Disco Edits 170 Items

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

The scandalous alter-ego of genuine techno legend HMC (known to his momma as Cam Bianchetti), Late Nite Tuff Guy (LNTG) puts the acrimony in acronym, the oh in disco, the amp in camp and the dang in dangerous.

The superb Sunshine Reworks Series reaches release number 5, and no surprise it's another seriously addictive duo of masterfully reinterpreted underground classics.

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

New offshoot label for Late Nite Tuff Guy focusing on Funk & Soul classic re works.

Some words from the man himself on why he chose these tracks: "Make Me Feel: Classic disco track from Sylvester. Always gets the dance floor completely pumped. Love2Love: I love everything that Donna and Giorgio have done. Love To Love You Baby is definitely a big favourite. Just wanted to put my spin on it. Great vibe for the early hours of the morning. He's Mine: One of my favourite R'n'B tracks from the 90's given some LNTG muscle."

Two more unreleased edits emerge from Mark E's Merc label E-Versions series. Magazine turns a classic Madge moment into an expertly extended, peak-time banger - cleverly weaving an altogether more psychedelic workout from those familiar ingredients. While XAM on the flip is a monumental & melodic dancer of the highest calibre. Merc to the future!

Bastedos returns hosting two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him to 'join his party'...if you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along and dancing tune versioned from vaults of Moby Dick.

Repressed. AL & Tone dropped this back in 2015. The "praise" side features "mad Dash", a groovin' gospel tune with a funky bassline and sweet horn riffs, plus the spaced out "MY Soul". The "rejoice" side has the killer cut "U", a sweet modern soul jam along with "worship" a sick lo-fi cut

MERC is very proud to welcome Mark Seven as guest editor on E-Versions 7.

It took a long time, a lot of telephone conversations, a lot of pleading, digging, sweat and tears to simply find out what TONY'S SLICE was after hearing it on Mark's Parkway Mastermix.
Turns out its MKVIIs attempt at recreating a live mix by Tony Humphries he heard on Kiss cutting 2 copies of the phone conversation back and forward forever.
With EV#7 looming we knew this would be a perfect opportunity to have a guest on the series, so we persisted and broke him down and he finally gave in to the pressure.

In addition to TONYS SLICE, MKVII has turned in a superb acid work out in the form of CASE STUDY 9.

"I WANT TO KNOW IF YOU HAVE ANY PLANS FOR THIS WEEKEND"

Merc to the future !

Re issue of the classic Heavy Disco remix of Kate Bush. This edit has been a mainstay of many DJs' playlist over the years. It's a deep, throbbing, psychedelic monster with added keyboards and efx. Absolutely essential!

One sided Limited pressing act fast!!

4 surprisingly excellent edits by an unknown master on a new and mysterious imprint called Juanpot!

Hot on the heels of his recent Eddie Kendricks/Q Tip outing on the 2Dogs imprint, Redmo once again comes up trumps with this 2 tracker on the newly formed Felt Tip label.
The all time Bob Marley classic 'Is This Love' get's stripped back to it's absolute bare bones then strung back together resulting in a majestic dubbed out acoustic masterpiece.
All the original parts...horns, guitar, piano and of course the vocals (both lead & backing) are brought back to life in an arrangement and version that's sure to raise pulses and eyebrows alike.
On the flip we have 'Sadi Soul'.....A double bass led jazz-funk groover which we believe is based on a rather rare 70's Belgium jazzer that's worth a pretty penny or two! Redmo get's us instantly locked in with the drums underpinned by that walking bass line, vibes slip n slide effortlessly over the top resulting in mightily cheeky little dance floor gem.
Keep 'em peeled.....Redmo is one to look out for!

Chicago DJ & Editor Jamie 3:26 presents the first release on his own 326 Records. Kicking off with his edit of the Pyramid Records classic - Sun, Sun, Sun by JAKKI from 1976. On the flip we have a rework of Purple Music by the one and only Prince. .

Release wise Jamie 3:26 is one of those guys that doesn't have many releases but when he does put something out it's pure gold! His less is more approach seems to be working with several of his releases now going for decent money on Discogs.

Don't sleep on this great double header which perfectly captures the original house sound of the Windy City.

DJ Support by Rahaan, Theo Parrish, Zernell, Marcellus Pittman, Moodymann, Detroit Swindle and many others!

Repressed on black vinyl.

Moton Records Inc return with a very special 40th release, for which they enlist the services of the mighty Red Greg who goes digging in the crates for 3 very rare & highly sought after cuts of disco / boogie / afro especially for RSD.

Thrice is nice for Dimitri the Brooklynite-By-Way-Of-Paris, who comes correct with his 3rd 3-packer of disco edit deelite for RNT! Filling up the A-side is KETTLE AMERICA, a cheeky bit of south-of-the border uptempo disco funk. I KNEAD YOU is a stomping and sermonizing version of a cherished classic, completely redone with a chorus of handclaps and gospel piano, and the record finishes with WITHOUT ROB for some re-touched dancefloor doo-wop gold!

As the head of Berlin's eminently respected OYE Records, it's no surprise Markus "Delfonic" Lindner would come correct with the edit heat for his first outing on Razor-N-Tape.

Always a rare treat when a ready-formed and devastatingly good project comes our way

Three emails and a delivery truck later, we're very happy to be lending a hand getting this one to good homes the world over.
No info to be had, other than a cleverly plotted out Ouija of the label name, some very fetching old school purple master bag sleeves & three incredible cuts of secret origin via the mystifying oracle that is Mutable...

Oslo's Rune Lindbaek follows up the best-selling first volume of Norsk Tripping with his latest stash of secret weapons

A six track treat this time, and a veritable Norse Bankett of the good stuff- uptempo Disco, sits alongside wild Cosmic concoctions, obscure 80's jams and delicate Balearia

Limited run - buy now or cry later .

2019 repress of Patrick Gibin aka TwICE’s lethal Black Aroma edit series. Business per usual with gentle funk, sassy soul and killer boogie vibes.

Part two of a new Salsoul Re-edits series launches with four classic edits for RSD from seminal edit king Danny Krivit. With over 45 years behind the turntables, if anyone knows what little extra touch a record needs to work on the dancefloor…it's Danny! Taking his editing skills to four classics from the Salsoul vaults , Danny delivers once again. Available on vinyl for the very first time.

Philly's home-grown edit kings Superprince return on Razor-N-Tape with 4 more heaters, guaranteed to find a permanent home in any record bag!

CULT EDITS from MANFREDAS, SIMPLE SYMMETRY, and SIAUBAS guaranteed to burn the house / club / teepee down. These top-secret jams have been extensively tested, ended countless epic parties, soundtracked highlight-reel Boiler Room moments, and prompted innumerable feverish attempts at track IDs. Heard in the sets of illuminati DJs, the cult exclusivity now extends with this limited edition VINYL ONLY release. CULTED 001 - worth believing in.

Delicate Wash, a new label for edits, is run by anonymous vinyl enthusiasts craving to deliver the gems for all the discerning DJs and collectors out there.

More CULT EDITS from IÑIGO VONTIER, PIETNEV, DREEM LION, and ALEXI LE FAN. Everyone loves these. No one has them. Only edits in circulation requiring a vow of silence and a paid subscription. Cannot be stolen, shared, or caned to death. Rename the track titles in a random internet café for maximum secrecy/exclusivity/emotional well-being. CULTED002 - blood in, blood out.

The mysterious Love Drop continues his homage to the classic raw sounds of days gone by as he drops an anthemic and pounding slice of House music for Home Taping. With his trademark moody grooves and heavy delays he builds a vibe which is guaranteed to set any dance floor on fire. Keeping it raw and proper with a generous pinch of soul and more than a touch of badass, Love Drop just moved things up to the next level. Less is definitely more as he destroys the floor. On the flip, Dicky Trisco plays to the emotional strength of the original and delivers a highly polished heads-down, dubbed out version for the club. While rising star of the scene Dan Shake raises the tempo and treats us to a raw and funky workout to complete a very fine package indeed.

Volume 4 "Sound of the Summer EP " from Tropical Disco Edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor.
Tropical Disco Edits are pleased to present their latest member of the family, Moodena who premieres on the label with his summer groove "Strawberry Jam" a jazzy disco fusion with tinges of George Benson, sure to sweeten up any dance floor. Tropical Disco Edits boss Sartorial comes in with two jazz funk rollers in "Feel It" and "Electric Lane", with both tracks having his signature sound that just makes you wont to shake your booty! Finally, "Got You the Floor" sees Simon Kennedy team up with Sartorial to produce a classic groovin Tropical Disco track - a real favourite with in the Tropical Disco family!

Universal Cave unleash the 10th release in their catalogue with the Universal Cave wizards and dynamic duo Superprince sharing the re-edit duties.

Universal Cave provide the goods for the A Side firing off a percussion heavy, Latin flavoured bomb in 'Lambada' - just wait for those epic fills, sure to whip any crowd into raptures. 'Take Your Time (Universal Cave's 909 Rubdown)' then lays up a hip house vocal flavoured, 909 enhanced 80's bomb.

Flip it over and Superprince take the reigns with 'Your Kind Of Love' - funked up disco goodness, reworked with an extra helping of devilishness. The last slice of gold, 'Hang High' takes the tempo down to
a string swelling, souped up, cosmic swagger.

Two sides, two artists but four entrancing edits to add
to the Universal Cave repertoire.

BEPPE LODA is back with OBSCURE ITALIAN SPACE PROG. This is the 2nd release on GAIL FORCE DISCO RECORDS which explores rare tracks that blur the line between disco and prog rock from 70's and 80's Italy.

‘Penthouse Edits Vol. 1’ is a collection of disco edits from Malik Hendricks and Fine Touch. Two dedicated diggers unite through a shared love for forgotten basslines and dusty kicks, reviving classic and unknown disco grooves for modern dancefloors.

Straight Outta Belpaese, disco - exotica - balearic for the demanding digger.

Straight Outta…Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits. Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger… be quick - these edit EP’s are snap up on sight business!

Prolific Spanish producer Rayko brings you four slices of synth-tastic nu-disco with a prog twist here. The title track is a lazy, hazy affair in which untold layers of analogue sound oscillate their way in and out of the picture. "Drive" sees him join forces with fellow Spaniard Landerground to deliver a wonderfully fluid, fluttering chunk of synth-heavy Balearica. The title is clearly a nod towards the famous movie of the same name, and many of the electronic sounds are reminiscent of the film's legendary soundtrack 'Autopower' is a tad funkier in feel and, with its sense of repressed energy, would make a great building track.
But for some truly out-there thrills, head for 'Oopart', a guitar-led affair that comes on like Ripperton jamming with space rock diehards Ozric Tentacles.

Five more CULT battle weapons, for all tribal, Rastafarian, and shawarmanic purposes. Multi cultural bangers.

The wondrous rarity that is Hipnotic ‘Are You Lonely’ gets the rework treatment form four masters of the re-edit, each with their own trademark sound.
First up to the operating table, Opolopo increases the tempo edging up to the 118-mark adding a characteristic juiced up bass synth that oozes smoothness and swapping the flute melodies with cosmic synth lines that sparkle in the darkness.
Greg Wilson & Che Wilson tackle edit duties next in classic Wilson style. Again, opting to move into peak-time tempo territory, they begin with a stripped back, spacey intro that sees elements added one by one from a bumping bass and panning pads to rough snares and crisp claps. It wouldn’t be a Wilson edit without a double dose of tape delay, the duo dropping the vocals and synth lines expertly in and out for maximum dancefloor flavour.
Back down to the original pace on the B side, The Revenge offers up a slick, late-night redub treat. Only a handful of components are involved as he chops and changes the bass and synth lines to provide a mesmerizingly chuggy groove whilst dropping in choice vocal echoes that makes Hipnotic, even more hypnotic. Last up, Yam Who brings those strutting guitars further forward in the mix whilst adding some delicate piano touches that offer an elegant enhancement to the original.
Four new interpretations of a much loved and sought-after funk fuelled, boogie gem.

Belpaese's exotic airways is ready and waiting once again! Globe-trotting treats from lands far away, unearthed and rejuvenated for a whole new audience.
Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!

Tropical Disco Records return with another sizzling four-tracker, tackling deeper, more soulfully sustained tracks which still cipher the same party-centric impact consistent across every release.
Moodeena’s ‘The Chase’ is a fireball of an opener, showcasing a tantalizing flurry of teasing brass and uninhibited guitar strokes, cooly climaxing, sending shocks of piloerections to every corner of your body.
Next up label co-founder Sartorial on a slightly slowed, yet typical love flex with ‘Addicted To You’. It oozes high romantic interfusings of heady beats and a fantastically reinvented vocal. It’s an ode to that golden moment in mood music paired with midsummer sun, certainly one of his best works to date.
Tropical Disco debutant Chevals offers up a delectable deep house symphony with ‘Saturn’, a lush suite of hazy chords, boogie vamps and shuffling percussion.
Gledd & The Funk District’s ‘Late At Midnight’ closes of the record in fine style, looped swells and vintage stabs, laying a dexterous foundation for the full-frontal, fanatical vocal to follow. It appears the label are showing off using this tyrannic tool as the EPs send off, making you nostalgic about a night never experienced and stomping another firm footprint in contemporary disco’s orbit.

The second EP in The Patchouli Brothers two part release on GAMM begins with 'Fuqua & James', an uplifting, warm and soulful disco jam that aims straight for the heart of any soulful disco head. The B side 'Peace, Love & Understanding' is for all the Philly fans out there...just straight-up good disco music.

Belpaese set their sights for the stratosphere with this double header of exotic delights for your aural pleasure. Strap in for another certified dose of disco – exotica – balearic - Italo-funk for the demanding digger!
Straight Outta Belpaese!

My Rules records is back with their first release of 2019 - the highly sought after cosmic disco bomb Movin' by Belgian group Candy Darling & The Viscounts.

More secret edit weapons from the vaults of DJs like Manfredas, Iñigo Vontier, Simple Symmetry, Dreems and Thomas Von Party, aka the Multi Culti Family. New wave Latino body music, peak power extended space disco and wiggly electro funk combine for definitive dance floor approval and chin-stroking trainspottery.

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it.

The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Buy now... be the 3rd person to play it...

The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.
Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.
Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.

Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

Label cover. close to NM

Born out of a desire to share a selection of personal DJ focused, dancefloor edits, that have been exclusively test run and hammered by DJ Harvey and Lovebirds for the past few months, SIRS kicks off this new label offshoot with four, slick, sweltering and powerful reworks that ooze class.
Secret weapons of the highest order, each edit reimagines it’s original from the mind of the DJ – anticipating the moves of the club and harnessing the power that deft touches, reshaped structures and expressive effects can make to the force and energy of a record.
As appropriate soundtracking the crescendo of a club night, as they would be scoring the backdrop to a hazy sunset these edits are a must have in any DJs record bag.

The PPF are now back in full voice it seems. It's been 15 years since their beautifully packaged series of EP's found their way into the world's best record crates. And after two recent & very well received releases on Hot Peas 'N Butter, we get four more certified floor-fillers from the vaults. Constructed as club-ready reworks for their own sets, this pin sharp selection appears here as a one-off limited vinyl release.

West End records open the vaults once more to today's top editors and remixers. This incredible 12" sees the mighty PBR Streetgang take the reigns for 2 gems from the stash! Michele's 1977 'Magic Love' kicks things off in fine style, a slick bass driven groove is what we get with this funked out slab of string laden Disco heat. Nicely cut n pasted for the DJ's, dropped at the right time this one will go off! On the flip is North End's 1979 jam 'Kind of life, kind of love', boasting some serious harmonica and an almost AOR feel, the PBR version clocks in at 10+ mins of building dancefloor magic! Tweaked just right, and with a respectful nod, these 2 new versions are essential for the discerning disc jocks out there.

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

Known for releases on Apron, Misterio and Stillove4Music, Devin Dare join RNT with a 4-tracker of straight dance floor heat. The production alias of NYC’s Duane Harriott and Shawn Marquand, Devin Dare produce disco edits with a driving, almost techno-like sensibility, and this 12” showcases their ability to coax every last drop of energy from a chopped and looped sample.
From the rolling thump of ‘Clash and Burn,’ to the percussive and bass-driven ‘Stop,’ the low-slung gospel organ groove of ‘Dust,’ to the explosive and exuberant ‘KOHO2’ this record pretty much defines what a rework can, and should be. In a word, PROPER!

After the roaring success of the Gallery’s launch, stand back, take a swig of that free champers and admire the 2nd exhibition of Art masterpieces to grace these walls.

Exhibit A - an intergalactic acid workout, heavy on the synths and delicately finished with a masterstroke of alluring vocals.

Exhibit B – another rare work of art, restored and rejuvenated, cosmic credentials in check. An extensive palate of pulsating arps and blistering bass mixed with stratospheric keys and a powerful Italo vocal that’s had collectors the world over baying to put in a bid.

Both exhibits are now up for auction. Bid big!

Hot on the heels of their precursory release, Tropical Disco Records make a bold return, this time being the first outing to not include label head honchos, Moodena and Sartorial. The opener from Javi Frias is an effortlessly enchanting elision. 'Push me' pairs bolshy drums and brass, with an infectious vocal line, sure to demand any dancefloors immediate attention. Frias' is the booker and resident DJ for Madrid's infamous disco and boogie hub, Discotizer, and his ear for producing unrestrained party bombs clearly echoes this.