Downbeat | Electronica | Leftfield Used Vinyl 184 Items

test pressing with different handmade designed label stickers

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Includes original inner sleevea.
Small light scuff on side A.

Neon Yellow vinyl.

Yellow-Black-Transparent-Splatter vinyl. Still in shrink, but opened, with hype sticker

Cover is close to NM. Price tag.

Following the reissue of the V-Neck EP Auto, Emote have sprung back to life with some lost DAT recordings of the band from the late 1990s. These semi live recordings made at the Spike Studios in Fulham where a back to basics project and a deliberate move away, from computer programmed music. The project was heavily influenced by the albums Drastic Season by African Head Charge and Get Up With It by Miles Davis. The tracks contain an array of random procession instruments ranging from African pianos to kitchen utensils, vintage synth tones and drones are provided by an Arp Odyssey and a Korg Ms-20 The tracks where then recorded on to a 8 track real to real Akai X-1810d By the time the delayed Dub Fiction album came out in 2000 the duo had decided to go their separate ways and the project was abandoned. Your record collection will have to be modestly far out not to find this record modestly far out! Supported by Alex Night (Fat Cat Records) and Chloe Alice Frieda (Alien Jams)

Blue & Yellow Translucent vinyl

Still in shrink, but opened, with hype sticker

Vinyl close to NM

vinyl is close to NM. Original inner sleeve. tiny wear. Limited edition

Single sided Limited edition. Vinyl is close to NM.

Blue Opaque Vinyl!

Still in shrink but opened with hype sticker. Numbered copy. Clear vinyl seems unplayed. Tiny corner wear. Limited edition.

white label

Vinyl seems unplayed.

Clear vinyl.

Clear vinyl.
Cover with a beginning seam split at the upper edge.

Blue Translucent Vinyl.

Cover with seam split.
Includes original inner sleeves with seam splits
Records are close to VG+

Translucent Orange vinyl

Still in shrink but opened. With insert. Vinyl is close to NM.

tiny wear. With insert.

Grey vinyl.

Sam Kerridge launches a major rethink of his style with the high-velocity tempos and razor-toothed bite of The Silence Between Us.Toiling somewhere between Ueno Masaaki’s Vortices for Raster-Noton, the pitching pelt of La Peste for Hangars Liquides, and the machine convulsions of Somatic Responses, he goes balls-to-the-wall with the breakneck momentum of Possession/Control, harnessing reverse-edited kicks, helter-skelter EBM bass and spectrographic noise ghouls in a surge of searing rave energy.Flipside, those knotty, strobing pulses keen thru empty stomach inversions and bursts of tangled EBM synths on Ascension, which is effectively a snappier edit of the A-side, whilst Radical Possibilities of Pleasure sounds like a field recording from a french hardtek invaded by dildo dibble in choppers and riot gear railing lasers against any unlucky dancers.

Still shrink wrapped but opened.
Record is close to NM.
Cover corners slightly dented.

180 gram vinyl.
Sealed copy.

Ships in a brand new plain sleeve.