Disco Edits 266 Items

Another limited edition Puss release, each copy with a stamped kiss mark.

Straight Outta Belpaese, More disco – exotica – balearic – Italo - funk for the demanding digger! When do Belpaese ever disappoint. A double header of hidden edit treasures, cut loud on either side of 12" for some much needed good vibrations.

Next up in the Africa Seven Edit series, we have a double header, as leftfield London house bod Al Zanders takes on the progressive early - mid 70's Sierre Leone band Afro National's 'Push Am Forward' and injects added propulsion and focus, creating an intoxicating hypno chugger along the way.

This edition is limited to 300 copies exclusive available at HHV.

The Belpaese speedboat swings back around, loaded up with four more special deliveries, marked ‘Open In Case Of Emergency’. A peaktime rescue package with all the disco, exotica and jazz funk goodness you need to juice up those livestreams.

After the roaring success of the Gallery’s launch, stand back, take a swig of that free champers and admire the 2nd exhibition of Art masterpieces to grace these walls.

Exhibit A - an intergalactic acid workout, heavy on the synths and delicately finished with a masterstroke of alluring vocals.

Exhibit B – another rare work of art, restored and rejuvenated, cosmic credentials in check. An extensive palate of pulsating arps and blistering bass mixed with stratospheric keys and a powerful Italo vocal that’s had collectors the world over baying to put in a bid.

Both exhibits are now up for auction. Bid big!

Cheeky banger edits

SR10 is the brand new spin off label from Samosa Records concentrating on 2 choice cuts from some of the finest producers at the label one each side of a 10” vinyl. It also see’s Samosa announce an exciting collaboration with another of the finest labels out there Tropical Disco who will be handling the digital release for this one down the line.
Launching the brand new imprint it’s only fitting for the label bosses De Gama and Les Inferno to lead things out.
First up is De Gama’s Sometimes Sometimes which see’s him creating a much more reflective track than his previous powerful peak-time percussive club jams. Despite its ever so bluesy laid-back sentiments it’s no less a sublime outing. Velvety smooth the lead vocal is definitely one of those once heard never forgotten magical musical moments. It’s a track of simplicity, a smooth bassline, subtle guitar licks and the wonderful vocal performance. It’s an entrancing life affirming track which has all the hallmarks of a track which absolutely must be listened to again and again. And yeah, maybe just one more time!
Over on the flip Les Inferno takes us off towards classic Philly territory with an equally subtle but ever so funky slice of feel-good disco in ‘Yeah C’Mon’. Smooth percussion, an ever so danceable bassline, brilliantly performed yet subtle keys and another absolute monster vocal. And did we forget to mention the disco flute? Yeah Disco flute, does it get any better. We think not?
This is a 10” which is quite simply undeniable. You must have this in your collection right now because you will need to listen to it time and again. Samosa continues its quest to dominate the disco vinyl landscape with yet another ridiculously superb release.
What are you waiting for just order this and thank us later.

Some of LUXXURY’s most popular floor fillers on wax for the first time in this new limited series.
“Uh Huh” hearkens back to a Beautiful Time, ripping off and improving upon a Silver Convention-esque bassline. “Da Ya” is a deep cut Eastern European cover of a sleazy pop disco classic. “Petula” is LUXXURY’s most popular rework to date after DJ Harvey gave it an auspicious premiere in his Milan Boiler Room set.

Street Meat Records returns with a release from label head Ghosts of Venice. Featuring the Disco stompers “Feel The Heat” and “Shoot Me With Your Love”. Backed with the sleazy Funk workout of “Feel The Fire”, and dance floor filler “I’ll Do Anything”

“Want Me” – 80’s funk vibed groover with a chunky drum bed, live bass and looping, filtering lead vocals.
“If You” – slinky funk re-edit vibes with soulful vocal snippets and a groove to swing ya hips and do ya dips!

Rare Wiri Records strikes back with this new sampler wax. It includes 4 funktastic reworks by label head Rayko. 100 percent Bootylicius vibes to move any disco dancefloor!

Gator Boots returns for lucky 13. Three edgy edits from Italian outfit Blue Mondays. Including longtime favorite White Wedding and other unexpected dance floor excursions.

Thoma Cher comes correct on his first solo outing on Whiskey Disco.
Holiday Holiday is end-to-end pure party material. Just like Thoma’s previous label material, this 3-track ep is no exception. Punchy kicks, cutting guitar licks and vocals from the peak hour Holiday Holiday to Dancer and Be My Love for those more intimate moments.

Mr. K returns to the 12-inch format for the latest in his series of edits for Most Excellent Unlimited, making the most of the long-playing wax with two contrasting cuts. First up is Ike Strong's "Boogie Land," an obscure side that was originally released in 1981 and saw plenty of action at the Paradise Garage. Krivit's edit is inspired by Larry Levan's technique in running the tune, focusing as Larry did on the late-song breakdown before dropping into a stripped-down rendition of the undulating main groove, a boogie bomb to be sure!
Don't let the name fool you — the enigmatic Boogie Man Orchestra, stars of the flip side, are all about disco. The instrumental "Lady, Lady, Lady" first appeared in DJ sets in the summer of '75, the prime breakout year for disco, making its way from Chicago all the way to clubs on both coasts despite having no national distribution. Pre-dating the introduction of the 12-inch single, the song never saw release on the larger format, until now. Krivit's edit takes advantage of the extended playing time by easing into the Philly-style orchestral groove and letting it breath for a dramatic, building dancefloor moment.

As the head of Berlin's eminently respected OYE Records, it's no surprise Markus "Delfonic" Lindner would come correct with the edit heat for his first outing on Razor-N-Tape.

On this fourth release for Revision Records, The Reflex offers a brand new take on the mega classic ANSUN, breaking down the multitracks to reveal multiple
layers of groove and musicianship.

On the B side, probably the best multis remix of this song around, a super tight arrangement and crisp production make this the only version you'll ever need to play out.

Irish label Fatty Fatty spreads its wings with their 'International Disco Mafia' EP.
Extending from Dublin out to Drogheda and Galway and onward overseas, the EP provides something peak-time for all tastes.
The lead off track sees label top dog Pablo going off on a solo tip, delivering an end of nighter take on an eternal UK street Soul classic. Chopping together many different mixes to create an epic whole, this one has been road-tested thoroughly, and always brings the house down.

While Pablo was fiddling around endlessly with that one, usual production partner Shoey slithered off with newcomer Kellser to produce a dreamy, stretched out take on a late 70's staple , another guaranteed winner, and possibly the most bliss inducing song ever to run at 130BPM

The international part of the EP comes from Italian edit king Belabouche, who delivers a lovely take on 'Willie and The Hand Jive'.
Last but not least, Galway boy Island Time makes his bow with a straight up, brassy slice of soulful Disco aimed straight at the dancefloor...

Limited edition for Record Store Day 2017!

London/LA producer Kenny Dickenson crafted his stunning remix of Ned Doheny’s “Labor Of Love” to mark the Be With Ned tour in March 2015. The gentle disco re-rub was leaked by influential blogs and has been wreaking elegant havoc on both sides of the Atlantic ever since, setting a new gold standard for AOR remixes. Beloved of everyone who’s heard it, we’ve been inundated with requests for a physical version.

As RedKen, Dickenson came to prominence with his cult edit of Steve Perry’s “She’s Mine” – an instant hit on the AOR Disco scene – whilst his double A Side Fleetwood Mac 12" with Psychemagik was number 1 across Juno, Piccadilly and countless others, gaining him further notoriety. Here, taking Ned’s stellar version and creating new melodies by twisting original sax solos inside out, Kenny’s remix is elevated further with the introduction of his sophisticated keyboard work and additional white-hot production.

Completed the day of Ned’s penultimate show, Kenny bounded up to Pete Fowler – on DJ duties – and handed him the demo. Ever the showman, Pete played it seconds after Ned finished. Momentarily mortified at the chutzpah involved, we realised we were listening to something sensational. The key element would be Ned’s opinion. He aired it the next day, breaking a drained silence as we boarded a flight to Berlin: “There was a remix of my song played last night.” Heart in mouth, we were in for a deserved dressing down. “Pretty good; I liked it.” And with that, we were determined to commit this wonderful reimagining to vinyl.

After two years of major label wrangling and artist nudging, Be With Records are delighted to finally present this as an officially authorised, one-sided 12". Enhancing the package, the record comes appropriately adorned with striking new artwork from Pete Fowler himself and liner notes from all parties involved. Limited to just 500 copies, these are sure to fly.

Thrice is nice for Dimitri the Brooklynite-By-Way-Of-Paris, who comes correct with his 3rd 3-packer of disco edit deelite for RNT! Filling up the A-side is KETTLE AMERICA, a cheeky bit of south-of-the border uptempo disco funk. I KNEAD YOU is a stomping and sermonizing version of a cherished classic, completely redone with a chorus of handclaps and gospel piano, and the record finishes with WITHOUT ROB for some re-touched dancefloor doo-wop gold!

STAR CREATURE's first single of 2017 starts with a hot 2 sider. 2 Slamming peak hour floor fillers. These lean more on the Chicago Boogie Vibes than his previous work which is why STAR CREATURE was quick to grab them. Modern RnB at it's finest. Live drums, bass, keys with excellent vocals.

Limited edition 8 track double 12" featuring some of the best tracks from now out of print Members Only 12" singles plus some tracks never released on vinyl previously. Compiled from cassettes and overdubbed. Tracks by Anne Clark, Fgth, Bananarama, Last Poets and more.

New offshoot label for Late Nite Tuff Guy focusing on Funk & Soul classic re works.

Two unreleased edits emerge from Mark E's Merc label starting the E-version series. Kahn turns a classic disco track into an expertly extended, peak-time puncher adding percussion and persistent loops. While Mingo stretches a drum laden ethnicity around its Techno foundations. Already being played by Gilles Peterson, Daniel Avery & Dixon!

Italian digger extraordinaire Fab Mayday supplies another four beauties from the vaults! Limited to 200 copies, no repress.

Mike Dunn returns with his sought after disco, funk & soul re-edits in a new series all from his personal vault, tried and tested for dancefloors this summer. Hand stamped ltd 12" vinyl.

180 gr 45 RPM

If you're looking for some summer fire from the Soul-Funk-Disco world then look no further than this new from Micky More & Andy Tee. Groove Culture Bosses teamed up with Angela Johnson and Dj Meme Orchestra for the cover of the classic Rose Royce's song 'Is It Love You're After'. Strings, Horns, synthesizers, guitars, bass etc... All here is played live, more than twenty musicians worked on this project. 'Is It Love You're After' is a track that contains the beauty and the essence of Soul-Funk-Disco: Instrumentation and vocals of the highest level. Package sees Legendary New York City DJ Danny Krivit providing a dj-friendly edit for the dancefloor plus a housy Mix From Da Lukas. A Must Have!

The third release of the Italoexotica Crew will take you back in time, more precisely to the Era of Disco music and the Italian nightclubbing, where the parties began with the romantic melodies of the pianobar and then ignited the souls, the passions and flowed into eroticism.

“Valsadeira” is a pulsing uptempo excursion from the African island nation of Cabo Verde, with driving percussion, impassioned vocals, and tasty synth work. Sung in Portuguese, the track begins on a romantic note which builds toward a dramatic flip halfway through that gives way to a hypnotic tropical vamp. The drum tool extends the rhythmic breaks of the song into a useful standalone percussion jam. Odo Kakra Sika Kakra is a bouncy and joyous slice of Ghanaian highlife. With crisp 90s-era production and sweet vocal melodies, JKriv edited this one with love for maximum booty shaking and smiles. "Batonga" is a mid tempo slice of Afrofunk with a mid 1980s downtown NYC feel, led by angular and funky guitars, layered synths, and a female vocal with African chants. The drum break features a textured beat including big electronic drums, percussions and an interlocking kalimba line.

Exciting classic and rare afro jams get retouched and cut disco single style. With this unknown entity masquerading as African Dubplate, it seems very obvious the source is most likely that. Apparently very limited stock so grab it while you can. Random colored vinyl.

BPlan & Fab_o present the sixth release of their own Label, a 4-tracker of serious flavor! This time sharing the stage with the well known djs and collectors: Raregems. The A side houses the last BPlan & Fab_o cuts, two housy dancefloor killers with a unique flavor: A1 is an African hypnotic track and A2 is a fresh groovy track characterized by disco horns! On the flip you'll find two slow n sexy tracks form the label guests Raregems. B1 an B2 are two very rare gems indeed from the duo archive!! As usual grab your cup, I mean copy, while it’s still hot!

Berlin's Jack Tennis is back and knocking it out of the park once more with a quartet of funky and floor-filling tunes. He's already impressed with his work on the likes of Midnight Riot and Too Slow To Disco and now steps out on his owner label Art Groupie. 'Astrud Got It All' kicks off with hefty drums and raw horns as well as some bright strings and a seductive vocal, while 'Hey Gwen' is more carefree, slow, sun kissed and sublime with its lazy horns and mid-tempo grooves. Then comes an edit 'California, Shake It' which is loose-limbed and free-flowing, and closer 'Believe in You' is an upbeat stomper with nice flute leads and old school soul vocal goodness.

Dive into the timeless groove of "Jibaro" by Elkin & Nelson, rejuvenated with an electrifying version and dub by the dynamic duo Daniele Baldelli & Dionigi. Known their partnership in crafting the legendary Cosmic Sound, Baldelli and Dionigi bring their signature magic to this Balearic classic.

Transport yourself to the iconic era of The Haçienda, as Baldelli's innovative approach to DJing and production infuses "Jibaro" with an irresistible late-night twist. Picture the indie rave vibe pulsating through the dance floor, as the duo's dubbed-out sound breathes new life into this track while retaining its Balearic essence.

As pioneer of the Italian disco scene, Baldelli alongside Dionigi continue to push boundaries with their eclectic, tribal aesthetic. From their own label Pedivelle Records to collaborations with Eskimo Recordings remixing renowned artists like Holger Czukay and Torch Song, their influence spans continents and genres.

Embrace the fusion of past and present as Daniele Baldelli & Dionigi's reimagination of "Jibaro" takes listeners on a journey through time and space. With its irresistible blend of nostalgia and innovation, this track is destined to captivate audiences on digital streaming platforms worldwide. Don't miss out on the cosmic experience – add "Jibaro" to your playlists today.

Mexican sensation Pahua comes to Razor-N-Tape via a huge remix project featuring some of the hottest producer names in current outer-national dance music.

Remixers on this 12” includes both staples and newcomers to the RNT production stable. Label co-head JKriv turns in a late-nite bass mix of the exceedingly popular ‘Porque Yo,’ Captain Planet delivers a percussive & thumping afro-house flip to “‘Espantapajaros’, Tigerbalm brings her chugging international disco flair to ‘Pa’lante,’ Prince of Queens digs deep with a housey dub of ‘Calla,’ and Londoner Clive From Accounts takes ‘Cana Brava’ into moody nu-disco meets amapiano territory.

With a collection of remixes as prolific and solid as these, RNT opted for an expansive 12” and 7” package which features seven of the remixes across two slabs of vinyl, with gorgeous artwork that flips the moonrise eclipse motif of the original Habita album cover perfectly in a slick device that reveals a crescent moon as the record is removed from the jacket.

This package honors the essence of the original music, while flipping it in quintessential RNT club-ready fashion.

Ohhhh Shiiiiiiii... After a triumphant reception, Almacks return for a third sortie... Heavyweight blends and vinyl only amends.

First up, Eddie Logix continues his streak of dance floor bombs with Edits From Detroit Vol. 3, a two-tracker of low-slung midtempo groovers to nice up the dance. “boss” kicks off the release with some grass-fed free-range organic dubbed out sleaze. “fmpm” is on the flip side and ups the spaced-out cosmic vibes with plenty of post-disco dub. Hand-stamped with love by Eddie Logix and Peter Croce in Detroit, TIP!

London polymath producer Josh Ludlow, co-founder of the already seminal MAD Records and one half of the dynamic Make a Dance Duo, explores new sonic territories with his inaugural solo EP release on Belfast imprint Nocturne. Embracing his passion for eclectic disco, hypnotic chug, and music tailored for those transcendent nocturnal hours, Ludlow showcases his versatility and distinctive flair on his debut outing.

Leading the charge on Josh Ludlow's debut solo EP is the bass-led 80's influenced odyssey of 'MindwayS.' A sonic journey through contemporary psychedelia, inviting audiences to lose themselves in the sweet spot where boundaries between reality and imagination blur. In 'Touch,' Ludlow ventures into seductive sonic territory, delving into a world of cowbell-laden, slo-mo erotic disco. Live guitar licks sit comfortably shoulder to shoulder with low slung hypnotic grooves and alluring vocals in "Little Love" - perfect for the more discerning european dancefloors.

'Diska Tek!' delivers a fusion of playful cosmic energy, sitting comfortably between Cowley-esque hedonism and the contemporary Scandinavian greats. The track pulsates with infectious rhythms evoking the carefree spirit of the dancefloor while showcasing Ludlow's ability to blend nostalgic influences with modern sensibilities. With its vibrant energy and irresistible grooves, 'Diska Tek' is a testament to Ludlow's prowess in bridging the gap between disco's golden age and contemporary dance music."

Through MindwayS, Josh Ludlow not only introduces his solo endeavors but also marks the resurgence of Nocturne after a short hiatus. This statement intent by the imprint positions it as a platform to continue to champion forward-thinking sounds.

Curlina is back with three massive edits, ranging from slow Balearic till fast refined Disco: a must have in your record bag! limited copies, don't sleep!

Main Title (The Taking Of The Pelham One Two Three) (Edit) by David Shire b/w One Way Glass (Edit) by Manfred Mann Chapter Three | Galaxy Sound Company, Solo 500 — Solo500-502 | I am excited to share a sneak peek test pressing of the third & latest entry in @galaxy_sound_company’s Solo 500 series, which digs deep in the jazz-funk crates for killer breaks ya need in yo bag.

Side A is an edit of the jazz-funk intro track “Main Title” from the original soundtrack of 1974 gritty subway hijack film The Taking Of The Pelham One Two Three. The soundtrack with its funk, jazzy score has been a well that hip-hop artists have repeatedly drawn from. Most notably, “Krazy Kings Too” by Company Flow, “Suprize Packidge” by Mix Master Mike, & “I’m Set” by Goodie Mob.

Side B is a subtle edit of “One Way Glass” by Manfred Mann Chapter Three, which is taken from their self-titled 1969 LP. Manfred Mann Chapter Three were a British experimental jazz rock band, 1969 to 1970, founded by South African keyboard player Manfred Mann & long-time partner Mike Hugg, both former members of the group Manfred Mann. The track was sampled by many, most notably by The Prodigy for their 2009 track “Stand Up” & on “Headbanger” by Krafty Kuts in 2011.

Both tracks are taken from the 1979 LP “Accadde A…….” by Arawak, which is a standout Italian Library recording. Arawak is one of a multitude of pseudonyms that Luciano Simoncini used in his career as a composer for film scores & background music for radio & television in Italy. The album laid virtually unknown until it was heavily sourced by #Madlib in 2000. Original copies fetch near $1.2K, but luckily the LP received a reissued for the first time by Light In The Attic subsidiary Golden Pavilion in 2017.

Both tracks offer up swift jazzy & funky sounds ranging between mellow dreamy moods & wicked addictive drum breaks. Side A’s “Bali” was sampled for “Real Eyes” by #Quasimoto(2000) while Side B’s “Belfast” blends bag-pipes fading in & out under punchy bass & steady drums that will have break takers & beat makers salivating.

The "go-go Special" 7 Inch vinyl is here. Vinyl is in my hands and will begin shipping mid January 2024. Thanks for all the enquiries already about this record, I'm glad everyone is excited for this.