Disco Edits 170 Items

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

After his previously successful outings with Vol. 1 & 2, Nicolas Laugier aka The Reflex is back with the third instalment of his Revisions series of Salsoul catalogue classics. Adding his familiar touch to update the labels renowned disco hits, there’s four tracks to choose from - all with that unique The Reflex flavour. Gaz’s “Sing Sing” and Edwin Birdsong’s “Win Tonight” get the Revision treatment while Rafael Cameron makes a double appearance, with a fresh version of “All That’s Good To Me” and a Cosmic Dub Revision of “Boogie’s Gonna Get Ya”.

With three volumes under his belt, if there’s one person who can be trusted with the legendary Salsoul vault it’s The Reflex.

The infamous mighty Swede kicks of his second album of remixed nuggets with one of the heaviest rock track of all time: 'TOM SAYWER'. And it don't stop there. Adding a supreme BST beat to LED ZEP's famous WHOLE Lotta LUV makes it a mix that won't leave the bag. If you aren''t satisfied there are 5 more tracks that will keep the dancefloor in euphoria.

Following the release of Barbie Bertisch’s debut album Prelude in June 2022, Love Injection is thrilled to announce Prelude Remixes via Love Injection Records, which features six artists new to the label, kicking off with a two-track 12” single followed by a full digital release. Love Injection is the label and fanzine Bertisch runs with her partner, Paul Raffaele. The duo are romantic about remixes as an artform and always intended to have reinterpretations be the next phase after Prelude. Often reduced to ways to extend a hype cycle, or disjointed add-ons, Love injection’s remixes exist in dialogue with the artist’s songs.

The 12 inch single will inaugurate the project, with Montreal’s Gene Tellem on the A side, and Panorama Bar residents Lakuti and Tama Sumo on the flipside. On the “GT Remix”, Bertisch gushes that “[Gene is] very good at creating and sculpting atmospherics in her productions. She really grabbed the song and took it to a different place.” Tellem's version of “After The Storm” is faster, elastic and pulsing with an almost primordial intensity.

Creative and life partners Lakuti and Tama Sumo take on “Fertile Garden (Emerge)”. Lakuti, originally from South Africa, got her start DJing in the Johannesburg house scene of the ‘90s. She is now based in Berlin and often DJs with Tama Sumo, who grew up in Bavaria and moved to Berlin in 199x and has been a staple in the scene there since. The duo, both residents of Berlin's Panorama Bar, turn “Fertile Garden” into an ecstatic, unrelenting beat-down, best fit for peak time.

Side A: Remixed by Gene Tellem, Mixe by Fran Cathcart, Mastered by Walter Coelho Side B: Mixed by Tama Sumo & Lakuti, Pre-mastered by Gal Aner, Mastered by Walter Coelho Songs taken from the LP, "Prelude" Barbie Bertisch (ascap)

A few copies arrived with a corner bump on the cover. We're therefore selling it on a reduced price.

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

10 track album of re-edits from the turkish super producer who has released 12"s on Gamm, Square, Plimsoll and others. A kickass mix of disco, funk & jazz tracks from Gloria Gaynor, Stanley Turrentine, Don Costa, Quincy Jones and more. 180g vinyl in color sleeve.

“Prove Your Love” by Misunami & First Touch returns to the Neon Finger catalogue in a brand new 12″, including the original versions (vocal and instrumental) plus two new mixes by the enormous Nick Wisdom (1/2 Potatohead People) and the huge Bamboozle aka Eli Soul Clap. After the big success of the track years ago, being played by some of the biggest selectors in the world… This future classic boogie disco track is available again with two new astonishing remixes that will burst into flames any dancefloor. Don’t miss it!

Undoubtedly a highlight of the album Open Soul by the legendary Tomorrow’s People that P-vine reissued in 2021, its final track, the titular “Open Soul,” is breathtaking as it is lengthy standing at over twenty minutes. In this new 7 inch single cut edited by soul record spinner T-groove, P-vine will release the track for the first time as a standalone single-cut - perfect for DJs looking for a digestible and danceable cut of the mammoth track. On the B-side, and also lifted from the album, “It Ain’t Fair” is a soul ballad with T-groove’s magic edits once again working the single for dancefloors up and down the country.

Massimo Vanoni come back in excellent shape by producing this amazing EP "I Wanna Funk" for his label, Atop Records. Four special reworkings for fiery dancefloors. He opens the dance with a Tribal Funk with the insertion of a female Disco voice recognizable by the most. Moving on to a theme plus Nu Disco Electronic for guaranteed warm up effect. While the B side starts off as openly Funky without compromise, the title is right "Let There Be Funk", followed by a dark Disco Funk track "From The Ghetto" to close this beautiful work. Coherence and research make Massimo Vanoni a producer always on the piece.

It's time for another GAMM battle weapon, only the third one since we dropped the first one back in 2004. This time Ukokos and keyboard wizard Jabco lay down some Dilla(ish) hip hop beats and piano action over that incredible live video clip that went viral with Kanye Wests Sunday Service band doing a combined live gospel/soul cover of Keep Rising To The Top and All Night long. A serious battle weapon for any soulful head.

A Leftfield journey of rockin' sleezy disco edits! It feels like something weird and sinister is going to happen from the moment you drop the needle and keeps that energy throughout. Limited Heavy weight colored vinyl. Fans of DJ Harvey, RON Hardy, Patrick Cowley and Theo Parrish take notice.

Edit & DUB's latest adventure features extended versions of "lovin'" an unknown disco jam along with Paradise Garage classic "I Must BE Dreamin'" by Wanda. Limited Heavy weight colored vinyl. One-sider. Grab it...

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it.

My Rules records is back with their first release of 2019 - the highly sought after cosmic disco bomb Movin' by Belgian group Candy Darling & The Viscounts.

The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerising Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.

Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky organ riffs set the tone on this transcendental dance floor afro funk cut.

A modernised tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalise this mysterious dance floor incantation and launch it into the present day.

These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance.

One of the most beautiful and interesting musical projects created by the great and electronic pioneer Maurizio Dami aka Alexander Robotnick comes back to life. Giorgio Records is proud to present the first official vinyl reissue of Mya & The Mirror with the song Hesitation (in both vocal and reflex versions) sung beautifully by Mya Fracassini, mezzo soprano lent to dance music. The 12“ contains an amazing remix of Armonics, now at home at Giorgio Records and two edits: an unreleased live edit by Alexander Robotinick played at the Italorama in Berlin in 2018 and one that comes from Australia by the very kind George Hysteric! Welcome to the Giorgio Records family, George.

Beatconductor comes in with two dubby & emotive future bass reworks of Gladys Knight's "neither ONE OF US." "emotional Trap" repurposes a classic Whitney Houston acapella to create a dark gospel house influenced groover. “SIMMER Down" surprises with a upbeat, catchy, danceable club edit of Halley Williams "SIMMER." Don’t sleep on this one.

This classic House Gem from Cologne for the very first time on 45 with the Instrumental on the flip.

Edit & DUB delivers more very mysterious unreleased 12" disco versions of classic jams Can't Hide Love (extended disco mix) and BAD FOR ME (disco re-edit) taking these cuts to a whole different level. Limited edition Japan style disco vinyl. Order now don't sleep!

Members Only is back with another slab of heavy-psychedelic-cut-up-tribal- disco-funk-madness. The relentless tribal rhythms and chanting of standout "journey Into UR Feelings" feel deeply ceremonial before eventually giving way to hands-in-the-air disco euphoria. 4 tracks. Not to be missed, Seriously.

Re-listed Side 1 features Italo Disco classic "takin' IT Straight", Giorgio Moroder label mate Meco "space Sentry" and "man This IS MY Girl" by Kikrokos (made famous for RON HARDY's Jungle DJ edit). B/w 2 unreleased NY Boogie Disco edits by Dubbed Version. Limited stock with labels (vs the original stamped white labels).

Re-listed Side 1 features Italo Disco classic "takin' IT Straight", Giorgio Moroder label mate Meco "space Sentry" and "man This IS MY Girl" by Kikrokos (made famous for RON HARDY's Jungle DJ edit). B/w 2 unreleased NY Boogie Disco edits by Dubbed Version. Limited stock with labels (vs the original stamped white labels).

The boys from Munich are back on RNT with a 4-tracker of serious flavor! 'Express Lane' launches the 12” on the disco highway for a wild ride of cheeky vocals, horn stabs, and vocoded synths, then veers south for some North-African New Wave with 'Libyan Sun'.
The B side kicks off with the Afro-disco monster 'Don’t Oho', already a staple in RNT sets and then finishes with the minimalist electro-soul bounce of 'Emergency Loop'. Sure-shots, the lot of 'em!

The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Buy now... be the 3rd person to play it...

Moar's skilful hands and exceptionally well-trained ears combine beautifully on all of his edits, and this is no exception. Full of space and room to breathe, the A-side's 'i' is a deep house/disco number and is a sparkling gem of a track. I can't tell you what the sources are, but the xylophone layered and looped over the dubby beats is a sweet spot you'll want to taste over and over. It could be a warm-up track, mixed into a peak time set, and is most definitely one for the late night set. Over on the flip this huge classic funky song has been beautifully re-rubbed by Moar, this fattens and tightens an already phat and tight classic groove with some electro flourishes. A very respectful mix perfect for the dancefloor! Hand stamped records & limited press.

#2 in the new series from Australian edit maestro LNTG: Nobody is an epic rework of the Chaka Khan classic whilst 'Reality' blends Chic with Soul II Soul for dancefloor devastation.

Mr. K transports us to the golden era of the Loft with two disparate, but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.

First up is an edit of a track that embodies the spirit of early ’80s downtown New York City. Released in 1982, “Konk Party” was the band’s calling card and first hit, and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a sly nod to Wild Sugar’s breakbeat classic “Bring It Here” that the Beastie Boys would later sample. A Loft staple — the video was even filmed there — “Konk Party” was also played widely across the influential clubs of the day, becoming an instant staple at Danceteria, Mudd Club, and other hot spots. The easy-going groove, heavy on the percussion and low-slung bass, complimented by bilingual lyrics from Angel Quiñones, has dated well, and sounds especially ready for action in this new edit from Mr. K, largely inspired by the original 12-inch’s choice Uptown Breakdown Mix. This is the first time “Konk Party” has been available on 7-inch.

The heavy percussion backing is perhaps the only similar element that links our A-side to its flip, but that only goes to show the breadth of styles that coexisted in the audio landscape of the Loft. “Hold On To Your Mind,” first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force that more than lives up to its cautionary, heady title. Mr. K has outdone himself with his new mix, a supercharged blend of extended percussion breaks — absent on previous 7-inch mixes — driving vocals, and fuzz guitar. For those who have never been able to track down the original single, an expensive proposition, and even for those who have, this new edit is certainly the definitive version.

Everyone’s favourite Israeli digger is back for another round of gloriously rare edit heat on RNT!

‘Baila’ gets the party started with infectious flamenco chants and claps over a churning acidic groove, and ‘Disco Hummus’ rounds out the side with a bit of joyful disco cheek.

On the flip, ‘Sun’ turns an unlikely cover of a classic into an Afro Disco banger, and ‘Simba’ rumbles and rolls with restraint toward a hypnotic peak of brass and vocals.

Elado has done it again…Mazel Tov!

The first in a new collaborative series between Theo Parrish & Prime Direct Distribution unearthing some of Theo’s most sought-after edits, backed with the fully licensed original, both remastered and cut loud on either side of a 12 inch. Kicking things off we have one of Theo’s most treasured cuts, his ‘Ugly Edit’ of Made In USA - Never Gonna Let You Go, bootlegged endlessly in the past and racking up prices of up to £144 on Discogs it’s a high time an official reissue came around.
As iconic an edit as they get, ‘Never Gonna Let You Go’ encompasses everything great about Theo’s energy behind the decks - extending grooves for longer than anyone else even dare, working the EQ’s like a god and throwing in a bit of that raw magic that only he knows how. Taking the original’s sumptuous breakdown, Theo works it into a spirited, high energy disco workout looped into a near 10-minute stomper, big on the bass and brass fire whilst leaving the vocals at the door.
On the B side the original ’77 Made In USA version is laid out in all it’s glory. Funk powered, horn-laden disco goodness with breath-taking vocals from the Stateside troupe.

Belpaese's exotic airways is ready and waiting once again! Globe-trotting treats from lands far away, unearthed and rejuvenated for a whole new audience.
Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!

Straight Outta…Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits. Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger… be quick - these edit EP’s are snap up on sight business!

The scandalous alter-ego of genuine techno legend HMC (known to his momma as Cam Bianchetti), Late Nite Tuff Guy (LNTG) puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous.

Lntg brings another batch of those supremely executed edits to the table, timeless tracks from the vaults given a fresh feel, extended, reworked and reloved. One side shines a light on a record that has had the resurgence of the century and on the B, two steamy disco belters.

Mariah CAREY's diva vocal gets a proper retro revamp over a synth heavy classic on "human Emotions". It'll be hard not to smirk when this comes on A totally recontextualized Fab 4 deep cut gets reworked on the B-Side. McCARTNEY vs. a very spaced out Hall & Oates classic.

Midnight Runners comes to Razor-N-Tape with a 12" of Southern Hemisphere disco gold! Harry Septiandry has been gaining traction with standout releases on Darker Than Wax and Star Creature under his Munir alias, and for his RNT debut he serves up four extra special reworks of obscure disco from his native Indonesia. The source material would stump even the most savvy of ears, but Harry finds the universal in these rare gems, augmenting the grooves and preserving just the right bit of camp for super sunny spin!

As no strangers to the West End Records back catalogue – both having taken on remix duties individually in the past – 2022 sees Michael Gray and Dr Packer combine to give two classics the Rework treatment. Brenda Taylor’s seminal “You Cant Have Your Cake And Eat It To” is finessed into a contemporary disco standard: Taylor’s voice still cutting through with plenty of soul while synth and pianos provide the groove. “Don’t Make Me Wait” cuts a slightly edgier tone, with acid-like bleeps and plenty of reverb making it a perfect counter track as part of this release.

Another set of essential Reworks from West End.

Belpaese set their sights for the stratosphere with this double header of exotic delights for your aural pleasure. Strap in for another certified dose of disco – exotica – balearic - Italo-funk for the demanding digger!
Straight Outta Belpaese!

Brazilian DJ and producer Rafael Cancian delivers a veritable United Nations of diverse international disco flavor for his first outing on Razor-N-Tape.
The A side delivers cheeky horns and gyrating synths with Ç'est La Douceur, followed by a flurry of string stabs and vocal fourishes with theI Italo-tinged Fascino Di Milano. On the flip we get a taste of Rafa’s native Brasilian boogie with the stomping Frágil, and the EP winds down with the sensual slow groover Besos Libres.
This is a 4-tracker of serious heat representing all four romance languages…perfect for romancing, and dancing!

You know the drill, strictly multis remixes from the original tapes, combining creativity and functionality for maximum dance floor impact.

Officially licensed, expertly executed and respectful re-edit of one of Sylvester’s most loved disco anthems, ‘You Make Me Feel Mighty Real’, from the maestro Michael Gray. Set to storm festivals, clubs, radiowaves, you name it – it’s a summer soundtrack if there ever was one!

Marcel Vogel aka Em Yee joins the RNT roster with a 4-pack of unsurprisingly heavy edits. The Lumberjacks In Hell label boss takes us on a little trip through one of his own eclectic sets, starting with the oddball boogie of You Move Me and then moving on to the hands-in-the-air positivity of Spreading Energy.
On the flip it’s the up-tempo afro burner 'Don’t Be Sabi Say', with the 12” concluding on the whimsically catchy 'I Wish I Knew The Words'. Tried and tested and found true!

Razor-N-Tape welcome hometown hero Danny Krivit into their stable of editors with a 2-track EP that sources a pair of vibes from the catalog of the ubiquitous "Q."
"Stuff" begins with a mysteriously looped and reverbed-out saxophone sample, building perfectly toward an eventual explosion of soulful horn stabs and vocals over a percolating rhythm section, in classic Q style.
"The Story" tells a mellower yet mesmerizing tale, with its lush string arrangement and artful groove, perfect for those early warmups or late-night comedowns. A true living legend of NYC's rich DJ history, Danny dug deep into his personal cache of edit weapons for this very special record. Absolutely essential!

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

How do you breathe new life into a treasured, classic track? Answer: let Danny Krivit loose on it! Who better to inaugurate our Mr Bongo Edit Series than one of the bosses of the art of the edit. More than just simple re-touches or loops to make the track easier to mix, Danny works his magic by employing all those years of studying and working with music as a remixer, producer and DJ. He has been honing his craft since the art form began and he seems to have a natural intuition for what works on the dancefloor. When we asked Danny if he would be interested in reworking some tracks from Mr Bongo's back catalogue we knew the edits would be special, but Danny has outdone himself with these beauties, and arguably they are more than just edits. By sheer chance, Danny had already worked on a rough personal mix of Sabu Martinez's 'Hotel Alyssa-Sousse, Tunisia’, a track taken from the treasured 'Afro Temple' album originally released in 1973. Danny just needed to freshen and tighten it up to a standard he was happy with, and the result is pure Latin fire. The Belgian / Dutch orchestra leader Nico Gomez's 'Lupita' from 1971 is an undisputed banger, this underground Latin-crossover favourite has been causing mayhem on dancefloors for years. Here Danny takes it into another sphere adding extra drama and build-ups, adding and overlaying fresh percussion which sounds like it could have been taken from lost outtakes. Even those who may have heard 'Lupita' countless times, are sure to be impressed by the new lease of life that Danny has breathed into it. 2 huge tracks and 2 killer edits from a master of the craft.

As the mercury gradually nudges up on this side of the world we have the perfect soundtrack for the extended evenings and we have French producer DJ Moar to thank for that. This latest chapter in his 45 Loves series entitled Funky Party is laced with that summer dance-floor syrup to keep the dance-floor cookin'. The J side is the cool side. Moar slips on the Balearic boots for a steppers cut that instantly transports us to the beaches and seaside sunsets. Some clever vocal samples are sprinkled throughout. Feelin' it! On the flip JJ, Moar shifts gears and treats the listener to a Paisley-punched French house tribute that bangs! With a straight-up funk-fueled chorus we'll all be bellowing out this summer and coupled with a tight horn section this Punk-funk feast is a real treat for the listener. Hand-stamped records & limited press.

Side "think About IT" has one of WHITNEY's strongest vocal performances. Backed by a gospel choir it almost reaches heaven. Sonically, it connects heavily to the 70s era Stax and DR. John. On the B side, "let IT Happen (unreleased 7" Mix)" is another Gamm classic reworked for 7"

A collective of musicians led by Barcelona-based producer Miguel Ferre Falcon, Kokoro Disco San first appeared on the RNT radar with their 2019 Isla Fantasia release on Rocafort Records. KDS now brings their uncanny ability to capture the mood and instrumentation of classic disco and soul with the uplifting summer anthem 'Sunshine' and the Candido-esque sonic journey 'Jungle Deep.' Rounding out the EP are two remixes of the title track by label co-head JKriv, who delivers an extended acidic exploration with his Beach Burn Mix, and a bumped up yet loving treatment of the original song with his Spf76 Mix.

It’s been a spellbinding last 12 months for Tropical Disco Records, dominating both the digital and vinyl charts, with a seemingly endless stream of near perfect jazz infused disco goodness. Their latest vinyl only EP ‘Tropical Disco Volume 23’ perfectly showcases that well loved Tropical disco style alongside the worldwide musical knowledge which has been the cornerstone of the label recently. Featuring both label heads Moodena and Sartorial alongside South American pairing Infrasoul and Clean Is Good it’s a perfect showcase of the labels style. Opening up proceedings is Mexico’s Clean Is Good, another star in the making from a country which continually seems to punch well above its disco weight. ‘Christina’ has that Latin flair aplenty. Bubbling bass, club shaking drums and a real diggers classic of a Latin jazz sample all combine for what is a real party favourite in the making. Moodena keeps that jazzy flair flowing beautifully with ‘Cotton Club’. It’s a track with a real 70’s soundtrack vibe running through its disco DNA. A celebration of all that the legendary ‘Cotton Club’ name brings to mind it’s brimming with class and grace and just a touch of playfulness. It’s a real moment of musical bliss. Over on the flip of the 12” Sartorial gets in on the action with ‘Ancient Aliens’. This one has a real 90’s computer funk heartbeat with throbbing bass licks, powerhouse drum rolls and a funk fuelled synth bass. It’s the kind to track which will cause many a knowing head nod from DJ’s across the globe as that dancefloor fills up to overflowing as it causes scenes aplenty. Closing out proceedings Colombian producer Infrasoul delivers yet another 70’s inspired gem. ‘Qanto Amor’ is a track which we do indeed have a whole lot of love for with its effortless brass licks delivering eupohia, while a dancefloor smash of a bassline paves the way for some of the funkiest guitar this side of the Purple one’s fabled aftershow parties. With a real smorgasbord of instruments perfectly playing off each other it’s all topped off with some satin shirt, gold pendant wearing synth goodness. Oh and did we mention the disco flute? Well how else would you close out one of the finest disco 12’s you will get your hands on this year.

Tropical Disco Records return with another sizzling four-tracker, tackling deeper, more soulfully sustained tracks which still cipher the same party-centric impact consistent across every release.
Moodeena’s ‘The Chase’ is a fireball of an opener, showcasing a tantalizing flurry of teasing brass and uninhibited guitar strokes, cooly climaxing, sending shocks of piloerections to every corner of your body.
Next up label co-founder Sartorial on a slightly slowed, yet typical love flex with ‘Addicted To You’. It oozes high romantic interfusings of heady beats and a fantastically reinvented vocal. It’s an ode to that golden moment in mood music paired with midsummer sun, certainly one of his best works to date.
Tropical Disco debutant Chevals offers up a delectable deep house symphony with ‘Saturn’, a lush suite of hazy chords, boogie vamps and shuffling percussion.
Gledd & The Funk District’s ‘Late At Midnight’ closes of the record in fine style, looped swells and vintage stabs, laying a dexterous foundation for the full-frontal, fanatical vocal to follow. It appears the label are showing off using this tyrannic tool as the EPs send off, making you nostalgic about a night never experienced and stomping another firm footprint in contemporary disco’s orbit.

Tropical Disco have made a remarkable impression on contemporary disco, earning global notoriety with infectious edits and a distinctive, far-reaching sound that’s caught the ear of heavyweight selectors including Marshall Jefferson and Soul Clap. Their output hasn’t gone unnoticed: with Volume 7 hitting number 1 in sales at Deejay and two digital releases this year reaching Traxsource number one slot, and a string of consistently successful 2018 releases continuing to receive substantial airplay, 2019 is Tropical Disco’s year.
Sartorial quickly generates an inexorable momentum with ‘Key Me Up’, a propulsive cut based around a highly infectious piano riff, offset by swirling synthesizers. Moodena swiftly follows with ‘Dumplings Over Flowers’, a fluid exhibition of studio mastery that’s driven by a gnarly bass guitar part, quickly joined by classy keys and epic saxophone. Each element blended with a glittering synergy, Moodena puts forward the most organic and effortless track on the record.
‘Vamos Baby’, from Mexican producer and label newcomer Sould Out, is a more than worthy addition to the Tropical Disco catalogue. An unruly bassline underpins a futuristic disco sound that arouses hedonistic sentiments, with the slick addition of classy vocal chops (“come on, baby!”) sealing the deal. Peak-time at Barbarella’s, this would absolutely boot – enough said! Label heads Moodena and Sartorial team up for ‘Come Get It’, a certified DJ tool that’s anything but simple. Whispering vocals, flashy piano and a frenzied bassline make for a cerebral mix of tender-loving filth and swish sign off to the EP.

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour. LNTG has been busy creating another 2 monster reworks. Hand stamped limited edition 12 inch.

We are proud to present Tuff Cut from LNTG hailing from Australia he has taken the edit's world by storm with his tasty reworks of classic tracks from across all genre's adding his own special touch to each production. The first EP see's a selection of reworks hand picked by the man himself as a fitting start to the series. Pressed on 12 inch Vinyl with a hand stamped label and in a white card sleeve with paper inner. The first of many from LNTG.

A re issue of the EP that started it all for Razor N Tape, 2 superb reworks from Deep&Disco.

Limited 12 inch pressing hand stamped label, get these while you can!

Another mysterious release with 4 tracks of afro sleaze low slung chugging prog love. We think grabbing 2 copies of this if you can would be in everyone’s best interest. Pressed for maximum loudness, no repress & coming to a Juicy Street near you!

Vladimir Dubyshkin's long awaited hits are finally out.

Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.

Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side.

Mallorcan mastermind Joan Bibiloni gets two key works from his esteemed catalogue officially licensed via Gouranga Music and edited by the remix maestro Ray Mang. On the A side the boogie brilliance of the aptly named ‘The Boogie’, extended and echoed in all the right places to form a true dancefloor winner. On the flip, Mang turns this classic Balearic Bibiloni gem ‘Val, I Vuw Ya’ that has an acoustic guitar and chromonica spinning around each other from the three and a half minute original into a hypnotic six minute wonder.

LBD sounds are back with a new 12" from their Lbdissues series. This time they have a track taken from a sought after 7" single by Eva Hurychova & Jan Neckar from former Czechoslovakia, originally released in 1984, professionally remastered and with additional reinterpretations & edits. "To Chce Mit Svuj System" is a sleazy electro disco number with its unmistakable 80s sound, instantly memorable without being too in your face. Optimo's JD Twitch comes on board with his extended edit, that stays close to original but has upgraded it for current dancefloors. And last but not least, a newly formed duo of Oliver Torr and LBD Sounds label owner Olin, now working under Torr & Rich moniker, are here with their debut work - a pitched down 80s disco reinterpretation of "To Chce Mit Svuj System".

Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor. From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.

Remastered and, for the first time, back to back on vinyl, two of Greg Wilson's best-loved edits/mash-ups (plus a bonus track never previously available).

'Two Sides Of Sympathy' combines a pair of P.T.A. mash-ups built around Amerie, Massive Attack and the Rolling Stones. A signature GW edit, originally pressed in 2007, that would feature in his classic 2009 Essential Mix.

'Gotta Keep Workin' It was a GW mash-up pressed back in 2005, its main elements being PM Dawn (sampling Imagination) and Missy Elliot. It would also find it's way into the Essential Mix. A later version, 'Working The Illusion', this time going straight to source with Imagination, whilst retaining Missy Elliot's rap, is made available here for the first time as a bonus addition.

Samosa Records continue their hot streak with ‘The Difference EP’ - a superb four tracker from a producer who is all about the funk, Gledd. This wonderfully constructed EP kicks off with the first track on the A-side - ‘I Don’t Know’. From the get go, this is a slinky, catchy funky number. The warm, all consuming bass line jogs along, aided by subtle guitar riffs that light up the melody. The chugging train suddenly breaks for an outrageous blues vocal - deep growls and female backing singers take control before the track launches straight into the stratosphere. A guaranteed dance floor bomb. Next up on the A-side is ‘Amapola Sunrise’, a latin infused 125bpm slice of heaven. Gledd knows these rhythms inside out - and this hypnotic ‘love dance’ of a track proves it. You can only imagine the sunrises and sunsets this will provide the soundtrack to. It’s a deep, glorious journey into hedonism - let the lead guitar and sax take you by the hand to the rug-pull breakdown. Gledd at his incomparible best. Meanwhile, over on Side B, De Gama is setting out the party stall early with his ‘Re-Groove’ of Muni. When De Gama masters the grooves in the ‘Re’Groove’ workshop, the flames can be seen for miles. African horns, organ stabs and Mali-inspired guitar riffs combine with the superb vocals. It’s a tribal, ethereal and very spiritual funk dream, which is De Gama’s trademark. Closing off this excellent EP is B.2 - ‘Japan Lips’. In no time, we’re off around the seedy back street bars where gifted but washed up bass players hang out to find work. The bass line is as clean as a whistle as it kicks against the snares and cymbals of the beat, and the melody wraps around you instantly with rhythm guitar, jazz flute and breaks. Another mesmerising piece from a man who knows how to mesmerise. The perfect topper to this thoroughbred release. ‘The Difference EP’ is a welcome Samosa debut for Gledd and is sure to be a hit with lovers of the groove. This has to be in your collection. Ste Hendry [Black Light Disco]

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!! New Year SpringSS release for 2022.

Side A. Red Clay, Jazz Guitar version sampled all time classic by A Tribe Called Quest. SIde B. Peaceful Sundown sample by Jay DIlla ,De La Soul Jay Dilla Used these samples a few times for a few solo projects..

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!!

Back once again with the Myedits master. An audacious single sided weapon from the Moxy Edits crew, blending whomping speed garage basslines, a classic vocal of supreme stature and a slick, skipping beat to produce another slice of dancefloor destroying gold. The track first appeared when Darius Syrossian dropped it at the Brooklyn Timewarp after party b2b with Seth Troxler, and lead to people scrambling for a track I.D when videos emerged. The week after it was one of the standout tunes at the WeAreFstvl Mexico festival

Disco deliverance done right, the king Mr K. drops the 6th instalment of his buy-on-sight, limited edit series. Retouched and retweaked gold, destined to fire those synapses into the stratosphere whichever side you draw for.

BEATCONDUCTOR reworks this Balearic Yugotrack with a sublime guitar hook. Gorgeous Yugoslavian jazz for the crate diggers and late night deejay sets on Ibiza! Hand stamped 1-sided 12". Limited. Nu-disco/Balearic fans don't sleep on this one.

DJ Supermarkt came across this rare private press 7 Inch a long time ago, and since tried to locate the band to include the track on his Too Slow To Disco compilation series. After years he found bandleader Jeff Wollman, who gave Tstd permission to finally rerelease this funky space beauty for the first time on the new compilation Tstd 4. The story could have ended here, but Jeff and DJ Supermarkt went one step further, and came up with the plan to give the track to a few selected producers for new versions/reworks. We contacted our favorite smooth space approved producers of today, and they all said “Yes” and we are super proud to now give you: The Reworks!

About Prime Time Band: Some bands excel at turning up, turning it on and getting the job done. Prime Time Band have spent an unlikely 38 years in the business as we write, throwing down a smooth, funky-yet-jazzy set for discerning listeners in the USA, Japan and beyond. “Fall in love in outer space”, their 1986 almost-hit, hits that sweet spot between 80s funk-pop and the disco era’s love of anything galaxy-tinged. Guy Maxwell (bass), Larry Vann (drums), Jeff Wollman (keys), Kenn Peterson (guitar) and Tom Marken (vocals) gifted us a rather delicious spacey groover that feels as ready for

Hi Quality Records hit the grounding running with their first release, a spellbinding, full frontal, double disco workout of original material from More Amour.

A melding of the minds of two longtime friends, Artwork and Jon Solo, More Amour kick things off with the peak time cosmic warper ‘Nightshift’. A cross-Atlantic cocktail of intergalactic synthwork, beefy drums and celestial pads with an extra shot of disco in there to keep you grooving till the early hours.

Flip it to find a Balearic boogie beast in the form of ‘Don’t Look Down’. Full of brain-spangling synths and blissful chords that will have your mind riding off into the sunset before that keytar solo blasts you into another dimension.

Package includes free peel off kiss-cut sticker.

Stevie sounds ever so fresh and updated on the A side's bass heavy piece of funky 4-on-the-floor neo-soul, "wish". This will surprise a few people. THE Rolling Stones disco classic gets reworked on "I Miss U" with ultra groovy beats, a funky bass line, and a few gorgeous breakdowns.