Disco Edits 157 Items

Limited collection of the five Gatt 7" releases at a special price. The prolific Swedish mashup maestro remixes cuts from TOM Petty, Donna Summer, Beyonce, Mariah Carey, Hall & Oates, Whitney Houston, Stevie Wonder, Rolling Stones and more. Fans of his releases on Gamm and Soundscape will love these. “FINGER ON THE TRIGGER” is arguably worth it all by itself.

2x12” Black Vinyl 140g

Full Colour Outer Sleeve - NO Holes

Record label boss, producer / DJ, and revered collector Marc Davis returns to his Chi-Talo series with the much-anticipated second volume. A concept of a split EP, taking one ultra-rare Chicago gem and the other a scarce Italian disco record and re-interpreting them for the modern dancefloor aesthetic.

With the first volume, released on Marc’s own Black Pegasus label, now trading hands for considerable amounts of money, round two sees him impart another double dose of digging sorcery for this Mr Bongo 12”.

Marc began his illustrious career in the Windy City in the ‘80s and was one of the first out of Chicago to be recognised for his eclectic approach to DJing. Presenting a global sound palette that took in choice cuts from Brazil, Africa, jazz fusion, house, soul and disco, whilst mixing it together Chicago style. Decades of knowledge and experience that is now distilled down into the Chi-Talo series.

The Italo selection came via a tip from Marc's Swedish friend, Julian Wareing. Hearing the track led Marc down the rabbit hole to secure a copy of this Italo-Disco, album cut oddity by the New Sound Quartet from 1979. The original of 'Bass Construction', measures in at four and a half minutes and is already a feverish funk groover. But Marc saw an opportunity to extend and re-edit the track, keeping in the vein of the original but giving it space to breathe. Tweaking out every last ounce of goodness, Marc locks you into a hypnotic groove for maximum dancefloor deliverance.

The Chicago side is as rare, as the rarest of hens-teeth, only ever existing as a one-off acetate by the band The Saucer Planes. One of the members of the group was the sadly passed-away older brother of Marc’s DJ mentor, Jahmal Anderson. From the very first listen, Marc knew he’d been hooked up with an undiscovered boogie gem. A long-lost track that the world needed to hear. But the project has remained dormant until now, not least due to the fact that the original recording of this low-fi vocal boogie groove is housed on an ever-deteriorating solo acetate. Rescued, restored and given a brand-new lease of life, Marc has turned the track into a low-slung, psychedelic instrumental boogie bounce. Raw, rough and mesmerising, it’s a refreshed relic that is a testament to Chicago’s club sound and swagger.

Whichever side you draw for, this is guaranteed to move bodies as much as it wins over hearts.

The incomparable Dimitri From Paris returns with the latest installment of his acclaimed DFP Vaults series, showcasing the deep cuts that solidify his reputation as one of the premier remixers, DJs, and champions of crate-digging culture in dance music today. This particular release holds a special place in Dimitri's heart, as he explains in his own words below:

"James Brown, the undisputed godfather of soul and the hardest working man in show business, is one of the few artists for whom the term 'legend' feels like an understatement. With a career spanning five decades, countless albums and singles, his unique voice and sound have become synonymous with dance music. Beyond his own recordings, thousands of James Brown samples have permeated our ears since sampling became a cornerstone of music production in the mid-80s—across genres from Hip-Hop to House, Drum 'n' Bass, and everything in between.

This release is particularly meaningful to me. Since my early days as a DJ, I’ve watched James Brown light up dance floors across cultures and generations with his inimitable swagger and irresistible energy. I bought my first James Brown record in 1981—Soul Syndrome, featuring the track 'Funky Men.' At the time, I was a bit disappointed as it didn’t have the classic 'Funky Drummer' style I was expecting, so it ended up buried in a pile of other James Brown classics.

Fast forward over 40 years, and I hear 'Funky Men' again, played by my good friend Alex From Tokyo, and it sounds fresher than ever. The unusual disco beat accompanying James Brown’s vocal, which once made the track stand out in a strange way, has now become its greatest asset! I quickly took it to the edit board, using a mix of old and new techniques, to create my 'Special Version' of 'Funky Men,' which has already been tried and tested on dance floors near you.

For the flip side, I wanted to explore the later, lesser-known disco side of James Brown. The J.B.'s, his personal live band, released a few tracks of their own under his production. Most were instrumentals featuring the breakbeat-heavy sound typically associated with James Brown. However, 'Just Wanna Make You Dance,' with female vocals by Maxxi, offers an almost Caribbean disco vibe. Uniquely, it was released as a 12’’ single with a DJ-friendly remix that included different breaks and drops—something quite rare for a James Brown production at that time. Here again, I’ve given it my own 'Special Version' treatment, respectfully enhanced for maximum DJ impact."

DFP Vaults is the sister label to Le-Edits Records, both of which are highly collectible. While Le-Edits focuses on classic songs remixed from original master tapes, DFP Vaults takes a more eclectic, DJ-friendly approach, spotlighting underdogs and unreleased versions straight from Dimitri's vault. True to Le-Edits' highest production standards, this release features state-of-the-art mastering, cutting, and pressing, all housed in a heavy 'Tip-On' vintage replica custom sleeve.

The XX issue in the extremely limited Artifact series is full-lenght LP with 6 untitled dancefloor fillers. We assume these to be edited and reworked by Venetian disco-guru Bottin. Think rare future funk and early 80s spaghetti disco. Plus a weird gipsy-boogie version of Long Train Running and another track which smells like Clapton's Cocaine over Trans Europe Express but it's actually neither. We don't know anything more except this will sell out as all Artifact relases.

Here comes the Booom!!! Edits label with another sublime selection of deep house burners. This third volume is from the artist who goes by the name of Earls Booom!!! Edits takes the form of four cuts titled 'NEP.' Th opener is awash with smoky pads and sombre chords over a mid-tempo and dusty groove, but things pick up on the second cut with its gorgeous r&b vocals swirling over warm and humid bass and drums as cosmic synth lines rise out of the mix. On the flip, there is a congo-heavy rhythm topped with a deft little r&b hook nice more and the closer brings more pumping grooves but still with a big heart. These are steamy backroom sounds of the highest order.

Mom's Spaghetti Returns for the 5th installment and it's the biggest record so far! Club ready edits and remixes of Soul2Soul, Doja Cat, Prince and MF Doom!!!

One of London’s most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gómez and Nick the Record, have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we’ve given them the standalone 12" they deserve.

Contextualising their edits Nick states, “Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics.”

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel’s ‘Quelle Drôle De Vie’. Basing their edit on the 1987 ‘Special Remix’, it does what any great re-work does, dropping the sections from the original that don’t quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of ‘80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought-after 1980 album, Got To Be Me. Celestial, gospel-infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12-minute edit. A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

Casinoboy makes a triumphant return to Duca Bianco with a sparkling EP that once again shows his studio mastery. Previously featuring alongside luminaries like Rune Lindbaek and Khidja on a well-received compilation, Casinoboy's latest kicks off with 'Honesty' which is a blend of Balearic and breaks that brings a shuffle-and-wiggle experience with uplifting samples and an old-school UK rap edge. 'This Feeling' has a catchy Street Soul feel, while 'Searos' mixes up ambient sounds and Spanish Guitar to evoke the essence of the White Isle. Closing with 'Astral Go Go,' really pumps the party in ways only he knows how.

Hot Piroski Records have been on something of a hiatus for the last year or so but now make a welcome return with a new EP series. This collaborative affair is the result of an epic journey in an old Mercedes from London to Gunjur and finds label head Robin 12Tree working with The Gambia and Bongo Koi as Gambian Disco Express. 'Enlightenment is Now' marks their first release on Hot Piroski Records and it comes with vocals from Gambian mystic Rev. Joseph N'Gole, recorded on the banks of the River Gambia. This one has already been hammered by Psychemagik, Pete Herbert, and Severino from Horse Meat Disco so it comes quality assured.

Tooflie is back with a new exploration of regional sound from all over theglobe by the anonymous crew of edits lovers. The five different, but equallyimpressive, cuts on the fourth installment are deep dives into the soniccarnival of Brazilian favelas through the skillful reinterpretations by hiddentalents. The A2 track 'cbaca' bolsters the signature baile funk raw energywith hard house rhythms and acidic melodic patterns. Stepping between thefunkier side of electro and polyrhythmic panache, MWR - 'man withrefrigerator' is tailored to take the dancefloor to a new level. The openingtrack starts with a minimalistic yet paunchy breakbeat groove on 'pdnca' and continues the deepness through the heavy and raw low-endextravaganza on 'rtk'. Bringing the vinyl to a close, 'lapa' goes full-throttleon haunting arpeggios and leaves things on a blissful note.

Soul Flip returns with label boss DEL Gazeebo breathing fresh life into a couple of absolute classics: SAM & DAVE's "Soul Man" gets more DJ friendly with a big badass edit and THE O'jays' version of "now That WE Found Love" with the strings from the album version that were missing from the 7".

Ohhhh Shiiiiiiii... After a triumphant reception, Almacks return for a third sortie... Heavyweight blends and vinyl only amends.

NEW Label Alert!!!

Tropical Pop arrive on the scene to serve peak-time refreshment to the stale dancefloors of the world.

Bursting with flavour, artificial sweeteners and a whole load of E numbers, these cuts deliver totally tropical disco pump and tangy technoid madness - teased, tweaked and transformed for maximum sugar rush.

Limited Edition - Illicit Ingredients

Feel the fizz, folks.

The Soup collective are back, four more nourishing sonic artefacts from ancient recipes...delicious !

The popular Vinyl Only label hits release number 20 here with another sure-to-sell-out blend of funk, disco and soul. The brilliantly named Huge Disco Tits EP kicks off with a cheeky number that samples the greatest ginger-haired soul singer of all time. After that one shakes your limbs loose, 'Sock With Lube' brings swooning strings and raw, well-swung drums. 'Midnight Thing' is a percussive jam with funky bass guitar licks and 'Alright Thing' then shuts down with a vibrant blend of horns, strings and big licks. Party starting and loveable as always from this label.

This release is a story of serendipitous stars aligning. Having released Bala Desejo’s anthemic single, 'Baile De Máscaras’, back in May 2023, we could sense that we had a summer classic on our hands. We always thought that it had the potential to find fans in a dance music audience, and thanks to a fortuitous moment whilst listening to Gilles Peterson's radio show, we heard a mysterious “Jamz” edit of the track.

In a further twist of fate, the sensational DJ, producer, and radio presenter Jamz Supernova recently graced our Great Escape in-store event with a phenomenal DJ set. After some feverish digging and emailing to her team, we discovered that she was a fan of the original song and had made a personal edit to play in her DJ sets. Gilles had heard Jamz spinning the edit and asked for a copy, and by sheer coincidence and good fortune, it all fell into place.

For this release, we have included the original edit that Jamz and Sam Interface had made for personal use only. It is a beast of an edit that gets heavier and deeper as it progresses. It makes the track dancefloor ready and adds to the anthemic nature of the original. Additionally, Jamz and Sam wanted to deliver a further updated remix where the pair have added more percussive elements that take the song in a tropical house direction. So, a massive thank you to Jamz and Sam for allowing us to make these wonderful productions available for all.

This is the second of two releases from Emotional Rescue that looks to the music of the Eric Calvi who headed up the collective Exo Fender, a project that brought together a bunch of friends, producers, and studio amigos. This one is a live boogie jam 'Music In My Mind' with Brooklyn DJ and producer Steve D'Aquisto. He was a regal at The Loft and a friend of Arthur Russell so all that bears out in the music - a loose-limbed disco groove with languid percussion and big vocals. A Justin Van Der Volgen edit rounds out the 12".

The always hard working Emotional Rescue now unveils the electronic disco project Exo Fender, helmed by esteemed New York producer Eric Calvi and featuring the legendary Steve D'Acquisto. The remastered songs 'Big Mood' and 'Music In My Mind' span two new EPs, with updated edited versions by NYC producer Justin Van Der Volgen. Calvi's journey from Paris to New York's music scene in the 1980s when he engineered hits for artists like Cameo and Africa Bambaataa, and laid the groundwork for Exo Fenders. Inspired by clubbing friendships, the project's infectious grooves and tongue-in-cheek nature gained club play and collector's acclaim, with Van Der Volgen's remix enhancing their timeless appeal for today's dancefloors.

É Soul Cultura captain, originator of Manchester’s legendary Electric Chair and definitive people’s champion, Luke Una taps into a lifetime’s worth of musical discovery for the second volume in our Mr Bongo Edits series. A cosmic coming together that sees two of Luke’s secret weapons, re-edited and re-contextualised by the man himself to provide optimal dancefloor euphoria. A stalwart of the underground for nearly 40 years, Luke has become an appointed leader of the late night disenfranchised, with an unquestionable ability to pick records that make minds tick. Not least through his two É Soul Cultura compilations released on Mr Bongo over the past two years. A taste that traverses genres as much as it does emotions and decades, who better to give an insight into the tracks he has chosen to edit, than the man himself. “I've been an avid collector of afro-beat house, techno and underground black heart disco since before the basement soul days of Electric Chair 30 years ago. Both these bombs were very much holy grail finds, plucked from the last four decades of digging in random crates of dusty vinyl all over the world.” First up, Thandi Zulu & The Young Five’s interpretation of Pure Energy’s early ‘80s disco power play – ‘Love Game’. With a distinctive South African synth bass and killer keys combo, Luke explains the original has this “bonkers alchemy of heavy machine soul, uptempo rawness and a majestic disco evangelism”, making it ripe for a re-edit. On the B side, Lionel Pillay’s Jazz dancer ‘Plum’. “The original was a relentless 18-minute raw jam”, Luke states, “which despite its late ‘70s South African origin kinda reminded me of a 1986 Chicago piano House record”. “These edits strip the tracks back and rebuild them, giving them more sonic weight with that looped up drum jacking militancy from the days of Chicago, combined with a boosted sense of transcendental, psychedelic, cosmic disco. They have always had such an explosive reaction on so many dancefloors including the heavier electronic club, so it felt only right to reshare them”.

12” Black Vinyl 140g

Running it back for another round of dance floor mayhem! We dove into the well for another cup!

Groove Culture Bosses Micky More & Andy Tee are back with a new Records Series titled ‘Groove Is In The Heart’. The First Volume sees music from Ron Carroll, Derrick Mckenzie & Angela Johnson, House Freakers and Fleur De Mur. Four quality SoulfulHouse songs with live instrumentation. A must have for the lovers of the genre.

Another roll of the dice from the Casino Times crew !
Excavated and updated dancefloor delights

Coyote is back with a third volume of its Special Editions series and once again it is one that will transport you to some steamy dance floor by the Med at sundown. The opener 'Ritter' is a glorious mix of downbeat chords and Balearic beats with 80s synths and an exotic vocal. 'Takin It' then slows things down to reevaluate some lush acoustic guitar frets and languid funk grooves, then 'The Woman' gets even more deep, more seductive, and horizontal. It's got a fat, lazy bassline and go-slow grooves that cannot fail to reduce your pulse before 'Dover' picks it up again with some more psyched-out and cosmic disco-funk sounds.

MAY Day-captured Feat. Zara McFARLANE (restless Soul Mixes) (GU Meshup)" is Glenn UNDERGROUND's edit of a somewhat obscure 2009 digital-only release, featuring McFARLANE's repurposing of the melody from Rhythm IS Rhythm's "nude Photo" as a half sung, half scatted vocal line. Hand-stamped 1-sided white label. Limited so snatch ‘em up quick!

Mar De Novo is a mainstay of the Vinyl Only label which is now almost up to release number 20. As always these are magnificent beats that blend great invention with a healthy respect for disco days gone by and they are all made in what must be a studio jam-packed with analogue gear from all across the ages. 'Instant Humidity' has plenty of characterful synth details that are freaky and playful, 'Call Me' pairs stepping disco beats with super sweet vocals and 'Paraggi' is a blissed-out seaside gem. 'Progression' heady back to the club with strobe-lit disco arps, 'Get A Way' pairs plunging basslines with cosmic keys and another great vocal and 'Quiet Down' rounds out with another horizontal downbeat disco gem.

Exciting classic and rare afro jams get retouched and cut disco single style. With this unknown entity masquerading as African Dubplate, it seems very obvious the source is most likely that. Apparently very limited stock so grab it while you can. Random colored vinyl.

HE Conductor is back, and with the help of J. Netz on keys he's aimed his sampler squarely at the pop world. Harry Styles edit? Check. Ariana vs. Luther? Check. Taylor Swift vs. Steely DAN?!? Yeah, it's here. These pairings shouldn't work, but they do. Hand stamped white label

Groove Line a Heatwave classic remade by Steal Vybe & Lamone, has been crafted into a modern soulful dance anthem...to make you reminisce and take you back to the days of boogie, funk, and skating in uniformed groove lines all night long

mash-up maestro sets his sights on Jamaica for this 7 track EP of dubbed out pop. THE Wailers play back up for Adele, DUA Lipa, Christina Aguilera, and Duran Duran, while AMY Winehouse & THE Pretenders join forces to become a ska super group. Hand-stamped white label

The "go-go Special" 7 Inch vinyl is here. Vinyl is in my hands and will begin shipping mid January 2024. Thanks for all the enquiries already about this record, I'm glad everyone is excited for this.

Lntg returns with a new 7 inch series featuring 2 stone cold soul classics remixed for the floor.

Limited Edition act fast!

After a short hiatus Lntg is back with Vol 4 of his Soul Cut series, adding his magic touch to 3 classic cuts. A must have!

Funkyjaws Music comes though with more of that lovely loose-limbed disco goodness that is never going to fail in energising a decent dance floor. Let's Dance Volume 4 is another various artists affair that launches with James Greenwood & Aniello's feel-good 'Look Of Love' which has it all - the sweet female vocal, the florid strings, the rolling bassline and big brass leads. Scruscru & Los Protos's 'Corason' brings some Latin flavours with a more deep and seductive groove and Jkriv and Love Drop offer up two b-side jams packed with soul and irresistible rhythms that effervesce with uplifting vibes.

Legalize Lambada is back and there ain’t no moldy gorgonzola in this Italo homage! Legendary cosmic captain Albion returns to Lambada-land and starts this edit compilation with 'Nucleare', a robotic jam seasoned with Italian vocals which serves as a great intro to the release. Ric Piccolo’s 'Disco teacher' on A2 and 'Alright' on B1 are serious floor fillers, possibly ready to injure part of the Boston dynamics fleet after inducing uncontrollable dance moves. At the end it’s Hysteric’s 'Moment' on B2 that prompts a soulful side of italo for some deep machine learning.

Dance floor in need of a little spark? Need some extra ammo in the record bag for this weekend’s set? Pleasure of Love has the key to your ignition with a new series of specialty re-edits from the vaults. "Covers Blown Vol. 1," features a pair of unlikely disco classics expertly done up in a smokin' tex-mex style

MJ getting the krewcial remix treatment. Mixed from the original multi-tracks, with love and respect for the original. Side A sets off with an alternate version of 'Get On The Floor', completely built on the various afrobeat inspired elements within the original multitracks. The result is a hard hitting and intense +7 minutes dancefloor workout. 'Baby' takes us from Off The Wall to Thriller, with classic 80’s MJ on one of his more underrated midtempo tunes, updated for today’s dancefloor.

On the Flip Krewcial presents a 9 minute never-ending version of 'Get On The Floor', true to the spirit of the album version. Limited Vinyl Only Release

Groove Culture on going ‘jams’ series of compilation style vinyl EPs has long been a reliable source of disco-house fired excellence, and this 4th edition is another high-quality affair. Package incl. Music from Micky More & Andy Tee, Reverendos Of Soul, Soulista, Serge Funk and Right To Life.

Whiskey Disco #74 follows up Michael The Lion’s stellar single with a return to classic Whiskey Disco form; a mix of somewhat recognizable samples tweaked for the floor or the poolside.

Summer is in full swing and so are the artists on the latest Whiskey Disco ode to summer parties. The A side showcases a long lost gem from Cole Medina that never quite saw the light of day. It’s a longtime honour to be able to put this song on the label and we can’t wait to have a loud 45 side in our hands to drop at the choicest of rooftop parties, poolside, beachside, or to break the tension after a dirty underground session. On the flip, we see Love Athletics breaking out with All of My Love, a cheeky vocal sample underpinned by a rocking bass groove and high hats that are more than a nod to Sex Shooter. The flanged groove will be perfect for day or night tie parties. Closing out, label boss, Sleazy McQueen provides an all analog cut up with palpitating drums and hypnotic grooves, with a nice surprise to break things up a bit.

#2 in the new series from Australian edit maestro LNTG: Nobody is an epic rework of the Chaka Khan classic whilst 'Reality' blends Chic with Soul II Soul for dancefloor devastation.

About a year ago an odd delivery was received at the shop from an unknown sender in Los Angeles with an ancient looking duffle bag carrying a hand full of tape reels, there was a note and it read: "If this ain't 'Balearische', I dunno what is" (in all caps). Upon extensive magnetic tape baking and freezing recovery techniques we soon realised how fortune can sometimes choose to flash its genitals at you in the strangest of ways. Here were 3 previously unreleased demo-sounding mixes of the one and only "Can't Get Enough of Your Love, Babe". A side is an almost 9 minute patient build up of the theme, clearly too long to be released back in the days of radio play, a beatless off ramp for all the strings and piano to shine, up until the percussion and vocals climax. B side continues to explore the deconstructive process with an isolated "pianopella" version and then following with an instrumental groove version focusing on the rhythm section. For promotional purposes only.

Michael The Lion and Natasha Kitty Katt began collaborating as Natasha found a second home in Philadelphia. The two have a mutual love of classic disco and found a kindred spirit in Suki Soul, who has been tearing up the scene the last few years in Northern England. I Found Peace features Michael on guitar and Natahsha on drum machines and synths alongside Michael’s long-time studio band mates. Classical composer and legendary Pittsburgh hip hop producer Jules Krishnamurti adds bass guitar and University of Pennsylvnia jazz ensemble leader Dan Paul plays keyboards on this incredible modern disco classic. Pontchartrain brings all the right touches to the club mix, along side some heavy house mixes by Tonarunur (aka B.G. Baarregaard) to round out the first Whiskey Disco release in several years.

“Valsadeira” is a pulsing uptempo excursion from the African island nation of Cabo Verde, with driving percussion, impassioned vocals, and tasty synth work. Sung in Portuguese, the track begins on a romantic note which builds toward a dramatic flip halfway through that gives way to a hypnotic tropical vamp. The drum tool extends the rhythmic breaks of the song into a useful standalone percussion jam. Odo Kakra Sika Kakra is a bouncy and joyous slice of Ghanaian highlife. With crisp 90s-era production and sweet vocal melodies, JKriv edited this one with love for maximum booty shaking and smiles. "Batonga" is a mid tempo slice of Afrofunk with a mid 1980s downtown NYC feel, led by angular and funky guitars, layered synths, and a female vocal with African chants. The drum break features a textured beat including big electronic drums, percussions and an interlocking kalimba line.

The third in Greg Wilson’s 12 inch DJ series of GW Edits features two uptempo mid-‘70s disco cuts by the Mighty Clouds Of Joy and Vicki Sue Robinson, the latter a huge tune back then, the former very much slept on, but sounding every inch a classic. Reworked with Ché Wilson, following on from last year’s acclaimed remix of Gabriels ‘Love And Hate In A Different Time’, ‘Mighty Cloud’ and ‘The Turnaround’ guarantee full-on dancefloor satisfaction.

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

Moton takes its time to select the best tracks for it’s loyal but hungry fan base, however, this EP was worth the wait. A killer 3 tracker cleverly edited from vaults of much respected don of the scene, Ghosted Edits, aka David Hill. The A side is an 80’s style boogie disco dancer to destroy the better floors, flipped with an infectious gospel vocal dancer that will have you singing out loud, alongside a wonderful soul 2 stepper with a touch of Balearic goodness! Proper pool side vibe. Enjoy.

If you're looking for some summer fire from the Soul-Funk-Disco world then look no further than this new from Micky More & Andy Tee. Groove Culture Bosses teamed up with Angela Johnson and Dj Meme Orchestra for the cover of the classic Rose Royce's song 'Is It Love You're After'. Strings, Horns, synthesizers, guitars, bass etc... All here is played live, more than twenty musicians worked on this project. 'Is It Love You're After' is a track that contains the beauty and the essence of Soul-Funk-Disco: Instrumentation and vocals of the highest level. Package sees Legendary New York City DJ Danny Krivit providing a dj-friendly edit for the dancefloor plus a housy Mix From Da Lukas. A Must Have!

Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music.

Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.

With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.

This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.

London polymath producer Josh Ludlow, co-founder of the already seminal MAD Records and one half of the dynamic Make a Dance Duo, explores new sonic territories with his inaugural solo EP release on Belfast imprint Nocturne. Embracing his passion for eclectic disco, hypnotic chug, and music tailored for those transcendent nocturnal hours, Ludlow showcases his versatility and distinctive flair on his debut outing.

Leading the charge on Josh Ludlow's debut solo EP is the bass-led 80's influenced odyssey of 'MindwayS.' A sonic journey through contemporary psychedelia, inviting audiences to lose themselves in the sweet spot where boundaries between reality and imagination blur. In 'Touch,' Ludlow ventures into seductive sonic territory, delving into a world of cowbell-laden, slo-mo erotic disco. Live guitar licks sit comfortably shoulder to shoulder with low slung hypnotic grooves and alluring vocals in "Little Love" - perfect for the more discerning european dancefloors.

'Diska Tek!' delivers a fusion of playful cosmic energy, sitting comfortably between Cowley-esque hedonism and the contemporary Scandinavian greats. The track pulsates with infectious rhythms evoking the carefree spirit of the dancefloor while showcasing Ludlow's ability to blend nostalgic influences with modern sensibilities. With its vibrant energy and irresistible grooves, 'Diska Tek' is a testament to Ludlow's prowess in bridging the gap between disco's golden age and contemporary dance music."

Through MindwayS, Josh Ludlow not only introduces his solo endeavors but also marks the resurgence of Nocturne after a short hiatus. This statement intent by the imprint positions it as a platform to continue to champion forward-thinking sounds.

Tokyo's Explorations deejay crew strikes again with this unreleased disco cover version of Stevie WONDER's classic "AS Always". With additional production by Chicago's own Jordan Fields. 1-sided heavy weight green colored vinyl in paper sleeve. Very limited like the last one!

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour. LNTG has been busy creating another 2 monster reworks. Hand stamped limited edition 12 inch.

We are proud to present Tuff Cut from LNTG hailing from Australia he has taken the edit's world by storm with his tasty reworks of classic tracks from across all genre's adding his own special touch to each production. The first EP see's a selection of reworks hand picked by the man himself as a fitting start to the series. Pressed on 12 inch Vinyl with a hand stamped label and in a white card sleeve with paper inner. The first of many from LNTG.

Nice 4 track EP from Alvaro who's worked with NYC 1990's label Maxi Records and collaborated with Strictly Rhythm and Nervous records legend Wayne Gardiner aka Logic and Classic MAN. Limited pressing featuring various disco styles, Latin, jazz & funk. Heavy Colored vinyl.

B2 Recordings is back with a second release that is every bit as good as the first. This one comes from Reece Johnson and is a joyous mix of uplifting disco sounds with a timeless edge. 'Comin' In Hot' is a lose-limbed opener with percussive edgy and low-slung drums topped off with dazzling chords. 'Glass Heart' then brings the funk with more expert looseness and this time some hooky and soulful vocals. 'Sup America' keeps the party rolling with instrumental disco brilliance and a Spanish vocal to add real heat while 'Feelin' The Beat' and 'Got To Be Free' close out with higher tempos but no less class.

Dickie Landry’s saxophones have challenged, soothed, and blown minds around the world in his lengthy career as a jazz and avant-garde blower of the highest regard. He was a founding member of the Phillip Glass Ensemble and (according to Wikipedia lore) introduced Paul Simon to zydeco, one of the indigenous sounds of his native southern Louisiana.

Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.

Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.

The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.

From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments.