Disco Edits 153 Items

Some smooth remix action going on here!! Italian DJ and producer Gianluca Pandullo a.k.a. I-Robots has chosen six of his favourite Electronic Emergencies tracks to reconstruct. The second part of a collaboration after a digital-only compilation of EE tracks by the founder of Opilec Music in 2020, the six rigorous reconstructions on this double 12-inch are long, luscious, and full of energy. Move Like Rays by Machinegewehr was injected with a high-energy vibe, while Das Ding's Want Need was transformed into an electro classic. Skeleton Head's queer anthem Beaten, Bloody, Bruised was given the percussion treatment, Danza Obscura by Borgie got an Italo Wave twist, and New Wave legends Chris Davis and M/a/n/o/s had their tracks worked over by dubby electro and minimal techno. Electronic Emergencies reconstructed by I-Robots consolidates the label's frontier electronic underground reputation.

A three track 12” running at 45 rpm throughout. Limited 300 copy run pressed to 180g (+/- 5%) virgin vinyl, clear outer bags, cover and label, deluxe antistatic sleeve. Custom special marble vinyl.

8 reworks of rare and unexpected italian disco and funky pop music from the 1970ies. Not the usual electronic Italodisco classics, but here come some more organic sounding band-disco music from the time of 1976 - 82. Positive vibrations and high quality dance pop reworked for today’s advanced dancefloors by Toy Tonics head honcho Kapote and his Italian friends BPlan and Paul Older. Some of these edits already have been released as bandcamp only, but because of extreme demand for vinyl Toy Tonics did this limited edition double vinyl release.

The vinyl comes on radom colored vinyl.

Brazil's Discos 12" label drops some massive fire on this 3 track 1-sided 12”. Featuring the Latin disco of LEE VANDERBILT's "funky Tropical", the futuristic library boogie of Anthony HOBSON's "omicron" and a rare remake of Giorgio MORODER's "from Here TO Eternity". Limited Heavy weight colored vinyl

Modern day Disco Remix king Mike Maurro strikes again! This time, Atlantic Records and Brookside team up and have Mike tackling two classic tracks by The Trammps: “Hooked For Life” & “Soul Searching’ Time”. “Hooked For Life” was released on Atlantic’s “Exclusive Disco Series” of promo only 12”s in the U.S. back in 1975 and “Soul Searchin’ Time” was also released as a promo only 12” in the U.K. on WEA’s ultra rare “Disco Special Cut” series. Both tracks get the “Maurro Remix” treatment with extended intro’s, instrumental passes and breakdowns, and finally mastered in Philadelphia by Mike Tarsia of the world famous Sigma Sound Studios. Pressed on high quality, limited edition, Yellow Vinyl 12” discs for optimum sound quality. Don’t miss the opportunity to add this to your collection!

Pyramid was an underground / homemade label created by Toby Robinson and his friend Robin Page (the Fluxus artist) while they were living in Cologne, Germany, in the ‘70s. Toby - aka The Mad Twiddler, aka Genius P. Orridge – is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan. Pyramid was home to a series of fascinating homemade albums by impossible and lost-in-time kraut-kosmische bands like Cozmic Corridors, Golem, Nazgul… all of them reissued by Mental Experience in the last years. One of the most celebrated tracks from the Pyramid catalogue is “Interstellar Shortwave” by The Astral Army, originally included on the “Cologne Curiosities” comp. It’s a heavy-disco-kraut-groove, DJ friendly, Hawkwind-inspired track recorded circa mid-70s, and it’s presented here in its original version - pressed at 45rpm for maximum and expanding sound quality - and also as an edit by Gareth Goddard aka Cherrystones, who also offers another edit of “The Dead Marshes”, one of the tracks included on The Nazgul album. Here, Cherrystones transforms the spooky, avant-garde sound of the track into a kind of cinematic, horror Spaghetti Western soundtrack. To round up the 12”, there’s an experimental Cherrystones rework of “Daruber”, a dark ambient / kosmische classic by Cozmic Corridors.

DJ Buzz (1/3 of Austrian DJ-Deckgroup Waxolutionists) & personal rec. mastermind Preddy finally with their Drunken Edit of Hildegard Knef`s "Im 80. Stockwerk" on Vinyl 7inch. Plus a very special Bonus on the flipside. The remix was originaly released on a double 10inch compilation of Drunken Edits on the label, now hard to find. The „Hildegard Knef Edit“ was on heavy rotation worldwide by DJ's and Radio Jocks like Gilles Peterson, Lefto, Bigga Bush (Rockers Hi-Fi), Eddy Ramich. It's now available again on 45rpm!

Record Store Day 2021 release. As part of a 35 Year anniversary celebration of their debut album London are releasing the recent remixes

Record Store Day 2021 release. As part of a 35 Year anniversary celebration of their debut album London are releasing the recent remixes by Dimitri From Paris and Cerrone of their huge hit “She Drives Me Crazy’ on Colored Vinyl exclusively for RSD. Including the classic track remastered plus legendary French DJ Cerrone takes the original to dancefloor. Dimitri’s giddy assault of ‘She Drives Me Crazy’ plunders sounds from pop, house, disco, and late-80s hip hop.

Obscure & Obsolete keep diggin deep for the people with this outstanding collection of grooves! If you love varying types of vibes you can count on this record to take you there covering boogie, funk & electronic European disco all in one EP! Limited pressing!

This latest limited 7" from Mr. K features two incomparable baroque soul masterworks, one from a Chicago-based band that defied categorization and the other a deep cut from a living legend songwriter and performer.

The psychedelic soul of Rotary Connection’s “I Am the Black Gold of the Sun” still sounds revolutionary and unlike anything else, a full fifty years after it was originally released in 1971. Swathed in ethereal ripples of strings (courtesy the Chicago Symphony Orchestra) innovatively arranged by unsung genius Charles Stepney, and rooted in a rock solid foundation provided by the cream of Chicago’s cutting edge session musicians (among them guitarist Phil Upchurch and drummer Morris Jennings, veterans of countless soul jazz cuts), “Black Gold” sits in uncharted territory somewhere between soul, rock, jazz and classical chamber music. It’s a gorgeous territory, a fantasy land where Minnie Riperton and Sidney Barnes’s vocals transmit mystical, uplifting vibes, the entire affair anchored throughout by an addictive piano riff—a mixture that proved irresistible to Masters at Work, who covered it for their Nuyorican Soul project in 1997. Mr. K’s edit doesn’t try to force anything fancy on this masterpiece, simply tightening it up and taking advantage of the lush remastering to present this progressive classic on 45 for the first time.

In keeping with the orchestral soul mood, Mr. K turns to Stevie Wonder’s “Pastime Paradise” for the flip. Whereas “Black Gold” paints a portrait of a magical land, Stevie’s lyrics on “Pastime Paradise,” originally issued in 1976, are a penetrating look at the very earthbound concerns of modern society and its follies, an urgent message to look ahead rather than languish in dreams of the past. The sensitive string accompaniment provides just the right amount of gravitas and emphasis to Stevie’s voice without overwhelming it, while the hare krishna-inspired tambourine keeps the rhythm effectively. Mr. K’s edit again keeps things true to the original, simply providing a subtle intro that uses the tambourine rhythm to lead into the body of the song.

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

Siedah Garrett's seminal 1985 classic 'Do You Want It Right Now' receives 3 new incredible remixes from Dr Packer, BluePrint and Jolyon Petch. Dr Packer delivers a truly funk-worthy re-work injecting a barrage of the smoothest soul-laced sonics for an early 90s house meets nu disco cut. Jolyon Petch ramps up the funk with infectious guitar licks and groove-laden bass for his 'Elektrik Disko Mix’.

You know the drill, strictly multis remixes from the original tapes, combining creativity and functionality for maximum dance floor impact.

There’s been a refurb at The Gallery, a fresh new look for the onlookers. This brand-new exhibition follows in the prestigious footsteps of its predecessors, two jaw-droppingly stunning works of art on display, re-touched, re-loved and ready to be snapped up by the highest bidder. One side sees the mysterious mastermind take on some tropical boogie heat via ‘Hello You Yeah’ with the flip a cosmic disco warper in the form of ‘Just Be Yourself’. Two irresistible cuts that will be whipping crowds into a frenzy the world over.

The latest from Mr. K and Most Excellent Unlimited pairs lowdown and stomping disco from an unlikely source with a funked-out floorfiller from some very familiar voices. Minnie Riperton’s 1977 single “Stick Together” was an outlier in her catalog of smooth modern soul, an intentional nod in the direction of the prevailing disco sound. Co-written with Stevie Wonder, “Stick Together” in its original single release was divided into two parts, the first a fairly conventional uptempo cut with all the catchy qualities you’d expect from Stevie and the husband and wife team of Richard Rudolph and Minnie. It was the second half of the song that caught the ears of DJs who played for funkier dancefloors, however. Freddie Perren, a former member of Motown’s legendary Corporation collective of songwriters and producers, and a man then red-hot off his success with Tavares’ “Heaven Must Be Missing An Angel” and the Sylvers’ “Boogie Fever,” was on production duties, and the song clearly benefits from his disco-friendly touch. In Mr. K’s epic edit we are treated to a lengthy exploration of the second part of “Stick Together,” featuring keyboardist Sonny Burke (veteran of Marvin Gaye’s band and fresh from playing on Candi Staton’s disco smash “Young Hearts Run Free”) working out an irresistible Jingo-esque piano part, Riperton’s sensual ad-libs, and, as if that wasn’t enough, a cameo appearance by Pam Grier on finger snaps! Krivit’s 8-minute-plus edit passes way too quickly to get enough of the hypnotic groove — rewinds are called for! Our flip side, “Body Language,” originated as an album cut on the Jackson Five’s last album of original material for Motown, Moving Violation, recorded before Jermaine left to go solo and the remaining brothers joined Epic Records in a new incarnation as the Jacksons. For such an obvious heater it’s puzzling why the label never released it as a single; but regardless of that apparent misstep, “Body Language” has long been a sure shot in many DJs’ bags. With his new edit, Mr. K presents the track in its ultimate form, loud, remastered, stretched out and rippling with energy over a full six minutes. With an iconic bass line that just doesn’t quit, and Michael and the boys in fine form, it’s impossible to imagine a situation where this wouldn’t set the room on fire.

Israeli DJ and collector Elado makes his debut on RNT with a pack of impossibly rare edit heat! A relative newcomer to the scene, Elado made some waves recently with a stunning entry on Eddie C’s Red Motorbike, and he’s clearly no novice when it comes to digging as this exceptional pack of tunes shows. With rarefied material ranging from Africa, India and the Mideast, Elado works these 4 tunes with a careful editor’s touch, nipping and tucking only where necessary to let the incredible source selections shine through, but rendered eminently DJ-friendly. Already supported by Antal and many others, this 12” is the first essential add of 2021!

Straight Outta Belpaese, More disco – exotica – balearic – Italo - funk for the demanding digger! When do Belpaese ever disappoint. A double header of hidden edit treasures, cut loud on either side of 12" for some much needed good vibrations.

Los Angeleno and all around swell guy Dino Soccio has been building his rep as a premier selector and editor with his own Pleasure of Love edits series, and now joins the RNT ranks with an EP of rarified rework gold. The record kicks off with the meteoric energy of 'Star Beaming', a rolling interstellar disco stomper, then lays back with the low-slung 'Fred’s Groove' and jazzy balearic groove of 'Laid Back', finishing off with the bouncey early-'80s boogie feel of 'Forgot'. All dusty digger’s delights, simonized and edited to perfection for maximum vibes!

After the roaring success of the Gallery’s launch, stand back, take a swig of that free champers and admire the 2nd exhibition of Art masterpieces to grace these walls.

Exhibit A - an intergalactic acid workout, heavy on the synths and delicately finished with a masterstroke of alluring vocals.

Exhibit B – another rare work of art, restored and rejuvenated, cosmic credentials in check. An extensive palate of pulsating arps and blistering bass mixed with stratospheric keys and a powerful Italo vocal that’s had collectors the world over baying to put in a bid.

Both exhibits are now up for auction. Bid big!

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

Detroit native Blair French joins the RNT fam with a 4-tracker of burning summer edit heat! From the Brazilian boogie burner 'Cut The Crust', to the cruisy camp of 'Surrender', the 'welcoming' uptempo instrumental disco vibes of 'All Is Welcome', to the explosive and percussive 'Excuse Me', this record is a peak-time party from beginning to end.

The new batch from the bottomless edit archives of Danny Krivit is an uptempo, guitar-heavy excursion into two cuts of danceable rock from opposite sides of a decade.

“Marbles” originally came out late in 1970, the result of a collaboration between the fiery British guitarist John McLaughlin and drummer Buddy Miles. Miles was hot off his time with Jimi Hendrix, and producer Alan Douglas, who’d been instrumental in putting together the Band of Gypsys group, attempted another crossover combination with a brand new, blazing guitar god. Also on the date was Larry Young, an organ player best known for his expansive jazzy albums on Blue Note, and several veterans of Buddy Miles’ funk-rock combos. The resulting mixture produced in “Marbles” a powerful, driving rhythm anchoring an addictive riff that steamrolls through the cut in a fashion not unlike the motorik sound of Velvet Underground or Can. Mr. K’s edit leans heavily on the drums, naturally, with a long, tailor-made intro and a mesmerizing focus on the main riff, extending things well past the seven-minute mark.

Ten years later, the world of music was in an entirely different place but a good guitar riff coupled with a driving beat was still powerful currency on the dancefloor. This time, the group was Scottish new wave-punk group APB, whose single “Shoot You Down” had garnered unexpected peak time play in cutting edge NYC hotspots Danceteria, the Peppermint Lounge, the Ritz and the Mudd Club. “Shoot You Down” combines the urgency of the Clash with the free for all vibe that characterized the downtown scene (and throws in a chant borrowed from P-Funk for good measure). Mr. K has created a long instrumental opening that leads into the vocals, giving the tightly-wound 7-inch single a proper extended 12-inch treatment it deserved but never had before.

The sound is crisply remastered for club play, and stretched over the breadth of a 12-inch single. Both of these tracks are appearing on the long-format player for the first time.

Tropical Disco Records have once again delivered four scintillating feel good summer disco jams courtesy of the latest edition of their well loved vinyl series. Perfect for those gloriously sunny outdoor events, BBQ’s and beach parties alike their latest EP is another must have slice of black gold. Scouring the globe for the freshest cuts Volume 22 is another multinational affair combining the skills of Colombian duo Vagabundo Club Social, Mexico’s Monsieur Van Pratt, Italy’s Infradisco and New York’s Roland & Brother Rich. Opening affairs are the hugely exciting duo Vagabundo Club Social with their track ‘Costero’. They are producers who nimbly fuse dusty Latin grooves with cutting edge production techniques and dancefloor know-how and here have delivered yet another feel good dancefloor smash. ‘Costero’ is quite simply a DJ’s dream track which will do the business at any end of the set whether you need to get the crowd on the floor or tear the proverbial roof off. Mexico is currently at the leading tip of the disco charge and Monsieur Van Pratt is one of the stand-out producers from a country bursting with talent. ‘Jazz Player’ pulls absolutely no punches combining jazz cool with disco know-how for a track which wins on all counts. Sublime brass solos sit atop a huge funky gem of a bassline. ‘Jazz Player’ will tear dance-floors up worldwide as the world starts to rediscover its long since packed away dancing shoes. Italy’s Infradisco is up next with ‘Aungasana’ and it’s the perfect track to follow on combining many of the traits that both Vagabundo Social Club and Monsieur Van Pratt utilised on their tracks. Expect huge jazzy horns, funky bass and tribal vocals building up to a monstrous organ groove which raises proceedings to fever pitch. Infectious and energetic, it’s another seriously classy dancefloor moment. Closing out the EP are New Yorkers Roland & Brother Rich with the exquisitely titled ‘Roger Moore’s Living Room’. Paying homage to the James Bond legend it’s the ideal track to sip brandy and toast the characters of yesteryear in that velvet smoking jacket you have always wanted. Deep and Jazzy with the essence of the 70s flowing through it’s DNA ‘Roger Moore’s Living Room’ is a track so effortlessly cool that even Blofeld would be throwing some shapes. Tropical Disco’s Volume 22 is a sublime selection of timeless and wonderfully cool tracks which will be the perfect accompaniment to sun soaked events this summer and well beyond. Support across Mi Soul & House FM.

With the promise of brighter days on the horizon when we can come together at our favourite clubs, parties and festivals Tropical Disco Records are ready to help define those exciting days ahead with the next volume in their hugely cherished vinyl series. Tropical Disco Records Volume 21 is a 12” packed with warmth and musical depth featuring four timeless dance-floor moments. The EP opens with a huge slice of organic jazzy US influenced garage in the shape of ‘Nothing Is The Same’ by the superbly talented Dominic Balchan. He’s a new name who has been making big waves recently. If you caught Domenic’s recent offering on TDR LTD 002 ‘A Touch of Jazz’ you will know what to expect. ‘Nothing Is The Same’ has a wonderfully classic feel which recalls the early days of the legendary Soulfuric imprint. A huge bassline is front and centre here providing the drive. It’s backed up by powerhouse keys and some wonderfully hooky vocals. Add in guitar licks and huge trumpet solos and this is one of the finest cuts you are likely to catch this year. Domenic is a talent to keep a close eye on that’s for sure. Next up is Da Lukas, a highly rated producer hailing from Italy, a country which is currently serving up some of the finest disco and house out there right now. ‘Get Disco Vibes’ keeps the energy levels sky high. Featuring another unstoppable bassline it’s packed with brass stabs aplenty which will cause all sorts of dancefloor mischief. Laser synths, loopy vocals and club ready drums complete a track which has floor filler written all over it. Co label head Moodena is up next keeping his golden 2021 run flowing nicely with the laid back groove of ‘Who Got The Key’s’. This one is a DJ’s dream with its effervescent keys, bubbling bass and 80’s synth stabs. It’s a track which has more than a touch of jazz running through its DNA creating a powerful and enticing sound. Expect this one to be a summer soundtrack at all the right parties. Closing the EP out is Welsh producer Toby O'Connor. While Toby is another relatively new name on the scene he’s clearly a producer on a mission with a string of excellent releases landing over the last 12 months which have picked up some serious DJ support. ‘Low & Slow’ is every bit a Balearic gem with its wah guitars, hypnotic bassline and dreamy sax licks. It’s a track with 90’s jazz funk fusion running through its veins and is perfectly placed as the more organic edges of the genre come flooding back to entertain a whole now generation. Tropical Disco Volume 21 takes you on a wonderful musical journey fusing classic US garage vibes with warm jazzy disco touches and plenty of sun soaked groove. It’s everything that club music needs to be right now as we head back to the dancefloor and look to renew and reaffirm our scene. Expect a colourful explosion of musical warmth which sees no boundaries as it unites sounds and scenes from across the musical globe.

It is safe to say, the Gallery’s exhibitions have become a date in the calendar you do not want to miss. Not dropping the brush on this one, their third private view is their biggest to date. Two outstanding displays of artistry and retouching skill shrouded in mystery to this very day. A private collector however, who just so happens to moonlight as every DJs favourite DJ, did manage to acquire both pieces a while back and has been letting all hell break loose on the dancefloor with them ever since. Many have clamoured to get their hands on these works, few have succeeded. Now the Gallery has them up for auction, but be quick, they won’t be around forever.

Twenty vinyl releases is a strong landmark in any labels life most especially in these ever unpredictable days. Tropical Disco Records have reached that number with some verve. Over the last three years they have had a succession of chart-topping, sell-out releases fusing their love of the Jazzier edges of house music with contemporary disco and plenty of sure-fire club hits. So successful has the label been that they have in a short space of time that they have quickly become one of the most established labels releasing across the disco spectrum. As you would expect Tropical Disco Records have put together a very special collection of tracks to celebrate their twentieth edition. Uniting Italian producer Paul Older with England’s Tung-Sol, Greek disco don C. Da Afro and London’s label head Sartorial the EP marks all points on the European compass. It’s an EP which shows the clear impact that Disco has had across the continent and indeed that we are all united by the power of music. The opening move goes to Paul Older with his delightful track ‘Nothing’ and it’s the perfect feel-good moment. Wonderfully warm vocals, layers of Saxophone, guitar licks aplenty and some tight drum programming give it an energetic live feel as if Salsoul’s band are playing this in the corner of your club. ‘Nothing’ is a track which transcends pigeon holing and as such is perfect for a variety of situations from sun soaked day parties to peak-time dance-floors. Tung-Sol’s ‘One for Frida’ is packed with layers of brass giving it a truly enigmatic feel. It’s a track which has discernible African overtones but as seen through the lens of American funk and transcribed by a disco loving auteur. Its effervescent feel is hammered home even further with the addition of Jazzy keys. ‘One For Frida’ is as multicultural a track as you will find in the Disco pantheon and as such will see this picked up by a multitude of genre hopping DJ’s. ‘Shiva’s Chant’ see’s label co-boss Sartorial adding Eastern influences to what is already a globe trotting selection of sounds on Volume 20. Its smooth keys and brass stabs give it an undeniable charm which will see it in heavy demand with sun worshiping DJ’s and for summer playlists alike. Sitars, guitars and trumpets combine here for an intoxicating mix of sounds which help this track stand out from the crowd. Closing the EP out is perhaps Disco’s most prolific producer C. Da Afro. His sure hands deliver yet another club smash in the shape of 'Street Jam'. Powerful strings immediately establish this as a track which has no intention of letting you do anything other than dance with abandon. It’s a straight to the dance-floor combination of percussion, guitar licks and delightfully effusive vocals. Combining the best moments of 70’s disco he’s crated a sensational club jam. With their twentieth release Tropical Disco Records continue to redefine the notions of what disco is in 2020. With releases this exciting we can’t wait for the next twenty.

Hot on the heels of their precursory release, Tropical Disco Records make a bold return, this time being the first outing to not include label head honchos, Moodena and Sartorial. The opener from Javi Frias is an effortlessly enchanting elision. 'Push me' pairs bolshy drums and brass, with an infectious vocal line, sure to demand any dancefloors immediate attention. Frias' is the booker and resident DJ for Madrid's infamous disco and boogie hub, Discotizer, and his ear for producing unrestrained party bombs clearly echoes this.

The prolific Swede is at it again with two tasty remixes. "fantasy" by Earth, Wind & Fire gets remixed on the A-side while on the flip Michael JACKSON's classic ballad "human Nature" gets tweaked and reworked. Limited hand stamped white label.

Known for releases on Apron, Misterio and Stillove4Music, Devin Dare join RNT with a 4-tracker of straight dance floor heat. The production alias of NYC’s Duane Harriott and Shawn Marquand, Devin Dare produce disco edits with a driving, almost techno-like sensibility, and this 12” showcases their ability to coax every last drop of energy from a chopped and looped sample.
From the rolling thump of ‘Clash and Burn,’ to the percussive and bass-driven ‘Stop,’ the low-slung gospel organ groove of ‘Dust,’ to the explosive and exuberant ‘KOHO2’ this record pretty much defines what a rework can, and should be. In a word, PROPER!

3 track EP of post-punk NYC disco from 3 members of the legendary LIQUID LIQUID. "GROOVE TO GO" was recorded in the 80s and was due to come out on 99 RECORDS but never did. Now decades later the trio has gone back into the studio to complete it. Hand stamped, 1-sided..

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour. LNTG has been busy creating another 2 monster reworks. Hand stamped limited edition 12 inch.

We are proud to present Tuff Cut from LNTG hailing from Australia he has taken the edit's world by storm with his tasty reworks of classic tracks from across all genre's adding his own special touch to each production. The first EP see's a selection of reworks hand picked by the man himself as a fitting start to the series. Pressed on 12 inch Vinyl with a hand stamped label and in a white card sleeve with paper inner. The first of many from LNTG.

Two stone cold, all time classics, from two undisputed legends, re-edited, extended and repurposed for the modern dancefloor.

Side A. Reuban Wilson "We're are in love" sample flip sets the tone for Nas Memory Lane (Sittin' in Da Park) sampled and chopped by 1 only. DJ Premier sampled multiple elements from Wilson’s original composition, including the organ, percussion and distinctive wordless backing vocals. The seldom-sampled track is now irrevocably tied to this classic East Coast jam. Galaxy crew decided to give it a Re mastered rinse, chop up the intro break to back to life for 45 fans to appreciate.

Side B. Valdez In The Country by Donny Hathaway Re mastered Re edited . Sampled by Madlib back in 2010

4 track EP featuring unreleased disco remixes of legendary jams by Bell & James, Oliver Cheatham and Billy Ocean. Starting with “LIVIN’ IT UP” on Friday night and then continuing to “GET Down Saturday NIGHT” this is the perfect 12” to forget about the work week and enjoy the weekend! Grab this and take it back to basics like you used! Limited Heavy weight colored vinyl!

Disco king, Mr. K, drops the fifth edition of his super sought-after and limited edit series. Another double dose of pure disco elation, retouched, tweaked and extended in all the right places, cut loud and proud on either side of a 12 inch.

Round three of the hotly tipped, Moxy Edits limited series. This one is a bass heavy jackin ‘90s hip hop inspired house groover. Think Sneak, Derrick Carter vibes. One side is on a west coast infused vocal tip, with the other straight dubbin, pure clubbing. Perfect combination, check it.

Up next on Toolroom, is a solid collection of dance floor ready VIP Edits from some of their most popular releases so far in 2021. Featuring reworks of Chaney’s Back To Me feat. Laura Davie, Dombresky’s Do You Remember feat. Camden Cox, Closer by Flashmob and GotSome & George Kwalis record, In The Dark. A serious selection of tracks, the VIP Edits EP is made exclusively for the club. Curated by Toolroom and selected for DJs who want to get the very best of Toolrooms brand-new releases into their sets with the welcome return of live events, the VIP Edits EP is a little something for the underground and a must-have for DJs. With each artist putting their own spin on originals, they bring a whole new vibe to the VIP Edits that are bound to set the dance floor on fire. This is the sound of Toolroom 2021.

Felipe Gordon dives deep into the Local Talk vault and selected his favourite tracks for a proper rework. First up we got two stalwarts of the house scene, Kyodai and Fish Go Deep. Kyodai's 'Breaking' needs little introduction, the track is an anthem and got massive support from Kerri Chandler to Laurent Garnier and is still played to this day in clubs. Felipe puts his spin on the track, a Latin Jazz Rework that is destined to become a classic in its own right. Fish Go Deep made their debut on Local Talk with 'Off Script' back in 2016, it's a pure goosebumps track, dubby techno-soul at its finest. Felipe adds his twist with plenty of swing and clever drum programming.

Title says it all!

From LUXXURY’s infamous edit series, these long sought after tracks are finally getting a proper release in this new limited series. 'Never Gonna Dance Again?' is a hopeful look to a post pandemic world, blending a well known blue eyed soul vocal with a bassline straight from Paradise. 'Black Curtains' is a deep cut cover of an AOR classic, while 'Black Magic Reaper' is a gloriously slow, psych disco haze. 'We’re All Gonna...' loops a sleazy French jazz disco B side with a vocal sample from a Purple guest.

Fresh Italian nu-disco edits.

Beatconductor offers up a cool laid back 7” inch dub mix of "good VIBES"—different version that the 12”. Dreamy reverb drenched vocals accompany soulful rocksteady vibrations with uplifting rhythms. Get it today!

Live At Robert Johnson introduces Sirs to its artist roster, with a two-track laid-back Balearic disco EP, reducing the tempi to bring on a nicely crafted and floating cosmic groove. Arrived EP kicks off with Keep Forgetting, a laid-back and slowly evolving cosmic vibe, which lets you forget the daily routines and hardships for a while. On the flip-side, Junee widens the Balearic panorama with added pads, uptempo beats, and a heart-warming synth line. Available digital-only, Call Me turns a notion of long-distance longing into a punchy downbeat, with floating chords and melodies building into a labour-of-love tune. Daniel Klein aka Sirs (read: Sounds In Real Stereo) has come a long way since getting acquainted with electronic sounds in the 1980s and into DJing just a decade later, inspired by the early Hamburg gay scene. His mid-Nineties relocation to Ibiza and Mallorca has clearly informed Sirs’ productions and overall style, which features on many remixes and co-productions, as well as his own tracks and label SirsOUNDS.

Two undeniable disco classics given the golden touch by edit royalty Mr K, for the third instalment of his highly sought after and limited edit series. Buy on sight business from the master once again.

Following the success of Krewcial’s Woman edits, here’s three unmissable variations on another out and out disco classic, from stripped down and intimate, to peaktime dancefloor anthem, using only the original multitracks.

These dancefloor-inspired edits have been approved by BMG, Partisan Records and Fela estate, with all profits going to the UN World Food Programme in Yemen. In Fela’s own words: Music is a weapon of the future, music is the weapon of the progressives, music is the weapon of the givers of life. Supported by All City Records, Partisan Records, BMG France, NTS Radio, Dublin Digital Radio and Worldwide FM. Very limited stock first come first served. 12 inch black vinyl, white disco bag in brown card outer sleeves. Hand numbered.

Respect003 serves up two certified anthems that have blown the roof of many a dancefloor before, re-edited for the modern mind, body and soul.

Brazilian wonderkid Rafael Cancian makes his debut on the label with this brilliant 4-track EP.

Proving a saviour in these testing times, Bollywave supply a four-track feast of Bollywood edit delights. Something to stick a smile on your face and get those dormant limbs moving, it’s a feel-good blowout of fragrant firepower.

Next up in the Africa Seven Edit series, we have a double header, as leftfield London house bod Al Zanders takes on the progressive early - mid 70's Sierre Leone band Afro National's 'Push Am Forward' and injects added propulsion and focus, creating an intoxicating hypno chugger along the way.

Street Meat Records returns with a release from label head Ghosts of Venice. Featuring the Disco stompers “Feel The Heat” and “Shoot Me With Your Love”. Backed with the sleazy Funk workout of “Feel The Fire”, and dance floor filler “I’ll Do Anything”

“Want Me” – 80’s funk vibed groover with a chunky drum bed, live bass and looping, filtering lead vocals.
“If You” – slinky funk re-edit vibes with soulful vocal snippets and a groove to swing ya hips and do ya dips!

Gator Boots returns for lucky 13. Three edgy edits from Italian outfit Blue Mondays. Including longtime favorite White Wedding and other unexpected dance floor excursions.

A little info about the guys. All three of them as you'll hear are music fiends/collectors/diggers and lovers. They met whilst attending a pagan mushroom festival on the Wrekin hills and have been firm friends ever since they decided that night/morning to go on a quest to find some musical magic in the far-off lands (ye old music shoppes). They only made it as far as the cave around the corner (which happened to have a stack of records and a computer) and thus have remained there ever since much to the joy of their respective wives, cooking up some late-night cosmic melters for the enlightened to enjoy whilst at the dance.

Philly’s Universal Cave crew have been putting out top notch edits and mixes on their own imprint for nearly a decade, including the beloved Soft Rock for Hard Times series. For the first time, Universal Cave teams up with another label, Pleasure of Love, for a release of reworks, delivering 4 stitched up dance floor heaters. Variety pack of choice cuts here - reggae proto house, lo-fi 80s digi funk, peak-time piano charged house de salsa, and driving atmospheric italo. All expertly re-rubbed, from the vaults of the Universal Cave.

Orange Tree Edits build on their rock solid catalogue with this stellar Vinyl EP debut from Ukranian DJ Yucca Mü.

Richly textured A-side ‘Bluebird’ samples a Soviet era Sci-Fi film to assemble a delightfully weird and wonderful, at once ethereal, refreshing and playful dancefloor heater. Church bells, choral hymns and villainous voiceovers layered on top of a rolling, chuggy low-end propel this tune into peak time territory. A tender church choir acapella outro is a joyous highlight - think festival closing time.

The flip side cut ‘Femme Symbole’ offers up organ stabs alongside swirling grand piano and a sensuous vocal to produce a belter of an edit built for the dark and steamy dance zone.

With support from Hunee, Jonny Rock, Lauren Hansom, Bell Towers, Nicola Cruz & Paula Tape you know you need a copy!

Let’s Dance – 08pm – by Reda Saiarh is a 10” release on AM Records. Four oddball “New Beat – not – New Beat” tracks produced by this young dj from Geneva (of the duo Ramin&Reda) for renewed appetite for dancing after the lockdowns… title track Let’s Dance is Reda’s 2021 take on the classic Bowie song, followed by an original new production Quinz Lord, in which he samples his girlfriend’s cat. On the flip he worked with Thomas Lavanchy on E-O, a song constructed around traditional Gabonese chanting before finishing off with an ode to Yello medley, mashed up to the deepest kick of the record! Super heavily cut 45rpm!

This one's for all the jazz-fusion heads out there and a celebratory tribute to the undisputed king of anything jazzy, Mr. Gilles Peterson. The Japanese duo The Magic Twins delivers a strong 3-track EP which is full of jazz/brazil/funk-fusion reworks that would make the dancers at the legendary London Club Dingwalls swing just a little longer. Proper dance material for the jazz-ish community.

Precious gems mined from a wall of vinyl. Cut, polished, and mounted for maximum love.

Volume 5: Jazz N Palms returns with another selection of some of the most iconic sunset, poolside sounds to be heard at Pikes Hotel (Ibiza), reworked, retouched and edited for your listening pleasure. A trusted taste, Jazz N Palms warms up the monthly exclusive Ronnie Scott's (London) jazz concerts held at Pikes, fusing jazz sartorially with Latin, funk, rock and international sounds to be enjoyed under the palms and the sun of the Mediterranean sea.

As the world makes tentative steps back to the dance-floor Culted return with four DJ tools to assist in Spring celebration. Rejuvenating vibrations from Mytron & Ofofo, Thomass Jackson, Barry Sunset, and the mysterious Medieval Man remind you that ‘new normal’ is not the goal, join the freaky future instead.

Basic Fingers returns! Sameed brilliantly join the dots between dusty disco samples cut 'n paste frenzy and jackin' house on 'Old Songs'. Don't let the name scare you though, these are timeless joints. The jazzy interlude 'Quarterback' sets things off perfectly with its mellow strings followed by 'Join The Party', an uplifting slice of drivin' soul. On the flip Sameed continues the roof-raising treatment with 'Horns N Tht', last but not least Sameed gives us a chi-town inspired track, 'Walkin', proper dirt

What’s Amore? Amore is a lifestyle, it’s a feeling, it’s an attitude. Amore is cruising down sunset boulevard in a pink Cadillac. Amore is drinking Long Island ice tea at a baby shower. Amore is high octane. High risk. High reward. That’s Amore!

Our friends in the East bring you a sophisticated 80s floaty disco soul edit on the A side, dance-floor fire and extended hooks all the way, things get special later into the track. On the flip we have an edit from a man up north who knows all about rhythm. This Edit has been doing the rounds for a few years on the DL with those in the know, dance-floor fire! 300 only.

The return of the Way Back Wednesday label sees Twson (Pop Shop Edits) join the team and deliver two sleazy disco reworks, plus label boss Ron Bacardi drop a tight edit of a fiery funkin’ fave.

Next up from Mind Fair is a crafty cover of cosmic classic, That Thing, by That Thing. Originally released as a currently scarce 12 on AVI in 1977, That Thing was a one-off synth-pop project produced by Dutch musician Geertjan Lacunes – who worried the outer limits of various European hit-parades during the ‘70s and ‘80s under the alias Jerry Rix. German label Jupiter picked up the quirky curio and repressed it as 7 for wider distribution, no doubt envisioning that they’d licensed a novelty monster the scale of Chicory Tip’s Son Of My Father - which alas was not the case.

The track was however a firm favourite of pioneering Italian DJ, Daniele Baldelli, since its wonky bass riff can be heard spinning in and out of a multitude of his legendary mixtapes - where it`s twisted, almost inverted, by the maestro’s use of EQ. Back in 2020, Mind Fair have fashioned a faithful but you-betcha beefed-up reworking. The crazy lyric - care of Chicken Lips cohort, Johnny Spencer - and cowbells accompanied by un-MIDI-ed Moog and modular synth twitches, italo arpeggios and fuzzed guitar tones. Fabrizio Mammerella delivers a remix that's like a meeting of NYC’s Emergency Records, and Belgium’s Antler and Subway. Chris Barbosa and Morton, Sherman and Belluci. ‘80s New York and ‘90s New Beat. Dropping the chorus into devastating delay, chopping Johnny up into percussive Pop Muzik snippets. Sealing the psychedelic deal with a deft dose of analogue acid. In comparison, Eric Duncan’s re-imagining, initially comes across as kinda muted, but that’s just to catch you off guard. While pitched down, and the drums for sure more sedate, it’s definitely the trippier of the two revisions - with all sorts of strangeness throwing abstract shapes deep in its detail. That 303 now sounding severely stoned. It’s like that cat at the afters, the one who commandeers the drinks table in the kitchen and then bends any and every unsuspecting ear - spontaneously connecting the disparate dots in the universe, seemingly without stopping to draw breath - while endlessly shaking folks’ cocktails. The kind of nut that everyone knows, but can never work out how they make it home. Tongue-in-cheek weirdness worthy of Eric’s Rub N Tug partner, Thomas Bullock, and his mate, DJ Harvey, too slow to disco, too high to stop dancing, it’s quality psyche gear for the experienced, discerning, dimensional traveler. There’s a dub for those that can’t quite handle the vocal (lightweights!).

We’re celebrating our 10th Editz release with another astonishing EP of heavy reworks from Joe Cleen.

The only question we should be asking about Ron Basejam and Red Rack’em getting in a studio together is ‘why did it take them so long?’ The Crazy P multi-instrumentalist brings a melodic sheen and strict work ethic to Berman's idiosyncratic, off kilter sample chops. We’re very excited to be bringing the first in a series of killer twelves from two artists who bring a huge amount of passion, soul and singularity to their music.

The infamous Crazy P studio in Nottingham, the scene of many a lost braincell for the pair became a different kind of playground with an arsenal of synths and the Basejam sample library proving fruitful. Several mammoth studio sessions were fitted in pre-lockown with both taking turns to lead when the other flagged. You can hear the grit in these tracks. Studio chiz, red wine and Alfreton Road kebabs fuelled these sessions. Buckle up for the Red Baron ride.

'Fascinate' is a foot stomping house banger hoedown which distils their collective years of sample voyaging into a taut yet jumpy floor wrecker. Uptight, urgent popped guitar licks and a face squinting bassline are mixed upfront with the track devolving at every chance with many a detour including the most warm uplifting middle eighth. A monster arpeggiated synth bass closes proceedings with a dark, knowing edge to the distant hardcore pads fading in.

'She Makes It Work' fuses stoner hippy tabla with a deviant tinged vocal benignly muttering missives while the second pill begins to kick in. Uplifting mangled chords meld with an ever building mood towards a deliriously melting peak moment. As with the A side, the track ends in a questioning manner taking the listener to another plane. This is a cosmic spiritual loft party 7am burner. A late '70s community group going off piste at a Wednesday night drumming circle by serving up the wrong punch.