Disco Edits 214 Items

Moar's skilful hands and exceptionally well-trained ears combine beautifully on all of his edits, and this is no exception. Full of space and room to breathe, the A-side's 'i' is a deep house/disco number and is a sparkling gem of a track. I can't tell you what the sources are, but the xylophone layered and looped over the dubby beats is a sweet spot you'll want to taste over and over. It could be a warm-up track, mixed into a peak time set, and is most definitely one for the late night set. Over on the flip this huge classic funky song has been beautifully re-rubbed by Moar, this fattens and tightens an already phat and tight classic groove with some electro flourishes. A very respectful mix perfect for the dancefloor! Hand stamped records & limited press.

Vladimir Dubyshkin's long awaited hits are finally out.

Tartan hit the ground running with this full throttle double header from a mystery producer. One side sees a slice of peak-time Bollywood Business guaranteed to raise the roof of your nearest discotheque, with the flip a Detroit inspired number with big organs, floating strings and splashy rides, think classic DJ Rolando / Carl Craig.

Solid dancefloor burning disco edits, played by Harvey and Artwork...THE SHIT!!!

Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.

Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side.

Casual Connection is back with another double dose of classic mashups over more recent instrumentals. Back-to-back club Bangers.

Italian stallions Groove Culture let loose a new 7” (only) imprint, with the inaugural release serving a high energy, high flying double dose of the good stuff. Funk & Disco at its finest from Micky More & Andy Tee - check it out!

FrescoEdits is back with another 4-tracker of straight dance floor heat, including 2 disco re-edits, a loopy rework of an italian pop song, and a heavy-rolling instrumental cut with a monster bass sample from a funk track. Fresh juice for your hot summer!

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

Tropical Disco's first vinyl outing serves up 4 stellar disco reworks tailor made for dancefloors worldwide.

Curlina series is back repaying the gesture of the first release from his esteemed locker. Digging in the depths, there’s a flavour for every occasion here that span the world over.

Another disastrous assortment of DJ tools for the adventurous Jock, featuring newcomer DJ Piñatas star turntablist, alleged winner of the DMC World DJ Championship in Formentera. A side starts with proto-house flavored drum action from lower latitudes, moving onto portuguese slow jam synth pop featuring female and kindergarten vocals over more chunky drum generosity. B side features a lazy edit of a well known 90s hit which will most likely land DJ Piñatas a special DJ set in the courtroom, followed by almost 7 minutes of recordings of various helicopter models landing and taking off. Don't ask...

This second collection of edits from Italy's matter-of-fact Edits Collection label offers another quarter of superbly feel-good disco sounds. 'Slow Luv' has lush strings and plenty of Philly vibes, while 'Stranger Beat' layers up the jumbled percussion, sliding hi-hats and funky bass. Flip it over for 'Xpress Yourself' which is sure to weave its way into your soul with its hip-shaking groove and more funky bass frets than you know what to do with. 'Xpress Yourbeats' is a more raw and drum focused sound for amping up those energy levels on the floor.Edits Collection #2

Lntg brings another batch of those supremely executed edits to the table, timeless tracks from the vaults given a fresh feel, extended, reworked and reloved. One side shines a light on a record that has had the resurgence of the century and on the B, two steamy disco belters.

Mallorcan mastermind Joan Bibiloni gets two key works from his esteemed catalogue officially licensed via Gouranga Music and edited by the remix maestro Ray Mang. On the A side the boogie brilliance of the aptly named ‘The Boogie’, extended and echoed in all the right places to form a true dancefloor winner. On the flip, Mang turns this classic Balearic Bibiloni gem ‘Val, I Vuw Ya’ that has an acoustic guitar and chromonica spinning around each other from the three and a half minute original into a hypnotic six minute wonder.

LBD sounds are back with a new 12" from their Lbdissues series. This time they have a track taken from a sought after 7" single by Eva Hurychova & Jan Neckar from former Czechoslovakia, originally released in 1984, professionally remastered and with additional reinterpretations & edits. "To Chce Mit Svuj System" is a sleazy electro disco number with its unmistakable 80s sound, instantly memorable without being too in your face. Optimo's JD Twitch comes on board with his extended edit, that stays close to original but has upgraded it for current dancefloors. And last but not least, a newly formed duo of Oliver Torr and LBD Sounds label owner Olin, now working under Torr & Rich moniker, are here with their debut work - a pitched down 80s disco reinterpretation of "To Chce Mit Svuj System".

Kampana put together arguably their hottest 7" so far, with two heavily in demand tracks from Brazilian producer Ruas, who shows his creativity, blending unique samples with live musicians.

"All the Way Down" is a monster jazzy disco-house number, with freshly recorded drums and up-front bassline, taking the groove levels off the chart on a retro soul vocal.

On the flip, "Like You" sees Ruas digging deep to find the unmistakable voice of a true 'royal' legend hyping the crowd in a rare live interlude. Ruas went into the studio with his crew of Brazilian musicians to record a full instrumental to blend with the vocals. The result is a jazz-heavy track that sounds like it could easily have been discovered in the artist’s lost archives and will cause a riot on the dancefloor.

Beatconductor comes in with two dubby & emotive future bass reworks of Gladys Knight's "neither ONE OF US." "emotional Trap" repurposes a classic Whitney Houston acapella to create a dark gospel house influenced groover. “SIMMER Down" surprises with a upbeat, catchy, danceable club edit of Halley Williams "SIMMER." Don’t sleep on this one.

Mr. K transports us to the golden era of the Loft with two disparate, but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.

First up is an edit of a track that embodies the spirit of early ’80s downtown New York City. Released in 1982, “Konk Party” was the band’s calling card and first hit, and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a sly nod to Wild Sugar’s breakbeat classic “Bring It Here” that the Beastie Boys would later sample. A Loft staple — the video was even filmed there — “Konk Party” was also played widely across the influential clubs of the day, becoming an instant staple at Danceteria, Mudd Club, and other hot spots. The easy-going groove, heavy on the percussion and low-slung bass, complimented by bilingual lyrics from Angel Quiñones, has dated well, and sounds especially ready for action in this new edit from Mr. K, largely inspired by the original 12-inch’s choice Uptown Breakdown Mix. This is the first time “Konk Party” has been available on 7-inch.

The heavy percussion backing is perhaps the only similar element that links our A-side to its flip, but that only goes to show the breadth of styles that coexisted in the audio landscape of the Loft. “Hold On To Your Mind,” first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force that more than lives up to its cautionary, heady title. Mr. K has outdone himself with his new mix, a supercharged blend of extended percussion breaks — absent on previous 7-inch mixes — driving vocals, and fuzz guitar. For those who have never been able to track down the original single, an expensive proposition, and even for those who have, this new edit is certainly the definitive version.

Mariah CAREY's diva vocal gets a proper retro revamp over a synth heavy classic on "human Emotions". It'll be hard not to smirk when this comes on A totally recontextualized Fab 4 deep cut gets reworked on the B-Side. McCARTNEY vs. a very spaced out Hall & Oates classic.

Everyone’s favourite Israeli digger is back for another round of gloriously rare edit heat on RNT!

‘Baila’ gets the party started with infectious flamenco chants and claps over a churning acidic groove, and ‘Disco Hummus’ rounds out the side with a bit of joyful disco cheek.

On the flip, ‘Sun’ turns an unlikely cover of a classic into an Afro Disco banger, and ‘Simba’ rumbles and rolls with restraint toward a hypnotic peak of brass and vocals.

Elado has done it again…Mazel Tov!

Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor. From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.

Roaring re-edits from Krewcial as he unleashes Discosaurs Vol Two. Pumping disco heat, given a fresh DJ friendly touch for the modern mind, body and soul.

Dance floor tool release by supposedly star-on-the-rise disc jockey – DJ Rambo. We have no idea who this person is, but one could guess this is one way to find out. Some rather heated opinions on the track list, but politics apart, A1 features a downtempo chugger yet unconventionally dubbed out version of what sounds like an early German Euro House production. A2 shifts gears with Italo tinted sexy house beats. On the flip side 90's Merengue sounds with ravey samples and dubbed out soap opera esque vocals. Lastly, a climatic commentator recording of what seems to be a football match between Brazil and Argentina.

Remastered and, for the first time, back to back on vinyl, two of Greg Wilson's best-loved edits/mash-ups (plus a bonus track never previously available).

'Two Sides Of Sympathy' combines a pair of P.T.A. mash-ups built around Amerie, Massive Attack and the Rolling Stones. A signature GW edit, originally pressed in 2007, that would feature in his classic 2009 Essential Mix.

'Gotta Keep Workin' It was a GW mash-up pressed back in 2005, its main elements being PM Dawn (sampling Imagination) and Missy Elliot. It would also find it's way into the Essential Mix. A later version, 'Working The Illusion', this time going straight to source with Imagination, whilst retaining Missy Elliot's rap, is made available here for the first time as a bonus addition.

Midnight Runners comes to Razor-N-Tape with a 12" of Southern Hemisphere disco gold! Harry Septiandry has been gaining traction with standout releases on Darker Than Wax and Star Creature under his Munir alias, and for his RNT debut he serves up four extra special reworks of obscure disco from his native Indonesia. The source material would stump even the most savvy of ears, but Harry finds the universal in these rare gems, augmenting the grooves and preserving just the right bit of camp for super sunny spin!

Samosa Records continue their hot streak with ‘The Difference EP’ - a superb four tracker from a producer who is all about the funk, Gledd. This wonderfully constructed EP kicks off with the first track on the A-side - ‘I Don’t Know’. From the get go, this is a slinky, catchy funky number. The warm, all consuming bass line jogs along, aided by subtle guitar riffs that light up the melody. The chugging train suddenly breaks for an outrageous blues vocal - deep growls and female backing singers take control before the track launches straight into the stratosphere. A guaranteed dance floor bomb. Next up on the A-side is ‘Amapola Sunrise’, a latin infused 125bpm slice of heaven. Gledd knows these rhythms inside out - and this hypnotic ‘love dance’ of a track proves it. You can only imagine the sunrises and sunsets this will provide the soundtrack to. It’s a deep, glorious journey into hedonism - let the lead guitar and sax take you by the hand to the rug-pull breakdown. Gledd at his incomparible best. Meanwhile, over on Side B, De Gama is setting out the party stall early with his ‘Re-Groove’ of Muni. When De Gama masters the grooves in the ‘Re’Groove’ workshop, the flames can be seen for miles. African horns, organ stabs and Mali-inspired guitar riffs combine with the superb vocals. It’s a tribal, ethereal and very spiritual funk dream, which is De Gama’s trademark. Closing off this excellent EP is B.2 - ‘Japan Lips’. In no time, we’re off around the seedy back street bars where gifted but washed up bass players hang out to find work. The bass line is as clean as a whistle as it kicks against the snares and cymbals of the beat, and the melody wraps around you instantly with rhythm guitar, jazz flute and breaks. Another mesmerising piece from a man who knows how to mesmerise. The perfect topper to this thoroughbred release. ‘The Difference EP’ is a welcome Samosa debut for Gledd and is sure to be a hit with lovers of the groove. This has to be in your collection. Ste Hendry [Black Light Disco]

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!! New Year SpringSS release for 2022.

Side A. Red Clay, Jazz Guitar version sampled all time classic by A Tribe Called Quest. SIde B. Peaceful Sundown sample by Jay DIlla ,De La Soul Jay Dilla Used these samples a few times for a few solo projects..

Mike Maurro does it again. Another slice of Philadelphia International Records gold from the legend Lou Rawls, officially licensed, taken from the master tapes and given that signature Maurro touch. Two all-time classics ‘You'll Never Find Another Love Like Mine’ and ‘See You When I Git There’ re-worked for the modern dancefloor.

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!!

Back once again with the Myedits master. An audacious single sided weapon from the Moxy Edits crew, blending whomping speed garage basslines, a classic vocal of supreme stature and a slick, skipping beat to produce another slice of dancefloor destroying gold. The track first appeared when Darius Syrossian dropped it at the Brooklyn Timewarp after party b2b with Seth Troxler, and lead to people scrambling for a track I.D when videos emerged. The week after it was one of the standout tunes at the WeAreFstvl Mexico festival

As no strangers to the West End Records back catalogue – both having taken on remix duties individually in the past – 2022 sees Michael Gray and Dr Packer combine to give two classics the Rework treatment. Brenda Taylor’s seminal “You Cant Have Your Cake And Eat It To” is finessed into a contemporary disco standard: Taylor’s voice still cutting through with plenty of soul while synth and pianos provide the groove. “Don’t Make Me Wait” cuts a slightly edgier tone, with acid-like bleeps and plenty of reverb making it a perfect counter track as part of this release.

Another set of essential Reworks from West End.

Four dancefloor killer soulful disco & boogie edits from krewcial’s crates. Thumping drums & bass, soulful strings, funky guitars and emotional vocals.

Disco deliverance done right, the king Mr K. drops the 6th instalment of his buy-on-sight, limited edit series. Retouched and retweaked gold, destined to fire those synapses into the stratosphere whichever side you draw for.

Part two of a new Salsoul Re-edits series launches with four classic edits for RSD from seminal edit king Danny Krivit. With over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor…it's Danny! Taking his editing skills to four classics from the Salsoul vaults , Danny delivers once again. Available on vinyl for the very first time.

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Israeli DJ and collector Elado makes his debut on RNT with a pack of impossibly rare edit heat! A relative newcomer to the scene, Elado made some waves recently with a stunning entry on Eddie C’s Red Motorbike, and he’s clearly no novice when it comes to digging as this exceptional pack of tunes shows. With rarefied material ranging from Africa, India and the Mideast, Elado works these 4 tunes with a careful editor’s touch, nipping and tucking only where necessary to let the incredible source selections shine through, but rendered eminently DJ-friendly. Already supported by Antal and many others, this 12” is the first essential add of 2021!

Another limited edition Puss release, each copy with a stamped kiss mark.

Straight Outta Belpaese, More disco – exotica – balearic – Italo - funk for the demanding digger! When do Belpaese ever disappoint. A double header of hidden edit treasures, cut loud on either side of 12" for some much needed good vibrations.

Next up in the Africa Seven Edit series, we have a double header, as leftfield London house bod Al Zanders takes on the progressive early - mid 70's Sierre Leone band Afro National's 'Push Am Forward' and injects added propulsion and focus, creating an intoxicating hypno chugger along the way.

This edition is limited to 300 copies exclusive available at HHV.

The Belpaese speedboat swings back around, loaded up with four more special deliveries, marked ‘Open In Case Of Emergency’. A peaktime rescue package with all the disco, exotica and jazz funk goodness you need to juice up those livestreams.

Rahaan is back on Gamm and this time with his buddy DJ Emanuel with some nasty (!) post punk/funk disco. The A-side runs down a timeless Garage classic...but with a gritty twist. The B-side is just sex, orgy and disco crammed together on black plastic. Imma Phreak is just...phreaky.

After the roaring success of the Gallery’s launch, stand back, take a swig of that free champers and admire the 2nd exhibition of Art masterpieces to grace these walls.

Exhibit A - an intergalactic acid workout, heavy on the synths and delicately finished with a masterstroke of alluring vocals.

Exhibit B – another rare work of art, restored and rejuvenated, cosmic credentials in check. An extensive palate of pulsating arps and blistering bass mixed with stratospheric keys and a powerful Italo vocal that’s had collectors the world over baying to put in a bid.

Both exhibits are now up for auction. Bid big!

Cheeky banger edits

SR10 is the brand new spin off label from Samosa Records concentrating on 2 choice cuts from some of the finest producers at the label one each side of a 10” vinyl. It also see’s Samosa announce an exciting collaboration with another of the finest labels out there Tropical Disco who will be handling the digital release for this one down the line.
Launching the brand new imprint it’s only fitting for the label bosses De Gama and Les Inferno to lead things out.
First up is De Gama’s Sometimes Sometimes which see’s him creating a much more reflective track than his previous powerful peak-time percussive club jams. Despite its ever so bluesy laid-back sentiments it’s no less a sublime outing. Velvety smooth the lead vocal is definitely one of those once heard never forgotten magical musical moments. It’s a track of simplicity, a smooth bassline, subtle guitar licks and the wonderful vocal performance. It’s an entrancing life affirming track which has all the hallmarks of a track which absolutely must be listened to again and again. And yeah, maybe just one more time!
Over on the flip Les Inferno takes us off towards classic Philly territory with an equally subtle but ever so funky slice of feel-good disco in ‘Yeah C’Mon’. Smooth percussion, an ever so danceable bassline, brilliantly performed yet subtle keys and another absolute monster vocal. And did we forget to mention the disco flute? Yeah Disco flute, does it get any better. We think not?
This is a 10” which is quite simply undeniable. You must have this in your collection right now because you will need to listen to it time and again. Samosa continues its quest to dominate the disco vinyl landscape with yet another ridiculously superb release.
What are you waiting for just order this and thank us later.

Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees those PBR Streetgang dudes take the reigns to great effect. Digging in the vaults for those lesser spotted gems, the PBR crew have tweaked up 2 absolute Tom Moulton related killers here for our enjoyment. Side A is a finely tuned, lovingly fondled version of David Christie's LP cut 'Back Fire' from 1978. A sleazy, almost Euro feeling good timer that does the biz. On the flip, is the Destroyers mammoth 'Lectric Love', another lowdown cruiser of a track, nice cosmic FX and leather vibes for the late night prowl! Both edits are brilliantly done, and with a knowing and respectful nod too, one for the heads right here.

Street Meat Records returns with a release from label head Ghosts of Venice. Featuring the Disco stompers “Feel The Heat” and “Shoot Me With Your Love”. Backed with the sleazy Funk workout of “Feel The Fire”, and dance floor filler “I’ll Do Anything”

“Want Me” – 80’s funk vibed groover with a chunky drum bed, live bass and looping, filtering lead vocals.
“If You” – slinky funk re-edit vibes with soulful vocal snippets and a groove to swing ya hips and do ya dips!

This 1989 House classic from ALEXIS P. SUTER was originally released on the GOING ALL OUT RECORDS, which was well known for it's hard beats & raunchy stylings which even for 1989 was both groundbreaking & risky. This new edit from MONCHAN is polished and ready for DJ's to use for any house sets.

Rare Wiri Records strikes back with this new sampler wax. It includes 4 funktastic reworks by label head Rayko. 100 percent Bootylicius vibes to move any disco dancefloor!

Gator Boots returns for lucky 13. Three edgy edits from Italian outfit Blue Mondays. Including longtime favorite White Wedding and other unexpected dance floor excursions.

Thoma Cher comes correct on his first solo outing on Whiskey Disco.
Holiday Holiday is end-to-end pure party material. Just like Thoma’s previous label material, this 3-track ep is no exception. Punchy kicks, cutting guitar licks and vocals from the peak hour Holiday Holiday to Dancer and Be My Love for those more intimate moments.