DJ-Tools | Battle Breaks 204 Items

DJ scratch tool with new content by Ritchie Ruftone.

A side loops at 83 bpm
B side ultra-pitch loops at 133bpm
Deep cut, light flex, weighting in at 135g

Dj T-Kut Team Leader of Skratcher Madrid, Skratch Elementz & Tablist Lounge Spain, publishes a new volume of Skratch Practice. After the success of the previous volumes, this time it will be called Skratch Fu-Finger Practice. Side A consists of 12 seamless loops at 100 BPM and Side B consists of 12 seamless loops at 133 BPM. This vinyl is a perfect tool for battle routines, freestyle scratching, in which you will find classic original sounds, phrases, Fx sounds and much more. This Battle Breaks & Scratch Tools vinyl promises hours of practice and is focused both for DJs who are beginning and advanced DJs. This work will be published on 12" and 7" vinyl in black and a limited edition in colour oxide blood for 12" and gold for 7". The 7" vinyl Side A and B, consists of 6 loops per side at 100 BPM. Artwork: Adolfo Gerrero Mastered: Le Jad Producer: Dj T-Kut I hope you enjoy it and Happy Skratching!!!

Dj T-Kut Team Leader of Skratcher Madrid, Skratch Elementz & Tablist Lounge Spain, publishes a new volume of Skratch Practice. After the success of the previous volumes, this time it will be called Skratch Fu-Finger Practice. Side A consists of 12 seamless loops at 100 BPM and Side B consists of 12 seamless loops at 133 BPM. This vinyl is a perfect tool for battle routines, freestyle scratching, in which you will find classic original sounds, phrases, Fx sounds and much more. This Battle Breaks & Scratch Tools vinyl promises hours of practice and is focused both for DJs who are beginning and advanced DJs. This work will be published on 12" and 7" vinyl in black and a limited edition in colour oxide blood for 12" and gold for 7". The 7" vinyl Side A and B, consists of 6 loops per side at 100 BPM. Artwork: Adolfo Gerrero Mastered: Le Jad Producer: Dj T-Kut I hope you enjoy it and Happy Skratching!!!

An essential double sider of R&B bangers re-touched by the infamous Vince Cartier. This double A side will have parties on both continents and both coasts reaching for the sky. Whilst both having high profile, both sides are bangers in their own right. Early naughties dance floor fire for urban crowds to eat up.

Multitrack Reworks continue with Volume 5 in the MT series This time it’s Marvin Gaye and Double Exposure going under Smoove’s cutting knife. Extended Drum build ups and vocal breakdowns, expertly mixed using original multitrack tapes.

he year is 1999 and The Neptunes (Pharrell Williams & Chad Hugo) are working on a new track for Wu Tang Clan Member, Ol’ Dirty Bastard’s new album. The track in question, “Got Your Money”, was an unexpectedly poppy, upbeat and melodic track that would go on to have global success. Buried within the multi-track recordings of the ODB’s hit track is an acapella by Pharrell, recorded early in the tracks production. Bringing his own laid-back style and flow, but keeping to the narrative of ODB’s track, Pharrell delivers a secret version of the track, few will have heard. Alloy Cuts delivers two versions of Pharrell’s hidden bars, mashing up one side with Montel Jordan’s “This Is How We Do It”, giving the track a more golden era sound and on the flip side the classic ragga riddim, the “Snake Riddim”, is used to great effect!

A deep cut non skip 7" DJ scratch tool by Ritchie Ruftone, with the A side at 83bpm and the B side at 100bpm.

The legendary Death Breaks makes a welcome return with 2 more classic B-Boy tunes with heavy funky disco breakbeats, cut up and sampled by the greats. First time on 45 for both tracks - doubles are a must for DJs!

Captain Gloats is the understudy of Alloy Cuts’ mainstay Booty Haul, presumably for some hilarious “Haul & Gloats” puns in the not so distant future . Not much is known about Captain Gloats, other than he is a bit of dab hand at mashing up tracks and has an ear for what works on the dancefloor. Ring My Cheque up mashes up Anita Ward’s “Ring My Bell” with The Beastie Boys classic “Ch-Check it Out” resulting in 4 minutes and 30 seconds of floor filling fun, with tongue firmly in cheek.

Booty Haul returns to Alloy Cuts with more of his Boom Bap goodness. Blending multiple choice samples and breaks, most notably the Mary Jane Girls’ “All Night Long”, to create a hip hop instrumental that sounds like it was forged in a NYC basement in the mid-90s. This time Mr Haul draws for a ragga acapella on the A Side, clashing with the Canadian Dancehall Queen “Carla Marshall” and her 1990 hit “Champion”.

The World’s first skip-proof 7” Flexi Disc scratch tool Flexicuts is back!

The 7th of the series brings you 6 fresh new and original skip proof scratch sentences to ‘flex’ with.

Arranged at 100bpm and pressed at 33.33rpm, Flexicuts 7 is a 1 sided stunning red Flexi Disc with white gold foil graphic.

I'm talkin' about Beatmasters, but not the late 80s crew that saw collaborations with the Cookie Crew etc, I'm talking about the legendary Bristol beatmaster Boca 45 who has mastered, honed and polished his creative techniques and his distillation of beat making over the last 25+ years. Born out of hip hop and rooted firmly in the Bristol scene of Massive, Wild Bunch, and Portishead, Boca 45 aka Scott Hendy has successfully navigated an ever changing musical landscape with an unwavering connection and honest adherence to those very roots and ethics. It's what makes Bristol such a special place for art of all forms in the city, a DIY, earthy and passionate sound and vision that runs through all the artists that call Bristol home. And so it continues with Boca's only 45 release this year in ‘22. It’s strictly Limited to 300 copies on High Quality Yellow wax with each copy stamped & numbered. On this Bomb Donut he teams up with NYC Native Tongue OG Bam of The Jungle Brothers on hype vocals duties for 2 dancefloor burners. The A side '(Do It) Fluid' goes straight for the jugular with an immediate phat rubbery bassline that precedes a beat that charges and swings between 4 to the floor and wild breaks. Everything else within the track is supporting that drum & bass, heaping bucket loads of flavour into the mix. And to make it even more tasty, the arrangement is a clear 'DJs Choice', eminently cut-able, mixable, and double up-able! The intention of this (and the flip) is most definitely to stick 'nasty faces' on everyone on the dancefloor. So if you weren't already bleeding from a torn jugular from the A side, then the B side is going to do some serious damage to what is left of your vascular system. Picking up the tempo with a heavy-duty breakbeat that drives ever forward, 'Another Dimension' is peppered with fuzzed up riffs, Bam's hype vocals, and spacy flourishes. The result is a blistering dancefloor nugget heavily laden with urgency and vigour that DJs, dancers and breakdancers alike will be seriously wigging and poppin' out to. Ultimately these are classic Boca productions, full of the energy and verve we all know and love, honest, funky, raw, they have it all. Both tracks are a step up from cut-and-paste, yet that ethic is loud and proud throughout (and has been a trademark of Boca's beats over the years). It's perfectly reasonable to predict that this 45 will be going straight into the play crates of DJs across the world. And you can quote me on that.

Originals returns with 2 Hip Hop anthems from Q-Tip & Redman which both sample the drums from Kool & The Gang’s N.T. Puuuure Fiiiiiiire! Don’t sleep!

Two of the biggest names in the game join forces & the results do not disappoint!Straight out of Le Havre, Djar One's beat-heavy productions have been demanding attention on dancefloors and radio stations worldwide via his Beats House imprint. We couldn't be more delighted to have him on board the good ship Soul Flip for our eleventh 45 release. First up for the Djar One treatment is Mary Wells' Northern-leaning stomper, "Can't You See (You're Losing Me)". Already a dancefloor bomb, Djar One ramps up the energy still further to devastating effect. On the flip, he takes on the seldom-heard original 1965 version of "Uncle Willie Good Time" by The Astors with similarly superb results.

In a world of beauty school dropouts and jukebox tearjerkers, Eva Lazarus (DJ Vadim, The Nextmen, and a guest on Yoda’s ‘Home Cooking’ album) invites you to come and feel ‘My Energy’. A superlatively soulful slow jam wrapped in stars and stripes, it’s a timeless, lilting breakup song, with Yoda shiftily putting in work on the decks out back. Authentic doo wop straight from a 50s picture show, Lazarus takes centre stage as she leaves a string of devastated would-be suitors in her wake. The new sound of DJ Yoda revisits a golden era of rhythm and blues – going all in on ‘Prom Nite’, his new album of retro Americana and superstar guests continues to expand his musical expertise, with his signature scratches and cut-ups craftily coming into view over Heartbreak Ridge.

Chaka Khan / Jones Girls

New Orleans and Cali unite on this onslaught of gris-gris funk from Connie Price & Keystones featuring legendary MC, Rakaa Iriscience, of Dilated Peoples. The Crescent City label, Superjock Records puts forth another gem in the ongoing NOLA Breaks series (V.12)...

This time around they’ve enlisted the multi-talented Jay "J-Zone” Mumford on the drums, Dan Ubick on guitar (Breakestra, Big Daddy Kane), Julius Augustus on bass (The Sandollars), Dan Hastie on organ (Orgone, Alicia Keys), Steve McCormick on dobro and Professor Shorthair on the cuts and edits. Mastered by Dave Cooley (J Dilla, Madlib).

“The soundtrack to keep the wicked in flames” in both words and sounds, this 45rpm will leave you equally angered by the wrongs of the past but with a dip in your hip as you saunter through Congo Square!

Produced, recorded and mixed by Dan Ubick for DanUbe Productions at Lions Den Studios, Topanga, CA.

Skyline Recordings are thrilled to be releasing this incredibly modern, yet classic take of the timeless, Cry Me A River. This is an Awesome version. On the A side, Betty Black (aka Elisabeth Troy) delivers a unique and powerful vocal; backed up with the rhythm section TFF (The Family Fortune) comprising of the incredible Pat West (guitar, drums); Andy Ross (saxophone) & Ralph Lamb (trumpet). The goosebumps come and, before you know it, you’re singing and dancing along. The horns combined with Black’s vocals gives this a real Brit Funk, Diana Krall meets Grace Jones vibe, with a side of James Bond. This is a real ‘smiler’. A great 45rpm for Betty Black’s first single. On the flip, TFF never fail to deliver a deep and inspirational instrumental featuring Kaidi Tatham on keyboards and Andy Ross on flute. Perfect DJ tool.

4 tracks Skip proof scratch tool section 5 lock-groove beats Lock-groove tone Lenticular hologram cover

Deep/ Touch / Superman

Oslo Flow are a crew of three scratch DJs and producers: Blam, Plato and Android. Space Vape is the second 12 inch scratch tool and series of astounding instrumental beats & tracks released by Alx Plato and pressed to plastic by Cut & Paste Records following his previous 12 inch tool Try To Step. Grab your vape as Plato brings you to the depths of undiscovered space where the chill runs deep and the vibrations are universal. Side A weaves through a multitude of styles that Plato’s developed over the years when he cuts up on the table. There are 5 tracks in total, which play out as excellent instrumentals that have space for a performer to get busy with, these tracks will deliver the full thrust blasting out your speakers in a live performance, or back in the dojo grinding on the cut. The last track is configured as a lock-groove, and after a short intro it will loop forever, perfect for long practice sessions at whatever speed you set your deck to, or as part of a turntable composition. Side B consists of 12 x 100 BPM vocal skipless scratch sample loops dug and arranged by Plato & Symatic… each loop a balance of authentic grit and simplicity for you to flip while scratching. There are also instrumental loops and drums configured to the same skip-proof grid for turntablists with a musical mind, and the final lock-groove tone is a haunting distorted vocal loop. Flow is as elusive as the mysteries of the universe, and Plato strives to connect with it again and again. From California to Krakow, with a slew of adventures in between, Plato has brought his best on the cut and on the beats. This disc unleashes many flavours for you to get fresh with sculpting sound. As put by Jazzism once long ago leading to the crew’s moniker, “it’s that Oslo FLOW!” Audio mastered by soundlord Daniel Perez, photo by Nasa, typography and artwork by Deva at Amnesiac Studio. Pressed at The Vinyl Factory in London

Limited edition of 200 copies!

Battle Ave returns with the 5th installment of their battle break record series,"At The Ave Breaks". In partnership with Glowtronics, Mega DJ Center, and HHV.De, ATA 5 features production from the 2019 Cut2Cut Worlds Champions, DJ Jose Rodriguez and DJ Delightfull.

Side A - 15 Skipless battles breaks arranged by Jose Rodriguez
Side B - A full length EP produced by DJ Delightfull, Starteras, Chrisfader, Duzz Down San,
Testa, and X-Team.

Mastered by DJ FlipFlop + Swiftstyle
Cut by Tom Haunstein (Studio //T.E.S.S.) Leipzig, Germany
Executive Produced by Battle Ave Records

2nd release from Kiss Klassics serves up 2 of Justin Timberlake’s R&B classics getting the 45 edit treatment from mysterious Canadian Edit maestro Vince Cartier!?

This "blood splatter" vinyl record is primarily a tool for turntablists and beatmakers who love horror movies. It clearly refers to the Scream saga of the 90s. Side A (aka the blood side) is composed of 12 skipless loops at 133 bpm. You will find screams of terror, sound effects and other voices from the film. The B side (called the ghost side) is a sound bank (also at 133 bpm) with orchestral music, brass, distressing violin, dark piano, choirs, voices, sounds & effects. As a bonus: a download card with the contents of the disc but also 10 instrumentals composed by Kooltrasher, Mister Modo, Ugly Mac Beer, Dj Troubl' and A_n_d_b_n_d. a 60x30 poster 2 x Stickers Limited to 500 hand numbered copies.

The11thentryintotheHeatRockcatalogincludesapairoffunky,breakbeat-heavy, NativeTonguesfamilyremixes.TheA-sidefeaturesahornladenremixfrom Trew (AlteredTapes/Chicago)thatsimultaneouslyflipsaFunkandHip-Hopclassic.Whileon theB-side,DoubleA(Montreal)takesaDigger'sfavoriteandturnsupthedrumbreak dialto15foraBoombappedversionofaBayAreaFunk/Rockdeepcut.Doublesare recommended

Drums, please! Fortunately, Manuel Tur has plenty of them. The well-versed producer is no stranger to Running Back and a most-welcome returnee. Following the box-office success of 121 BPM on the very first Rhythm Trainx edition in 2015 – not to be confused with 121 BPM (1) on here – Tur prepared a whole collection of beating, driving, percussive, pulsating, fast and slow DJ tools, rhythmic repetitions and acrobatic adventures. A dozen tracks (including digital exclusives) Ranging from 100 to 150 Bpm, you get it all and then some: from tribal trace elements to Windy City patterns, New York house fabrics, robotic funk and some of techno’s DNA. Saves the (last) night of any DJ and your next mixtape.

Tones 1.0 is a record specifically made for the purpose of melodic scratching, although it is not limited to just that; it can be also used as a production tool. Think of Tones 1.0 as a synthesized toolkit that blurs the lines between live performance and production.

Side A consists of 8 locked modulating tones (4 bass tones and 4 lead tones) that have been recorded from various analog synthesizers. They were recorded live while manipulating cut-off frequencies, resonance and LFOs to a click track at 133.33 BPM. This gives the tones extra rich sonics and more depth while being scratched. Each bass tone is recorded at middle C (c3) while each lead tone has been recorded an octave higher (c4).

Side B consists of musical phrases, chords, drums and skip-proof atonal scratch sounds, all of which have been recorded at 133.33 BPM.

You’ll find a rich tapestry of ideas to choose from ranging from funk basslines/chords and licks, soul chords and licks, drums and atonal scratch sounds. Major and minor 7th chords follow the circle of 5ths so that they are all relative to each other, perfect for creating music quickly. Once you’ve created a beat/sketch you can then jump to the skip-proof atonal scratch sounds and solo over the top. Enjoy.

Barn Breaks vol Iii', presented by Owlvaro & Hugu, is the latest installment of oddball samples and loops from your favorite globe-trotting Texan trio, and is perfect for ant portablist scratch jam or 7" DJ set... The latest in the series, this "skipless" 7" contains scratch samples from "Mordechai" - band hits, isolated basslines & vocals, guitar notes, keyboard stabs and drum loops - as well as custom "ahhhh" & "fressshh" sounds. Do you know? Here we go!

The first release from Toronto’s newest and most exciting Record Label, EastSide Edits! Limited run pressing of hand-stamped white labels, exclusive to release 001. Blessed by some of the top DJ’s in the world, this is sure to sell out fast! Donuts for the 45 slingers, and donuts for the House DJ’s, EastSide Edits brings a unique twist to the 45’s world by catering to both markets on each release. Carefully selected familiar Edits that work well in both environments is the name of their game! This first release has gained a lot of attention, with the test pressings being championed by some of the top turntable legends in the game. DJ Koco’s recent doubles routine and feature play of the B-side to this record has his massive following asking where to find it.

Side A is brought to you by the young wonder from New York, Pinto NYC. Pinto has been making quite the name for himself, signing music to some stellar House labels across the world, including the legendary Nervous Records, Glasgow Underground, and Simma Black. His upbeat and funky edit of “Rock with you” brings familiarity and energy sure to light the dance floor on fire! Creative sampling and pumping drums are his signature sound. This one hooks the listener early and smashes it home!

Side B is brought to you by the incredibly talented Toronto Disco duo, LeBaron James. LeBaron James are at the top of their game, pumping out high quality Disco Edits to a whole host of successful labels. Home base for them has been the incredibly successful Spacedisco label, run by Juno award winning Toronto artist, Hatiras. Their super catchy Disco edit of “Never gonna give my love again” will have you singing at the top of your lungs, feeling like you’re front and center at Studio 54! The vibe gets pushed even further into overdrive with the onset of a smooth and sexy sax solo that carries through the tail end of the record. This one has already proven to catch the ears of some major players across the globe! Don’t sleep on this white label. House DJ’s have responded overwhelmingly, and after watching DJ Koco’s Instagram routine we are confident that every 45 slinger in the UK will be digging for doubles on this one!

These DJ DSK edit instrumentals were pressed up after many requests from DJs who wanted them, they can be used with the vocal versions, create new mash ups or just played as a track in their own right. It is also a great bonus that some of the original tracks do not even have instrumentals available.

This 45rpm features an uptempo, jazz-flavored, breakbeat-centric remix of one of the Golden Era’s most unsung Hip-Hop crews. Produced by our newest roster member, Flipout(Canada), owner of Flip N Jay Records as well as a renowned Turntablist, Radio Station DJ, Producer. Includes the vocal and instrumental versions for your scratching / juggling pleasure!

SUPER SEAL BREAKS ist eine der beliebtesten Vinyl unter Battle Breaks / Scratch Tools. Seit der Veröffentlichung der Originalversion im Jahr 2000, produziert von DJ QBert, ist es ein klassisches Scratch-Tool, welches von vielen DJs erste Wahl ist. Diesmal erscheint sie in einer limitierten Pressung in neon-gelb. Die Klassiker wie "Ahhhh" und "Fresh" sind alle enthalten. Die verschieden 4 Beats auf der B-Seite werden häufig zum erstellen von Loops verwendet. Egal ob Anfänger oder Vollprofi, Super Seal gehört in jedes Repertoire zum Turntablism-Training.



Features

⦁ 1x 12“ Vinyl mit Scratch Tools

⦁ A-Seite: 12 Scratch Grooves, The classic scratch samples "Ahhhh" and "Fresh" mit vielen weiteren Samples.

⦁ B-Seite: enthält 4 aufgenommene Beats, die häufig zum Scratchen und Juggling verwendet werden.

⦁ Ultra dünn und leichter als herkömmliche US-gepresste Vinyl

⦁ Leicht zu erkennende Rillen

⦁ Reduzierte Springfunktion am Anfang beider Seiten durch eine modifizierte Einlaufrille

⦁ Streng limitierte Pressung in neon-gelb