music on Life And Death, DGTL, Kompakt and more.

Partner-in-shine, Kalexis. A supreme selector. Deadly behind the decks and an artist who finally cut her production teeth with 2021’s ’Neptune Rising’, now readies her latest work… Right here on Riotvan.
The pair ease us in with the beatless opener ‘Going Through The Void’, before hitting us square in the chest with the growling stomp of ‘Energy’. On the flip they entice with the electrified folk feels of ‘Lashes’, before the rotor-blade drone of ‘Magnetic’ closes the EP.

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Lo Five

Persistence Of Love

LP | 2023 | UK | Original (Clay Pipe Music)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"This collection of tracks came about during a period of transition for me, from changing the way I wanted to make music to a method that was more intuitive and free-flowing. I spent a lot of time experimenting with sequencing and different bits of hardware I'd acquired. I was also playing around with an old four track cassette recorder, which was loads of fun. I think the end result feels a little broader in sound and composition as all but one of these tracks were the result of recording a live jam down to a stereo mix. I recorded dozens of these until I'd found 'the one'.

That way of capturing a performance really excites me, it's like a crystallised moment in time when the planets have aligned. When you're really absorbed into the flow of it and there's something extra guiding you.

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Cate Brooks

Easel Studies

24,99 €*

Incineration Prayer - Self Righteous Suicide

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Cate Brooks is back with her seventh release for Clay Pipe Music. Never one to stand still, ‘Easel Studies’ finds her pushing the boundaries of sound synthesis and experimentation on the Buchla Music Easel while still sounding beautifully beguiling and hypnotically melodic. "On this day in 2015, at exactly Midday, I took delivery of a wildly exotic musical instrument. To call it a synthesizer would be a misrepresentation; it’s really more of a tactile, living, breathing entity than anything else. It had originally supposed to have been delivered on the day before, but had somehow been mislaid in the labyrinths of the Royal Mail sorting office at Elephant and Castle. I sat patiently and quietly all morning, waiting for its imminent arrival. I had already read through the ‘manual’, which is more of a concept / design for living, written by synthesis legend Allen Strange. With Noon approaching, I became a little anxious- my local postie, Barrie, was usually here by about 10:30am and there was no sign of him.

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Bastard Noise

LP | 2023 | US | Original (Armageddon)

31,99 €*

12" | 2023 | EU | Original (Muscut)

Release: 2023 / US – Original

Genre: Rock & Indie, Electronic & Dance

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There is refuge in sound. Especially when it collides with the critical human spirit. In desperate times (as the world is facing even more fervently) sound can truly be a weapon of awareness. Nothing makes this case more "black and white" and apparent than the most recent full length by Bastard Noise: Incineration Prayer - Self Righteous Suicide. Created exclusively with organic hand made Roarafc caveman electronics (built Barnes of MAN IS THE Bastard, Bastard Noise and Amps FOR Christ), "Incineration Prayer" (Side A of the album) is a dire message to take heed that the earth mother is bleeding and turning into a furnace at the hands of "mancruel". Full blown cosmic attack and next level desperation-based vocals/lyrics that reflect the power of nature rebelling in the face of death. "Incineration Prayer" is a single cutting-edge, long form composition that sees hope in danger and crisis. "Self Righteous Suicide" (Side B of the album) spans four separate tracks of sound and vision highlighting without regret the endless misery the animals of the world face at the hand of dirty, ignorant and selfish humans. Using Trogotronic electronics solely on this side, the listener is brought to the "front lines" of animal liberation consciousness and the "Davey vs. Goliath" based existence we face every day at the hands of the global factory farm "murder machine". "Self Righteous Suicide" is a humble B Side statement that "rocks the boat" for all (even the unwilling) to see and hear. This a complex and destitute (in its' attack-based violence) sound document that pushes low end energy and visceral naked high frequencies into the red. It is dedicated to all who help heal the earth and for those incarcerated for liberating sentient beings across the world in vivisection laboratories, factory farms and fur farms.

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Bryozone

Eye Of Delirious

LP | 2023 | CH | Original (Second Thoughts)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Eye Of Delirious' is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

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Jonathan Kirby

Safe To Disconnect 2

Thunder And Rain Colored Vinyl Edition

Release: 2023 / CH – Original

Genre: Electronic & Dance

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"Kirby’s own music often sounds like it could be some dusty private press situation: vintage drum machines, analog synths, homespun vibes… Safe To Disconnect is an extremely sweet collection of instrumentals, dreamlike zones to soundtrack your days and nights." —Aquarium Drunkard

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Ahero

LP | 2023 | US | Original (Stratford Ct.)

Fascination Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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Special thanks to my good friends Vincent & Josh who are always inspiring me to reach greater heights.

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Buzz Kull

LP | 2023 | EU | Original (Avant!)

36,99 €*

LP | 2023 | EU | Original (Yep Roc)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Buzz Kull is the moniker for Sydney musician Marc Dwyer (Marcel Whyler) whose sound is described as a cinematic blaze of industrial darkwave, minimal synth & post punk.The Australian master of the dark synth arts is back and - boy - he is out for blood. We've been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that's here to stay. Echoes of 90's era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80's Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground. But Buzz Kull's third full-length is not just about music subgenres we all know and love, it's about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can't be cured. Clear red vinyl LP!

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Eli Paperboy Reed

Hits And Misses

27,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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2LP | 2023 | EU | Original (Ohm Resistance)

The Blood Of Heroes

Nine Cities

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Blood of Heroes is a amalgamation of artists re-envisioning worlds first created in the Rutger Hauer film by the same name. In “Nine Cities”, the trilogy is completed. The first self-titled album depicted the Present post-apocalypse as depicted in the film. The second album,The Waking Nightmare, showed the world during the actual apocalypse in the Past that led to the times in the film. This third album is the Future – further past even post-apocalypse – “Nine Cities buried deep underground” – what had survived, and how did these cities evolve beyond the world-ending criteria of their creation and burial? Past the film inspired storyline, we have for the first time in many years, 2 members of the original Napalm Death collaborating with each other: guitarist Justin K. Broadrick is joined by Scorn beat master Mick Harris. With Submeged on bass, and Enduser on keyboards, the frame is set. Joined by all the artists depicted below, including returning vocalist Dr. Israel, and Fear Factory’s Burton C. Bell, this cast is full of surprising interactions, all masterfully mixed by Dadub’s Daniele Antezza. Original artwork is an extended booklet by Khomatech; these Nine Cities are a world of their own, illustrated by one of the masters of fantasial art.

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Produkt: Rare Synth Wave/Minimal/Post Punk Worldwide 1979-1984

LP | 2023 | EU | Original (Produkt)

22,99 €*

2LP | 2023 | EU | Original (Vlek)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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The "Produkt" compilation takes us back to the time between 1979 and 1984, when post-punk was the main expression of the underground movement. Bands in the wake of PIL and Joy Division came out like mushrooms after the punk crush. In this compilation you will find mostly unknown yet interesting productions. This is a 10 track album, all originally released on 7" from all over the world: from Poland to Sweden, from Yugoslavia to Denmark. A perfect item for both enthusiasts and completists but also for those curious, passionate of those extraordinary years and lovers of a genre that still continues to evolve and that indeed continues to storm clubs around the world.

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Sagat

Silver Lining

The Sound Of Love International 005

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Brussels’ based producer Sagat’s debut album ‘Silver Lining’ lands on Vlek Records:

Sagat takes us on a deep dive into a dense sonic universe: Its bass music viewed from multiple vantage points, an explorative zoom onto contemporary dance music’s broad ranging cadences, paradoxically viewed from a distance.

Silver lining bathes in cluttering rhythms that hover over corroded thumping grooves. Poly chrome synths emerge dramatically, interlocking with oddly timed techno syncopations. Yet all tracks are held together by firm, dubbed out beat repetitions and slabs of sub bass, not without a melodic sense of drama. Sagat’s disintegrated sound-design stands in between musical dichotomies, at once spaced-out, disorienting and emotive, but also explorative, colourful and full of tension. Moving, yet statuesquely standing idle.

Silver Lining is an album longing for the dance-floor, but also about disconnection from it: A highly personal presentation of this producers’ singular take on bass oriented club music.

From our standing point we love to see how Sagat’s music keeps evolving, toying with contemporary club music’s specific tropes, unbound by its normativeness. Silver lining is an album rich in contrast that works for personal listening experience as well as for the adventurous DJ with one foot firmly on the dance-floor, the other somewhere way out there…

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Orpheu The Wizard

2x12" | 2023 | UK | Original (Love International X Test Pressing)

35,99 €*

LP | 2023 | EU | Original (Students Of Decay)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Orpheu the Wizard has a magic touch at finding records that fall between the gaps in music - oddities, curios, the weird, the wonderful. But that's just half the trick. It takes a sensitive and selective ear to construct a coherent, accessible narrative from them. So you get DJs who can play for the crowd and "selectors" adept at mining the black gold. In Orpheu, you've got yourself someone who can do both. On a festival main stage, he can keep it weird enough for the heads. In an audiophile setting, he'll keep the flow.

These skill sets come into play on the fifth The Sound of Love International compilation. Jumping between genres, decades, continents, the truly rare, and many B-side cuts that passed you by. But never eclecticism for its own sake; this collection makes sense. Orpheu never loses sight of the listener - he's a friendly and knowledgeable guide to the cosmic outer reaches.

He opens his account with the warm, psychedelic electronics of Drawing Future Life, with ‘1969’. Tucked away on the B-side of an LP of ambient/trance hailing from Fukuoka, this is a very pretty piece of music on a truly rare piece of wax. Then, leapfrogging a couple of decades and timezones, we have Rutuu Poiss' "IHATSIN." Off-kilter, experimental sounds with an endearing melodic hook, followed up by the with lethargic ambient breakbeat of Digital Distortion's "Mellow Bug".

On the B-side, things start to get lively. French Audacity featuring Valerie's "That Fine One" is Gallic garage that has simultaneously got it hugely wrong and massively right. Owing as much to new wave as New York house, this is propulsive and quirky dance music at its finest. Next, we're on a ferry over the channel for DJ Spike and "Gaps In Space." Up-tempo electro with a fondness for sampled vocal cut-ups, like its predecessor.

lnterdance's "Kurz" (another B-side) is the perfect segway - house from 1990 with that sweet, slightly goofy naivete. Things move toward the gnarly with Bad Behaviour and "Living on Smoke," a lesser-known cut on the legendary Atmosphere records. The tempo edges upward on "Systematic Input" by Frequency, hectic hardcore techno that still retains a lightness of touch.

"Lushes" by Diffusion spins us off into space, filigree techno with an emotive trance edge. The chiming intro of "Blue to Be Happy" by MFA lulls us into a sense of false security before massively putting the boot in with a pounding kick drum, bassline, and arpeggiation. From there, it's a sharp left turn into the urban psychedelic dub of R.I.P's "E.O Pan" on cult label Digi Dub.

Sticking with UK sound system music but taking it down a notch, Orpheu closes proceedings with a leftfield reggae excursion from the master of the mixing desk, Mad Professor’s"Oh Hell".

It's a compilation as varied as the many moods and grooves of Love International itself - from sun-dappled olive groves to moments deep in the strobes. This is serious music for party freaks or party music for serious freaks. Tisno is calling.

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Josh Mason

An Anxious Host

25,99 €*

LP | 2023 | EU | Original (Stroom)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Since the early 2010s, Josh Mason has slowly amassed an enchanting discography, publishing recordings on labels such as Florabelle, Dauw, Longform Editions, and his retired Sunshine Ltd. imprint. Whether focusing on electric guitar or modular synthesizer, Mason approaches his music with intentionality, tenderness, and a keen ear for detail, resulting in an exceptional and enduring oeuvre. His workmanlike approach to craft and monomaniacal interest in circuit design culminated in 2021’s “Utility Music,” a daunting book/CD project that documents and unpacks a yearlong exploration of a Doepfer A-100 Eurorack system. The irony of such a project is that it might lead listeners to believe that academic technique and synthesis technology are the animating principles of his practice, but the reality is that this is only part of the story. Listening to Mason’s music one gets the sense that, like a good novelist, he truly cares about his characters, which take the forms of the textures and timbres of archaic wavetable oscillators, idiosyncratic filters, pulverized samples, and exotic noise sources. “An Anxious Host” feels like a pivotal release in Mason’s catalog. It’s his first vinyl outing since 2019’s astounding “Coquina Dose,” and it may be the most succinct and potent album he’s made. The track titles function like stage directions in a play, intimating a hazy, filmic narrative populated by schemers, dreamers, and lost souls. As ever with Mason’s work, place is paramount, and this record is thoroughly shot through with the humidity, warmth, and “end of the line”-ness of the state of Florida. Seasick swells and sunken melodies; swampy, sputtering loops; sonic flotsam pooling together and flowing out, beckoning the listener to come have a soak.

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W.A.T.

World According To

12" | 2023 | EU | Original (Field)

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"An exciting and vulnarable compilation of the world according to W.A.T., a dutch pop / wave band who was active in the early to mid 80's. For fans of Vazz & Ruins."

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Chihei Hatakeyama

Hachirogata Lake

Magazine Creme De La Deutz White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Matching expansive ambience with environmental sound, Chihei Hatakeyama’s new album continues Field Records’ exploration of Japan and the Netherland’s shared approach to water management. As with Sugai Ken’s 2020 album Tone River, a specific project becomes Hatakeyama’s area of focus - in this case the Hachirōgata Lake in Akita Prefecture.

Previously the second largest body of water in Japan, the government ordered extensive drainage work of Hachirōgata Lake after the second world war with the help of Dutch engineers Pieter Jansen and Adriaan Volker. After the project was completed in 1977, reclaimed land took up eighty percent of Hachirōgata Lake’s total size. As a result, a new ecosystem was established as plants spread from surrounding areas, bringing with them a wider variety of birds and other wildlife.

Hatakeyama’s approach to this unique subject matter took in field recordings from particular locations around the lake - the drainage channels, the Ogata bridge, grassland conservation reserves and other key areas. The aquatic subject matter and sonic material is a natural fit for Hatakeyama’s accomplished sound, which has featured on numerous solo works for labels including Kranky, Room40 and his self-run White Paddy Mountain.

From the intimate intricacies of the sampled material to the glacial expanses of droning synthesis and languid guitar, Hatakeyama creates a tangible environment which at once reflects the settings around Hachirōgata Lake, while offering the listener any number of imagined scenes to observe in their mind’s eye.

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Crème De La Deutz

12" | 2023 | EU | Original (Magazine)

Traveller Song / Thanksong

Release: 2023 / EU – Original

Genre: Electronic & Dance

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This is the birth of Crème de la Deutz

Crème de la Deutz are a desire freeway and palm lodging. Mousy trees yearning for shell stars.

During the release phase Crème de la Deutz will show an exhibition at Matjö, Cologne as well as perform at Kunsthalle Düsseldorf / Salon des Amateurs and at Temporary Gallery, Cologne on the occasion of Düsseldorf Cologne Open Gallery Weekend.

The record is strictly limited to 100 copies / white vinyl

Also a special edition of 15 copies will be available, containing the record and the sculpture: Crème de la Deutz, “Mousy trees yearning for shell stars”, 2023, cotton baseball cap, drain valve, 26,5 x 27 x 8 cm; comes in an acrylic glass box, signed and numbered, 40 x 40 x10 cm

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Cassandra Miller

12" | 2023 | EU | Original (Black Truffle)

LP | 2023 | EU | Original (Beatbude)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce its first release from celebrated London-based Canadian composer Cassandra Miller. Though her body of mature work stretches back almost twenty years, many listeners were introduced to Miller through the success of her astonishing 2015 Duet for Cello and Orchestra, which sets an imperturbable two-note cello part against a series of increasingly dense orchestrations of an Italian folk melody; in 2019, it was selected by The Guardian as one of the ‘best classical music works of the 21st century’. Traveller Song / Thanksong, the first release of her music on vinyl, presents a pair of compositions for voice and ensemble that exemplify Miller’s gently absurd, strikingly beautiful, and utterly unique work.

Like many of Miller’s compositions, these pieces originate in existing music. Traveller Song (2016/2018) begins from a 1950s song of an anonymous Sicilian cart driver recorded by Alan Lomax and Diego Carpitella, which Miller recorded herself singing along to, going on to then record herself singing to her own layered voices. Miller’s untutored voice is an unsteady, wavering wail that has, in her words, ‘more in common with a quasi-shamanistic keening than anything Sicilian’. Heard sometimes alone, sometimes layered, her pre-recorded voice is accompanied by a chamber sextet drawn from London’s Plus-Minus Ensemble. In the first section, Miller’s exposed warble is set to a spare piano accompaniment, somehow both faintly preposterous and magisterial. Following the voice note for note, the piano part often makes use of almost mechanical sequences of parallel chords, reminiscent both of Satie’s Rosicrucian period and the abrupt harmonic movements of a chord organ. The orchestration then opens up to guitar, clarinet, and sliding strings, a delicate environment for Miller’s voice, which, especially when it begins to be layered, generates a powerful sense of intimacy. In its concluding minutes, the folk roots of the original melody return in the form of a glorious full ensemble setting dominated by accordion, clarinet, and strummed guitar. Thanksong begins from recordings of Miller singing along to the third movement of Beethoven’s late quartet in A minor (Op. 132), the ‘holy song of thanks’ the composer wrote to express his gratitude for (temporarily) recovering from illness. Recording herself singing along repeatedly to each of the individual parts of the quartet, Miller created an aural score where each member of the string quartet listens to their own part on headphones, playing by ear. Performed on this recording by Montreal's Quatuor Bozzini, with whom Miller has a decades-long relationship, they are joined by the British soprano Juliet Fraser, who sings material from the Beethoven quartet ‘as slowly and quietly as possible’. The atmosphere of the opening of Beethoven’s Dankgesang, of hushed reawakening and thoughtful reflection, is sustained throughout the fourteen minutes of Miller’s piece, building at points almost to sentimentality before the five individual parts again fall back into a gentle burble of unsynchronised melodic gestures. Like Traveller Song, here the use of the voice is a long way from the mannered performance of much contemporary music, reaching for a human and bodily presence more connected to the reality of the everyday, albeit suffused with wonder. Presented in a stylish sleeve adorned with photography by Lasse Marhaug and liner notes by Cassandra Miller, this is a key release from a major contemporary composer whose work challenges and dazzles in equal measure. .

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Shiftyman's Day

Mangold Masarati

Suzanne Ciani & Jonathan Fitoussi

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Shiftyman is a slider. He slides through his world like butter. People know him in his town. But only as a slider. What hardly anyone knows is that he also likes to listen to music. A few of his favorite songs can be found on this record. When you play this, it’s like Shiftyman’s day.

The four slider friends Andreas, Lutger, Michael and Raphael have painstakingly put together the songs over the past few years. They slid through Shiftyman’s world and felt good.

Written and performed by Andreas Haslacher, Lutger Lonin, Michael Roggon and Raphael Schindler. Mastered by Quendolin Fender.

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Golden Apples Of The Sun

LP | 2023 | EU | Original (Obliques / Transversales Disques)

12" | 2023 | EU | Original (Isla To Isla)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Obliques and Atmospheric are very happy to present their new album “Golden Apples of the Sun”. It is the result of a close cooperation between Suzanne Ciani and Jonathan Fitoussi. The American electronic music pioneer (5 time Grammy award-nominated) has joined the French composer to sign a four-hand album around mythical synthesizers like Buchla, Moog and Ems... Mainly recorded in California, facing the Pacific Ocean, the white sound of synthesizers mixes constantly with the sound of the waves and wind.The music generated is directly blended with the surrounding elements of nature.It is both organic and live, hypnotic and rhythmical, powerful and dreamlike. Suzanne is a five-time Grammy award-nominated composer, electronic music pioneer, and neo-classical recording artist who has released over 20 solo albums. Her work has been featured in films, games, and countless commercials as well. She was inducted into the first class of Keyboard Magazine's Hall of Fame alongside other synthluminaries. Most recently, she is the recipient of the Independent Icon Award from A2im. Suzanne has provided the voice and sounds for Bally's groundbreaking "Xenon" pinball machine, created Coca-Cola’s popand-pour sound, designed logos for Fortune 500 companies, and carved out a niche as one of the most creatively successful female composers in the world.

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Patricia Kokett

Psykhe

14,24 €* 18,99 € -25%

12" | 2023 | Original (International Feel)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Patricia Kokett follows up two critically-acclaimed esoteric techno releases on Knekelhuis (Bizarr [2020], Diabel [2018]) with a new EP – Psykhe – to be released by Isla to Isla on the 25th of april 2023 as a 12” vinyl and digital.

Psykhe sees Lithuanian musician and composer Gediminas Jakubka continuing to explore his distinct sound, but taking it in a new direction: a step away from the euphoric new age dance floor and into a significantly murkier, more precarious territory. Psykhe is meant as a sonic simulacrum of the artist's psyche during the pandemic – a quickened mind bred by a decelerated world. In that and other senses, the record is a modern take on the ‘80s/’90s Detroit ethos of dance music created for an illusory dance floor.

Incidentally (or not!), Psykhe is much more electro-based and darker – intent on delivering catharsis, but not euphoria. Das Risiko starts us off with a eurotrance-infused, punchy electro beat, housing a nostalgic melody and driven forward by a raw, ever-mutating bassline. Throughout this and other tracks on the record, we hear Kokett exploring his love for disembodied voices. On Sangre Seraph, their ghostly presence is felt strongly as they take center-stage in a sequence that feels almost Sleazy-esque. The wistful synths guide us into Love Your Ghosts – an electrific banger slathered in dreamy whalesong and a fitting companion for the just-before-dawn 4x4 vibes of Khaoss, forming the emotional peak of Psykhe. The closer, Eunuchy, epitomizes the record with its soft (and somewhat sad) kosmische background, accentuating a strong rhythmic core.

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Ruf Dug

Casita Más Alta

13,99 €*

2LP | 2023 | Original (Brother Music)

Release: 2023 / Original

Genre: Electronic & Dance

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Ruffy's back with a new four track EP Casita Más Alta and it's a love letter to Ibiza -
as he takes us on an alternative tour of his favourite parts of the pine-covered
island.

The title track opens slowly, spaced out with motifs and pads washing in like an
incoming tide, before charging headlong to the beach with a thumping kick and
distorted keyboard solo. In contrast, we get a more sundown feel with Cala Vedella,
soaking up the forest breeze and sounding like The Art of Noise but fed through a
modulator and left to float in the iciest pitcher of 7Up.

Meanwhile, the rolling congas and percussive synths of Las Cicadas take us deep
into tribal territory, Lost Woods style. The EP closes out with Niu Blau, built on
beautifully optimistic choir pads and steel pan sounds, and the evening could just
go on forever, especially if you've taken any of those power ups. It might be an
homage to Ibiza and the Balearics, but seen through the Ruf Dug prism, there's
always something new to discover.

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Laid Back

Road To Fame

56,04 €* 58,99 € -5%

Espera Black Vinyl Edition

Release: 2023 / Original

Genre: Electronic & Dance

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Formed in the late 70's, the duo is still grooving at their studio in Vesterbro, Copenhagen.
Laid Back gained their first international major break through in the 80's with Sunshine Reggae and White Horse. The dualism and originality of the two songs has left a worldwide and everlasting reputation of their music. The 3rd evergreen from their hand was made in 1990 named Bakerman altogether with a music video by Lars Von Trier.
More recently, the two members has co-founded their own record company, Brother Music, which has released Laid Back singles such as Cocaine Cool, remixes from Soul Clap, and latest the mini-album Cosyland and the chill out album, Cosmic Vibes.
In 2013 they released the double album Uptimistic Music.
2019 was the 40th anniversary and release of the album Healing Feeling.

2023 marks the year of a new 21track studio album "Road To Fame"

As for concerts, Laid Back is touring worldwide at cherry picked sunny locations with their two-man electronic set up and selected festivals with the band.

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Helios

LP | 2023 | US | Original (Ghostly International)

LP | 2023 | EU | Original (City Slang)

Release: 2023 / US – Original

Genre: Electronic & Dance

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The catalog of American composer Keith Kenniff spans over a dozen releases as Helios and nearly as many as Goldmund since 2004. Kenniff's music deals with subtlety, and the variance between these projects loosely follows a few signifiers; Goldmund favors post-classical piano, Mint Julep, a project with his partner Hollie, is shoegaze pop, while the linesaround his Helios project are intentionally hazier. Within the alias, Kenniff glides between minimal ambient electronics and more robust instrumentation, all run through his mini-cassette recorder for a distinct wobble.2018's Veriditas, his first Helios LP on Ghostly International, found Kenniff shaping verdant landscapes of harmonic sound, focusing on texture over structure. He followed it up in 2020 with Domicile, an even quieter synth-toned ode to the indoors. Now he returns to the electro-acousticmovement that marked much of his earlier output; the music of Espera is lush, livelier, and perhaps the most singular in his run. Titles are telling in Kenniff's work, and Espera, a Spanish word meaning "wait," speaks to the producer's patient and cinematic craft. The record balances engagementand contemplation with a billowing accessible lightness, and reveals Helios at a compelling intersection, composing songs as vivid and three-dimensional as they are characteristically modernist and understated."Patience is something I aspire to in my life and profession," says Kenniff, who recorded Esperaat night, his preferred mode, when life is uncluttered and unrushed. While the Helios project has fit neatly into the beatless category in recent years, Kenniff felt a natural pull to pivot for thesesessions, embracing downtempo percussion, both acoustic and electronically rendered. Arrangements also swelled with layers of guitar and piano,made familiar with his usual tape treatment giving the material a warmer, closer feel, homemade yet expansive, vibrant yet peaceful. "The texturalaesthetic of the instruments was as important as the melody, harmony, or rhy...

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Hauschka

Philanthropy

28,99 €*

LP | 2023 | UK | Original (Mana)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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For Volker Bertelmann, aka Hauschka, music is not solely about its sound, but also a means to facilitate the exchange of ideas and foster meaningful interactions between individuals, revealing his fascination with human connection and engagement. Despite being known for his distinctive prepared piano sound, the Academy Award-winning composer intentionally named his 15th solo studio album Philanthropy to express his compassion and openness. The album's song titles, such as "Diversity," "Nature," "Loved Ones," and "Altruism," perfectly align with their respective musical compositions. Hauschka's albums often serve as a platform to provoke dialogue on specific themes, and Philanthropy follows this pattern, aiming to offer optimism and energy in response to the challenges of recent years. The album combines upbeat and pensive pieces, featuring moments of joy, introspection, and peaceful interludes. Overall, Philanthropy showcases Hauschka's compositional prowess and serves as a gift that sparks reflection and celebration.

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Kate Carr

Fever Dreams

22,99 €*

LP | 2017 | US | Original (Fabrique)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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“Composed during one of London's endless dark and locked down winters, Fever Dreams is a fantastical, speculative take on high density living. From dark, mouldy rooms, subterranean depths, symbiosis and multi-species entanglements, it cloaks itself in the claustrophobia, excitement and despair of living in a metropolis. It is a work which both celebrates and fears the weeds, spores, vermin and grime of London. The dark fantasies, frustrations, and utopian aspirations of its urban survivors. Frozen plastic bags, cramped living quarters, the kindness of strangers, the desperate unfairness of who gets what and when. Almost getting there but not quite. Being overcome by emotion for no reason. Unexpectedly moved, inexplicably destroyed. The never still, forever unfolding moments which comprise living on top of each other. Sinking and swimming; together/apart.” - Kate Carr

A smouldering, sunken sound from Kate Carr on her album for Mana, exploring a latent and inward pressure from a mix of field recordings; gongs; underwater reverberations; flickers of static and electricity; found reel-to-reel choral recordings, played forward and backward. The result is a gothic dub and dark ambience that hangs heavily in the air, a narrative of middle spaces and dense environments where noise and muffled secrets bleed through the thin plasterboard from the next room over.

Texturally and emotionally it's a potent mix of insulated hope and gritty reality, holding a microphone to space and sound that the mind might otherwise blot out. Multi-species, metal, organic, and digital, dirty, self-built gathering ground, with towering verticals, deep subterranean depths, and gritty layers of lived-in grime, watery and terrestrial, human and non-human pressed together.

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Christopher Chaplin

Deconstructed Remix EP

Release: 2017 / US – Original

Genre: Electronic & Dance

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7" | 2021 | US | Original (DJs Choice)

The Rebel

The Sculptor/Nickodemus

19,99 €*

Release: 2021 / US – Original

Genre: Electronic & Dance

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12" | 2021 | US | Original (DJs Choice)

Dedy Dread & The Rebel

Quero Ver Voce Dancar

Release: 2021 / US – Original

Genre: Electronic & Dance

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Salt Peter 25 Orange Vinyl Edition

Ruby

2LP | 2023 | UK | Original (Fireweed)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Mark Fell And Will Guthrie

Infoldings / Diffractions

CD | 2023 | UK | Original (Nakid)

15,99 €*

2LP | 2023 | EU | Original (Bigamo)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Infoldings / Diffractions combines synthesis and acoustic percussion in unpredictable, pointillist
arrangements where Guthrie plays against patterns derived from Max MSP patches by Fell. The
album’s four longform expositions are in this sense different to the man-machine concept of
Fell’s acclaimed ‘Intra’ album, where he triggered performances by Portugal’s Drumming Grupo
De Percussão to play a metallophone designed by Iannis Xenakis. Here, the pair find common and
sometimes contrasting purpose in a probing of rhythmic signatures, with groundbreaking results.
Recorded at HFG, Karlsruhe (where Fell is guest professor), and finished later in respective
isolation, the pieces were edited from iterations of call-and-response between Fell’s rhythmic
patterns and Guthrie’s overdubs. They effectively propose beguiling solutions to electronic music’s
problems with grid-lock, using generative processing to make physical actions seem unfeasibly
effortless, while melting the computer’s clock to a real-time, free-hand syncopation.
Taking the influence of gamelan and fusing it with the fractal computer music that Fell has
obsessively picked-at over the last four decades, the duo zoom into a sound that’s completely
captivating; mutating into polyrhythmic outer-realms and eerie universes of microtonality that
are hard to fathom in a single sitting.
There are trace echoes of free jazz hanging from the rafters, the post-everything chatter of
Humcrush and Food drummer Thomas Strønen’s mind-expanding solo material or even Autechre
at their most confounding. The genius here is that just as you convince yourself that the music
could only possibly have been generated by a computer, Guthrie’s unmistakably human flex edges
into focus - playing with perception and expectation in the most wild, liquid way imaginable.

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Keope

Flikka Flokka

20,29 €* 28,99 € -30%

12" | 2023 | EU | Original (Index:)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Life might be a predominantly linear affair, but when lived right, it’s nevertheless a turbulent experience. It’s a system of trial and error, ebb and flow, order and chaos, action and reaction. And paradoxically, this system somehow still feels balanced amid all this turmoil. In fact, the same can be said about Keope’s second longplayer for Bigamo. Easily.

Keope might be a duo consisting of Marcus Rossknecht and Toni Bruna, but they actually sound like a collective of rather nomadic - and heavily gifted - musicians on their ever-present quest to reach different musical spheres. Everything is in motion, everything is in constant flux. Everything, everywhere, all at once. Their previous record “Triangulo“ already provided the audience an idea of their elaborate rhythmic vocabulary, but it’s the cryptically titled “Flikka Flokka“, which sees their multilayered compositions bloom into a fully-formed, new musical Esperanto.

You can immediately sense that Keope must be a phenomenal live act because the twelve tracks on “Flikka Flokka“ sound as if they were born from endless jam sessions fueled by a whole variety of influences. As a result, the work of Rossknecht and Bruna presents itself as a prime example of sound in motion that responds solely to its very own pulse by taking the aforementioned influences and making them completely their own. Now, let’s dance!

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Ike

Pulsar

15,19 €* 15,99 € -5%

Neither The Beginning Nor The End Exist

Release: 2023 / EU – Original

Genre: Electronic & Dance

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INDEX:Records is blessed to announce the homecoming of Ike. It’s been a wee while since his last full club outing, but we welcome him back to this realm with open-arms.

Lacing up with chuggy system-rattler 'Vernis Vip', Pulsar is a symbiosis of palpitating-wub and delicate, soft melody. On 'Rose Quartz', perfectly sedated drums are melded with luscious vox – a gratifying release to bass-driven tension-builder, 'Gage'. Mushing a cherry immaculately on top is a Mathis Ruffing indulgence ('Gage Remix'), who treats us to a frenzied yet controlled excursion into DnB hedonism.

Limited edition 12" vinyl of 150 copies, with full colour centre label artwork, white inners and pink outer sleeve.

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Petteril

LP | 2023 | EU | Original (Neither The Beginning Nor The End Exist)

Hasvat Informant & Mick Gristle

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A box of old photographic slides uncovered at a house clearance centre with a £5 asking price. On the slide's a collection of shots from the 60’s–70’s: British rural life plus various trips around Europe and a trip to the US. The lives of Bill, Jean and Edith (and Pippi the budgerigar). The relationship between the three is unclear but they seem to live together—or at least spend a lot of time together—they seem close. They like to travel and garden. What became of these people? Presumably, they have since passed away given their apparent ages in the pictures and the dates scrawled on the slides and boxes. What happened? How did these slides come to be here and were there no family or friends that wanted to claim them?

Initially, the discovery feels uncomfortable, intrusive, upsetting even. The lives of these people—whoever they were—were lovingly recorded, only for the resulting documentation to be discovered decades later in a musty, tattered box, buried amongst other people's ex-belongings. It feels sad. Considerations on the transient, the ephemeral. It feels inescapable that—regardless of intention—this is in some way a commentary on the value of a life. On the value of Bill, Jean and Edith's (and Pippi’s) lives. But studying the slides in more detail it is clear that the 3 subjects shared many happy times and experiences. They are always smiling and there appears a sense of genuine camaraderie and affection between them. A passion for photography too.

So should we be sad that these lives are seemingly forgotten? That £5 is the asking price for the physical documentation of years of adventures? Or satisfied that the imagery represents lives happily lived and shared. The value of these physical items (ie the slides themselves) is not equal to the value of the actual lived experiences of the subjects or the lesson that Bill, Jean, Edith (and Pippi) can teach us. Realising this provides an invitation to recognise a simple truth: the value of a life is in how it is lived in the moment. Exist and enjoy it—if you can—because in the face of impermanence that’s all we can really do. In the moment neither the beginning nor the end really exist.

Petteril (James Gilbert) has been creating audio collages and improvisations with these concepts in mind. The music is not so much about the slides or the people on the slides, (although both the imagery and the music evoke a kind of nostalgia) but concerned with the whole philosophical discourse that ensued. Improvisation (with various instruments, physical, analog and digital) is a key consideration based on the aforementioned theme of being in the moment. Generative elements also represent that transience and the fleeting nature of moments coming and going, flowing from one moment to the next. These evolving beds of sound and improvisations coupled with Tape loops, field recordings and more are chopped, layered and collaged, processed, layered, collaged and processed again.

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Chiral Centres EP

12" | 2023 | EU | Original (Headnoiz)

10,49 €* 13,99 € -25%

Alterazioni Video / Giovanni De Donà

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Eora (Sydney) based collective Headnoiz, presents the second installment of their developing imprint. Featuring original works from Naarm (Melbourne) residing producers Mick Gristle and Hasvat Informant, whose collaborative efforts synergised to form their “Chiral Centers” EP.

The EP's 4 original productions traverse a myriad of genres and themes whilst still maintaining an impressively cohesive atmosphere of ominous euphoria.

Chiral Centres also includes two extremely dancefloor friendly remixes. The first of which being an anthemic trance rework of the opening track "Swordbox" courtesy of Norway's "Omformer", followed by a driving psychedelic interpretation of "Last Apparition" from Copenhagen based duo "Atikka"

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Lightwaves

LP | 2023 | EU | Original (Koo Editions)

35,99 €*

LP | 2015 | EU | Reissue (Kernkrach)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Together with Photons (2005), released as Koo002, Lightwaves completes the investigation of the electro archetype, documenting the Neosurrationalist* bridge between art and science, that began with a dialogue in a Kreuzberg bar involving Giovanni De Donà, Paololuca Barbieri of Alterazioni Video, and physics researcher Markus Gühr, now professor and lead of the Experimental Quantum Physics group at Potsdam University in Berlin. The dissemination given by the current interpretations made by various artists, reveal the possibility of radical vibrant electro made without synthesizers, in spite of Kraftwerk's tradition. To play directly with neonlights instead of singing them, and to amplify even the invisible infrared of a remote control without fearing a T.V.O.D -television overdose-, it meant entering definitively into the new normality of the bruit, the rauschen, the shum, the záyīn, the new “Arte dei rumori” of the electromagnetic noise of the new millennium, revealing both the inaudible of light frequencies and also the invisible through its raw sound and potential for irreverent, chromatically-limited pulsations. The first pocket-sized Chinese solar panels are turned into photomicrophones, and with an inexpensive set-up made of different light bulbs, neon, remote controls, LEDs, and a dimmer, we experienced the zeitgeist by closing a cycle that involved popular culture and contemporary art. Lightwaves was on tour for some years from No Art Gallery and Mediateca Santa Teresa in Milan to MoMa PS1 and Location One in New York, MoCa and Duolun Museum in Shanghai, Ikra club in Moscow, then in other locations as Kunstlerhaus in Stuttgart, Link in Bologna, Flowers in Catania, Acusmatiq 2.0 in Ancona, Mayr 3 in Milano again, and Breakout music festival featuring Steve Piccolo in Genova in 2009.

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Dada Pogrom

Kolophonium

Arnold Dreyblatt & Orchestra Of Excited Strings

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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Dada Pogrom's founder and sole permanent member is Kenneth Walter Balys. He is a computer scientist specializing in cinema and electronic music and has been producing and performing electronic music since 1981. He harnesses technical knowledge garnered from years working in aerial geophysics and communications engineering to make art.

Kolphonium is a material used for musical instruments and electronics. Kolophonium, to temper strings and cause solder to flow. Here is a collection of music published in 2015 on vinyl and cassette. All of this music was produced in our analogue studio in Reykjavík.

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Resolve

LP | 2023 | US | Original (Drag City)

Fuel In The Fire Of Creation

Release: 2023 / US – Original

Genre: Electronic & Dance

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Dreyblatt"s minimalist conception - a rhythmic drone played on a double-bass strung with piano wire, playing in concert with other stringed instruments performing in 20 unequal microtones per octave and changing key but keeping the same fundamental pitch - dates back to the 1970s, while he studied under La Monte Young and Pauline Oliveros. Resolve acts in intermittent dialogue with the first Orchestra of Excited Strings release, 1982"s Nodal Excitation. Since then, Dreyblatt has formed new orchestras across various countries and decades, with each phase of his music requiring several overlapping periods of gestation and arrangement. The current Orchestra is formed by Konrad Sprenger, Joachim Schütz and Oren Ambarchi. On Resolve, each of the members" playing brings new angles to the compositions. Konrad Sprenger"s involves solenoids, sine waves and a computer-controlled multi-channel electric guitar (as well as a relentless style behind the drum kit and oversight of the album production), while Joachim Schütz"s individual conception of electronics and electric guitar and Oren Ambarchi"s undeniable innovations with signal path work together with Dreyblatt"s bass (still strung with piano wire) as magnetic component parts of Resolve. These contributions lead to Resolve"s dialogue with the early Orchestra of Excited Strings canon - for instance, the track previewed here, "Flight Path" takes off at a pace not often found in the minimalist genre - a rolling lope! Yet the sense of play is palpable: the ensemble scale their microtonal keys with punkish brio, a stance sharing much with the original Orchestra"s downtown pulse, even as as the new Orchestra burn their own path through Dreyblatt"s music. Approaching his 70th birthday, with over 40 years of work as a solo artist, collaborator, composer, educator and bandleader, Arnold Dreyblatt views Resolve as an important expression within the long story of The Orchestra of Excited Strings. The album title"s tendency to mean different things is an indicator of the dynamic qualities of his music in all its different phases - an evolution that continues to produce new dimensions in acoustic sound with every new release.

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D.T.D

12" | 2023 | EU | Original (Persephonic Sirens)

LP | 2023 | EU | Original (Next Door)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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D.T.D. is the debut release of Naples’ Giuseppe Augello. The project embodies both sonic experiments with DIY noise boxes, field recordings and sample manipulations and is showcasing Giuseppe’s industrial and post-punk influences with formidable musical variety: Sharp, earthshaking drums or sinister, trance-inducing rituals – D.T.D. offers it all.

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Super Duty Tough Work

Paradigm Shift

26,59 €* 27,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Time For Changes Coloured Vinyl

Faxe

12" | 2022 | EU | Reissue (ZYX Music)

16,99 €*

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Knekelhuis)

Kita

Ceramic

LP | 2023 | EU | Original (Middle Name)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Naarm/Melbourne based producer will unveil meticulously crafted tracks that breathe life, deliver crispness, evoke emotions, and pulsate with energy.

KiTA's music defies easy categorization, blending ambient, dub, and breakbeat with real instruments and orchestral elements. The album "Ceramic" takes us on a mesmerizing journey with its title track, a twelve-minute composition that intertwines groove-laden ambience, deep bass throbs, swirling guitars, enchanting strings, and atmospheric vocals. The B side of the record embraces a club-oriented soundscape with infectious breaks and captivating hooks, offering a refreshing contrast to the prevailing musical landscape. The final track concludes the album with dub-influenced percussion, creating a captivating dance that evokes both melancholy and beauty, leaving room for personal interpretation and discovery. Mastered by Wouter Brandenburg and artwork by Kae Kitzler and Steele Bonus.

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Charlie Hill

Yore

LP | 2023 | EU | Original (Ilian Tape)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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A bold first creation set in motion, Yore is the fantastic debut solo release from Charlie Hill. Yore captures the excitement and naïve creativity of Charlie’s new journey as a producer after studying and performing as a jazz drummer. A mixture of club-ready basslines, earthy space funk and ethereal Trip Hop, Yore follows Charlie’s 2023 collaborative Galaxy EP alongside fellow Meanjin producer Sampology.

Middle Name Records are proud to present this project, the first release on the imprint that is not of a solo or collaborative Sampology record.

There is an exciting energy currently bubbling within the Meanjin/Brisbane music scene and Charlie’s debut work as a producer has reflected this instinctively. Recorded performances from local jazz ensembles, his vocalist singer as well as his own drumming were utilised as samples throughout the EP.

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Nimu

Picture In Picture

16,99 €*

LP | 2023 | UK | Original (Possible Motive)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Mushroom Tea Garden Ceremony

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Metro Riders

Lost In Reality

19,99 €*

2LP | 2023 | UK | Original (Weltschmerzen)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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A pungent ooze emanates from the subway. As a sticky drum machine sequence rolls out like thick dark fog, ice cold synth swirls rise from the depths.
Since the debut album Europe By Night, one of the main references associated with Henrik Stelzer and his Metro Riders project has been that of cinema, and particularly the European genre films of the 1980s. With its seedy subject matters manifesting both in visual style and music, the vibe of that era has crystallized over time. Passed down to us from deteriorating video cassettes, it became an invaluable key to decoding our present day reality.
And this is true for this album as well; Stelzer does not hide the fact that he builds heavily on that vibe; referencing it through track titles and utilizing a particular recording setup consisting of a Fostex and a reel to reel in order to achieve and recreate the feeling of those soundtracks — as heard on magnetic tape rather than vinyl.
The motion picture soundtrack as an arbitrary genre definition becomes, in the hands of Stelzer, a pair of X-ray specs for him to envision a kind of music that deals in grains and contrasts rath- er than hooks and choruses. And like Roddy Piper in John Carpenter's 1988 film They Live, he hands those glasses over for us to see the true face of our times.
On Lost In Reality Metro Riders maps out an emotional geography of the cities at night, wherein the cinematic haze becomes a tool by which we can view the cities with new eyes. Not steering away from the darker alleys nor the harsh realities of modern day politics masquerading as progress. Yet escapism, in the end, seems the only viable option. But not as an endgame, but rather a stepping stone for building a new vocabulary for an utopian language.

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Nina Pixel

Ancestral Archeology

39,99 €*

12" | 2023 | UK | Original (Quiet Time Tapes)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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In 2020, electronic musician Nina Pixel was offered a track on a compilation album of songs from the Liptov region. What started as a rearrangement of a single folk song eventually grew in scope and size, eventually becoming a series of releases. Titled Ancestral Archaeology, the series counts two self-released EPs, an audiovisual show in co-operation with Adrián Kriška, and now, after two years, a double LP published by Weltschmerzen. In this definitive form of an album, Ancestral Archaeology reveals itself as a musical reimagination of traditional historical Slovak culture at large.

Nina Pixel averts the perils of lapsing into inauthentic fakelore by building her music with, rather than on, the ethnographic riches of Slovakia. With the eagerness of a genuine archeological prospector, Ancestral Archaeology invokes the always present but seldom perceived linchpins of folklore culture: the desperate clinging to the memory of pre-Christian paganism and witchcraft, songs with narratives of beautiful innate wyrdness that is utterly unfit for mass culture, and superstition as the most serious longing for the balance between sense and irrationality.
If we acknowledge the truism of folklore as the shared way of expression in rural society, the techno music on Ancestral Archeology proposes that, in the urban society of ours, this role is served by raves. The argument isn't as much declared as it's implied // in music and in the spoken-word lyrics that are rife with historical and contemporary sources. An 18th-century recipe by the writer and priest Juraj Fándly proposes snorting the grounded flowers of the medicinal weed Valerian as a way of curing bad vision. "It is a proven remedy!" we are repeatedly assured, and it's not hard imagining Fándly and his parishioners, strung out on Valerian, moving almost involuntarily to the rhythms of their era just as we can move to Ancestral Archeology.

Nina Pixel is a Slovak music artist based in Berlin. Lyrics are inspired by Slovak folklore traditions, songs and shared beliefs.

Manifestation tools: cello, overtone flute koncovka, fujara, gong, metal bowls, sheep bell, field recordings of Slovak forests, Andreas's tom and various drum machines.

Voice samples:
Sutartinės (A Goddess comes from within the Earth)
Funeral Lament, recorded in Vernár 1973 (Puhpowee)
Panoráma Ľudovej Kultúry; Liptov (Pohár viny, 13th Month)

Hay-making Songs; Selec, Kysuce, Terchová (It Felt Like I Suppose to Follow It, Zmrzlí,Dialogické vyvolávania)

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Bas Relief

Insulary EP

LP | 2023 | UK | Original (Pan)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Montreal duo Bas Relief present a collection of rough-cut IDM and pitch-corrected emo on Insulary, a five-song EP out June 2023 on Brooklyn imprint Quiet Time. Written and compiled long distance from threads of bass music-inspired alt pop and guitar recorded in isolation, Insulary is the duo’s first substantial release since 2018. Granulated microglitches fill out the digital drum arrangements, calling on influences Baths and Loraine James, overlaid with warm piano progressions, melancholic guitar loops, and collaged vocal production. These self-reckoning, forlorn vocals form a patchwork narrative, hazed like a shapeshifted memory, long reconfigured with each conjuring, coherence inconsistent but still there. Recurring dreams find home among recursive passages, self-referencing lyrically and with samples churned through plugins, recorded on loop until you fall upon the most satisfying aha! moment and lock it to the grid. At certain moments all the pieces combine to reminisce in sentimental shards of Porter Robinson or The Postal Service, while never straying from Bas Relief’s own vernacular. Visiting the past in person simply by walking the routes you took in a life long past, that reenactment of memory, that attempt to capture that which you can’t – it might even be a future – is a central bolt of Insulary’s lyrical content. It’s sentimental, it longs for some past which might not even have existed, and it’s hopeful too, never capitulating to traditional structures in its embrace of unusual stylistic combinations. Insulary – brim-packed with fragments of drum and bass, uptempo electronica, and emo – is but a preview of Bas Relief’s exciting near future.

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Tzusing

Green Hat

LP | 2023 | UK | Original (Ghost Box)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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During the Tang dynasty (around the 9th Century CE), traveling intellectual Li Yuanming would routinely leave home to write and debate poetry with likeminded scholars across China, isolating his wife Cifu for sometimes weeks on end. Frustrated, she found comfort in the arms of a widowed neighbor, but when Li remained at home for an unexpected stretch of time, Cifu was prompted to develop a method to signal her lover it was safe to approach. She stitched a special green hat that she handed to her husband as he was about to leave town; when Li was wearing the hat, it worked like a traffic signal - green meant go. But this didn't last for long, during one trip Li returned home early and caught Cifu and their neighbor together, and when the local community caught wind of the story, the green hat became an enduring symbol of infidelity. On Tzusing's sophomore album the Malaysian-born artist, who lives between Shanghai and Taipei, meditates on China's complicated history of patriarchal heteronormativity, and how these archaic double standards continue to dominate the culture in pervasive, often invisible ways. Even in progressive circles, internalized male inadequacy and its inevitable projection of possessiveness and aggression has been brushed underneath the rug, so by addressing it head-on, Tzusing attempts to question these structures using a level of aesthetic anxiety and thematic intensity that's hard to ignore.

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Belbury Poly

The Path

24,99 €*

The Interconscious Catalogue

Release: 2023 / UK – Original

Genre: Electronic & Dance

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The Path is the latest album from Belbury Poly (aka Ghost Box records founder Jim Jupp). This time round Jupp has recruited a full band roster to expand his own unique electronica. He is joined by occasional Belbury Poly collaborator Christopher Budd on Bass and Guitar, Jesse Chandler (of Midlake, Mercury Rev & Pneumatic Tubes) on flute, clarinet and keyboards, Max Saidi on drums plus narration from author and poet, Justin Hopper.

Musically it takes as its starting point a particular moment of early 1970s British film soundtracks by the likes of Roy Budd and Roger Webb; a soundworld of easy-going jazz and funky rhythms gently coloured with pastoral strings and flutes. The Path, however, is unmoored from time or place thanks to Hopper’s narrative style, Chandler’s rustic flutes and keys, Budd’s soulful psychedelic guitars and Jupp’s production and electronics. The co-writers were all chosen for their unique abilities and an intuitive understanding of the ongoing Belbury Poly project. The spoken word elements form a loose, open-ended narrative; very much an album with spoken word rather than a spoken word album.

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Graham Reznick

LP | 2023 | UK | Original (Library Of The Occult)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Graham Reznick presents his latest album featuring soundscapes from his work on films such as TI Wests ‘the House OF THE Devil’ & Reznicks own ‘I CAN SEE You’ revised and revamped for catalogue entry.

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Zake presents LL Random Colored Vinyl Edition

3LP | 2023 | UK | Original (Past Inside The Present)

42,99 €*

Orchestral Tape Studies II Random Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Another week, another new release from the unstoppable ambient powerhouse that is zake. His latest full-length LL has two new cuts by the American maestro with remixes from a hefty selection of equally prolific producers all served up on his home label Past Inside the Present and no fewer than six sides of vinyl. Across this immersive two hours of music, there is a mix of ambient, drone, drum & bass, electronica, and deep techno from Warmth, Aural Imbalance, ASC and Bvdub. It is yet another essential release from zake and co.

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Zake

LP | 2023 | US | Original (Past Inside The Present)

24,79 €* 30,99 € -20%

Orchestral Tape Studies II Black Vinyl Edition

Release: 2023 / US – Original

Genre: Electronic & Dance

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As with the first volume of his Orchestral Tape Studies series back in 2019, zake places a real focus on tone and recurrent murmurs in these magnificent arrangements. They are a mix of delicate repetition, sound treatments and subtle manipulations that pay homage to minimalist symphonic composers and orchestras in his own unique way. It is another adventurous and immersive listen from zake and one that comes in many different Colored Vinyl versions. This one is a coloured version, but what colour you will not know until you open it up.

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Zake

LP | 2023 | US | Original (Past Inside The Present)

LP | 2023 | EU | Original (Cracki)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Ambient innovator make seems to drop something new almost every week. But you won't hear us complain because few have a breadth and depth of sound that matches his lo-fi and absorbing output on his home US label Past Inside the Present. He dropped the first volume of his Orchestral Tape Studies way back in 2019, and finally follows it up now with a second volume. Once again this is a selection of richly layered movements of fragmented orchestral loops that all pay homage to minimalist symphonic composers and orchestras and makes use of field recordings as well as gentle drones to soothe your soul.

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Antonin Appaix

Néoprène

Release: 2023 / EU – Original

Genre: Electronic & Dance, Pop

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Antonin Appaix's songs oscillate between pop, acoustic experimentation and electronic ballads. After "��", his first EP released in April 2020 on Cracki Records, the singer from Marseilles returns with "��". A debut album of soft, hybrid, organic and strange productions, somewhere between Miel de Montagne, Domenique Dumont and Sébastien Tellier, evoking childhood, friendship, adventure, the intoxication of the deep and the wounds of the heart.

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Denshi Ongaku No Bigaku / The Aesthetics Of Japanese Electronic Music Volume 2

2LP | 2023 | EU | Original (Cosmocities)

2LP | 2023 | EU | Original (Jay-Vee Inc)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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On this second volume, focus is laid on the boogier side of Japanese sonics, nimbly moving the cursor from jazz to Afro-house, via deep technoid wares and spaced-out funky business. Setting the tone without further ado, Seiji Ono’s sun-streaked chugger ‘Celebrate Your Life’ is the very epitome of a time-proof party anthem; a buoyant and catchy ode to Larry Levan’s Paradise Garage that keeps on giving even after the thousandth listen. A dynamic ride down memory lane, Uyama Hiroto’s Afro-Bossa number ‘Compass’ delivers a suspended moment in time, halfway the soothing ethereality of Brazilian folk and syncopated patterns of African music. Up with the very much sub-Saharan-influenced ‘Pray’, J.A.K.A.M. takes us on a luminous ride across endless dunes of sand and lush oases of melodic abundance and polyrhythmic flair.

Yuu Udagawa turns in the jacking ‘We Float’, a proper NYC-style piece of abstract hip-hop and Chicagoan house laced into one lithe dance-floor churner, whereas Jazztronik summons ancient woodlands spirits on the kalimba-heavy ’Neon Forest’, ushering us into a world of pure soulfulness where ghostly silhouettes float in a haze of shakuhachi flutes and vaporous pads. We all know a classic slab of piano house done the right way is hard to resist, but when Brisa opts for this tried-and-tested route on ’State of Mind’, he nevertheless injects it with the kind of refinement and oomph you simply have to bow down before. The Backwoods remix of Ryoma Takemasa ‘Deepn’’ opens a spacious window that looks out onto a dreamy skyscape where the stripped-back rhythmic grammar of atmospheric techno rubs shoulders with that of electronica’s deep focus.

Not just contributing the aforementioned remix, The Backwoods - alias DJ Kent, steps up with the big-room momentum of ‘Cloud Nine’ - an alt-rock-influenced piece of racing electronics bound for ecstatic after-partying and beachside boogie with your loved one at sunrise. In the hands of Hiroshi Watanabe, 909state ‘RaTaTaTam’ morphs into an entrancingly beautiful mix of slo-burning prog techno and neo-classical orchestration, just as sleek and elegant as it proves deadly in a club context. Graced with similar melodic accoutrements, Satoshi Fumi’s rework of Tomi Chair ‘Remorse’ offers a grandiose and mood-enhancing display of piano-riddled techno bravura, clearly geared up for climactic DJ use. A magmatic finale that lacks neither that stadium-sized oomph, nor Fumi’s hallmark of all-around compositional excellence.

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Bettye LaVette

Lavette!

36,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Black Truffle)

Otto Willberg

The Leisure Principle

12" | 2023 | Original (Janx)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce The Leisure Principle, a new solo LP from London-based bassist and sound artist Otto Willberg. A key player in the London underground, Willberg is often heard on acoustic and electric bass in free improv settings and bands with Laurie Tompkins (Yes Indeed) and Charles Hayward (Abstract Concrete), as well as the fractured No Wave unit Historically Fucked. His previous solo releases have ranged from extended technique double bass to explorations of the acoustics of a 19th century artillery fort. But nothing Willberg has committed to wax so far prepares a listener for The Leisure Principle, six unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass. On the opening ‘Reap What Thou Sow’, a single-note bass harmonica loop pulses along underneath a roaming bass solo, the side-chained envelope filtering (where the dynamic behaviour of the bass determines the filter for both bass and harmonica) fusing the two instruments into a single stream of burbling shifts in resonance. After several minutes of patient exploration of this low-end landscape, the music suddenly opens up in widescreen with the entrance of Sam Andreae’s graceful melodica chords, spreading out across the stereo field. From this epic opener, each of the remaining pieces goes on to explore a slightly different aspect of the terrain. On ‘Shadow Came into the Eyes as Earth Turned on its Axis’, a similarly buoyant harmonica bass line provides the foundation, but this time playing a soulful descending riff, its almost R&B feel abstracted and half-obscured by the filtering. On ‘Mollusk’, echoed bass arpeggios skitter between elegiac chords somewhat reminiscent of the opening of John Abercrombie’s ‘Timeless’, before settling into a hypnotic groove. On the record’s second half, Willberg pushes further into the possibilities of his idiosyncratic instrumentation. On ‘Wetter’, bass and harmonica come together into a monstrous, growling jaw harp; on ‘Had we but world enough and more time’, the subtly shifting pulsating patterns start to feel almost like a kind of evaporated, drum-less dub techno until an eruption of wheezing bass harmonica gives the piece a comically folkish turn. Willberg’s melodically inventive and virtuosic bass performance calls to mind any number of fusion touchstones, from Jaco Pastorius to Mark Egan’s singing tone in the early Pat Metheny Group—even Anthony Jackson’s work with Steve Kahn. But with its radically reduced instrumentation, The Leisure Principle is also an exercise in minimalism, and the absence of percussion gives even its funkiest moments a strangely abstracted quality. At times, its uncanny blend of the abstruse and the immediate suggests the fried pop experiments of David Rosenboom or the skewed but deeply musical DIY of 80s underground groups like De Fabriek. Both easy on the ear and profoundly strange, The Leisure Principle proudly takes its place among the most eccentric offerings on the Black Truffle menu.

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Ubahnrider, Quimbie

Monden

14,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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12" | 2023 | UK | Original (Unknown Untitled)

Unknown Artist 006

Uu006

14,99 €*

Craig Bratley Feat. Amy Douglas

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Since the early days of electronic music, white label records have been inextricably linked to DJ culture and the ways in which underground music has been disseminated. unknown - untitled draws on the white label concept withholding details about the producers behind the tracks and leaving listeners to draw their own conclusions about what they’re hearing. The concept label focuses primarily on vinyl releases, with previews of the tracks available online, but information about the artists only to be found within the record sleeve itself. The roster ranges from new and emerging producers to more established artists looking to explore new sounds. Picking up where they left off 9 months ago, the sixth release ventures into uncharted territories with a brand-new format that will keep you guessing, spanning a multitude of genres within the expansive realm of electronic music. With online personas often eclipsing the focus on music itself, here lies a return to form.

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No In Between

7" | 2023 | UK | Original (Magic Feet)

14,24 €* 14,99 € -5%

Death Roads And Spirit Ways 2

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Amy Douglas should need no introduction, having supplied song-writing and vocal duties for Horse Meat Disco, Róisín Murphy, Luke Solomon, Soul Clap, and worked with Joe Goddard on their Hard Feelings project, Here she teams up with Craig Bratley, who dusts off the analogue synths to produce something which clearly wears its influence on its sleeve, taking in elements of Balearic, Street Soul and early Sheffield Bleep. On the Ashigaru Dub, Craig explores these influences further, the result reminiscent of Mad Professors take on Massive Attack.

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International Sangman

LP | 2023 | CH | Original (Ish)

40,99 €*

Dorian Portrait 2nd Pressing

Release: 2023 / CH – Original

Genre: Electronic & Dance

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A somewhat divine and powerful revision of the dub sound, stripped down, full of space, hiss and dynamic depth. A beautiful shimmering with analog wash and broken textures. Dirty and deep, breathing smoke like breathing life. Dubient. Play it loud. On big speakers. Inhale. Enjoy.

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John Haycock

LP | 2023 | CH | Original (Second Thoughts)

Beyond Reality Half Magenta / Half Blue Vinyl

Release: 2023 / CH – Original

Genre: Electronic & Dance

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12inch LP, hand silkscreen printed covers, limited to 200 copies.

"This album is utterly extraordinary. One of those shooting star moments of astral perfection that I’m gonna struggle to describe . It’s haunting . It’s an interplanetary astral majestic alchemy" - Luke Una

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Vector Seven

LP | 2023 | EU | Original (Apollon)

37,99 €*

Rainforest Spiritual Enslavement

Release: 2023 / EU – Original

Genre: Electronic & Dance

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"Beyond Reality": A Cyberpunk Album for the Futuristic Dreamers. Get ready to experience the future like never before with "Beyond Reality," the latest cyberpunk opus from visionary artist Vector Seven. “Beyond Reality” is a 12-track journey through the shadows of tomorrow, a sonic tribute to the sci-fi subculture, with each song weaving a tale of rebellion, technology, and the human spirit. With its blend of gritty beats, haunting melodies, and futuristic soundscapes, "Beyond Reality" is not just an album, it's an experience. So put on your cybernetic shades, crank up the volume, and join Vector Seven on a journey through the neon-soaked streets of the future.

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Green Graves Galaxy Green Vinyl Edition

3LP | 2023 | UK | Original (Hospital Productions)

80,99 €*

Decay Music N. 5: Labirinto Verticale

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Originally released as a three cassette ‘green graves’ is now available again on vinyl for the first time in years. Official reissue of the cult classic collectable vinyl meltdown on 3 cursed LPs. Similar but ssslightly updated layout. The unchallenged return of yellow herb poison snake ambient music.

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Claudio Rocchetti

LP | 2023 | EU | Original (Die Schachtel)

LP | 2023 | EU | Original (Cellule 75)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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This work takes its origin from the collaboration of C. Rocchetti with the Parma-based Fondazione Lenz, a contemporary theatre research collective/organization. Inspired by the writings of Hölderlin and Calderon de la Barca, and orbiting around the concepts of ›memory‹, ›sedimentation‹, ›presence/absence‹, Rocchetti produced several hours of music, a selection of which is collected in this album, that marks the 5th entry Die Schachtel’s series »Decay Music«, perfectly fitting its mission, which is to explore the ›intangible‹, ›decomposing‹ borders between experimental sound and ›proper‹ music with a special focus on the more interesting experiences of the contemporary Italian scene.

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Marc Richter

Coh Bale

2LP | 2023 | US | Original (L.I.E.S.)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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This new album compiles several songs made in the years following Black To Comm's classic "Alphabet 1968" album. Originally released on the seminal Type label in 2009 (and to be reissued on Cellule 75 this year) "Alphabet 1968" combined the sound of vintage shellac and vinyl loops with broken electronics and field recordings, the press release mentioning disparate influences "ranging from Moondog to Basic Channel by way of Bernard Herrmann". In a beautiful one-page review in The Wire magazine (later reprinted in his book Ghosts Of My Life) Mark Fisher compared Richter's music to JF Sebastian’s miniature automata in Blade Runner ("with their bizarre mixture of the clockwork and the computerised, the antique and the ultramodern, the playful and the sinister"), ETA Hoffmann's inventor-magicians and Auguste Villiers de l'Isle-Adam's 1886 tale of Thomas Edison's (fictitious) construction of an artificial human. Now titled "Coh Bâle" (inspired by a strange dream) these recordings were supposed to become a follow-up to said album but for reasons unknown it never materialized and the album seemed forever lost. At the time Richter started to dive deeper into several strains of (so-called) world music aka the folk music of Southeast Asia and Eastern Europe as well as liturgical and medieval music, the Kraut-Electronica of Harmonia and several certain Mediterranean experimentalists from the 1980's who started to merge their mostly electronic and field recording based compositions with traditional musics from all over the world by way of new sampling technology. Many of the songs for the album were recorded while travelling and at various residencies around Europe: a detuned piano in a Thessaloniki basement (Richter played at a children's birthday party there), vintage synthesizers in the GRM studios in Paris, decaying acoustic instruments found in an old Black Forest mansion, childrens' voices at a workshop in Karlsruhe's ZKM Institute; then mixed on headphones in the ICE trains running between these places and his hometown Hamburg. "Coh Bâle" is taking inspirations from old Nonesuch Explorer and Ocora LP's, Crammed Records, 80s Mediterranean Ambient (Nuno Canavarro, Roberto Musci) combined with the DIY spirit of Deux Filles and Flaming Tunes and the playfulness of Asa Chang & Junray. The songs are both mysterious and transparent, intricate and frugal, vibrant and patient. One of the album's unexpected climaxes is a gorgeous (artificial) berimbau version of the Welsh traditional "Iechyd o Gylch". No two songs feature the same instrumentation and many acoustic sources (pianos, flutes, wood percussion, viola, tablas, autoharp) were disassembled and later coalesced into new configurations or used as virtual instruments; later combined with samples, field recordings, electronics and (on a few tracks) autotuned vocals reminding of recent works by the likes of Claire Rousay or More Eaze. We had to wait for a worldwide pandemic for Richter to dig deep into the vaults and finally bring these recordings to light. This is the 2nd release from his archives after the "Diode, Triode" LP which presented Musique Concrète/Acousmatic recordings made at Ina/grm and ZKM. Another massive Double-CD (mm∞xx Vol. 1 & 2) was released last year featuring collaborations with 33 artists such as Andrew Pekler, Richard Youngs, Eric Chenaux, Maja Ratkje, Radwan Ghazi Moumneh of Jerusalem In my Heart, GRM boss François Bonnet (Kassel Jaeger), Felix Kubin, Timo van Luijk (In Camera, Af Ursin), Luke Fowler and many others, showing Richter's versatility and his willingness to reinvent himself for every new release. Marc Richter is widely known under his Black To Comm moniker, having released (at least) 12 albums under this alias in the last 20 years. He is currently signed to the Thrill Jockey label. Richter composes soundtracks for film and has worked with visual artists such as Mike Kelley and Ho Tzu Nyen. He also records as Jemh Circs and Mouchoir Étanche for his own Cellule 75 label (named in tribute to the late Luc Ferrari).

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Gidia

Struga

28,49 €* 29,99 € -5%

LP | 2023 | EU | Original (Music From Memory)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Ritualistic, tribal industrial double lp from George Kondaktor and George Lemos direct from the mountains of Greece. Open circuit feedback laden electronics featuring drumming from the legendary Igor Cavalera and haunting vocal appearances from cult Greek artists the Vougioukli Sisters. Tense, heavy, dense, soaring soundscapes.

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Philipp Otterbach

The Dahlem Diaries

Sara Oswald & Feldermelder

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The new LP by Krefeld-born, Berlin-based artist Philipp Otterbach entitled 'The Dahlem Diaries'.

Recorded in a little-visited corner of the German capital, 'The Dahlem Diaries' is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music.

Speaking about his writing process, Philipp explains that, based around his original compositions, “Friends were nice enough to contribute additional parts on their instruments which I then reworked, put together and re-contextualized. The recordings encapsulate a very specific moment in time, one that would have sounded perhaps very different the day before or after.”

Combined with a strong use of effects and field recordings, 'The Dahlem Diaries' feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity. In Philipp’s own words: “It could be an album about friendship and being at one with myself, whilst at the same time bringing a certain seriousness to my music, but not necessarily to myself; there is also a playful humour hidden in there. ”

Artwork by David McFarline.

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Dual | Duel

LP | 2023 | UK | Original (-ous)

12" | 2023 | EU | Original (Vordergrund Musik)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"We find ourselves venturing into the depths of a rugged terrain. In our hands, we hold stones and minerals, each possessing its own distinct texture, weight, and sonic potential. It is through the artistic touch and through the musical instruments that these earthly treasures, once dormant, are awaken to life." — Sara Oswald + Feldermelder

The 3rd collaboration of prolific cellist Sara Oswald and electronic musician Feldermelder evokes captivating sensations that oscillate between impending doom and hope. The albums' sonic journey is highly immersive, transporting the listener from one cerebral landscape to another. The transformative nature of metallic elements being integrated in sustained orchestral tones weaves the sonic tapestry, resulting in a captivating experience for the listeners. The organic sounding — reminiscent of minerals' timbres — brings a touch of brightness and a distinctive edge, while the orchestral harmonic structures lend a sense of grandeur and continuity. The origins of this music remain enigmatic, while the tracks of the album gradually unveil concealed aspects and the hidden truth. One can step into a realm where melodies are reborn, as Sara Oswald's cello spins tales and emotions burst forth. Nature's eternal splendor intertwines with the essence of music, as she infuses harmonies with the soul of mountains. Vibrant hues come alive with delicate strokes, and cascading notes resonate with a select few. Feldermelder conjures profound echoes that swirl like ancient whispers of the earth's primordial past. He sculpts textures, from fragmented glitches to expansive atmospheres, that warp the fabric of reality. The two musicians merge together harmoniously, blending the acoustic and electronic worlds into a transcendent unity. This fusion of contrasting elements adds a unique and intriguing quality to the music. The cello's warmth merges with pulsating electronic beats, creating a symphony of contrasts and sonic upheaval. Each composition is woven in intricate layers, combining electroacoustic architecture with delicate precision. A subtle balance of chaos and control permeates the music as it meanders through the labyrinth of the mind. The soundscape unfolds like a grand tapestry, distant echoes murmuring like grains of sand.

Trained in baroque cello and advocating improvised music, Sara Oswald is the perfect match for sound artist and electronic musician Feldermelder. She plays solo, composes for film and theatre and collaborates with musicians like The Young Gods, Pascal Auberson, Sophie Hunger and Julian Sartorius. Feldermelder is a polymathic creative whose artistry spans composition, sound design, installation and code. He is co-founders of -ous and part of Encor.studio, a collective of artists who specialise in creating immersive audio-visual installations. Through his work, he explores the idea of secrecy and its impact on our lives, using music and sound to create a thought-provoking and immersive experience for his audience.

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Martin Merz

Planet Henri

13,99 €*

LP | 2023 | CZ | Original (Concentric Circles)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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With "Planet Henri" Martin Merz releases his third studio album - an innovative and gripping work. He once again shows his talent for multi-layered, dark and atmospheric soundscapes, drawing from a sonic palette ranging from modular synthesis to sampling his own voice. The ten new tracks offer a mixture of electro, dub-techno, and experimental elements that captivate the listener by combining complex rhythms and sophisticated sound design.

From the brooding and spherical opening track "Raumfahrtkapitän Henri" to the dynamic and driving "Bleakness", the album is a tour de force of modern electronic music. With its uncanny soundscape the album's standout track "Fluchtgeschwindigkeit" perfectly captures the feeling of being lost in a dark and menacing underworld. Merz's vocals add an intensity to the track that evokes a sense of discomfort that is both harrowing and captivating.

"Planet Henri" is a must for anyone who appreciates experimental electronic music. Now available as a limited vinyl edition, and of course as streaming and download on all major platforms.

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Crawling With Tarts

Tearoom

Ben Frost & Francesco Fabris

Release: 2023 / CZ – Original

Genre: Electronic & Dance

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While Crawling With Tarts (michael Gendreau and Suzanne Mckee) are now best remembered for their lengthy experimental works, their 1984 cassette Tearoom, reissued on LP for the first time by Concentric Circles in an edition of 300, reaches back to a more primitive, elemental time for the duo. Tearoom is a notable document of Gendreau and McKee’s early music, where guitars and voices collide in unexpected ways, with buzzing organs and wispy clarinets tangling over thudding drums. While it sits comfortably within the parameters of the eighties cassette underground, Tearoom has its very own character, one untroubled by any need to align with the dominant stylistic moves of the music made by their peers. Opening track “Ithurial’s Spear” remarkably foreshadows the pared-back, home-baked non-rock of labels like Siltbreeze and Majora. With wah-fuzz guitar scrawled over a Peter Hook-esque bassline and McKee’s naive, almost childlike voice murmuring in the listener’s ears, it’s a perfect example of kitchen-sink psychedelia. From here, Tearoom continually unravels itself, taking off layers as it progresses to its close. The delay-drenched guitar of “Gentle Wind” could have fallen from an early Roy Montgomery release, while “Chilada” takes slurred, slowed voices and rubs them up against clattering guitar, tin can percussion and tetchy bass. The rest of the second side is a wild ride, shuffling between organ/clarinet spray, scrawling tape spew, and on closer “House Spirit,” a typewriter ticking out letters as the city goes about its everyday business outside the bedroom window. Tearoom is the perfect example of an album with surprises lurking around every corner, ricocheting from and finely riding the line between the most abstract of pop and experimentation in the truest sense of the term. With the humblest of means Crawling With Tarts created a musical world all their own, in the process making a truly revelatory experience for curious ears and gently twisted brains alike.

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Vakning

LP | 2023 | UK | Original (Room 40)

LP | 2023 | UK | Original (Ideal)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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More recently best regarded as soundtrack composer, Ben Frost here follows work with
interdisciplinary sound artist Francesco Fabris on the ‘Dark’ OST with a plunge into purest rock
music, as in the actual sound of molten material rising to the surface and solidifying. With an
impressionistic-artistic license also found in work by Chris Watson, Jana Winderen or Giuseppe
Ielasi, the duo uncompromisingly revel in the sounds of nature’s biting point, using various
production methods to make audible the sound of the earth beneath our feet in the process of
creation, on location at Fagradalsfjall, Reykjanes Peninsula Iceland.
Here’s label boss Lawrence English on the subject
“As stable as we might choose to think it is, this planet is anything but that. A paper thin crust,
the zone in which we find ourselves, and mostly concern ourselves with, exists as a modest veil
cloaking a dynamic seismic turbulence that is as powerful as it is unknowable. There are moments
though where ruptures occur. The pressure from within carves its way to, and through, the
surface of the planet simultaneously delivering destruction and virgin landscapes, as primordial
as any we might care to imagine. It is here, in these places, where we can literally see the living
planet, that geologic time is condensed and world building is made visible, and audible to us, in an
unrestrained and provocative detail.
These volcanic ruptures, such as those captured on Vakning by Francesco Fabris and Ben Frost,
speak to the very living geology of Earth. These recordings, captured at close range, exist at a
nexus where liquid rock becomes solid. They capture moments of transformation, of obliteration
and of creation, often all at once. These are recordings of a living, material planet, dynamic and
unrestrained.”

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Roedelius Hausswolff