Disco Edits Vinyl 85 Items

Und so friends, Ziggy arrives. Can you still tanz? Trance Gigolo go go Bacalao! Yo Let Her shouty Punk Funk! Amofobia neu Morder! Freaky Leaches schwer Dub! Weltfrieden. Liebe Das Ende. Auf Wiedersehen Panzer Peoples!!

The Ravanelli disco crew is proud to welcome Belgian artist vhyce on the label with a magnificent 4 tracks EP.
Italian disco legend Ltj Xperience on remix duties.

Tropical Disco have made a remarkable impression on contemporary disco, earning global notoriety with infectious edits and a distinctive, far-reaching sound that’s caught the ear of heavyweight selectors including Marshall Jefferson and Soul Clap. Their output hasn’t gone unnoticed: with Volume 7 hitting number 1 in sales at Deejay and two digital releases this year reaching Traxsource number one slot, and a string of consistently successful 2018 releases continuing to receive substantial airplay, 2019 is Tropical Disco’s year.
Sartorial quickly generates an inexorable momentum with ‘Key Me Up’, a propulsive cut based around a highly infectious piano riff, offset by swirling synthesizers. Moodena swiftly follows with ‘Dumplings Over Flowers’, a fluid exhibition of studio mastery that’s driven by a gnarly bass guitar part, quickly joined by classy keys and epic saxophone. Each element blended with a glittering synergy, Moodena puts forward the most organic and effortless track on the record.
‘Vamos Baby’, from Mexican producer and label newcomer Sould Out, is a more than worthy addition to the Tropical Disco catalogue. An unruly bassline underpins a futuristic disco sound that arouses hedonistic sentiments, with the slick addition of classy vocal chops (“come on, baby!”) sealing the deal. Peak-time at Barbarella’s, this would absolutely boot – enough said! Label heads Moodena and Sartorial team up for ‘Come Get It’, a certified DJ tool that’s anything but simple. Whispering vocals, flashy piano and a frenzied bassline make for a cerebral mix of tender-loving filth and swish sign off to the EP.

Tropical Disco Records return with another sizzling four-tracker, tackling deeper, more soulfully sustained tracks which still cipher the same party-centric impact consistent across every release.
Moodeena’s ‘The Chase’ is a fireball of an opener, showcasing a tantalizing flurry of teasing brass and uninhibited guitar strokes, cooly climaxing, sending shocks of piloerections to every corner of your body.
Next up label co-founder Sartorial on a slightly slowed, yet typical love flex with ‘Addicted To You’. It oozes high romantic interfusings of heady beats and a fantastically reinvented vocal. It’s an ode to that golden moment in mood music paired with midsummer sun, certainly one of his best works to date.
Tropical Disco debutant Chevals offers up a delectable deep house symphony with ‘Saturn’, a lush suite of hazy chords, boogie vamps and shuffling percussion.
Gledd & The Funk District’s ‘Late At Midnight’ closes of the record in fine style, looped swells and vintage stabs, laying a dexterous foundation for the full-frontal, fanatical vocal to follow. It appears the label are showing off using this tyrannic tool as the EPs send off, making you nostalgic about a night never experienced and stomping another firm footprint in contemporary disco’s orbit.

A few copies arrived with a corner bump on the cover. We're therefore selling it on a reduced price.

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

Limited Edition for Record Store Day 2019! LTD edition handnumbered gatefold 2LP celebrating the 5th year anniversary of Super Disco Edits. The labels first album consisting of 18 unissued soul tracks from the 70’s & 80’s featuring formely formerly and highly collectable SDE 45’s and 5 formerly unreleased tracks from the likes of Buddy Hankerson, Dennis Coffey and groups who never made a single release like Mother Braintree and Between the Two

Multi artist comp with one side dedicated to disco floor heat from Osmose & The Silver Rider, and the other offering a midtempo bouncy number from JP Source & a sultry obscure edit from Hristo. Hand stamped chipboard jackets.

More secret edit weapons from the vaults of DJs like Manfredas, Iñigo Vontier, Simple Symmetry, Dreems and Thomas Von Party, aka the Multi Culti Family. New wave Latino body music, peak power extended space disco and wiggly electro funk combine for definitive dance floor approval and chin-stroking trainspottery.

Five more CULT battle weapons, for all tribal, Rastafarian, and shawarmanic purposes. Multi cultural bangers.

Delicate Wash is back with its third offering of classy edits built for the most discerning of dance floors. It delves deeper into the cosmic cosmos, and unveils more of the lesser known, but brightly shining disco stars you've come to expect.

It's time for another GAMM battle weapon, only the third one since we dropped the first one back in 2004. This time Ukokos and keyboard wizard Jabco lay down some Dilla(ish) hip hop beats and piano action over that incredible live video clip that went viral with Kanye Wests Sunday Service band doing a combined live gospel/soul cover of Keep Rising To The Top and All Night long. A serious battle weapon for any soulful head.

Volume 8 of our ongoing Luv N’Haight Edit Series is our biggest one yet! Featuring another helping of Kon with co-headliner Ohmega Watts, taking turns remixing and reimagining another Twilight classic. Supplied with the original stems culled from master tapes provided by Twilight’s own Lawrence Ross, Kon’s remix transforms the original into a mid-tempo boogie-house jam. The deep, minimal intro gives way to a swinging groove with the chorus interspersed in perfectly to sync with the tune. Also included is a dub version that’s a bit more stripped down giving the groove a bit more room to stretch out. Ohmega Watts’ title for his remix is apropos as it’s the type of song to get a house party jumping. With a classic 4 on the floor house beat accompanied by a groovy driving bassline, it’s definitely guaranteed to shake your hips and move your feet!

A bona fide genius from the formative 12" remix era of NYC's Disco explosion opens up his secret vault. These are previously unreleased versions of classic cuts from one of the pioneers.

The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Buy now... be the 3rd person to play it...

Texan / Mexican neighbours, the Silver Rider and the Funk District hold hands in disco diplomacy that will break down any wall. What a time to be alive: 20 years ago, these would have been buried on the b-side, but in 2019 they rock down the house of the largest of clubs.

You know the drill, strictly multis remixes from the original tapes, combining creativity and functionality for maximum dance floor impact.

The sixth edition of the Pleasure of Love edit series features the Toronto based Patchouli Brothers (GAMM, Basic Fingers, Barefoot Beats, Tugboat). The duo have a long running disco & house party called Beam Me Up and have a proven track record of slicing up and distilling rare, underappreciated cuts into peak time dance floor gems.
The A1 is a raw, driving Côte d'Ivoire disco revision with excellent celebratory vocal loops and synth leads. Next up is a smooth italo, tip-tap, jam re-edited to perfection, highlighting the sophisticated horn and lead synth interplay.
On the flip is a rubbery synth bass led soca jam that will set off just about any party with its catchy vocals and tension/release re-arrangement. And rounding out the release is a dutch disco call and response re-edit detailing a common thread in the dancer-DJ relationship. Dance floor tested and approved!

The second EP in The Patchouli Brothers two part release on GAMM begins with 'Fuqua & James', an uplifting, warm and soulful disco jam that aims straight for the heart of any soulful disco head. The B side 'Peace, Love & Understanding' is for all the Philly fans out there...just straight-up good disco music.

In the world of disco edits The Patchouli Brothers are as in demand as you can possibly be right now. Their edits and reworks are played and hyped by all the major players in the game and now they got a two-part release on GAMM.

Officially licensed, expertly executed and respectful re-edit of one of Sylvester’s most loved disco anthems, ‘You Make Me Feel Mighty Real’, from the maestro Michael Gray. Set to storm festivals, clubs, radiowaves, you name it – it’s a summer soundtrack if there ever was one!

Returning to a brief but very fruitful period in electronic music production, Shelved Recordings exists to look back to the golden age of the remix, with a clear view of the future it imagined.

Returning to a brief but very fruitful period in electronic music production, Shelved Recordings exists to look back to the golden age of the remix, with a clear view of the future it imagined.

Norwegian Demi-god, Rulefinn is back. On his semi-annual trips to Florida, he snagged a number of gems while digging with WD label honcho, Sleazy McQueen.
Three of these songs have been distilled to pure boogie essence for the Fedora Files.

Like a phoenix, Montreal’s disco godfather, Robert Ouimet is back with the same vim and vigor as when was tapped by Gino Soccio for album consulting or when he remixed Francine McGee’s delirium in 1977. But, here he presents 4 songs from his deep archive, edited to ‘hands-up’ glory for today’s audience.

From the people who brought you Disques Sinthomme and Ghost Town comes a new imprint LESDK. Bringing back that NYC Lower East Side grime, LESDK will feature edits as well as new work from Dennis Kane and his circle of proper low-lifes. Ghost Town and Disques Sinthomme featured contributions from Brennan Green, Richard Sen, The Beat Broker, Bicep, Jose Manuel, and Cosmic Metal Mother, as well as edit monsters like Jeff 'The Drunk' Overton and Cazbee. Kane will be helming this label, curating work and providing his own productions and remixes.

Prolific Spanish producer Rayko brings you four slices of synth-tastic nu-disco with a prog twist here. The title track is a lazy, hazy affair in which untold layers of analogue sound oscillate their way in and out of the picture. "Drive" sees him join forces with fellow Spaniard Landerground to deliver a wonderfully fluid, fluttering chunk of synth-heavy Balearica. The title is clearly a nod towards the famous movie of the same name, and many of the electronic sounds are reminiscent of the film's legendary soundtrack 'Autopower' is a tad funkier in feel and, with its sense of repressed energy, would make a great building track.
But for some truly out-there thrills, head for 'Oopart', a guitar-led affair that comes on like Ripperton jamming with space rock diehards Ozric Tentacles.

Brazilian DJ and producer Rafael Cancian delivers a veritable United Nations of diverse international disco flavor for his first outing on Razor-N-Tape.
The A side delivers cheeky horns and gyrating synths with Ç'est La Douceur, followed by a flurry of string stabs and vocal fourishes with theI Italo-tinged Fascino Di Milano. On the flip we get a taste of Rafa’s native Brasilian boogie with the stomping Frágil, and the EP winds down with the sensual slow groover Besos Libres.
This is a 4-tracker of serious heat representing all four romance languages…perfect for romancing, and dancing!

Brothers from across the pond, Pontchartrain and ThatManMonkz, join forces to split a butter smooth ep of edits. Don’t mistake the smoothness for mellow vibes, these are custom made to fill the floor.

Ok, this one is different from the usual standard of re-edits releases on GAMM. Swedish duo Pomona Dream from Gothenburg is no re-edit outfit but an official artist.

Back in 2009 My Rules label owner Justin Van Der Volgen released a mix cd done completely with his own edits titled Try To Find Me Vol 2. The mix was received incredibly well and had fans scrambling for years to try and spot the track list. It earned a 4.5 review on Resident Advisor, and had a certain rather known and respected DJ opening their sets with it.

Reissue of this sought after Bastedos double header, serving up two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him, to 'join his party'. If you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along, dancing tune versioned from the vaults of Moby Dick.

Bastedos returns hosting two disco objects lovingly versioned by Nad. One side features the vocal talents of a mystery man with low riding balls imploring those gathered to hear him to 'join his party'...if you look at his backside, so to speak, you will head off down to sunny rainbow filled Castro for a happy sing along and dancing tune versioned from vaults of Moby Dick.

Razor-N-Tape welcome hometown hero Danny Krivit into their stable of editors with a 2-track EP that sources a pair of vibes from the catalog of the ubiquitous "Q."
"Stuff" begins with a mysteriously looped and reverbed-out saxophone sample, building perfectly toward an eventual explosion of soulful horn stabs and vocals over a percolating rhythm section, in classic Q style.
"The Story" tells a mellower yet mesmerizing tale, with its lush string arrangement and artful groove, perfect for those early warmups or late-night comedowns. A true living legend of NYC's rich DJ history, Danny dug deep into his personal cache of edit weapons for this very special record. Absolutely essential!

Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

“Prove Your Love” by Misunami & First Touch returns to the Neon Finger catalogue in a brand new 12″, including the original versions (vocal and instrumental) plus two new mixes by the enormous Nick Wisdom (1/2 Potatohead People) and the huge Bamboozle aka Eli Soul Clap. After the big success of the track years ago, being played by some of the biggest selectors in the world… This future classic boogie disco track is available again with two new astonishing remixes that will burst into flames any dancefloor. Don’t miss it!

The first in a new collaborative series between Theo Parrish & Prime Direct Distribution unearthing some of Theo’s most sought-after edits, backed with the fully licensed original, both remastered and cut loud on either side of a 12 inch. Kicking things off we have one of Theo’s most treasured cuts, his ‘Ugly Edit’ of Made In USA - Never Gonna Let You Go, bootlegged endlessly in the past and racking up prices of up to £144 on Discogs it’s a high time an official reissue came around.
As iconic an edit as they get, ‘Never Gonna Let You Go’ encompasses everything great about Theo’s energy behind the decks - extending grooves for longer than anyone else even dare, working the EQ’s like a god and throwing in a bit of that raw magic that only he knows how. Taking the original’s sumptuous breakdown, Theo works it into a spirited, high energy disco workout looped into a near 10-minute stomper, big on the bass and brass fire whilst leaving the vocals at the door.
On the B side the original ’77 Made In USA version is laid out in all it’s glory. Funk powered, horn-laden disco goodness with breath-taking vocals from the Stateside troupe.

One the true kings of obscure dancefloor records, Loud-E, fires three raunchy disco edits out the Discos Capablanca cannon... watch how these land...BOMBS! BIG TIP!

The Late Nite Tuff Guy returns with the 8th release in his #Tuff Cut Series with another 4 killer cuts....

Another 2 killer cuts are given the LNTG treatment........

Tuff Cuts returns with the mighty Late Night Tuff Guy, fresh from his European Tour. LNTG has been busy creating another 2 monster reworks. Hand stamped limited edition 12 inch.

#3 in the LNTG series see's another 3 killer cuts given the LNTG treatment!

#2 in the new series from Australian edit maestro LNTG: Nobody is an epic rework of the Chaka Khan classic whilst 'Reality' blends Chic with Soul II Soul for dancefloor devastation.

We are proud to present Tuff Cut from LNTG hailing from Australia he has taken the edit's world by storm with his tasty reworks of classic tracks from across all genre's adding his own special touch to each production. The first EP see's a selection of reworks hand picked by the man himself as a fitting start to the series. Pressed on 12 inch Vinyl with a hand stamped label and in a white card sleeve with paper inner. The first of many from LNTG.

Danny Krivit is currently known as one of the music community’s greatest purveyors of top quality disco & house as he continues to perform regularly before sold-out audiences around the world. With his unique ear for what works on the dancefloor he has also become known as “King of the Re-edit.”
Danny has a deep connection to Kim English’s “It Makes A Difference” release on Nervous Records from 2006. Krivit worked with writer Kyle Smith on the remixes that originally made this tune an anthem at his 718 Sessions parties as well as one of the highlights of club nights from Tokyo to New York to London that appreciate quality soulful house. The B-side is Danny’s re-edit of one of the most famed dubs from the Nervous catalogue
as well as for the producers Mood II Swing. Upon its release in 1993 this dub emerged as one of the defining sounds of summer 1993 at Ministry Of Sound which had just recently opened the year before. The “rushing rushing rushing” hook is well knownby golden era of house afficianados around the world and he does an amazing job bringing this essential hook.

The mysterious Kayroy appears on his second Whiskey Disco record bringing the heat by way of sampladelic dancefloor collages packed with funk and a slight left-of-center aesthetic. 'Like Damn!' and the titular, 'Pavlova Casanova', are both hands-up, disco gaiety that will rip the heart of your chest. 'Sandy Shackles' closes out the EP conjuring the disco dub vibes of editors like Idjut Boys or Ray Mang. Just who is Kayroy – and who was he on his first Whiskey Disco appearance?

New Zealand based crate digger Frank Booker invites good friend Julien Dyne to drop the second release on his new imprint Down In the Basement.
JD picks up where The Man Called Booker left off on Vol 1 and gets straight up to speed cutting up rare boogie, disco and Afro jams and employing his trademark raw cuts in an old school style, while lacing oodles of FX 'n stuff into the mix.

The overall sound is reminiscent of the early Idjut Boys material, which is so close to Mr Booker's heart.

Joe Cleen is back on SBEDITZ after his first outing smashed dancefloors worldwide. Dare we say this EP is even better than the first?!
Four Disco bombs blurring the lines between edits and full blown reworks. Nobody does it like Joe.

Ilija Rudman adds his outstanding touch to these two Classics - reworking and editing a pair of pearls on either side of a 7”. Favourites of many in their original form, ‘Classics – Versions EP’ sees Rudman strip down the arrangements paying special attention to the essence of the vibe.
A new lease of life injected into the grooves, just like those versions were done in the studio way back when - as special B-sides for special moments.

The wondrous rarity that is Hipnotic ‘Are You Lonely’ gets the rework treatment form four masters of the re-edit, each with their own trademark sound.
First up to the operating table, Opolopo increases the tempo edging up to the 118-mark adding a characteristic juiced up bass synth that oozes smoothness and swapping the flute melodies with cosmic synth lines that sparkle in the darkness.
Greg Wilson & Che Wilson tackle edit duties next in classic Wilson style. Again, opting to move into peak-time tempo territory, they begin with a stripped back, spacey intro that sees elements added one by one from a bumping bass and panning pads to rough snares and crisp claps. It wouldn’t be a Wilson edit without a double dose of tape delay, the duo dropping the vocals and synth lines expertly in and out for maximum dancefloor flavour.
Back down to the original pace on the B side, The Revenge offers up a slick, late-night redub treat. Only a handful of components are involved as he chops and changes the bass and synth lines to provide a mesmerizingly chuggy groove whilst dropping in choice vocal echoes that makes Hipnotic, even more hypnotic. Last up, Yam Who brings those strutting guitars further forward in the mix whilst adding some delicate piano touches that offer an elegant enhancement to the original.
Four new interpretations of a much loved and sought-after funk fuelled, boogie gem.

Harlem's legendary Disco label Queen Constance has long been a cult favourite among fans of underground dance music for decades. One of many labels operating under the equally legendary P&P family of imprints Queen Constance was operated by one Peter Brown, a truly colossal figure in NYC's music scene, its catalogue still fascinates music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds it way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco CLASSIC!

The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.
Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.
Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.

Marcel Vogel aka Em Yee joins the RNT roster with a 4-pack of unsurprisingly heavy edits. The Lumberjacks In Hell label boss takes us on a little trip through one of his own eclectic sets, starting with the oddball boogie of You Move Me and then moving on to the hands-in-the-air positivity of Spreading Energy.
On the flip it’s the up-tempo afro burner 'Don’t Be Sabi Say', with the 12” concluding on the whimsically catchy 'I Wish I Knew The Words'. Tried and tested and found true!

The boys from Munich are back on RNT with a 4-tracker of serious flavor! 'Express Lane' launches the 12” on the disco highway for a wild ride of cheeky vocals, horn stabs, and vocoded synths, then veers south for some North-African New Wave with 'Libyan Sun'.
The B side kicks off with the Afro-disco monster 'Don’t Oho', already a staple in RNT sets and then finishes with the minimalist electro-soul bounce of 'Emergency Loop'. Sure-shots, the lot of 'em!

Masterworks Music rolls into town once again, this time with France’s very own Chevals firmly in the saddle. Four peak time disco edits of tried and tested dancefloor anthems, ready and raring to be unleashed.

My Rules records is back with their first release of 2019 - the highly sought after cosmic disco bomb Movin' by Belgian group Candy Darling & The Viscounts.

JFR 002 is a Funk the best class, groove and atomic impact bass, horn sections and incredible vocals, a song that makes us faithfully relive the mood of the 70s. On B side takes the Soul direction, in any case another pearl made by Black Fire. Don't miss it.

Amazing debut for Jungle Fantasy Records, very interesting label proposing the excellent Rare Funk in Re-Edits key. The first evident rhythmic element is a sample of "Do it 'Til you're Satisfied" by B.T. Express, while synth and vocal develop "Curtis Forever" that we find on the A side. "Soul Echo" complete the 7"inch maintaining a classic Black downtempo feeling. Go to dancefloor!!!

Bitter End continue to rip up the rule book with a genre defying output that's still far better than the rest.

Belpaese set their sights for the stratosphere with this double header of exotic delights for your aural pleasure. Strap in for another certified dose of disco – exotica – balearic - Italo-funk for the demanding digger!
Straight Outta Belpaese!

Belpaese's exotic airways is ready and waiting once again! Globe-trotting treats from lands far away, unearthed and rejuvenated for a whole new audience.
Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!

Straight Outta…Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits. Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger… be quick - these edit EP’s are snap up on sight business!

BEATCONDUCTOR reworks this Balearic Yugotrack with a sublime guitar hook. Gorgeous Yugoslavian jazz for the crate diggers and late night deejay sets on Ibiza! Hand stamped 1-sided 12". Limited. Nu-disco/Balearic fans don't sleep on this one.

Local Talk ends 2019 with something special, a release by Antony Nicholson & Mark de Clive-Lowe.

Repressed. AL & Tone dropped this back in 2015. The "praise" side features "mad Dash", a groovin' gospel tune with a funky bassline and sweet horn riffs, plus the spaced out "MY Soul". The "rejoice" side has the killer cut "U", a sweet modern soul jam along with "worship" a sick lo-fi cut