Downbeat | Electronica | Leftfield Vinyl 278 Items

limited edition on white wax, only 500 copies made!

Originally released on January 26, 2009 via Magic Bullet Records, this excellent split release between This Will Destroy YOU and Lymbyc Systym (featuring all songs exclusive to this release) now sees formal reissue via Dark Operative. All tracks were recorded in succession in late 2008 at Elmwood Studios in Dallas, Texas with Grammywinning engineer and mixer John Congleton at the helm. This Will Destroy YOU recorded their songs first with Lymbyc Systym arriving in town toward the latter part of those sessions to carry right into the tracking of their material immediately following. Mixing of the entire album was done all at once at the conclusion of tracking to ensure sonic consistency across both sides. Since its initial release, “Field Studies” stands tall in the discography of both bands, with This Will Destroy YOU’s “Freedom Blade” having garnered numerous syncs over the years and the entirety of Lymbyc Systym’s material being regarded by fans and critics alike as among the best they ever wrote and recorded. Marketing /

The CD version of Yapoos’ third album released in 1991 continues to be a best seller at P-Vine records, but this release marks the first time the record has been released in analogue vinyl format. As a solo-artist, frontwoman Jun Togawa already has an extensive catalogue of art pop/new wave releases under her own name, but along with her band-members in Yapoos, they have been a household name at the forefront of the Japanese post-punk movement. Their legacy is unquestioned within japan, and with the help of internet forums and youtube sharing, audiences across the world are slowly coming round to the unique world of Yapoos.

Dadada ism, as with all of Jun Togawa’s projects, is another bestseller in the P-Vine catalogue and was the followup to Dial Y wo Mawase! released in 1992. On Dadada ism, the band began to experiment more with electronic production, and the underlying industrial spirit behind tracks on here could have seamlessly found their way into cyberpunk film soundtracks at the time. As an artist Jun Togawa, to this day is comparable to no one, but we can only hope that in time some may draw comparisons between her work ethic to push the limits of pop, and western artists such as Bjork and Kate Bush.

Record Store Day 2021 release. Bertrand Burgalat's first album 'The Sssound of Mmmusic', also known as TSOM, is released in an expanded reissue, twenty-one years after its first publication, on June 12th 2021 for the Record Store Day. Bertrand Burgalat combines lush arrangements, dreamy atmospheres and pop culture with class and humor.

In 2000, Bertrand Burgalat decided to evolve openly by releasing his first solo album 'The Sssound of Mmmusic' which had been in the works since the creation of the label 5 years earlier. This album, a true melancholic and sensual sonorama, reveals the very essence of Burgalat's art, fragile, nuanced, with a rare humility. Dotted with banjos and club bass, cascades of synthetic strings and soprano saxophone, geisha choirs and unblocked beats, 'The Sssound of Mmmusic' appears as a contrasting work where opposites unite in perfect alchemy.

Accompanied by previously unreleased tracks for the first time on vinyl, the album features songs like 'Gris métal' with a text by Michel Houellebecq, 'Vision of Love' his cover of Mariah Carey, or 'Kim' five minutes of intoxicating music.

Originally released in 2006, Eingya by Helios aka Keith Kenniff returns in a new 2021 edition vinyl re-release, remastered by Taylor Deupree.

Beginning the album on a high with the pastoral beauty of "Bless This Morning Year," Kenniff showcases of what he does best: heartbreaking guitar and piano melodies punctuated by crumbling beats and backed by the most atmospheric synthesizer sounds this side of Eno's Apollo. The appetizing "Halving the Compass" blends subtle field recording with the kind of piano melodies so beautiful they could be compared to Virginia Astley or Harold Budd. This is followed by the album's clear highlight, "Dragonfly Across an Ancient Sky." It's an unsurpassable folk guitar piece with a decomposing percussive background and the sort of melodies that would turn evil tyrants into weeping babies. An album that could appeal as easily to fans of Nick Drake as to fans of Boards of Canada or even early AIR, this truly has something for everyone.

Raised in rural Pennsylvania, Kenniff put out Helios's 2004 debut album, Unomia, while studying percussion at Boston's Berklee College of Music. Since then, he's released six more albums as Helios, in addition to collaborating with his wife Hollie Kenniff in the shoegaze-inspired pop duo Mint Julep and composing music for films and archival use.

"A protracted sunset of an album guaranteed to see you through the longest days of summer and into the twilight of the autumn." - The Wire "A soundtrack of molasses-sweet, midsummer sunset melancholy and pastoral mellifluence." - Tinymixtapes

If Succour was Seefeel’s departure from the cul de sac of shoegaze music to wander through the desert of abstract electronics, 1996’s (Ch-Vox) which has been out of print since its original release is the sound of a group building a civilisation in the remotest spot, revelling in their sound far away from the rest of the world, their tones arriving to us like strange signals through the air. Singular as each of Seefeel’s LPs are, (Ch-Vox) could well be their definitive statement, a compelling album fuelled by deepest mystery.

Chief among its mystique is that it’s often hard to tell what we’re hearing most of the time. The humid drones of ‘E-hix²’ could have been created using samples, guitar feedback or a string quartet. The clipped ambience of ‘Utreat (Complete)’ ambiguously suggests either a piano or a bass guitar, a grainy twang-thump which revisits the closing motif of Succour, signposting the maturation of the Seefeel project. Although, ‘maturation’ isn’t quite the right word; (Ch-Vox) is amniotic in nature, each of its tracks boiled down to elemental values, co-mingling with plentiful breathing space. ‘Hive’ gives us the first hint of a clangorous beat, rendered alien by its ambient backdrop of what sounds like the howling of wolves.

This expanded edition of (Ch-Vox) comes loaded with unreleased material on the second LP that’s just as thought-provoking, delivering an even more rounded experience for this immersive album.

Half speed mastering Amazing and legendary 1994 album on the equally amazing and legendary Irdial Disc label, remastered at Emil Berliner Studios in half speed mastering.

Limited deluxe reissue on black vinyl Beherit’s first masterpiece, hypnotic “Drawing Down The Moon”, was unleashed in late 1993. However, by the release of this black metal classic, Laiho had drawn colossal interest in electronic music, and Beherit was soon turned into Laiho’s solo project. During the years 1994-1995, two characteristic studio recordings, namely “H418ov21.C” and “Electric Doom Synthesis”, were published under Beherit’s name. Experimental guitar-driven metallic assault was gone for good, as these records contained designated doses of ritualistic electronic music. Enter 1999. Helsinki-based Spinefarm Records, established in 1990 and mainly responsible for building up the international Finnish music scene during the last decade of the millennium, announced the signing of a new artist by the name of Suuri Shamaani – The Great Shaman in English. Behind Suuri Shamaani’s minimalistic musical landscape was – who else? – Marko Laiho. – Beherit’s widespread discography travels from relentless black metal to dark ambient and beyond. So, in some other time and space, Suuri Shamaani’s record “Mysteerien maailma” – “The World Of Mysteries” in English – could have been released under Beherit’s wings.

Limited edition remastered, originally released on F Communications 1996. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. For a long time, Jay Alansky has always had within him the complete music culture, from decadent folk to pre-punk. His Balearic House project 'A Reminiscent Drive' was electro reinvented without samples or computers, by hijacking Burt Bacharach and/or The Residents. Enriched with modal mutations, down-sampled drums and creeping tempos, created prophetic electronics by tapping into a giant jukebox, which served as its brain. Otherwise, simply caught up in the emotion, oblivious to references and obsessions.

We are very excited to bring you a new IFP release – the first vinyl edition of Peter Ulrich's debut solo album “Pathways And Dawns”. Widely known for his past work as drummer/percussionist with legendary Dead Can Dance and contributor to 4AD's This Mortal Coil, Ulrich emerges here as a writer of hauntingly beautiful melodies and deeply poetic lyrics. “Pathways And Dawns” is packed with driving rhythms and meditative ritual patterns of percussion. With some inspired guitar-work, arrangement and production from DCD mastermind Brendan Perry, the result is a pure delight...

The album was recorded in two parts, the first in England in 1990, and the second after a long time break in 1996-97, by Brendan Perry at DCD's Quivvy Church studio in Ireland. The album was released on CD in 1999 on the US label Projekt and was dubbed by critics as "the album the Beatles might have made had the group signed with 4AD instead of Capitol" and "a wonderful collection of songs that, while in the 4AD school, shimmers with an inner lightness that makes it very different ".

This absolute masterpiece of spiritual music, so badly wanted on vinyl for so long, is available now. Mastered from Original master takes by Martin Bowes (Attrition).

Reviews:

"His first album is a remarkable piece moving on the edge between ethnic and medieval art pop music" - SideLine "Ulrich's gifts as composer, percussionist and vocalist win over the listener... The excellent "Nocturne" is Beatlesque, with Spanish guitar and rich orchestral bridges, and "The Springs of Hope" sounds swiped from the same album the Fab Four might have made had they signed with 4AD instead of Capitol. The closing track "Time and a Word", recalls late 70s Eno, nicely rounding our a release that leaves one wanting more." - Alternative Press "Pathways and Dawns is a wonderful collection of songs that, while in the 4AD School, shimmers with an inner lightness that makes it very different from any other 4AD album." - Lexicon "Ulrich makes his own way... from the majestic epic of the ten years old soldier “Taqaharu” to the joyous celebration of the source of inspiration on The Springs of Hope... dreamy lyrics a la Sid Barrett... This is a fine album by an artist I'd love to hear more from soon." - Ink Nineteen "It’s beautiful... it's also very interesting in its choice of world-sound crossovers and skillful lyrics... Emotionally poignant, poetic and in its own way, experimental." - New Age Voice "Ulrich successfully incorporates graceful folk music, powerful tribal beats and soothing synths into one enchanting full length effort" - Outburn

25th Anniversary Edition. Originally released on F Communications 1997. Opack premier EP on F Communications had already stood out for its unique programming and production. It had traced a furrow for French electronica "and established Readymade as an essential composer / producer / arranger, developing a falsely crazy and deeply melancholy universe fed by hip-hop, pop, electronica, dub, house and techno.

A download code is included. Re-release of the album which Marc Weiser (rechenzentrum, zeitkratzer) and Jürgen Hendlmeier (producer for The Flaming Sideburns, Thee Ultra Bimboos) created as Arurmukha. With the use of soundbites, field recordings, and stylistically diverse tracks, they reprocess the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain in November 1990, forming it into an acoustic scenography in the style of the “Maifestspiele” by Einstürzende Neubauten. 14.11.2020 marks the 30th anniversary of the clearing of 13 squats on Mainzer Straße in Berlin-Friedrichshain. The violent confrontation between the police and about 500 squatters, involving armored vehicles, helicopters, and 10 water cannons, was the biggest police operation in Berlin’s post-war history, with 4000 officers deployed, and is deemed to be the last big “battle” of left-wing squatters in Germany. The insert for the LP provides a detailed chronicle of the events (taken from the book “Berlin Mainzer Straße: Wohnen ist wichtiger als das Gesetz [Berlin Mainzer Straße: Housing is more important than the law]”, published in 1992 by Basis-Druck).

Alleviated Records presents the first-time vinyl reissue of Larry Heard's mid-90's gem ''Sceneries Not Songs, Volume 1''. The album stems from a time when the tempo slowed down and Heard reached a perfect synthesis of jazz influences, deep electronic ambiance and the house sound he was known for. The result is a brilliant album that should cater to both house and R&B heads alike. Now for the first time released as a 2x12'' with an extra track previously only available on cd.

Electronic are proud to present the release of their self-titled album. Pressed on 180g black vinyl, this reissue features the black cover on vinyl for the very first time, which was first used on the CD version released in 1994.

Electronic were the coming together of Bernard Sumner and Johnny Marr in 1987. This was the year of the sudden and wholly unexpected demise of The Smiths, who imploded in July after Marr left the group. Two months later, midway through a North American tour, Bernard Sumner shocked his bandmates by announcing that he planned to take time out from New Order.

Marr and Sumner had met in 1984 when Marr added guitar to Atom Rock by Quando Quango, an electro-dance track co-produced by Sumner. Marr sums up their coming together for Electronic; ‘We were two musicians who wanted to get away from the suffocating politics of the band. At the same time, it was OK for duos and DJs and non-groups to make records, and that really appealed to Bernard and me.”

The project was a joyous Venn Diagram of Sumner and Marr’s influences. Although ostensibly coming from different disciplines, the experimental dance-pop of New Order and the fullbodied jangle of The Smiths, their common interests were many: dance music, a good tune and pushing musical boundaries. At the time of release (May 1991), ‘Electronic’ was met with huge acclaim and stands up as one of the most important electronica albums of all time.

/ Harzkrafthof remix

Originally self-released as a tape under the artist name Pest(e), this 1996 collection of IDM and analog electronics is in fact the debut Lowfish album. Intended as a demo, it caught the attention of infamous UK label Skam —but after months of fruitless phone tag with the label, it was time for Gregory De Rocher to strike out on his own. Dropping his Pest(e) moniker in favour of Lowfish, in 1997 De Rocher co-founded Suction Records with like-minded producer Jason Amm, aka Solvent. While that Test(e) tape wasn’t technically a Suction Records release, it served as the impetus for starting the label, and we’ve always referred to it as catalog # suction000.
Fans of mid/late-90s Artificial Intelligence classics from Autechre, Locust, Aphex Twin, u-Ziq, and Bola will recognize those hallmark sounds here, alongside traces of formative influence from Skinny Puppy, OMD, and Tangerine Dream. Recorded live to DAT with a bedroom full of analog classics (Roland Jupiter 6, TR-808, TR-606, Arp Odyssey, Korg MS-20), a sampler, and an arsenal of cheap FX units, the melodies here are lush and addictive, with layers of warm, lo-fi-ish (get it?) grit - often intentional, sometimes just a product of the process. Although largely on the armchair techno tip, the dense drum programming also nods to the burgeoning drum and bass movement, which De Rocher was firmly (but only briefly) obsessed with.
For the first time on vinyl and rightfully re-branded as a Lowfish release, we’re thrilled to have Test(e) officially join the Suction Records catalog

Limited edition of 400 copies including Marnie Weber sticker. Hidden gem from the L.A. performative art rock scene. Discos Transgénero is proud to announce the re-issue of the Marnie Weber classic first solo LP, “Songs Hurt Me” originally from 1990. This seminal record was an important part of the Los Angeles post-punk performative art rock scene. Brooding synthesizers, heavy bass, strange melodies, and poetic lyrics lead you through an industrial journey. These songs were born from Weber’s earliest performance art characters: a deer, an old woman, a manic courtesan, and a butterfly. Songs Hurt Me was originally co-produced by Phillip Drucker AKA Jackson Del Ray of Savage Republic and 17 Pygmies fame.

For those who shine darkly ... During the transitional period in which Coil's primary leadership, Peter “Sleazy” Christopherson and John Balance, reorganized their creative direction by taking on new membership in the group through their inclusion of Drew McDowall, Coil took a drastic turn towards the metaphysical unknown.

The alchemist Bebo Baldan, accompanied by Steve James on violin and sarod (as well as on instruments of various geographical extractions) mixes, in a personal way, sounds from a bevy of different cultures – from Mediterranean and Indian, to South American – with synths, samples, and loops. The result is a boundless music that carries us, riding soft waves and bobbing between Balearic ambient, jazz and electronic, on islands that have been quietly, yet carefully cultivated; peaceful, fascinating, and reflective – places where time appears to dissolve. Vapor frames 86/91 was originally released for Venetian Divergo – a non-profit label, which after the Baldan album, also released "The Wind Collector" by Gigi Masin and Alessandro Monti a few months later.
This reissue includes two added bonus tracks from the same sessions, both at the end of each side.
The result is a stunning auditory atmosphere that relaxes the spirit in the same vein as a reiki treatment.

Radical Connector was originally released in 2004 and is now fnally back on vinyl. This re-issue is pressed on mixed splatter color vinyl and presented in a high gloss jacket with free download card.

“Though reference points like Daft Punk and Prince have rightly been thrown around, Radical Connector is in fact a strange album that doesn’t sound like much else.” - Pitchfork

Mouse on Mars is recognised as one of Germany’s most defning and versatile electronic music projects. With their
anarchic mixture of sound that oscillates between uncontrollable chaos and meticulously arranged structures,
Jan St. Werner and Andi Toma have forged a unique musical language, which is readily decomposed by the
unpredictability of its myriad mutations. Free from schools of thought, genre conventions, and from the constraints
of the music establishment, they have worked under the Mouse on Mars alias for 24 years, mapping their own
idiosyncratic trajectory through a no man’s land between pop, art, club music, and the avant-garde. - Jan Rohlf

“Sexy robot vocals slip and slide all over juicy squeals, raindrop plops, and jungle-thick beats.”
- Entertainment Weekly
“Stirring songs drift out of its frantic aural mishmashes, fnding a controlled center amid all the dizzy spin.”
- AV Club
“Mouse on Mars have a gift for making electronic bleeps and buzzes sound like tangible objects that bounce,
bend and collide in physical space.” - Rolling Stone

11 years since it´s inception, the surreal and darkly romantic Knive still sounds like a mystery and something that´s hard to pin down. Svarte Greiner´s debut album feels like a trip into the forest at midnight, with all the sounds and impressions that comes with it. Spiritual, horrific and fragile in essence, it´s melancholic core is hard to shake off, and feels as present today as it did back then.

Don’t shoot me, I’m only the piano player. The Scene: The Welsh mountains, remote and harsh, a special place. A good place to produce a special album. The characters: Volker Bertelmann in his friend Adam Fuests’ studio, equipped with only a piano and a laptop.

The Avalanches' Downbeat milestone back in print!

RAWAX proudly welcomes Kit Clayton the the family!
We're happy to represent you his epic album "Nek Sanalet"!
More to come!

180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

20th year anniversary reissue of the two milestone releases that kickstarted the entire Mego / Editions Mego imprint and initial aesthetic. This deluxe reissue brings together the first MEGO release, ‘Fridge Trax’ and the full length album that followed ‘Live and final Fridge’, originally released on Source in 1995.

When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who’s who of some of New York’s most influential artists including Rhy’s Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock.

It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including ‘Kiss Me Again’, ‘Is It All Over My Face’, and co-founded Sleeping Bag Records with partner Will Socolov releasing ‘Go Bang’ and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur’s vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur’s prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur’s talent and underline the loss of his great potential. Contrary by nature, Arthur’s spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur’s open hearted attitude to music was far ahead of it’s time, and now that time is ours.”

Responding to popular demand, Warp Records is repressing its seminal Boards of Canada catalogue on vinyl for the first time in over five years. Each Warp reissue comes with a download code and an original BOC sticker design from the era.

REISSUED ON VINYL!!! Antithesis is an LP-only release of material from KEITH FULLERTON WHITMAN's archives that doesn't fit aesthetically with his Multiples studio album. The theme for the album is "ensemble works," that is, a combination of instruments played by Whitman himself with no computer interaction. Each piece was recorded in one of the different apartments Whitman has rented since he lived in Boston. Four tracks performed with Fender Rhodes piano, viola, guitar, and percussion.

Bonobo's epic "Days To Come" finally gets the reissue treatment, great!

Beat sampler with tracks by Waxolutionists, Texta, DJ DSL and others!

by Kouncil House, 30Hz and Smart Systems

the producer for the likes of Lupe Fiasco, Dudley Perkins, Georgia Anne Muldrow, Guilty Simpson and Wildchild steps out with his family of London-based singers

/ extinguisher Karl Marx Stadt remix

Radio Slave remix / Product.01 remix

The long-awaited LP reissue of "Phenomenal Luciferin", a 1998 solo album by Naoki Zushi that has been rediscovered from a modern new age perspective in recent years, is now available on Sad Disco with the full support of Org Records and the artist!!

A highly sought after album from UK's mid 90's underground trance/rave scene, originally released on the Magick Eye Records (label co-founded by Swordfish from Astralasia). "Cubic Space" is the only album released by SYT (Shave Yer Tongue) and it came in a double LP format, featuring 8 tracks in a wide range of paces, with extended length excursions ranging from downtempo atmospheric dub to faster trancey electronic psychedelia.

FlyLo's debut for Warp and basically the blueprint for all the LA Beat Scene madness!