Disco Edits 252 Items

After his previously successful outings with Vol. 1 & 2, Nicolas Laugier aka The Reflex is back with the third instalment of his Revisions series of Salsoul catalogue classics. Adding his familiar touch to update the labels renowned disco hits, there’s four tracks to choose from - all with that unique The Reflex flavour. Gaz’s “Sing Sing” and Edwin Birdsong’s “Win Tonight” get the Revision treatment while Rafael Cameron makes a double appearance, with a fresh version of “All That’s Good To Me” and a Cosmic Dub Revision of “Boogie’s Gonna Get Ya”.

With three volumes under his belt, if there’s one person who can be trusted with the legendary Salsoul vault it’s The Reflex.

The infamous mighty Swede kicks of his second album of remixed nuggets with one of the heaviest rock track of all time: 'TOM SAYWER'. And it don't stop there. Adding a supreme BST beat to LED ZEP's famous WHOLE Lotta LUV makes it a mix that won't leave the bag. If you aren''t satisfied there are 5 more tracks that will keep the dancefloor in euphoria.

Following the release of Barbie Bertisch’s debut album Prelude in June 2022, Love Injection is thrilled to announce Prelude Remixes via Love Injection Records, which features six artists new to the label, kicking off with a two-track 12” single followed by a full digital release. Love Injection is the label and fanzine Bertisch runs with her partner, Paul Raffaele. The duo are romantic about remixes as an artform and always intended to have reinterpretations be the next phase after Prelude. Often reduced to ways to extend a hype cycle, or disjointed add-ons, Love injection’s remixes exist in dialogue with the artist’s songs.

The 12 inch single will inaugurate the project, with Montreal’s Gene Tellem on the A side, and Panorama Bar residents Lakuti and Tama Sumo on the flipside. On the “GT Remix”, Bertisch gushes that “[Gene is] very good at creating and sculpting atmospherics in her productions. She really grabbed the song and took it to a different place.” Tellem's version of “After The Storm” is faster, elastic and pulsing with an almost primordial intensity.

Creative and life partners Lakuti and Tama Sumo take on “Fertile Garden (Emerge)”. Lakuti, originally from South Africa, got her start DJing in the Johannesburg house scene of the ‘90s. She is now based in Berlin and often DJs with Tama Sumo, who grew up in Bavaria and moved to Berlin in 199x and has been a staple in the scene there since. The duo, both residents of Berlin's Panorama Bar, turn “Fertile Garden” into an ecstatic, unrelenting beat-down, best fit for peak time.

Side A: Remixed by Gene Tellem, Mixe by Fran Cathcart, Mastered by Walter Coelho Side B: Mixed by Tama Sumo & Lakuti, Pre-mastered by Gal Aner, Mastered by Walter Coelho Songs taken from the LP, "Prelude" Barbie Bertisch (ascap)

Some smooth remix action going on here!! Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. Move Like Rays by Machinegewehr was injected with a high-energy vibe, while Das Ding's Want Need was transformed into an electro classic. Skeleton Head's queer anthem Beaten, Bloody, Bruised was given the percussion treatment, Danza Obscura by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/a/n/o/s had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label's frontier electronic underground reputation.

Undoubtedly a highlight of the album Open Soul by the legendary Tomorrow’s People that P-vine reissued in 2021, its final track, the titular “Open Soul,” is breathtaking as it is lengthy standing at over twenty minutes. In this new 7 inch single cut edited by soul record spinner T-groove, P-vine will release the track for the first time as a standalone single-cut - perfect for DJs looking for a digestible and danceable cut of the mammoth track. On the B-side, and also lifted from the album, “It Ain’t Fair” is a soul ballad with T-groove’s magic edits once again working the single for dancefloors up and down the country.

A three track 12” running at 45 rpm throughout. Limited 300 copy run pressed to 180g (+/- 5%) virgin vinyl, clear outer bags, cover and label, deluxe antistatic sleeve. Custom special marble vinyl.

8 reworks of rare and unexpected italian disco and funky pop music from the 1970ies. Not the usual electronic Italodisco classics, but here come some more organic sounding band-disco music from the time of 1976 - 82. Positive vibrations and high quality dance pop reworked for today’s advanced dancefloors by Toy Tonics head honcho Kapote and his Italian friends BPlan and Paul Older. Some of these edits already have been released as bandcamp only, but because of extreme demand for vinyl Toy Tonics did this limited edition double vinyl release.

Massimo Vanoni come back in excellent shape by producing this amazing EP "I Wanna Funk" for his label, Atop Records. Four special reworkings for fiery dancefloors. He opens the dance with a Tribal Funk with the insertion of a female Disco voice recognizable by the most. Moving on to a theme plus Nu Disco Electronic for guaranteed warm up effect. While the B side starts off as openly Funky without compromise, the title is right "Let There Be Funk", followed by a dark Disco Funk track "From The Ghetto" to close this beautiful work. Coherence and research make Massimo Vanoni a producer always on the piece.

A Leftfield journey of rockin' sleezy disco edits! It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout. Limited Heavy weight colored vinyl. Fans of DJ Harvey, RON Hardy, Patrick Cowley and Theo Parrish take notice.

Edit & DUB's latest adventure features extended versions of "lovin'" an unknown disco jam along with Paradise Garage classic "I Must BE Dreamin'" by Wanda. Limited Heavy weight colored vinyl. One-sider. Grab it...

The vinyl comes on radom colored vinyl.

Brazil's Discos 12" label drops some massive fire on this 3 track 1-sided 12”. Featuring the Latin disco of LEE VANDERBILT's "funky Tropical", the futuristic library boogie of Anthony HOBSON's "omicron" and a rare remake of Giorgio MORODER's "from Here TO Eternity". Limited Heavy weight colored vinyl

Modern day Disco Remix king Mike Maurro strikes again! This time, Atlantic Records and Brookside team up and have Mike tackling two classic tracks by The Trammps: “Hooked For Life” & “Soul Searching’ Time”. “Hooked For Life” was released on Atlantic’s “Exclusive Disco Series” of promo only 12”s in the U.S. back in 1975 and “Soul Searchin’ Time” was also released as a promo only 12” in the U.K. on WEA’s ultra rare “Disco Special Cut” series. Both tracks get the “Maurro Remix” treatment with extended intro’s, instrumental passes and breakdowns, and finally mastered in Philadelphia by Mike Tarsia of the world famous Sigma Sound Studios. Pressed on high quality, limited edition, Yellow Vinyl 12” discs for optimum sound quality. Don’t miss the opportunity to add this to your collection!

In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Picking up a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.

The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerising Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.

Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky organ riffs set the tone on this transcendental dance floor afro funk cut.

A modernised tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalise this mysterious dance floor incantation and launch it into the present day.

These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance.

One of the most beautiful and interesting musical projects created by the great and electronic pioneer Maurizio Dami aka Alexander Robotnick comes back to life. Giorgio Records is proud to present the first official vinyl reissue of Mya & The Mirror with the song Hesitation (in both vocal and reflex versions) sung beautifully by Mya Fracassini, mezzo soprano lent to dance music. The 12“ contains an amazing remix of Armonics, now at home at Giorgio Records and two edits: an unreleased live edit by Alexander Robotinick played at the Italorama in Berlin in 2018 and one that comes from Australia by the very kind George Hysteric! Welcome to the Giorgio Records family, George.

DJ Buzz (1/3 of Austrian DJ-Deckgroup Waxolutionists) & personal rec. mastermind Preddy finally with their Drunken Edit of Hildegard Knef`s "Im 80. Stockwerk" on Vinyl 7inch. Plus a very special Bonus on the flipside. The remix was originaly released on a double 10inch compilation of Drunken Edits on the label, now hard to find. The „Hildegard Knef Edit“ was on heavy rotation worldwide by DJ's and Radio Jocks like Gilles Peterson, Lefto, Bigga Bush (Rockers Hi-Fi), Eddy Ramich. It's now available again on 45rpm!

Beatconductor comes in with two dubby & emotive future bass reworks of Gladys Knight's "neither ONE OF US." "emotional Trap" repurposes a classic Whitney Houston acapella to create a dark gospel house influenced groover. “SIMMER Down" surprises with a upbeat, catchy, danceable club edit of Halley Williams "SIMMER." Don’t sleep on this one.

Record Store Day 2021 release. As part of a 35 Year anniversary celebration of their debut album London are releasing the recent remixes

This classic House Gem from Cologne for the very first time on 45 with the Instrumental on the flip.

Edit & DUB delivers more very mysterious unreleased 12" disco versions of classic jams Can't Hide Love (extended disco mix) and BAD FOR ME (disco re-edit) taking these cuts to a whole different level. Limited edition Japan style disco vinyl. Order now don't sleep!

Members Only is back with another slab of heavy-psychedelic-cut-up-tribal- disco-funk-madness. The relentless tribal rhythms and chanting of standout "journey Into UR Feelings" feel deeply ceremonial before eventually giving way to hands-in-the-air disco euphoria. 4 tracks. Not to be missed, Seriously.

Re-listed Side 1 features Italo Disco classic "takin' IT Straight", Giorgio Moroder label mate Meco "space Sentry" and "man This IS MY Girl" by Kikrokos (made famous for RON HARDY's Jungle DJ edit). B/w 2 unreleased NY Boogie Disco edits by Dubbed Version. Limited stock with labels (vs the original stamped white labels).

Re-listed Side 1 features Italo Disco classic "takin' IT Straight", Giorgio Moroder label mate Meco "space Sentry" and "man This IS MY Girl" by Kikrokos (made famous for RON HARDY's Jungle DJ edit). B/w 2 unreleased NY Boogie Disco edits by Dubbed Version. Limited stock with labels (vs the original stamped white labels).

Record Store Day 2021 release. As part of a 35 Year anniversary celebration of their debut album London are releasing the recent remixes by Dimitri From Paris and Cerrone of their huge hit “She Drives Me Crazy’ on Colored Vinyl exclusively for RSD. Including the classic track remastered plus legendary French DJ Cerrone takes the original to dancefloor. Dimitri’s giddy assault of ‘She Drives Me Crazy’ plunders sounds from pop, house, disco, and late-80s hip hop.

3 tracks of floor fire from Osmose & The Funk District and one slomo cut from OldChap out of France. With works from Mexico, USA and France it's a real international affair! Hand stamped in natural chipboard jackets and always 100% VINYL ONLY.

Moar's skilful hands and exceptionally well-trained ears combine beautifully on all of his edits, and this is no exception. Full of space and room to breathe, the A-side's 'i' is a deep house/disco number and is a sparkling gem of a track. I can't tell you what the sources are, but the xylophone layered and looped over the dubby beats is a sweet spot you'll want to taste over and over. It could be a warm-up track, mixed into a peak time set, and is most definitely one for the late night set. Over on the flip this huge classic funky song has been beautifully re-rubbed by Moar, this fattens and tightens an already phat and tight classic groove with some electro flourishes. A very respectful mix perfect for the dancefloor! Hand stamped records & limited press.

This latest limited 7" from Mr. K features two incomparable baroque soul masterworks, one from a Chicago-based band that defied categorization and the other a deep cut from a living legend songwriter and performer.

The psychedelic soul of Rotary Connection’s “I Am the Black Gold of the Sun” still sounds revolutionary and unlike anything else, a full fifty years after it was originally released in 1971. Swathed in ethereal ripples of strings (courtesy the Chicago Symphony Orchestra) innovatively arranged by unsung genius Charles Stepney, and rooted in a rock solid foundation provided by the cream of Chicago’s cutting edge session musicians (among them guitarist Phil Upchurch and drummer Morris Jennings, veterans of countless soul jazz cuts), “Black Gold” sits in uncharted territory somewhere between soul, rock, jazz and classical chamber music. It’s a gorgeous territory, a fantasy land where Minnie Riperton and Sidney Barnes’s vocals transmit mystical, uplifting vibes, the entire affair anchored throughout by an addictive piano riff—a mixture that proved irresistible to Masters at Work, who covered it for their Nuyorican Soul project in 1997. Mr. K’s edit doesn’t try to force anything fancy on this masterpiece, simply tightening it up and taking advantage of the lush remastering to present this progressive classic on 45 for the first time.

In keeping with the orchestral soul mood, Mr. K turns to Stevie Wonder’s “Pastime Paradise” for the flip. Whereas “Black Gold” paints a portrait of a magical land, Stevie’s lyrics on “Pastime Paradise,” originally issued in 1976, are a penetrating look at the very earthbound concerns of modern society and its follies, an urgent message to look ahead rather than languish in dreams of the past. The sensitive string accompaniment provides just the right amount of gravitas and emphasis to Stevie’s voice without overwhelming it, while the hare krishna-inspired tambourine keeps the rhythm effectively. Mr. K’s edit again keeps things true to the original, simply providing a subtle intro that uses the tambourine rhythm to lead into the body of the song.

Straight Outta Belpaese, disco - exotica - balearic for the demanding digger.

#2 in the new series from Australian edit maestro LNTG: Nobody is an epic rework of the Chaka Khan classic whilst 'Reality' blends Chic with Soul II Soul for dancefloor devastation.

Mr. K transports us to the golden era of the Loft with two disparate, but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.

First up is an edit of a track that embodies the spirit of early ’80s downtown New York City. Released in 1982, “Konk Party” was the band’s calling card and first hit, and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a sly nod to Wild Sugar’s breakbeat classic “Bring It Here” that the Beastie Boys would later sample. A Loft staple — the video was even filmed there — “Konk Party” was also played widely across the influential clubs of the day, becoming an instant staple at Danceteria, Mudd Club, and other hot spots. The easy-going groove, heavy on the percussion and low-slung bass, complimented by bilingual lyrics from Angel Quiñones, has dated well, and sounds especially ready for action in this new edit from Mr. K, largely inspired by the original 12-inch’s choice Uptown Breakdown Mix. This is the first time “Konk Party” has been available on 7-inch.

The heavy percussion backing is perhaps the only similar element that links our A-side to its flip, but that only goes to show the breadth of styles that coexisted in the audio landscape of the Loft. “Hold On To Your Mind,” first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force that more than lives up to its cautionary, heady title. Mr. K has outdone himself with his new mix, a supercharged blend of extended percussion breaks — absent on previous 7-inch mixes — driving vocals, and fuzz guitar. For those who have never been able to track down the original single, an expensive proposition, and even for those who have, this new edit is certainly the definitive version.

Everyone’s favourite Israeli digger is back for another round of gloriously rare edit heat on RNT!

‘Baila’ gets the party started with infectious flamenco chants and claps over a churning acidic groove, and ‘Disco Hummus’ rounds out the side with a bit of joyful disco cheek.

On the flip, ‘Sun’ turns an unlikely cover of a classic into an Afro Disco banger, and ‘Simba’ rumbles and rolls with restraint toward a hypnotic peak of brass and vocals.

Elado has done it again…Mazel Tov!

Lntg brings another batch of those supremely executed edits to the table, timeless tracks from the vaults given a fresh feel, extended, reworked and reloved. One side shines a light on a record that has had the resurgence of the century and on the B, two steamy disco belters.

Mariah CAREY's diva vocal gets a proper retro revamp over a synth heavy classic on "human Emotions". It'll be hard not to smirk when this comes on A totally recontextualized Fab 4 deep cut gets reworked on the B-Side. McCARTNEY vs. a very spaced out Hall & Oates classic.

Midnight Runners comes to Razor-N-Tape with a 12" of Southern Hemisphere disco gold! Harry Septiandry has been gaining traction with standout releases on Darker Than Wax and Star Creature under his Munir alias, and for his RNT debut he serves up four extra special reworks of obscure disco from his native Indonesia. The source material would stump even the most savvy of ears, but Harry finds the universal in these rare gems, augmenting the grooves and preserving just the right bit of camp for super sunny spin!

As no strangers to the West End Records back catalogue – both having taken on remix duties individually in the past – 2022 sees Michael Gray and Dr Packer combine to give two classics the Rework treatment. Brenda Taylor’s seminal “You Cant Have Your Cake And Eat It To” is finessed into a contemporary disco standard: Taylor’s voice still cutting through with plenty of soul while synth and pianos provide the groove. “Don’t Make Me Wait” cuts a slightly edgier tone, with acid-like bleeps and plenty of reverb making it a perfect counter track as part of this release.

Another set of essential Reworks from West End.

Fresh off the back of Philadelphia International Records 'Mike Maurro Remixes' digital release, comes a mighty 12" release featuring two never before released remixes from Brookside’s own Mike Maurro. The A side features a classic remix on MFSB's staple 'Love Is The Message'. Extended in all the right spots with loving care. On the B side the O'Jays classic 'Message In Our Music'….also extended and given the Maurro TLC treament. Pressed on HQ vinyl with vintage art sleeve.

Siedah Garrett's seminal 1985 classic 'Do You Want It Right Now' receives 3 new incredible remixes from Dr Packer, BluePrint and Jolyon Petch. Dr Packer delivers a truly funk-worthy re-work injecting a barrage of the smoothest soul-laced sonics for an early 90s house meets nu disco cut. Jolyon Petch ramps up the funk with infectious guitar licks and groove-laden bass for his 'Elektrik Disko Mix’.

You know the drill, strictly multis remixes from the original tapes, combining creativity and functionality for maximum dance floor impact.

There’s been a refurb at The Gallery, a fresh new look for the onlookers. This brand-new exhibition follows in the prestigious footsteps of its predecessors, two jaw-droppingly stunning works of art on display, re-touched, re-loved and ready to be snapped up by the highest bidder. One side sees the mysterious mastermind take on some tropical boogie heat via ‘Hello You Yeah’ with the flip a cosmic disco warper in the form of ‘Just Be Yourself’. Two irresistible cuts that will be whipping crowds into a frenzy the world over.

The latest from Mr. K and Most Excellent Unlimited pairs lowdown and stomping disco from an unlikely source with a funked-out floorfiller from some very familiar voices. Minnie Riperton’s 1977 single “Stick Together” was an outlier in her catalog of smooth modern soul, an intentional nod in the direction of the prevailing disco sound. Co-written with Stevie Wonder, “Stick Together” in its original single release was divided into two parts, the first a fairly conventional uptempo cut with all the catchy qualities you’d expect from Stevie and the husband and wife team of Richard Rudolph and Minnie. It was the second half of the song that caught the ears of DJs who played for funkier dancefloors, however. Freddie Perren, a former member of Motown’s legendary Corporation collective of songwriters and producers, and a man then red-hot off his success with Tavares’ “Heaven Must Be Missing An Angel” and the Sylvers’ “Boogie Fever,” was on production duties, and the song clearly benefits from his disco-friendly touch. In Mr. K’s epic edit we are treated to a lengthy exploration of the second part of “Stick Together,” featuring keyboardist Sonny Burke (veteran of Marvin Gaye’s band and fresh from playing on Candi Staton’s disco smash “Young Hearts Run Free”) working out an irresistible Jingo-esque piano part, Riperton’s sensual ad-libs, and, as if that wasn’t enough, a cameo appearance by Pam Grier on finger snaps! Krivit’s 8-minute-plus edit passes way too quickly to get enough of the hypnotic groove — rewinds are called for! Our flip side, “Body Language,” originated as an album cut on the Jackson Five’s last album of original material for Motown, Moving Violation, recorded before Jermaine left to go solo and the remaining brothers joined Epic Records in a new incarnation as the Jacksons. For such an obvious heater it’s puzzling why the label never released it as a single; but regardless of that apparent misstep, “Body Language” has long been a sure shot in many DJs’ bags. With his new edit, Mr. K presents the track in its ultimate form, loud, remastered, stretched out and rippling with energy over a full six minutes. With an iconic bass line that just doesn’t quit, and Michael and the boys in fine form, it’s impossible to imagine a situation where this wouldn’t set the room on fire.

The return of the mighty Lntg. A double dose of those trademark edits, reloved, reworked and remoulded into two extended and exhilarating mixes in true Lntg style. A must have, as always.

Continuing their relentless pace, RNT keeps the pressure on the dance floor with a four-tracker of solid heat from seasoned French producer Yuksek. Whether flipping an underground disco darling in 'How I Love To Dance,' working a percussive DJ tool to perfection with 'The Beat' swinging the low-slung funk of 'Think of You' or paying homage to an icon of French disco kitsch with 'Dance In Disco,' this 12 has a little something for every dancer and time of night. Allez France!

Volume 4 "Sound of the Summer EP " from Tropical Disco Edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor.
Tropical Disco Edits are pleased to present their latest member of the family, Moodena who premieres on the label with his summer groove "Strawberry Jam" a jazzy disco fusion with tinges of George Benson, sure to sweeten up any dance floor. Tropical Disco Edits boss Sartorial comes in with two jazz funk rollers in "Feel It" and "Electric Lane", with both tracks having his signature sound that just makes you wont to shake your booty! Finally, "Got You the Floor" sees Simon Kennedy team up with Sartorial to produce a classic groovin Tropical Disco track - a real favourite with in the Tropical Disco family!

They don’t get much more anthemic than Idris Muhammad’s ‘Could Heaven Ever Be Like This’ and who better to rework it than edit royalty, Late Nite Tuff Guy. Subtle in his touches yet incorporating a more DJ friendly, dancefloor orientated beat and tension building intro which teases elements of this classic before that instantly recognizable bass riff and staccato guitar chords come into play.
That subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in but the soul and feeling of Idris’ music is lovingly maintained by LNTG.
And for the purists out there, the flip houses the original mix so you’ve got two paths to heaven to choose from.

Volume 2 from the Tropical Disco camp… 4 killer disco gems lovingly tweaked, treated & tested, all carefully constructed for discerning dancefloor destruction.

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

How do you breathe new life into a treasured, classic track? Answer: let Danny Krivit loose on it! Who better to inaugurate our Mr Bongo Edit Series than one of the bosses of the art of the edit. More than just simple re-touches or loops to make the track easier to mix, Danny works his magic by employing all those years of studying and working with music as a remixer, producer and DJ. He has been honing his craft since the art form began and he seems to have a natural intuition for what works on the dancefloor. When we asked Danny if he would be interested in reworking some tracks from Mr Bongo's back catalogue we knew the edits would be special, but Danny has outdone himself with these beauties, and arguably they are more than just edits. By sheer chance, Danny had already worked on a rough personal mix of Sabu Martinez's 'Hotel Alyssa-Sousse, Tunisia’, a track taken from the treasured 'Afro Temple' album originally released in 1973. Danny just needed to freshen and tighten it up to a standard he was happy with, and the result is pure Latin fire. The Belgian / Dutch orchestra leader Nico Gomez's 'Lupita' from 1971 is an undisputed banger, this underground Latin-crossover favourite has been causing mayhem on dancefloors for years. Here Danny takes it into another sphere adding extra drama and build-ups, adding and overlaying fresh percussion which sounds like it could have been taken from lost outtakes. Even those who may have heard 'Lupita' countless times, are sure to be impressed by the new lease of life that Danny has breathed into it. 2 huge tracks and 2 killer edits from a master of the craft.

As the mercury gradually nudges up on this side of the world we have the perfect soundtrack for the extended evenings and we have French producer DJ Moar to thank for that. This latest chapter in his 45 Loves series entitled Funky Party is laced with that summer dance-floor syrup to keep the dance-floor cookin'. The J side is the cool side. Moar slips on the Balearic boots for a steppers cut that instantly transports us to the beaches and seaside sunsets. Some clever vocal samples are sprinkled throughout. Feelin' it! On the flip JJ, Moar shifts gears and treats the listener to a Paisley-punched French house tribute that bangs! With a straight-up funk-fueled chorus we'll all be bellowing out this summer and coupled with a tight horn section this Punk-funk feast is a real treat for the listener. Hand-stamped records & limited press.

Side "think About IT" has one of WHITNEY's strongest vocal performances. Backed by a gospel choir it almost reaches heaven. Sonically, it connects heavily to the 70s era Stax and DR. John. On the B side, "let IT Happen (unreleased 7" Mix)" is another Gamm classic reworked for 7"