Disco Edits 185 Items

STAR CREATURE's first single of 2017 starts with a hot 2 sider. 2 Slamming peak hour floor fillers. These lean more on the Chicago Boogie Vibes than his previous work which is why STAR CREATURE was quick to grab them. Modern RnB at it's finest. Live drums, bass, keys with excellent vocals.

Repress ! For the 10th installment of his Black Aroma Eps, Patrick Gibin leaves the edit duties to 3 masters of the scene: Red Greg, Specter and Luca Trevisi aka LTJ Xperience deliver 5 special edits for this release on Blend it! Records.

Irish label Fatty Fatty spreads its wings with their 'International Disco Mafia' EP.
Extending from Dublin out to Drogheda and Galway and onward overseas, the EP provides something peak-time for all tastes.
The lead off track sees label top dog Pablo going off on a solo tip, delivering an end of nighter take on an eternal UK street Soul classic. Chopping together many different mixes to create an epic whole, this one has been road-tested thoroughly, and always brings the house down.

While Pablo was fiddling around endlessly with that one, usual production partner Shoey slithered off with newcomer Kellser to produce a dreamy, stretched out take on a late 70's staple , another guaranteed winner, and possibly the most bliss inducing song ever to run at 130BPM

The international part of the EP comes from Italian edit king Belabouche, who delivers a lovely take on 'Willie and The Hand Jive'.
Last but not least, Galway boy Island Time makes his bow with a straight up, brassy slice of soulful Disco aimed straight at the dancefloor...

The crew of vinyl addicts based in Torino is back with the second episode of Bounce FM Edits series. Watch real dancers go crazy on this two psych-funk gems of the early ’70s, consciously edited by Bounce FM.

What a Serve! First release, straight ace. While the longline passing shot on A will for sure burn down every dancefloor with its funky disco groove, B returns a glossy afro disco topspin backhand. Game, set, match

Bitter End continue to rip up the rule book with a genre defying output that's still far better than the rest.

Returning to a brief but very fruitful period in electronic music production, Shelved Recordings exists to look back to the golden age of the remix, with a clear view of the future it imagined.

Delicate Wash is back with its third offering of classy edits built for the most discerning of dance floors. It delves deeper into the cosmic cosmos, and unveils more of the lesser known, but brightly shining disco stars you've come to expect.

Oslo's Rune Lindbaek follows up the best-selling first volume of Norsk Tripping with his latest stash of secret weapons

A six track treat this time, and a veritable Norse Bankett of the good stuff- uptempo Disco, sits alongside wild Cosmic concoctions, obscure 80's jams and delicate Balearia

Limited run - buy now or cry later .

Lillygood Party! Is Returning With The 3Rd Instalment Of Their Officially Licenced Re-Edits
Both Tracks Here Are Classics Dancefloors Tunes , Nothing Rare , Just Favourite Tunes That Alex And Stéphane Played For Many Years .On The A Side The Two Tons Version Is Much Longer Than The Original, And Remastered For A Full Effect On The Dancefloor. We Love This Tune So Much, We Played It A Lot Already And Its Still Rocking So We Thought We Share It With You On A Fat 12Inch For More Disco Soul Gospel Pleasure.The B Side Is An Amazing Track From Seawind That Everybody Who Is Into Jazz Funk Or Latin Jazz With Vocals Will Dig It. This Version Is Different Than The Original, We Kept Only The More “Dancefloor Friendly “ Parts And We Extended The Beginning And End Of The Track With Only Drum Rhythmic Reprogrammed For Mixing Easily In Your Sets With Other Tunes. Please Enjoy As Much As We Do Because We Love Those Edits, We Love Those Tunes, We Love Music We Are Very Happy With This Release Because Its Really Really Good!

MERC return with the latest instalment in their celebrated E-Versions series.

No. 8 is classic Mark E business, proven king, as he is, of the 'slow-burner'

'Train Tunnel' is a beautifully unhurried deconstruction of a Jazz classic, upright bass, piano flourishes and horns picked fresh from the speakeasy and popped in the slow-cooker for a deeper, mesmerising flavour
On the flip 'Give It Time' is a glorious celestial and atmospheric workout, which - as the title would suggest - implores you to ignore the demands of accelerated culture and pace your journey to dancefloor nirvana accordingly.

Merc to the future !

Old school flava with a twist - French producer Onra rifles through his crates to rework two 90s RnB tracks upping the tempo with a swing. 12 inch Vinyl Only.

Brothers from across the pond, Pontchartrain and ThatManMonkz, join forces to split a butter smooth ep of edits. Don’t mistake the smoothness for mellow vibes, these are custom made to fill the floor.

Ilija Rudman adds his outstanding touch to these two Classics - reworking and editing a pair of pearls on either side of a 7”. Favourites of many in their original form, ‘Classics – Versions EP’ sees Rudman strip down the arrangements paying special attention to the essence of the vibe.
A new lease of life injected into the grooves, just like those versions were done in the studio way back when - as special B-sides for special moments.

Sadar Bahar & Ben 'Cosmic Force' team up and come correct with these two direct disco jams ... TIPP!
The two tracker arose after Sadar Bahar discovered Ben's Utrecht based studio (housing 60 synths!). Electro fiend Ben was charmed by the electronic elements in Sadar's funk and Sadar loved Ben's ideas. Nuff said, a new NL based project was born. Nothing sampled for these tracks... only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!!

Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”
Danny has a deep connection to Kim English’s “It Makes A Difference” release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny’s re-edit of one of the most famed dubs from the Nervous catalogue
as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The “rushing rushing rushing” hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

Following a best-selling EP for G.A.M.M, Matalo ! returns with another effervescent, uptempo selection for Takeaway. Effortlessly playable floor--food!

A little known release on Scott Diaz’s now defunct Connectd records makes its first appearance on vinyl! Anyone that knows Caserta knows his affinity for '90s r&b. For (M) he snags a vocal from one of the most underrated and under appreciated vocalists of that time period. With two mixes featuring the keyboard stylings of the incomparable Yuki 'U-Key' Kanesaka the Dub version gets top billing on the A Side. Smooth keys by the aforementioned Kanesaka with a stripped down arrangement are sure to keep you 2 stepping no matter where your are. On the B Side Caserta uses the same set up but this time with the classic 909 Drum Machine to keep take things to the next level!

For their 5th volume of the 'Downtownsounds Classics' series, Fatty Fatty Phonographics are proud to present these gems from the West End Records catalogue, the famed underground disco label that gave us so many of our dancefloor staples. "Tell You Today" is probably the Downtownsounds anthem, a sweet song of yearning, regret and innocent joy married to Arthur Russell's wonky, wobbly percussive genius, with a perfect pop climax that has led to many moments of collective disco joy on the DTS dancefloor. We didn't need to do much on this edit beyond adding some elements from Arthur's B-side dub, so the joy goes on for just that little bit longer. On the flip is 'When The Shit Hits The Fan', a no-nonsense, hit-the-floor and forget your troubles disco-rap stompout from 1980. A favourite with the likes of Theo Parrish and Dave Lee, this one always get the sneaky shebeen vibes a going. Check those lyrics!

Amazing debut for Jungle Fantasy Records, very interesting label proposing the excellent Rare Funk in Re-Edits key. The first evident rhythmic element is a sample of "Do it 'Til you're Satisfied" by B.T. Express, while synth and vocal develop "Curtis Forever" that we find on the A side. "Soul Echo" complete the 7"inch maintaining a classic Black downtempo feeling. Go to dancefloor!!!

Ok, this one is different from the usual standard of re-edits releases on GAMM. Swedish duo Pomona Dream from Gothenburg is no re-edit outfit but an official artist.

Harlem's legendary Disco label Queen Constance has long been a cult favourite among fans of underground dance music for decades. One of many labels operating under the equally legendary P&P family of imprints Queen Constance was operated by one Peter Brown, a truly colossal figure in NYC's music scene, its catalogue still fascinates music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds it way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco CLASSIC!

Returning to a brief but very fruitful period in electronic music production, Shelved Recordings exists to look back to the golden age of the remix, with a clear view of the future it imagined.

One the true kings of obscure dancefloor records, Loud-E, fires three raunchy disco edits out the Discos Capablanca cannon... watch how these land...BOMBS! BIG TIP!

The second EP in The Patchouli Brothers two part release on GAMM begins with 'Fuqua & James', an uplifting, warm and soulful disco jam that aims straight for the heart of any soulful disco head. The B side 'Peace, Love & Understanding' is for all the Philly fans out there...just straight-up good disco music.

In the world of disco edits The Patchouli Brothers are as in demand as you can possibly be right now. Their edits and reworks are played and hyped by all the major players in the game and now they got a two-part release on GAMM.

Always a rare treat when a ready-formed and devastatingly good project comes our way

Three emails and a delivery truck later, we're very happy to be lending a hand getting this one to good homes the world over.
No info to be had, other than a cleverly plotted out Ouija of the label name, some very fetching old school purple master bag sleeves & three incredible cuts of secret origin via the mystifying oracle that is Mutable...

Marvelous Legofunk Records offer up new stuff with 4 track ep on black wax. Boogie business done right sounds, sauntering and primed for a party. Maximum pleasure for the dancefloor guaranteed!

Record Store Day 2021 Release. Mr. K takes on two different disco moods in the latest in his long-running series of edits on 45. Danny Krivit’s edit of Tony Orlando’s “Don’t Let Go” was released in Japan in 2012 and immediately became a sought-after, impossible to find rarity. Orlando’s version of “Don’t Let Go” was released at the height of the disco era, but the song itself was already a well-worn pop standard, having been covered by numerous artists before the pop singer tried his hand at it, switching things up with a percolating disco groove. “I never expected to rave about a Tony Orlando record,” wrote Vince Aletti in his Record World column in June of 1978, “but this one’s really terrific… My pick for a summer refresher.” The Jimmy Simpson mix on the original 12-inch follows the vocals with a long instrumental section that teases the various elements provided by the Muscle Shoals band (guitar, vibes, strings, and above all a sinuous synth) back in over the relentless bass and drums. Danny’s edit, which he’s trimmed down for its debut on 7-inch, works with this instrumental break and more than lives up to Aletti’s description as an addictive warm weather jam. From the moody instrumental sound of “Don’t Let Go” we move to the bright uptempo vocal track "I Fall In Love Everyday." In spite of the relative obscurity of this fabulous but lesser-known cut, it comes with a sparkling pedigree. “I Fall In Love Everyday” was written by Jay Graydon (whose credits also include “Turn Your Love Around” for George Benson and “Breakin’ Away” for Al Jarreau), produced by Motown ace Mickey Stevenson (who wrote “Dancing In the Street”) and arranged by David Foster, who was just making the transition from session keyboardist to the superstar songwriter/arranger he’d become. The backing track was first used for singer/TV personality Jaye P. Morgan’s version of the song a year earlier, but you certainly can’t blame the team for reusing the music when the band included studio heavyweights like Harvey Mason, Lee Ritenour, Ray Parker Jr., and Kenny Loggins. Danny’s creative edit fashions a clean, DJ-friendly instrumental intro where none existed on the original, and gives new life to a track that’s sure to bring some sunshine to dancefloors. As always, these unique selections from Mr. K’s personal stash are cut on a loud, club-ready 7-inch pressing.

The second release on Gamm from Love Drop delivers two seriously heavy disco cuts aimed straight for the small basement clubs.

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Adsx / Hanoben jump da Berlino to Rimini sul train degli Acidio !! Sina's Freun is all fidanzato fidanzato v 303 303 303. Luv ov my livvvvve. Werner's Spiel acido bumbles, taglia and incolla. Boogie boogie. Elvira's Katzenfisch inno elettronico Krautrock. Synth anthem !! Infine, Mund. Punk slap. Basso. All join hands with... Aceeiid !!

Local Talk ends 2019 with something special, a release by Antony Nicholson & Mark de Clive-Lowe.

From the people who brought you Disques Sinthomme and Ghost Town comes a new imprint LESDK. Bringing back that NYC Lower East Side grime, LESDK will feature edits as well as new work from Dennis Kane and his circle of proper low-lifes. Ghost Town and Disques Sinthomme featured contributions from Brennan Green, Richard Sen, The Beat Broker, Bicep, Jose Manuel, and Cosmic Metal Mother, as well as edit monsters like Jeff 'The Drunk' Overton and Cazbee. Kane will be helming this label, curating work and providing his own productions and remixes.

2019 repress of Patrick Gibin aka TwICE’s lethal Black Aroma edit series. Business per usual with gentle funk, sassy soul and killer boogie vibes.

JFR 002 is a Funk the best class, groove and atomic impact bass, horn sections and incredible vocals, a song that makes us faithfully relive the mood of the 70s. On B side takes the Soul direction, in any case another pearl made by Black Fire. Don't miss it.

Und so friends, Ziggy arrives. Can you still tanz? Trance Gigolo go go Bacalao! Yo Let Her shouty Punk Funk! Amofobia neu Morder! Freaky Leaches schwer Dub! Weltfrieden. Liebe Das Ende. Auf Wiedersehen Panzer Peoples!!

Some of these edits came before on a now hard to get 12"... remastered and cut now with some dope additions.

The first in the Little Beat Different Issues series, which came from ORM, gets an overhaul thanks to Ashley Beedle under his Africanz on Marz moniker, Regular Customer, Jonny Rock and Tasun. Little Beat Different Issues is a new series focused on reissuing music from Eastern European region previously unavailable on Western markets. Their first release was a compilation by project ORM, the moniker of Czech producer team Petr and Pavel ORM, originally formed as a disco group in the late 1970s and the pioneers of electronic dance music in former Czechoslovakia. It only makes perfect sense for old school to meet new school and for ORM to have their original tracks reimagined by our selection of current producers. Here's the 4 tasty edits that will see the light of the day soon on the slab of wax.

Love Drop returns with his third EP on Gamm and we dare to say that this is his best one so far. On the A side we're taken on a +10 minute long Lebanese inspired jazz-oriental-disco journey that perfectly blends east and west together...epic shit! On the B, we take a trip to Brazil together with George Duke for a grand brazil-disco jam that has a huge sing-a-long anthem chorus...re-run the summer all year 'round!

Backtotheparty once again, focusing on restructuring and representing, without compromising the original spirit. Foundational firepower, raw to the core since the day they were laid down, chopped and channelled into new creations.

Praise the high heavens, the disco gods have blessed us once again with a four track deliverance of gospel inspired ecstasy via Riot Records – ‘Take It To Church - Volume 4’. Joyous jubilation from Mark Brickman & Yam Who, Wayfaring Strangers, Platinum City, Yam Who? & Brian Lucas that ranges from nu disco-tinged house to peak time organ elation, clavinet heavy grooves to funked up, soulful house rejoicing.

Prolific Spanish producer Rayko brings you four slices of synth-tastic nu-disco with a prog twist here. The title track is a lazy, hazy affair in which untold layers of analogue sound oscillate their way in and out of the picture. "Drive" sees him join forces with fellow Spaniard Landerground to deliver a wonderfully fluid, fluttering chunk of synth-heavy Balearica. The title is clearly a nod towards the famous movie of the same name, and many of the electronic sounds are reminiscent of the film's legendary soundtrack 'Autopower' is a tad funkier in feel and, with its sense of repressed energy, would make a great building track.
But for some truly out-there thrills, head for 'Oopart', a guitar-led affair that comes on like Ripperton jamming with space rock diehards Ozric Tentacles.

The Patchouli Brothers are best friends from small town Canada, who found themselves bonded by their affinity for the strange side of house, disco, soul & otherworldly sounds. They hold down a residency at Beam Me Up, a weekly disco night in Toronto & a monthly party in Montreal, and have had releases on some of their favourite labels like Defected, Soundway, Gamm, Star Creature, Pleasure of Love & Basic Fingers. Before the world stopped spinning, they were touring Europe & beyond. They look forward to meeting freaks across the world and to dance together again soon.

Respect003 serves up two certified anthems that have blown the roof of many a dancefloor before, re-edited for the modern mind, body and soul.

Whiskey Disco returns with another brilliant EP by Australian producer Kayroy, known for creating new intersections between edits, reworks, and originals that the label is known for. A driving, tension-heavy original A-side reminiscent of early Sound Stream, complimented by two wonderfully selected reworks - a smartly tightened up beautiful instrumental gem originally by Japanese guitarist & composer, Shigeru Suzuki, and an almost necessary revision of euro-disco genius Alec Costandinos’s opus "Romeo & Juliet". A wide ranging and fantastic record all around.

Brazilian wonderkid Rafael Cancian makes his debut on the label with this brilliant 4-track EP.

Zagreb-based Legalize Lambada are back with a four track jaunt taking in slow street trance, disco reggae, pumping house and lovers disco.

Proving a saviour in these testing times, Bollywave supply a four-track feast of Bollywood edit delights. Something to stick a smile on your face and get those dormant limbs moving, it’s a feel-good blowout of fragrant firepower.

Norwegian Demi-god, Rulefinn is back. On his semi-annual trips to Florida, he snagged a number of gems while digging with WD label honcho, Sleazy McQueen.
Three of these songs have been distilled to pure boogie essence for the Fedora Files.

Like a phoenix, Montreal’s disco godfather, Robert Ouimet is back with the same vim and vigor as when was tapped by Gino Soccio for album consulting or when he remixed Francine McGee’s delirium in 1977. But, here he presents 4 songs from his deep archive, edited to ‘hands-up’ glory for today’s audience.

The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.
Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.
Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.

A bona fide genius from the formative 12" remix era of NYC's Disco explosion opens up his secret vault. These are previously unreleased versions of classic cuts from one of the pioneers.

The wondrous rarity that is Hipnotic ‘Are You Lonely’ gets the rework treatment form four masters of the re-edit, each with their own trademark sound.
First up to the operating table, Opolopo increases the tempo edging up to the 118-mark adding a characteristic juiced up bass synth that oozes smoothness and swapping the flute melodies with cosmic synth lines that sparkle in the darkness.
Greg Wilson & Che Wilson tackle edit duties next in classic Wilson style. Again, opting to move into peak-time tempo territory, they begin with a stripped back, spacey intro that sees elements added one by one from a bumping bass and panning pads to rough snares and crisp claps. It wouldn’t be a Wilson edit without a double dose of tape delay, the duo dropping the vocals and synth lines expertly in and out for maximum dancefloor flavour.
Back down to the original pace on the B side, The Revenge offers up a slick, late-night redub treat. Only a handful of components are involved as he chops and changes the bass and synth lines to provide a mesmerizingly chuggy groove whilst dropping in choice vocal echoes that makes Hipnotic, even more hypnotic. Last up, Yam Who brings those strutting guitars further forward in the mix whilst adding some delicate piano touches that offer an elegant enhancement to the original.
Four new interpretations of a much loved and sought-after funk fuelled, boogie gem.

Masterworks Music rolls into town once again, this time with France’s very own Chevals firmly in the saddle. Four peak time disco edits of tried and tested dancefloor anthems, ready and raring to be unleashed.

Limited edition for Record Store Day 2017!

London/LA producer Kenny Dickenson crafted his stunning remix of Ned Doheny’s “Labor Of Love” to mark the Be With Ned tour in March 2015. The gentle disco re-rub was leaked by influential blogs and has been wreaking elegant havoc on both sides of the Atlantic ever since, setting a new gold standard for AOR remixes. Beloved of everyone who’s heard it, we’ve been inundated with requests for a physical version.

As RedKen, Dickenson came to prominence with his cult edit of Steve Perry’s “She’s Mine” – an instant hit on the AOR Disco scene – whilst his double A Side Fleetwood Mac 12" with Psychemagik was number 1 across Juno, Piccadilly and countless others, gaining him further notoriety. Here, taking Ned’s stellar version and creating new melodies by twisting original sax solos inside out, Kenny’s remix is elevated further with the introduction of his sophisticated keyboard work and additional white-hot production.

Completed the day of Ned’s penultimate show, Kenny bounded up to Pete Fowler – on DJ duties – and handed him the demo. Ever the showman, Pete played it seconds after Ned finished. Momentarily mortified at the chutzpah involved, we realised we were listening to something sensational. The key element would be Ned’s opinion. He aired it the next day, breaking a drained silence as we boarded a flight to Berlin: “There was a remix of my song played last night.” Heart in mouth, we were in for a deserved dressing down. “Pretty good; I liked it.” And with that, we were determined to commit this wonderful reimagining to vinyl.

After two years of major label wrangling and artist nudging, Be With Records are delighted to finally present this as an officially authorised, one-sided 12". Enhancing the package, the record comes appropriately adorned with striking new artwork from Pete Fowler himself and liner notes from all parties involved. Limited to just 500 copies, these are sure to fly.