DJ Equipment 484 Items

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Face Plate for your Stanton STX portable turntable.

Swap out your stock or JDDX2R-SX face plate with one of these!

Available colours:

Black
Blue
Red
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Decal Kit for your Stanton STX portable turntable.

Swap out or cover your stock blue decals!

Available colours:

Black
Red
White

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Corner Pads for your Stanton STX portable turntable.

Swap out your stock blue corner pads!

4mm silicone pads with adhesive back
Durable finish
Pack of 8, for top and bottoms
Colours availabe
Black
Grey
White

Jesse Dean Contactless Scratch Fader for your Stanton STX portable turntable.

The all new high performance fader for ultra fast cuts.

Digitally controlled.

The fader features billet aluminum rail blocks for a robust construction.

Extremely easy cut-In adjustment without having to remove your fader.
Simply calibrate your fader from the top!

45mm glider travel with standard mounting hole pattern for preferred alignment.

Kit includes:

• JDDX2R-SX fader
• Black JDD fader plate
• Black fader cap
• Mini screwdriver for cut adjustment

JDDX2R-SX calibration instructions: https://www.youtube.com/watch?v=Gm3RpM8ughI&t=3s
Stock fader calibration instructions: https://www.youtube.com/watch?v=4o4nG07CUcA

Carbon Fibre Tone Arm for the Stanton STX Portable Turntable.

Available with Black gimble.

Engineered to work with:

• 3K carbon fibre tube and aluminum head shell
• Billet aluminum gimbal with ball bearings
• Custom engineered limited bounce tension system
• Phono analogue pre-amp included
• Easy wire installation kit, including cartridge mounting screws
• Engineered to work flawlessly with: Ortofon VNL/OM, Reloop OM-GT and Shure M44-7

Please note: The JDDPTA-SX does not include a cartridge and stylus.

Why not get the tonearm with a Ortofon VNL Cartridge & Stylus?

Installation video can be found here:
https://www.youtube.com/watch?v=pQsXTqpkfjQ

Carbon Fibre Handle for your Stanton SPX!

3K weave glossy carbon fiber tube handle that can be easily installed into your Stanton SPX turntable.

Real carbon fibre
No drilling required
Easy install

iL Logo printed on high quality felt (16 ounces). Two slipmats per package.

Stylus for Goldring E4 MM Cartridge

Just needle, not the complete cartridge included!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Frame Your Records product series Record Jack includes shelves made of Multiplex, which can be perfectly integrated into the room. Not every LP cover necessarily matches every shelf color, so this item comes in different shades. Outside dimensions: 390 x 390 x 133 mm / Inside dimensions: 320 x 320 x 95 mm; Capacity: 13 - 25 LPs. Material: Multiplex & plastic.

Made in Germany!

Jimmy Cage Jr. is part of the Frame Your Records product series Record Jack, which includes shelves made of MDF that can be perfectly integrated into the room. Capacity: approx. 40 7 inch singles. Material: MDF & plastic.

Made in Germany!

Replacement skids for the FLUX-Turbo.
After approximately one year of use, we recommend replacing the skids. In the set all 3 skids are included: 2 short ones for the sides an one long one for the suction channel.

Measures short:
Weight: 0.1 g
Size: 2 x 0.6 x 0.5 cm

Measures long:
Weight: 0.3 g
Size: 10.5 x 0.6 x 0.4 cm

Replacement filter for the FLUX-Turbo.
The replacement filter must be changed approx. every 2 to 3 months or after 20 aspirations to ensure a good suction result. Two filters are supplied in a double pack.
The inner filter material is selected to retain the coarse particles. At the same time, the suction power is not reduced too much by the pressure loss.
The FLUX-Filter is compatible with FLUX-Turbo and the FLUX-Turbo 2.0.

Weight: 3 g
Size: 3 x 3 x 3.5 cm

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

Electric needle cleaner for record players
The Flux-Sonic needle cleaner is designed to gently, safely and quickly remove dirt from the turntable needle with the help of targeted vibrations. Targeted vibration ensures residue-free cleaning. It is not necessary to remove the sampling needle. The application is simple and works on any turntable. Flux-Sonic can be used as often as you like. It is recommended to use it before each play. The cleansing fluid FLUX-Fluid is also available individually in 15ml vials. Rediscover your record collection!

• Cleans and cares for your valuable pickup
• Quick and easy to use
• Minimizes sampling noise
• Improves the scanning capability of the pickup
• Increases the life of the scanning needle
• Increases sound quality
• 3-year warranty
• Weight: 0.05 kg
• Size: 20 x 12 x 6 cm

History
The history of vibration needle cleaners goes back to the 1970s. There were devices from various companies which, at high frequency, transmitted through a liquid, detached the contamination of the needle. After the release of the CD and falling turntable sales in the 80s and especially in the 90s, these devices disappeared from the market. Unfortunately for many record listeners, this was not reissued due to the high cost. FLUX-HiFi took up this idea with the SONIC and developed the technology anew. The result is fantastic!

The cleaning
The stylus is the primary component in the playback process. The movement by which tension is later induced arises here. The goal is to exactly follow the groove in the micrometer range. In order to achieve this perfectly, the manufacturers of pickups make great efforts. However, if the needle is dirty, the diamond , no matter how polished and ground it is – cannot exactly follow the deflection. It reacts too early or too late, distortions occur. Even supposedly clean records are covered with dust, partly visible, partly invisible in the groove. It contains particles of silicates, polymers and organic matter. These stick to the needle due to the high temperature during the scanning process. How quickly this happens is in Fig. 1. Already after playing a record side, almost nothing is recognizable from the needle in front of dirt. Figure. 2 shows the needle after cleaning with a normal, dry needle brush. Fibers are removed, but the encrustation remains. Only an aggressive liquid cleaner provides a reasonably cleaned surface of the diamond, see fig. 3. However, since these cleaners can attack not only the glue of the diamond, but also, above all, the sensitive rubber parts of the suspension of the needle carrier, caution should be exercised here. Figure. 4 shows the needle after applying the Flux-Sonic. Without attacking parts of the pickup, the result is excellent. The needle shines in a new splendour. (Fig. 1-4 )

The technology
The principle of action is similar to that of an ultrasonic cleaner from dental technology or an ultrasonic bath for spectacle lenses. A strong high-frequency vibration ensures a cleaning of the surfaces. Some substances, such as aluminium, are damaged by ultrasound treatment. Even if the diamond were perfectly cleaned, the glue nubs and the suspension of the needle carrier would be damaged, as would the use of aggressive liquid cleaners.
The FLUX-Sonic vibration cleaner, on the other hand, operates at a low frequency. The circuit and mechanics are designed to have a three-dimensional vibration on the needle, ensuring that any dirt particles are removed. The frequency is precisely tuned in such a way that damage to the adhesive or suspension is excluded – but the cleaning result is maximum. The deflections are far from the values of the actual sampling. The movement of the needle thus corresponds only to a fraction of the load of the play-off process.
A liquid is required to transfer the vibration from the device to the needle. This has an additional, gentle cleaning effect and is produced on an isopropanol basis. After application, it evaporates without residue. Flux fluid is applied on a specially designed pad made of the finest PE fibers. Already these fibers produce a capillary effect, which is very similar to the effect of a liquid, due to their number and the resulting density. In combination with FLUX-Fluid, the result is a perfect combination that transmits the vibration and absorbs the dirt at the same time. The application is recommended before each play.

The result
The cleaning process takes only 15 seconds, then the optimum is already reached. The scanning capability of the pickup system is improved. Less abrasion also increases the lifespan of the needle. Scanning noise is significantly minimized. Soundfully, the difference is outstanding. Both distortions and annoying side noises have largely disappeared. Playback has become much more dynamic and enjoyable. Unpleasant tips are no longer present and even the largest controls are rendered without distortion. The frequency range seems to be extended, especially in the bass and altitude range. As well as cleaning the needle, the cleaning of the record is of course also very important. Make sure that records are as clean as possible. A Flux-Hifi device is already in development.

With this cleaning liquid specially adapted to the FLUX-Sonic, you always get the best result!

Weight: 61 g
Size: 3,6 x 2 x 9,2 cm

The WARM4 is a professional analogue rotary DJ mixer with four channels, developed and produced by ECLER in Barcelona.
It has 4 phono/line channels, 2 microphone inputs, classic sharp filters and a 4th order isolator. The WARM4 also includes a unique feature: an analogue subharmonics synthesizer that can be selected per channel and is specifically designed to generate and amplify ultra-low frequencies.
The WARM4 is ECLER's latest analogue rotary mixer, inspired by New York's disco "Paradise Garage", also referred to by François Kevorkian as the "Temple of Music", whose influence has been instrumental in shaping some of today's best clubs. Designed and manufactured in the Barcelona factory, the WARM4 is a mixer that keeps the classic structure of ECLER mixers in mind, but incorporates completely redesigned circuitry and mechanics. This ranges from new circuit boards that further improve the noise floor and dynamic range, to the rotary pots that are carefully hand-assembled by our production team.
Staying true to the innovative spirit since the first A4 mixer in 1971, ECLER presents a DJ tool never before included in a mixer: an analogue subharmonics synthesiser. Inspired by the original device from the "Paradise Garage" DJ booth, we have developed our own circuit that allows the subharmonic generator to be tuned to different frequencies so that the DJ can adapt it individually to the track and the respective sound system.
The WARM4 also features the 4th order isolator already included in the WARM2, as well as 4 mixing channels, 3-band equaliser with full cut per channel and high quality potentiometers from Alps with metal axis. Using an external effects module has also never been easier. The WARM4 can output a PRE/POST fader signal and lets you control and pre-listen to the return signal.
The WARM4 is designed specifically for sound systems that can reproduce subsonic frequencies - for clubs, festivals and events where bass response is crucial.
Unleash a whole new dancefloor experience and take the music experience to the next level!

Technical details:
AUDIO PERFORMANCE
INPUTS:
-
Number of inputs:
LINE: 4 stereo unbalanced inputs
PHONO: 4 stereo unbalanced inputs
MIC: 2 mono balanced inputs
FX RETURN: 1 stereo unbalanced input
Connection types:
LINE 1-2-3-4: RCS STEREO
PHONO 1-2-3-4: RCS STEREO
MIC 3: XLR3-F
MIC 4: Combo XLR3-F/6.3mm jack balanced
FX RETURN: RCS STEREO
Input sensitivity nominal / impedance:
LINE: 0 dBV / 50kΩ
PHONO: -40 dBV / 50kΩ
MIC: -50 dBV / >1kΩ
FX RETURN: 0 dBV / >6kΩ
POWER:
-
Frequency response:
LINE: 10Hz÷30kHz -1dB
MIC: 10Hz÷25kHz -1dB
PHONO: RIAA ±0.5dB
FX RETURN: 10Hz÷50kHz -1dB
THD+N:
LINE: <0.004%
MIC: <0.7%
PHONO: <0.06%
FX RETURN: <0.001%
CMMR (Common-Mode Rejection Ratio):
MIC: >75dB at 1kHz
Signal-to-noise ratio:
LINE: >105dB
MIC: >90dB
PHONO: >100dB
FX RETURN: >110dB
Trim control / tone control for inputs 1-2-3-4:
INPUTS 1-2-3-4: ±15dB
BASS: +10/-30dB
MIDDLE: +10/-25dB
TREBLE: +10/-30dB
Trim control / tone control for the isolator:
BASS: +12/-70dB
MIDDLE: +12/-40dB
HIGH: +12/-70dB
Sound filter cut frequency at -6dB (slope 12dB/oct):
BASS: 200Hz
MIDDLE: 200Hz÷6.8kHz
HIGH: 6.8kHz
Isolator cut frequency at -6dB (slope 24dB/oct):
BASS: 300Hz÷4kHz
MIDDLE:
HIGH: 4kHz
Analogue subharmonics synthesiser:
Input selective filter: 50÷120Hz
Harmonics synthesis: 25÷60Hz
Maximum output level: +12dBV
OUTPUTS:
-
Number of outputs:
HOUSE: 1 stereo balanced outputs / 1 stereo unbalanced outputs.
BOOTH: 1 stereo balanced outputs / 1 stereo unbalanced outputs
HEADPHONES: 2 stereo unbalanced outputs
FX SEND: 1 stereo unbalanced output
REC: 1 stereo unbalanced output
Connection types:
HOUSE: XLR3-M STEREO / RCS STEREO
BOOTH: XLR3-M STEREO / RCS STEREO
HEADPHONES: jack stereo 6.3mm / jack stereo 3.5mm
FX SEND: RCS STEREO
REC: RCS STEREO
Output level / Minimum load:
HOUSE (balanced): 0dBV/600Ω 1V *(+12dB 4V).
HOUSE (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (balanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
BOOTH (unbalanced): 0dBV/2.2kΩ 1V *(+12dB 4V)
REC: 0dBV/10kΩ
HEADPHONES: 200mΩ/200Ω THD 1%
FX SEND: 0dBV/2.2kΩ
Maximum undistorted output level:
HOUSE (electrically balanced): 21dBV (23dBu)
BOOTH (electrically balanced): 21dBV (23dBu)
HOUSE (unbalanced): 21dBV (23dBu)
BOOTH (unbalanced): 21dBV (23dBu)
ELECTRICAL
Power supply: Internal
AC mains voltage: 90-264VAC 47-63Hz
AC mains plug: 15A IEC inlet plug
Rated power consumption: 39 VA
OTHER
Control mode: Rotary with Alps Blue Velvet potentiometers and Alps RK09L potentiometers
Phantom power: 18VDC/5mA max (ON by default)
Input VU meter: LED 12 segments (-38dBV ÷ +10dBV)
House Mix Booth VU meter: LED 12 segments (-30dBV ÷ +20dBV)
Subharmonics output VU meter: LED 3 segments (-20dBV / 0dBV / +4dBV)
PHYSICAL
Operating temperature: -5˚C ÷ 45˚C
Operating humidity: 20 - 90% RH (no condensation).
Storage temperature: -10°C ÷ 50˚C
Storage humidity: <90% RH (no condensation)
Installation options: Desktop or rack mounting with optional accessories.
Accessories included: IEC cable EU
Dimensions (WxHxD): 34.0 x 8.1 x 37.2 cm
Weight: 5.32 kg
Shipping dimensions (WxHxD): 49.5 x 17.5 x 43.5 cm
Shipping weight: 6.74 kg

OFFICIAL BOWIE STYLOPHONE CARRY CASE

Bowie Stylophone Logo on the front

SPECIAL SECURE FIT DESIGN

Special secure-fit design – Made from stress-resistant EVA Internal mesh pocket for accessories

BOWIE ZIPPER TAG

Embossed Bowie logo and Stylophone logo zip tags

The Stylophone S-1 Bowie fits perfectly into this carry case.

Please note: CASE ONLY. Does not include the Stylophone S-1 Bowie synthesizer

BOWIE STYLOPHONE - LIMITED EDITION
GET THE 'SPACE ODDITY' SOUND

Ground control to Major Tom: introducing the limited-edition Bowie Stylophone, a stylish reimagining of the original pocket synthesizer. Featuring a sleek white casing and classic Bowie design, this quirky instrument celebrates the buzzy space-age sound at the core of David Bowie’s 1969 classic ‘Space Oddity’ in true retro style – the ultimate collectible for any Bowie fan.

RETRO BOWIE STYLE
This Stylophone has had a makeover. Now with a dazzling white frame, speaker surround and back panel, and the spaceship-silver grill has the electrifying Bowie logo embossed on it – fit for Ziggy himself.

THE ORIGINAL POCKET SYNTHESIZER
Beneath the Starman exterior, you’ll enjoy the much-loved analog experience that’s entertained millions since the ‘60s. Fun stylus operation, authentic analog sound, 3 different modes with a wobbly vibrato button – great for all kinds of classic synth and bass sounds. Once you pick it up, you won’t want to put it back down…

PORTABLE & EASY TO USE
At less than 12cm wide, it’ll fit right in your coat pocket, rucksack, or handbag. Better still, it runs on 3 x AA batteries, and features a built-in speaker and headphone socket, so you can play it everywhere you go. Tune it up with the control on the back, choose your sound, and play along to your favourite songs – perfect for synth enthusiasts and beginners alike!

Video: https://youtu.be/b7AciDoQtgM

UNCOMPLICATED WITH COMFORT
The CS 529 combines ease of use of a fully automatic turntable with high-end solutions such as precision pivot ball-bearings in a twin gimbal tonearm.

The operation is just as straight forward as every automatic turntable; the tonearm automatically lifts, shifts across and drops with the push of a button. Simply place the vinyl record on the platter and push the start button.

All turntable functions can be controlled via the terminal or remotely operated via the Bluetooth signal, which also transmits the music data. The relevant app can be installed on any smart device to enable you to control the entire turntable remotely. This is the first product world-wide with such a feature.

DETAILS:
Plinth: Solid MDF
• Subchassis construction with rubber dampers
• Bluetooth for audio and remote-control functions
Platter: Aluminium
• Aluminium die-cast, long term precision
• Heavy rubber mat for resonance damping
• Hardened steel spindle in a brass bushing
Tonearm: Twin Gimbal Design
• All functions are fully automatic or manual
• Solid aluminium gimbal construction
• Pivot ball-bearings
Drive: DC- Motor / Belt
• Optical speed control at the motor
• Rubber mountings for vibration decoupling
• Precision cut belt for lower wow & flutter

TECHNICAL SPECIFICATIONS:
Motor:
• Drive: Belt
• Speed settings: 33/45/78
• Wow & Flutter: < ±0,08 % (DIN WTD)

Tonearm:
• Auto-Start/-Stop-Function: Bluetooth Remote Control / Automatic
• Bearing: 4 x ball-bearing / twin gimbal mounting
• Effective length: 221,5 mm
• Offset Angle: 25,6°
• Overhang: 19 mm
• Type: statically balanced
• Stylus Pressure Range: 0 g bis 4 g
• Cartridge Weight Range: 5 g bis 9 g
• Factory installed pick up: Ortofon 2M Red

Platter:
• Material: Aluminium die-cast
• Mat: Rubber 2,5 mm
• Bearing: Hardened steel spindle Brass bushing
• Diameter: 305 mm
• Weight (incl. Mat): 850 g

Plinth:
• Material: MDF, folded
• Surface finish: Vinyl veneer / Black
• Feet: Ø 62 mm / Elastomer
• Connection: RCA socket
• Connection to Phono Input: ✓
• Connection to Line Input: ✓
• Digital Output: Bluetooth Bluetooth 5.2 aptXT HD Audio.
• Dimension, closed dustcover: 435 x 367 x 145 mm
• Dimension, open dustcover: T: D: 415 mm / H: 400 mm
• Weight: 6,7 kg
• Power plug AC / DC: External power supply

The excellent Dr. Suzuki Slipmats are now available in turquoise!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

The excellent Dr. Suzuki Slipmats are now available in yellow!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

The excellent Dr. Suzuki Slipmats are now available in magenta!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

The excellent Dr. Suzuki Slipmats are now available in green!
Optimized for mixing, thanks to hand-made Japanese fabric as well as coated edge and center hole. The ultimate standard in slipmats!

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" Orange).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on STOKYO Thin Press©️ Orange 12" Vinyl

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

djay and invisbl skratch pikls present FUGITIVES OF FUNK djay Control Vinyl (12" White).

16 Tracks from DJ Q-bert, Shortkut and D-Styles on WHITE on STOKYO Ultra-Thin Press©️ Vinyl (6% Lighter than Orange!)

SIDE A:

Track 1 Skipless Scratch 133 bpm
Track 2 Skipless Scratch 133 bpm
Track 3 Skipless Scratch 133 bpm
Track 4 Skipless Scratch 133 bpm
Track 5 Skipless Scratch 133 bpm
Track 6 Skipless Scratch 100 bpm
Track 7 Skipless Scratch 100 bpm
Track 8 Skipless Scratch 100 bpm
Track 9 Skipless Scratch 100 bpm
Track 10 Skipless Scratch 100 bpm
Track 11 Skipless Drums 133 bpm
Track 12 Skipless Drums 133 bpm
Track 13 Skipless Drums 133 bpm
Track 14 Skipless Drums 133 bpm
Track 15 Skipless Drums 133 bpm
Track 16 Locked Groove
SIDE B:

Official Control Vinyl djay algoriddim Tone (10.00)
Produced by Q-Bert, Shortkut & D-Styles

Manufactured by STOKYO 2023 in collaboration with DIRTSTYLE RECORDS, Made in JAPAN

STOKYO has been working on control vinyl for the past 15 years. From our team of DJs, engineers, material experts, and many more involved, we are finally able to call this the perfect vinyl for DJs.

Through hundreds of test presses, material challenges, global compliances, precession adjustments from the boiler room to the cast, our “Shokunin” ethics is translated straight onto our vinyl. From our time, energy, research and devotion, all can be experienced on the new MADE IN JAPAN, djay Neural Mix vinyl.

"It’s been a journey and we are honored and thankful to have the opportunity to release our newest vinyl with such great friends we have known since their humble beginnings. DJs be ready!!!
Chuck Ono
STOKYO"

FEATURES

● Allows full control of djay on iOS devices via professional analog turntables using special time code vinyl
● Two turntables and an iPhone - Bypasses the need for laptops, computers, or hard-drives in the DJ booth
● DJs can now connect their iOS device directly to their mixing system, optimized user interface automatically adapts when DJ hardware is connected

Disk Union official Record Cleaner "Reco-Cloth".

Wiping cloths developed by diskunion for professional use.

It quickly adsorbs cleaning solution that incorporates dirt. Special non-woven fabrics are used that do not fluff or leave fibers behind, and have low electrostatic properties.

*Please be careful not to press down harder than necessary, as this may cause scratches on the surface. Cannot be used on surfaces other than the record sound groove or disc signal surface. Use on label surface or sleeves may damage the materials.

VOLUME: 50 sheets

- 3 Main Features as a Professional Cleaner -

Superior Workability - Simple and speedy adsorption and water absorption performance.

Low Cost - Focused on a balance between durability and usability, and acheved both performance maintenance and low running cost.

Harmless and Environmentally Friendly - Additive-free cellulose non-woven fabric made only from non-petroleum based raw materials.

Reco-Clean, a cleaner developed by Disk Union exclusively for professional use for vinyl records, is highly effective in reducing noise caused by dirt in the sound grooves.
It is designed to balance cleaning power and sound quality to avoid adverse effects on sound quality.
Normally, Reco-Clean alone is effective enough, but we have developed a special additive (cleaning booster) as a countermeasure for stubborn stains that cannot be removed easily.

How to use
1. Apply a small drop of Reco-Clean PLUS to the required area.
2. Wipe off with a Reco-Cloth, pressing it lightly against the surface of the record as if polishing it.
3. Clean the entire surface again with regular Reco-Clean.
4. Wipe off completely with the Reco-Cloth.

*Always re-clean (rinse) with regular Reco-Clean after use.

VOLUME: 100ml

- 3 Main Features as a Professional Cleaner -

Superior Workability - A simple and fast single component liquid cleaner developed by Disk Union for professional use.

Maintain Sound Quality - Provides quality cleaning without affecting the sound quality. Restores the original sound of the record.

Harmless and Environmentally Friendly - It eliminates the rist of caustic soda production, which is a problem with inexpensive alkaline electrolytic water, and does not contain any other harmful chemical products such as mineral oil-based cleaning ingredients, surfactant, bleach, alcohol and ozone.

Disk Union official Record Cleaner "Reco-Clean".

Its high penetrating power quickly penetrates deep into the sound grooves, and its strong reducing power envelopes dirt and peels it off from the surface.
Since it powerfully removes mold and fine dust adhering to the sound grooves, it is highly effective in reducing noise caused by dirt.
It also has an extremely high antistatic effect compared to water. Furthermore, it also has a sterilizing and deodorizing effect.

*Not applicable for SP Records (78rpm disc)

VOLUME: 200ml

- 3 Main Features as a Professional Cleaner -

Superior Workability - A simple and fast single component liquid cleaner developed by Disk Union for professional use.

Maintain Sound Quality - Provides quality cleaning without affecting the sound quality. Restores the original sound of the record.

Harmless and Environmentally Friendly - It eliminates the rist of caustic soda production, which is a problem with inexpensive alkaline electrolytic water, and does not contain any other harmful chemical products such as mineral oil-based cleaning ingredients, surfactant, bleach, alcohol and ozone.