DJ Equipment 672 Items

Disk Union official Record Cleaner "Reco-Cloth".

Wiping cloths developed by diskunion for professional use.

It quickly adsorbs cleaning solution that incorporates dirt. Special non-woven fabrics are used that do not fluff or leave fibers behind, and have low electrostatic properties.

*Please be careful not to press down harder than necessary, as this may cause scratches on the surface. Cannot be used on surfaces other than the record sound groove or disc signal surface. Use on label surface or sleeves may damage the materials.

VOLUME: 50 sheets

- 3 Main Features as a Professional Cleaner -

Superior Workability - Simple and speedy adsorption and water absorption performance.

Low Cost - Focused on a balance between durability and usability, and acheved both performance maintenance and low running cost.

Harmless and Environmentally Friendly - Additive-free cellulose non-woven fabric made only from non-petroleum based raw materials.

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" Orange).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on STOKYO Thin Press©️ Orange 12" Vinyl

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" White).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on WHITE on STOKYO Ultra-Thin Press©️ Vinyl (6% Lighter than Orange!)

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

The excellent Dr. Suzuki Slipmats are now available in purple!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

The excellent Dr. Suzuki Slipmats are now available in turquoise!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

The excellent Dr. Suzuki Slipmats are now available in green!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

UNCOMPLICATED WITH COMFORT
The CS 529 combines ease of use of a fully automatic turntable with high-end solutions such as precision pivot ball-bearings in a twin gimbal tonearm.

The operation is just as straight forward as every automatic turntable; the tonearm automatically lifts, shifts across and drops with the push of a button. Simply place the vinyl record on the platter and push the start button.

All turntable functions can be controlled via the terminal or remotely operated via the Bluetooth signal, which also transmits the music data. The relevant app can be installed on any smart device to enable you to control the entire turntable remotely. This is the first product world-wide with such a feature.

DETAILS:
Plinth: Solid MDF
• Subchassis construction with rubber dampers
• Bluetooth for audio and remote-control functions
Platter: Aluminium
• Aluminium die-cast, long term precision
• Heavy rubber mat for resonance damping
• Hardened steel spindle in a brass bushing
Tonearm: Twin Gimbal Design
• All functions are fully automatic or manual
• Solid aluminium gimbal construction
• Pivot ball-bearings
Drive: DC- Motor / Belt
• Optical speed control at the motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL SPECIFICATIONS:
Motor:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,08 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Bluetooth Remote Control / Automatic
• Bearing: 4 x ball-bearing / twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g bis 4 g
• Cartridge Weight Range: 5 g bis 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: Bluetooth Bluetooth 5.2 aptXT HD Audio.
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: D: 415 mm / H: 400 mm
• Weight: 6,7 kg
• Power plug AC / DC: External power supply

BOWIE STYLOPHONE - LIMITED EDITION
GET THE 'SPACE ODDITY' SOUND

Ground control to Major Tom: introducing the limited-edition Bowie Stylophone, a stylish reimagining of the original pocket synthesizer. Featuring a sleek white casing and classic Bowie design, this quirky instrument celebrates the buzzy space-age sound at the core of David Bowie’s 1969 classic ‘Space Oddity’ in true retro style – the ultimate collectible for any Bowie fan.

RETRO BOWIE STYLE
This Stylophone has had a makeover. Now with a dazzling white frame, speaker surround and back panel, and the spaceship-silver grill has the electrifying Bowie logo embossed on it – fit for Ziggy himself.

THE ORIGINAL POCKET SYNTHESIZER
Beneath the Starman exterior, you’ll enjoy the much-loved analog experience that’s entertained millions since the ‘60s. Fun stylus operation, authentic analog sound, 3 different modes with a wobbly vibrato button – great for all kinds of classic synth and bass sounds. Once you pick it up, you won’t want to put it back down…

PORTABLE & EASY TO USE
At less than 12cm wide, it’ll fit right in your coat pocket, rucksack, or handbag. Better still, it runs on 3 x AA batteries, and features a built-in speaker and headphone socket, so you can play it everywhere you go. Tune it up with the control on the back, choose your sound, and play along to your favourite songs – perfect for synth enthusiasts and beginners alike!

Video: https://youtu.be/b7AciDoQtgM

OFFICIAL BOWIE STYLOPHONE CARRY CASE

Bowie Stylophone Logo on the front

SPECIAL SECURE FIT DESIGN

Special secure-fit design – Made from stress-resistant EVA Internal mesh pocket for accessories

BOWIE ZIPPER TAG

Embossed Bowie logo and Stylophone logo zip tags

The Stylophone S-1 Bowie fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone S-1 Bowie synthesizer

The WARM4 is a professional analogue rotary DJ mixer with four channels, developed and produced by ECLER in Barcelona.
It has 4 phono/line channels, 2 microphone inputs, classic sharp filters and a 4th order isolator. The WARM4 also includes a unique feature: an analogue subharmonics synthesizer that can be selected per channel and is specifically designed to generate and amplify ultra-low frequencies.
The WARM4 is ECLER's latest analogue rotary mixer, inspired by New York's disco "Paradise Garage", also referred to by François Kevorkian as the "Temple of Music", whose influence has been instrumental in shaping some of today's best clubs. Designed and manufactured in the Barcelona factory, the WARM4 is a mixer that keeps the classic structure of ECLER mixers in mind, but incorporates completely redesigned circuitry and mechanics. This ranges from new circuit boards that further improve the noise floor and dynamic range, to the rotary pots that are carefully hand-assembled by our production team.
Staying true to the innovative spirit since the first A4 mixer in 1971, ECLER presents a DJ tool never before included in a mixer: an analogue subharmonics synthesiser. Inspired by the original device from the "Paradise Garage" DJ booth, we have developed our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the DJ can adapt it individually to the track and the respective sound system.
The WARM4 also features the 4th order isolator already included in the WARM2, as well as 4 mixing channels, 3-band equaliser with full cut per channel and high quality potentiometers from Alps with metal axis. Using an external effects module has also never been easier. The WARM4 can output a PRE/POST fader signal and lets you control and pre-listen to the return signal.
The WARM4 is designed specifically for sound systems that can reproduce subsonic frequencies - for clubs, festivals and events where bass response is crucial.
Unleash a whole new dancefloor experience and take the music experience to the next level!

Technical details:
AUDIO PERFORMANCE
INPUTS:
-
Number of inputs:
LINE: 4 stereo unbalanced inputs
PHONO: 4 stereo unbalanced inputs
MIC: 2 mono balanced inputs
FX RETURN: 1 stereo unbalanced input
Connection types:
LINE 1-2-3-4: RCS STEREO
PHONO 1-2-3-4: RCS STEREO
MIC 3: XLR3-F
MIC 4: Combo XLR3-F/6.3mm jack balanced
FX RETURN: RCS STEREO
Input sensitivity nominal / impedance:
LINE: 0 dBV / 50kΩ
PHONO: -40 dBV / 50kΩ
MIC: -50 dBV / >1kΩ
FX RETURN: 0 dBV / >6kΩ
POWER:
-
Frequency response:
LINE: 10Hz÷30kHz -1dB
MIC: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: <0.004%
MIC: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%
CMMR (Common-Mode Rejection Ratio):
MIC: >75dB at 1kHz
Signal-to-noise ratio:
LINE: >105dB
MIC: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim control / tone control for inputs 1-2-3-4:
INPUTS 1-2-3-4: ±15dB
BASS: +10/-30dB
MIDDLE: +10/-25dB
TREBLE: +10/-30dB
Trim control / tone control for the isolator:
BASS: +12/-70dB
MIDDLE: +12/-40dB
HIGH: +12/-70dB
Sound filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MIDDLE: 200Hz÷6.8kHz
HIGH: 6.8kHz
Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz÷4kHz
MIDDLE:
HIGH: 4kHz
Analogue subharmonics synthesiser:
Input selective filter: 50÷120Hz
Harmonics synthesis: 25÷60Hz
Maximum output level: +12dBV
OUTPUTS:
-
Number of outputs:
HOUSE: 1 stereo balanced outputs / 1 stereo unbalanced outputs.
BOOTH: 1 stereo balanced outputs / 1 stereo unbalanced outputs
HEADPHONES: 2 stereo unbalanced outputs
FX SEND: 1 stereo unbalanced output
REC: 1 stereo unbalanced output
Connection types:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO
HEADPHONES: jack stereo 6.3mm / jack stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Output level / Minimum load:
HOUSE (balanced): 0dBV/600Ω 1V *(+12dB 4V).
HOUSE (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (balanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
HEADPHONES: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximum undistorted output level:
HOUSE (electrically balanced): 21dBV (23dBu)
BOOTH (electrically balanced): 21dBV (23dBu)
HOUSE (unbalanced): 21dBV (23dBu)
BOOTH (unbalanced): 21dBV (23dBu)
ELECTRICAL
Power supply: Internal
AC mains voltage: 90-264VAC 47-63Hz
AC mains plug: 15A IEC inlet plug
Rated power consumption: 39 VA
OTHER
Control mode: Rotary with Alps Blue Velvet potentiometers and Alps RK09L potentiometers
Phantom power: 18VDC/5mA max (ON by default)
Input VU meter: LED 12 segments (-38dBV ÷ +10dBV)
House Mix Booth VU meter: LED 12 segments (-30dBV ÷ +20dBV)
Subharmonics output VU meter: LED 3 segments (-20dBV / 0dBV / +4dBV)
PHYSICAL
Operating temperature: -5˚C ÷ 45˚C
Operating humidity: 20 - 90% RH (no condensation).
Storage temperature: -10°C ÷ 50˚C
Storage humidity: <90% RH (no condensation)
Installation options: Desktop or rack mounting with optional accessories.
Accessories included: IEC cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm
Weight: 5.32 kg
Shipping dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm
Shipping weight: 6.74 kg

Smooth vinyl precision.

ELAC’s Miracord 50 Turntable is designed to deliver exceptional vinyl transcription, inspired by the iconic Miracord name from the Golden Age of Stereo, when turntables reigned supreme. The Miracord 50 is carefully engineered with a belt-drive motor and die-cast aluminum platter. A precision static balanced, straight-tube tonearm with removable headshell features a factory-mounted MM phono cartridge. Designed with convenience in mind, the Miracord 50 is equipped with a built-in defeatable phono preamplifier, allowing you to add this turntable to virtually any music system.

SPECIFICATIONS

Turntable Section
• Drive System: Belt drive
• Motor: DC motor
• Selectable Speeds: 33⅓ and 45 rpm
• Motor Servo: Speed rotation and servo system
• Rotation Speed Variation: +/-1%
• Wow and Flutter: 1%
• Signal-to-Noise Ratio: -67 dB or higher (A-weighted) -60 dB or higher (unweighted)
• Platter: Aluminum die-cast
• Platter Diameter: 0 in / 300 mm

Tonearm Section
• Type: Aluminum tube, static-balanced
• Effective Arm Length: 8 in / 223.6 mm
• Stylus Pressure Range: 0 to 0 g
• Cartridge Weight Range: 5 to 6.0 g
• Effective Arm Mass: 4 g
• Overhang: 6 mm
• Offset Angle: 25 degrees
• Anti-Skating: Adjustment Supported
• Main Bearing: Stainless steel

Cartridge Section:
• Type: Audio-Technica AT91 moving magnet
• Stylus Construction: Bonded diamond
• Mount: Half-inch
• Frequency Response: 20 Hz to 20 kHz
• Channel Separation: >18 dB
• Channel Balance: 5 dB
• Vertical Tracking: Angle 20 degrees
• Stylus Pressure: 0 g +/-0.5 g
• Cartridge Weight: 0 g +/-0.5 g
• Headshell Weight: 0 g (including screws, nuts and wires)

Phono Equalizer Amplifier
• Type :Moving magnet (MM)
• Phono Output: 5 mV (1 kHz, 3.54 cm/sec)
• Line Output: 140 mV (-17 dBV)
• Phono/Line: Switchable
• Supported Load Impedance: 47 kΩ

Connector: RCA pin jack including RCA cable accessories
Voltage: 100 to 240 V AC / 50 to 60 Hz
Power Consumption: 1.5 W (less than 0.5 W at standby)
Dimensions: (WXHXD) 5.5 x 16.05 x 14.20
Weight: 12.10 lb

Tech Sheet: https://elac-content.s3.amazonaws.com/uploads/2018/08/Miracord-50-Turntable_8-8-18.pdf

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

Analog and simply good - We are resurrecting the old treasures from your childhood and youth

Long awaited and available from the end of February / beginning of March in two different colors. In black / white and in sky blue / silver.

Anyone who grew up in the 80s and 90s will remember the feeling when the presenter on the radio messed up the beginning or end of a track when recording a mixtape. That was annoying.

You were all the more proud when you were able to capture the latest hits of the 80s on tape without interruption.

Bring these treasures and your old radio play collections back to life with the FiiO CP13.

But why did FiiO of all companies come up with the idea of bringing this topic back to life? The answer to this question is quite simple.

Since its inception fifteen years ago, FiiO has been dedicated to the amplification and high-quality reproduction of analog audio signals. The common intersection of this classic and modern digital theme is therefore tailor-made for FiiO. We can therefore look forward to an old idea in a new guise.

One of the best features is certainly the significantly increased output power compared to before. This means that the FiiO CP13 is also capable of driving sophisticated hi-fi headphones.

Since the FiiO CP13 is essentially about classic and analog playback, FiiO has decided not to implement Bluetooth. Digitizing a good analogue audio signal and transmitting it via Bluetooth would not do justice to the spirit of the cassette era.

Specifications:
• Mechanical logic core
• Copper flywheel
• Audio output: 3.5mm stereo jack
• Dimensions: approximately 120mm x 88.3mm x 31.8mm
• Output voltage: >250mV
• SNR: 55dB
• Weight: approximately 310g
• Battery capacity: 1800mAh
• Playing time: >13 hours @40mV

With this cleaning liquid specially adapted to the FLUX-Sonic, you always get the best result!

Weight: 61 g
Size: 3,6 x 2 x 9,2 cm

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Replacement filter for the FLUX-Turbo.
The replacement filter must be changed approx. every 2 to 3 months or after 20 aspirations to ensure a good suction result. Two filters are supplied in a double pack.
The inner filter material is selected to retain the coarse particles. At the same time, the suction power is not reduced too much by the pressure loss.
The FLUX-Filter is compatible with FLUX-Turbo and the FLUX-Turbo 2.0.

Weight: 3 g
Size: 3 x 3 x 3.5 cm

Replacement skids for the FLUX-Turbo.
After approximately one year of use, we recommend replacing the skids. In the set all 3 skids are included: 2 short ones for the sides an one long one for the suction channel.

Measures short:
Weight: 0.1 g
Size: 2 x 0.6 x 0.5 cm

Measures long:
Weight: 0.3 g
Size: 10.5 x 0.6 x 0.4 cm

Jimmy Cage Jr. is part of the Frame Your Records product series Record Jack, which includes shelves made of MDF that can be perfectly integrated into the room. Capacity: approx. 40 7 inch singles. Material: MDF & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Stylus for Goldring G1006 Cartridge

Just needle, not the complete cartridge included!

Stylus for Goldring E1 MM Cartridge

Goldring E2

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E2 cartridge, the middle in the range, features the same spherical stylus profile as the E1 but with the additional benefit of an upgraded aluminium cantilever. This is both stiff and light weight allowing the stylus to more accurately trace medium to high frequencies offering more detail and reducing distortion and mis-tracking during loud passages.

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Green
• Cantilever: Aluminium
• Stylus profile: Spherical
• Stylus radius: 0.6 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E2 MM Cartridge

Goldring E3

The Goldring philosophy is to promote the accurate replication of the original record production, maintaining the creative nuances, musicality and rhythm the artist intended you to hear. With the versatile E Series, this is easy to achieve; each is designed to be simple to fit to the majority of budget to medium priced turntables.

The E3 cartridge, representing the top of the range features the same aluminium cantilever as the E2, but benefits from a superior, bonded, super-elliptical (0.3 x 0.7 mil) stylus. This gives it better high frequency detail retrieval over ordinary elliptical (0.4 x 0.7 mil) or spherical (0.6 mil) types due to its smaller front-to-back radius. The main effect is the reduction of sibilance, especially in high level vocal recordings

Magnetic Duplex Technology™
All cartridges in the range feature Magnetic Duplex Technology™-a 'dual magnet' generator assembly with an identical geometry to that of the original cutting head. This means it can more accurately reproduce the stereo information in the record groove, providing better channel separation and a more involving and musical sound stage.

Expert Adjustment
The E-series cartridges have been designed to allow micro-adjustments to be made during production using a special adjustment screw. This means the cartridge can be safely installed in a typical turntable because the angle that the stylus makes with the record surface has been pre-set. The result is an optimised channel balance with zero degrees of horizontal tracking adjustment required. This ensures a consistent and reassuring performance for the life of the product.

Stylus/Cantilever
Featuring spherical styli with a choice of cantilevers, the E1 and E2 models are ideal as an upgrade to any budget, pre-fitted or obsolete cartridge. The E3 model with its re­fined super elliptical stylus is a worthwhile upgrade for those wishing to squeeze even more information and detail from the record groove.

• Colour: Violet
• Cantilever: Aluminium
• Stylus profile: Elliptical
• Stylus radius: 0.3 x 0.7 mil
• Frequency range: 20 Hz - 20 kHz
• Channel balance: 1.5 dB at 1 kHz
• Channel separation: >20 dB at 1 kHz
• Sensitivity: 3.5 mV (1 kHz @ 5 cm/sec)
• Static compliance: 20 mm/N
• Vertical tracking angle: 20°
• Load resistance: 47 kΩ
• Load capacitance: 100 - 200 pF
• Internal inductance: 400 mH
• Internal resistance: 410 Ω
• Cartridge mass: 6.9 g
• Fixing centres: 12.7 mm (0.5 in)
• Playing weight: 1.5 g - 2.5 g (2.0 g recommended)

Stylus for Goldring E3 MM Cartridge

Just needle, not the complete cartridge included!

Stylus for Goldring E4 MM Cartridge

Just needle, not the complete cartridge included!

The Goldring 1006 is designed for owners who want to get the very best from their systems at a budget price. This cartridge has an elliptical tip for improved high frequency clarity and a powerful magnet to ensure high sensitivity.

This hand-built cartridge features an elliptical stylus; its shape enables it to more accurately trace the highest frequency record grooves giving it the advantage over ordinary spherical types. The lightweight shank also gives the stylus a lower tip mass than cheaper metal bonded types lending the cartridge an improved transient response.

Low Mass Pocan® Body
The 1000 series uses a strong one piece body which holds the fixed parts securely in place. Made from a special type of ultra-rigid, glass reinforced polyester called Pocan, the body can be tightly bolted to the head shell for maximum efficiency and optimum sound quality. The user replaceable stylus carrier slots tightly into the body with a locating pin preventing unwanted vibrations which would otherwise colour the sound. An integral mu-metal can keeps the generator parts shielded from hum-inducing stray magnetic fields. Because Pocan has a high strength-to-mass ratio, the overall mass of the G1000 series cartridges is kept below 6.5 g. Low mass and moderate compliance keep the natural arm/cartridge resonance within safe limits for easy matching to a wide range of tonearms.

High Efficiency Magnetic Circuit
Finely etched mu-metal is laminated to form the pole pieces around which are fitted two formerless coils of four thousand turns each. This unique design reduces mass and also makes for a very efficient magnetic circuit producing a higher than average output. This construction also reduces the loss at high frequencies inherent in conventional designs, making for a smooth and extended frequency response.

Reduced Moving Mass
The 1000 series uses a unique ultra-low-mass, micro-miniature Alnico V magnet made to a tolerance that can be achieved by no other manufacturer worldwide. Welded to the magnet is a gold plated nickel tie-bar which provides an earth path for vinyl static charge build up and stabilses the cantilever in unwanted vibrational modes. The whole ultra-low-mass assembly is then mounted in a special butyl rubber polymer with optimised damping characteristics.

Expert Adjustment
The correct setting of stylus azimuth (or horizontal tracking angle) is essential for the maintenance of a proper stereo sound stage. Azimuth is the term used to describe the angle that the vertical centre-line of the stylus makes with the record surface and this must be exactly perpendicular to the record groove. This is not usually a user adjustable parameter on most budget decks and so it is vital that the cartridge leaves the factory with the azimuth precisely set. Badly adjusted azimuth can cause uneven channel balance and increased crosstalk between channels which would severely degrade the stereo image.

Specifications:
• Frequency Response: 20 Hz -20 kHz ±3 dB
• Channel Balance: within 2 dB @ 1 kHz
• Channel Separation: better than 25 dB @ 1 kHz
• Sensitivity: 6.5 mV ±1.5 dB, 1 kHz @ 5 cm/sec
• Static Compliance: 24 mm/N (lat); 16 mm/N (vert)
• Equivalent tip mass: 0.45 mg
• Vertical Tracking Angle: 24°
• Stylus Radius: Elliptical
• Stylus Type: Replaceable
• Load Resistance: 47 kΩ
• Load Capacitance: 150-200 pF
• Internal Inductance: 570 mH
• Internal Resistance: 660 Ω
• Cartridge Mass: 6.3 g
• Cartridge Mass (inc. fixings): 7.6 g
• Fixing Centre: 0.5" (12.7 mm)
• Playing Weight: 1.5 - 2.0 g (1.7 g nom.)
• Replacement Stylus: 1006 - D0

Combining the company’s century-old legacy with modern-day convenience, GR3 represents Goldring’s stylish re-entry into the turntable arena.

Developed in collaboration with a renowned British hi-fi manufacturer, GR3 is equipped with the multiple award-winning Goldring E3 moving magnet cartridge, offering true plug-and-play functionality. Its built-in phono pre-amplifier allows seamless compatibility with any amplifier or powered speaker, while designed to maximise the flywheel effect, its Phenolic resin platter ensures consistent rotational speed for enhanced audio fidelity.

Additionally, GR3 comes with a choice of high-quality interconnects from Goldring’s world-renowned sister brand QED, ensuring a vigorous connection and sound quality.

Key features at a glance:
• Pre-fitted with a Goldring E3 moving magnet cartridge: This serial award-winning cartridge comes pre-installed and perfectly aligned on the GR3 tonearm, offering a balanced, refined and dynamic sonic performance.
• Built-in phono stage : For maximum convenience, GR3’s integrated pre-amplifier enables effortless connections to any amplifier or powered speaker of choice.
• Phenolic resin platter: Designed to maximise the flywheel effect, the platter ensures consistent rotational speed for enhanced audio fidelity.
• Choice of QED interconnects: Goldring provides a choice of either a 1.5 m phono-to-phono or a 3 m phono-to-3.5 mm cable from QED, one of the most respected names in audio interconnects and cables, ensuring optimal connection and sound quality.
• Elegant design: GR3 pairs premium performance with a high-gloss black plinth and perspex dust cover, offering a sophisticated aesthetic that matches its superior sound.

Pre-fitted Goldring E3 moving magnet cartridge
Goldring’s E3 cartridge is considered one of the best performers at its price point – just see the six consecutive What Hi-Fi? best buy awards for proof. Combining plug-and-play simplicity with uncompromised audio performance, the E3 arrives pre-fitted and pre-adjusted to the GR3 tonearm.

It features a stiff and lightweight aluminium cantilever offering accurate tracking, more detail and reduced distortion, while a 'dual magnet' generator ensures authentic reproduction, better channel separation and a more musical soundstage. Designed and engineered in the UK, micro-adjustments during production ensures a consistent and reassuring performance for the life of the product.

Built-in phono stage
Not every amplifier or powered speaker has the necessary gain and EQ to deal with the signal from a turntable. So, to make life easier, GR3 boasts an integrated phono pre-amplifier in order to do this job. It means this single turntable that can happily connect to any amplifier or powered speaker you decide to use without the need for extra phono amplification or boxes. Combine it easily with Q Acoustics M20 or M40 powered speakers for a user-friendly and musically powerful vinyl system.

Phenolic resin platter
The remarkable speed stability of the GR3 is maintained by employing a phenolic resin platter with an enhanced fly-wheel effect. By distributing the majority of its considerable mass at the outside of rotation, inertia is increased and therefore speed variations are suppressed. This gives the GR3 a very good wow and flutter performance which in turn ensures that the fidelity of its musical reproduction remains high.

Choice of QED interconnects
Goldring’s sister company, QED, is one of the most credible and highly regarded manufacturers of analogue and digital interconnects in the world - so choosing either a 1.5 m phono-to-phono or 3 m phono-to-3.5 mm cable to plug GR3 into a compatible amplifier or powered speakers, ensures a stable and robust connection.

Elegant design
To complement the GR3’s class-leading performance, a combination of a stylish high-gloss black plinth, covered by a perspex dust cover delivers a premium and sophisticated design that can match perfectly with any system or fit seamlessly into any interior design space.

Specifications:
• Tonearm: Hand assembled and carefully matched tonearm
• Cartridge: Factory-fitted Goldring E3 moving magnet cartridge
• Motor: 24 Volt low noise, low vibration motor
• Plinth: Gloss Black finish with Goldring gold branding
• Platter: Phenolic resin with flywheel mass on the rim
• Phono amp RIAA accuracy: (100 Hz to 20 kHz) ±0.4 dB, typically better than ±0.25 dB
• Dimensions (lid closed) (W x H x D): 450 x 120 x 360 mm
• Weight (unpacked): 5.5 kg

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Ableton Push 3 and Push 2
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with the Decksaver® Push covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Akai Pro APC64
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Akai Pro MPC One+ and MPC One
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand
• Fits Elektron Analog Heat, Analog Heat MKII, Analog Heat +FX, Digitakt, Digitakt II, Digitone, Syntakt
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your NI Maschine Mikro MK3
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your NI Maschine MK3 or Maschine+
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Polyend Tracker, Tracker+, Play, or Play+
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

Elevate your music production workflow with the Headliner Catalina Stand.

The Catalina series are modern production gear stands that raise your equipment to an ergonomic level, merging functionality with aesthetics seamlessly. With a minimalist design, they instantly become a key part of any desk setup, enhancing structure and organization.

Meticulously crafted, our stands offer a unique experience, making your production gear more enjoyable to use. They transform your device into a distinctive piece, providing an elegant look and fresh feel. Headliner Catalina Stands are compatible with Decksaver covers for optimal protection for your gear.

Each Catalina stand is made from genuine wood, treated with natural waxes and oils. Due to the distinct wood grain patterns, every stand is one of a kind.

The Headliner Catalina Stand is tailor-made for your music production desk.

Features:
• Genuine wood stand for your Roland TR-8S
• Angled for comfort and ergonomics, providing a clean and organized workspace
• Every stand is one of a kind thanks to their unique wood grain patterns
• Nonslip rubber pads keep devices firmly in place
• Compatible with Decksaver® covers

The Headliner Gigastsand USB+ is a fully adjustable laptop stand with integrated high-speed USB hub. Designed for DJ’s, Musicians, Performers, and Creators, this 2-in-1 device will save space on your workstation and in your bag by combining two integral parts of your setup.

The Gigastand USB+ is constructed of steel and aluminum for the ultimate combination of portability and durability. It is fully adjustable, configurable in C or Z positions, and folds flat thanks to an intuitive ratchet lever system. Easily loosen and tighten each joint to find the right angle for your setup. The telescoping neck rotates 360˚ and has a max height of 16”.

The integrated USB hub features two USB-C ports and two USB-A ports to connect controllers, interfaces, hard drive, and more, and one USB-C port for computer connection. It is fully USB powered so it does not require carrying around an additional power supply.

Carrying pouch and USB-C cable included.

Highlights:
• Fully adjustable DJ laptop stand, configurable in C or Z positions and folds flat thanks to an intuitive ratchet lever system.
• Constructed of steel and aluminum for the ultimate combination of portability and durability.
• Telescoping neck rotates 360˚ and has a max height of 16”.
• Integrated USB hub features two USB-C ports and two USB-A ports to connect peripherals, and one USB-C port for computer connection.
• 2-in-1 device will save space on your workstation and in your bag by combining two integral parts of your setup.

Features:
• Fully-adjustable laptop stand with integrated USB hub
• (2) USB-C ports and (2) USB-A ports to connect peripherals, and (1) USB-C port for computer connection
• Ideal for storing and traveling with compact folding design and included carrying pouch
• Rugged construction of steel and aluminum for the ultimate combination of portability and durability.
• Ratchet lever system makes it a breeze to find the perfect position for the stand. Easily loosen and tighten each joint to find the right angle for your setup.
• Fully adjustable tray and feet up to +/- 90%
• Telescoping neck with 360˚ rotation and max height of 16”
• Configurable in C or Z positions to fit into most workspaces
• Also fits small controllers, samplers, drum machines, and more
• Fits laptops up to 17″
• Includes USB-C cable and pouch

Dimensions:
• Tray (WxD): 250mm x 232mm / 9.8” x 9.1”
• Legs (WxD): 250mm x 296mm / 9.8” x 11.6”

R2 2-CHANNEL ROTARY DJ MIXER

Introducing the Headliner R2, a 2-channel rotary DJ mixer that is perfect for DJ’s looking for precise control and a warm sound, without breaking the bank. The R2 is packed with features, like an analog filter and 3-band isolator EQs on each channel, and uses only high-quality components, including genuine ALPS potentiometers.
Featuring two stereo channels with selectable Line and Phono RCA inputs, each channel on the Headliner R2 comes equipped with gain control with a peak LED, a 3-band isolator EQ, a headphone cue selector, a large channel volume control knob, and a filter activation switch.
The Master channel boasts an analog filter, headphone monitoring, and output control section. The analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls, giving you precise control over your sound. Independent Master and Booth outputs with volume controls, both with balanced XLR and unbalanced RCA connectors, give you the flexibility to connect to any sound system.
The Headliner R2 features genuine ALPS potentiometers, and a sturdy metal enclosure with stained wood side panels for a classic look that will complement any DJ setup. The modular internal construction, coupled with the external power supply connected via locking Mini XLR ensure superior audio performance.
The Headliner R2 is a reliable, high-quality mixer that will give your DJ performances that classic vibe. Whether you’re spinning house, techno, or classic funk/soul/disco jams, this fun little mixer is the perfect addition to your setup.

Technical specifications:

• Two stereo channels with selectable Line and Phono RCA inputs
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel
volume control and filter activation switch with LED
• Master channel features analog filter, headphone monitoring and output control section
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls
• Genuine ALPS potentiometers
• Headphone Cue control section features volume control, mix control (Cue/Master), and split monitor switch
• High current headphone amplifier with dual 1/4” and 1/8” jacks
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs
• Additional Record output with unbalanced RCA jacks
• Dual LED level meters for the Master output
• Microphone input with level control on front panel
• Sturdy metal enclosure with stained wood side panels
• Modular internal construction for superior audio performance
• External split rail power supply connected via locking Mini XLR connector and push-button power switch
• Measurements: 320 x 219 x 106 mm
• Weight: 2.8 kg

Microphone Input:
Nominal Input Level: -50dBu
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.1%
EIN: -120dBu (150Ω Load)
Input Impedance: 3 kOhm

Line Inputs:
Nominal Input Level: -10dBV (-7.8dBu)
Gain Range: -12dB to +12dB
Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
THD + N: < 0.05%
Input Impedance: 47 kOhm

Phono Inputs:
Maximum Input Level: -40dBu
Gain Range: -12dB to +12dB
Frequency Response: RIAA

Main Outputs:
Nominal Output Levels, balanced: +4dBu
Maximum Output Level, balanced: +20dBu
Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
Maximum Output Level, unbalanced: +12dBu
Frequency Response: 20Hz-20kHz (+/-0.5dB)
Residual noise: <-80dBu Dynamic Range: > 100dB
Crosstalk: < -65dB
THD + N: < 0.05%

Headphone Output:
Maximum Output Level: 70mA/channel into 150Ω
Minimum Load Impedance: 32 Ohms/channel

Power Supply:
Type: External with locking mini-XLR connector
Input Voltage: 100-240v ~ 50/60Hz
Output Voltage: +/-15V; 500mA
Voltage Range: 32 Ohms/channe
THD + N: < 0.05%
Input Impedance: 47 kOhm

Introducing the Headliner R4, a 4-channel analog rotary mixer designed to elevate your DJ experience. Continuing the tradition of precision, warmth, and affordability, the R4 is packed with enhanced features and top-notch components, including genuine ALPS potentiometers, ensuring an unparalleled mixing experience.

Crafted with four Line inputs, three Phono inputs, and one Mic input on four stereo channels. Each channel boasts essential features like gain control with peak LED, a 3-band isolator EQ, headphone cue selector, generous channel volume knob, and a filter activation switch, granting DJs precise control over their sound.

At the heart of the R4 lies the Master channel, equipped with an analog filter, headphone monitoring, and a comprehensive output control section.

Seamlessly toggle between High Pass / Low Pass Filter modes with Frequency and Resonance controls to shape your signature sound.

Empowering DJs with absolute control, the headphone Cue control section offers headphone volume control, headphones mix control (Cue/Master), and a split monitor switch for smooth transitions between outputs.

Featuring independent Master and Booth outputs, both equipped with volume controls and balanced XLR and unbalanced RCA connectors, the R4 ensures seamless connectivity across various sound systems. Dual LED level meters for the Master output facilitate precise monitoring and adjustment of audio levels. Additionally, the mixer boasts a dedicated Record output with unbalanced RCA jacks, and an additional microphone input with level control located on the front panel.

Sporting genuine ALPS potentiometers, a robust metal enclosure, and stained wood side panels, the R4 exudes a classic aesthetic that complements any DJ setup. Its modular internal construction and an external power supply connected via a locking Mini XLR guarantee superior audio performance.

The Headliner R4 stands as a testament to precision and warmth in the DJ realm. Whether spinning house, techno, or the timeless funk/soul/disco beats, this versatile mixer elevates your setup, ensuring your mixes stand out with exceptional quality and control.

Highlights:
• 4 Channel analog rotary DJ mixer with built-in Filter.
• Analog High Pass / Low Pass filter with frequency and resonance controls to shape your signature sound.
• Four stereo channels featuring gain control with peak LED, 3-band isolator EQs, headphone cue selector, generous channel volume knob, and a filter activation switch, granting you precise control over your sound
• Four line inputs, three phono inputs, and two mic inputs connecting a wide variety of devices including turntables, media players, and microphones.
• Independent Master and Booth outputs equipped with volume controls, balanced XLR and unbalanced RCA connectors, ensures seamless connectivity across various sound systems.

Features:
• Three stereo channels with selectable Line and Phono RCA inputs and one channel with selectable stereo Line and mono Microphone.
• Each channel features Gain control with Peak LED, 3-Band Isolator EQ, Headphones Cue selector with LED, channel volume control and filter activation switch with LED.
• Master channel features analog filter, headphone monitoring and output control section.
• Analog filter features selectable High Pass / Low Pass Filter modes with Frequency and Resonance controls.
• Genuine ALPS potentiometers.
• Headphone Cue control section features headphones volume control, headphones mix control (Cue/Master), and split monitor switch.
• High current headphone amplifier with dual 1/4” and 1/8” jacks.
• Independent Master and Booth outputs with volume controls, balanced XLR outputs and unbalanced RCA outputs.
• Additional Record output with unbalanced RCA jacks.
• Dual LED level meters for the Master output.
• Microphone input with level control on front panel.
• Sturdy metal enclosure with stained wood side panels for a classic look
• Modular internal construction for superior audio performance.
• External split rail power supply connected via locking Mini XLR connector.
• Push-button power switch on rear panel.
• Measurements: 12.6” x 12.2” x 4.2” (320 x 310 x 106 mm)
• Weight: 7.7lbs (3.5Kg)

Specifications:
Microphone Inputs
• Nominal Input Level: -50dBu
• Frequency Response: 20Hz – 20kHz (+/- 0.1dB)
• THD + N: < 0.1%
• Input Impedance: 1.2 kOhm

Line Inputs
• Nominal Input Level: -10dBV (-7.8dBu)
• Gain Range: -12dB to +12dB
• Frequency Response: 20Hz – 20kHz (+0/- 0.5dB)
• THD + N: < 0.05%
• Input Impedance: 10 kOhm

Phono Inputs
• Nominal Input Level: -40dBu (@1kHz)
• Gain Range: -12dB to +12dB
• Active RIAA equalization
• THD + N: < 0.05%
• Input Impedance: 47 kOhm
• Input capacitance: 100pF
• Single stage Phono Preamp
• Ceramic capacitors

Main Outputs
• Nominal Output Levels, balanced: +4dBu
• Maximum Output Level, balanced: +20dBu
• Nominal Output Levels, unbalanced: -10dBV (-7.8dBu)
• Maximum Output Level, unbalanced: +12dBu
• Frequency Response: 20Hz-20kHz (+0/-1.5dB)
• Residual noise: <-86dBu (Line to Master)(A-Weighted)
• Dynamic Range: > 100dB (A-Weighted)
• Crosstalk: < -65dB
• THD + N: < 0.05%

Headphone Output
• Maximum Output Level: 70mA/channel into 150Ω
• Minimum Load Impedance: 32 Ohms/channel

Power Supply
• Type: External with locking mini-XLR connector
• Input Voltage: 100-240v ~ 50/60Hz
• Output Voltage: +/-15V; 500mA

The Reloop SPiN Tone Arm by Jesse Dean Designs.

Straight outta SoCal.

Easy installation for your Reloop SPiN.

Engineered to work with;

- Ortofon OM style
- Reloop OM-GT
- Shure M44-7

Super stable design and accepts all magnetic cartridges!

- Constructed from FR4 fibre board
- Adjustable brass counter weight
- Front LED target light
- Phono analogue pre-amp included
- Magnetic clip for housing
- Easy wire installation kit, including cartridge mounting screws

Match it with a JDDX2R-SP SPiN contactless fader!?

Please note: The JDD-SPCB does not include a cartridge and stylus.

Installation Video: https://www.youtube.com/watch?v=NyBZpw0tuhw&feature=youtu.be&fbclid=IwAR32dn4iAJAp5fNS8pGmC8_vYDIPBIhEV_y1YNBRQYoEJ5Eeu5igEldFFHw

Contactless Fader by Jesse Dean for your Reloop SPIN turntable.

The JDDX2R-SP is the same design built of the legendary JDDX2RS-A - with extra capability!

No need to take out and calibrate each time - calibrate from the top!

It’s dual rail slide contactless element gives it durability for an aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors and circuitry. There is virtually no cleaning needed with this contactless element.

- Dual rail 45mm slider for stability and smooth action
- Magnetic sensor contactless circuitry
- Two side cut-in adjustment
- Switchable from double cut to 2 channel capability
- FR4 fiberglass PCB faceplates
- Full size fader cap by Cooler Caps!
- 30 second easy installation
- Comes with cut adjuster screw driver

JDDX2R-SP calibration instructions: http://www.zendell.uk/LINKS/JDDX2RS-A_calibration.pdf

JDDX2R-SP double cut instructions: http://www.zendell.uk/LINKS/JDDX2R-SP.pdf

Carbon Fibre Handle for your Stanton SPX!

3K weave glossy carbon fiber tube handle that can be easily installed into your Stanton SPX turntable.

Real carbon fibre
No drilling required
Easy install

Carbon Fibre Tone Arm for the Stanton STX Portable Turntable.

Available with Black gimble.

Engineered to work with:

• 3K carbon fibre tube and aluminum head shell
• Billet aluminum gimbal with ball bearings
• Custom engineered limited bounce tension system
• Phono analogue pre-amp included
• Easy wire installation kit, including cartridge mounting screws
• Engineered to work flawlessly with: Ortofon VNL/OM, Reloop OM-GT and Shure M44-7

Please note: The JDDPTA-SX does not include a cartridge and stylus.

Why not get the tonearm with a Ortofon VNL Cartridge & Stylus?

Installation video can be found here:
https://www.youtube.com/watch?v=pQsXTqpkfjQ

Jesse Dean Contactless Scratch Fader for your Stanton STX portable turntable.

The all new high performance fader for ultra fast cuts.

Digitally controlled.

The fader features billet aluminum rail blocks for a robust construction.

Extremely easy cut-In adjustment without having to remove your fader.
Simply calibrate your fader from the top!

45mm glider travel with standard mounting hole pattern for preferred alignment.

Kit includes:

• JDDX2R-SX fader
• Black JDD fader plate
• Black fader cap
• Mini screwdriver for cut adjustment

JDDX2R-SX calibration instructions: https://www.youtube.com/watch?v=Gm3RpM8ughI&t=3s
Stock fader calibration instructions: https://www.youtube.com/watch?v=4o4nG07CUcA

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

An upgraded replacement platter belt for the Reloop SPIN portable turntable.

Thicker than the stock belt
Wider than the stock belt
Better grip and torque
Compatible with Vestax Handy Trax

Carbon Fibre Handle for your PT01.

3K weave glossy carbon fiber tube handle that can be easily installed into your Numark PT01 turntable range.

- Real carbon fiber

- No drilling required

- Easy install

The Squirrelie by Jesse Dean

An authentic professional skate board wheel.

• 45 vinyl record adapter
• Hardened 100A polyurethane wheel
• Metal shield bearing
• 38 mm diameter