Disco Edits Vinyl 439 Items

Disco Bits are back with another party time 45. Cannon & Mirrorball are in the edit suite once again re-touching and consensually grappling with funky old 70's grooves and late nite club accapellas to bring you the heat that your record box has been needing. Ain't no party like a Cannon & Mirrorball party, y'all. Get 'em while you can.

Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!

Hello Sailor Recordings is back with its first (and last) release of 2020, this time with another excellent addition to the beloved 7" series. The chaotic sounds and lyrics of 'Sera que eu to Pirada' originally released in 1995 by short lived band Silvanna & A Maquina do Tempo, feels current amidst the challenging times we face and it's accompanied by 'Vem Viver Pra Mim' on the flip side. Both songs were elegantly edited by Sao Paulo mystery producer Hotaru for this Brazilian holy grail of early electro and proto-house

Robot84 and Juno Records present Promo Vol. 3 featuring 'Make Me Feel Good'. This 4 track EP follows the success of Promo Vol. 2, which received praise from DJs around the world, and reached number 1 in the Juno Records' House & Balearic/Downbeat Best Seller charts. The aforementioned track 'Make Me Feel Good' has already achieved airtime on BBC Radio 1 from the mighty Annie Mac, Gerd Janson, Danny Howard and Arielle Free, Nemone Metaxas (bbc Radio 6) featured 'Futuro Disko' on her show, The Black Madonna played 'Futuro Disko'on her We still Believe Radio Show. . With further plays and support by some of the most credible disco/house DJs around like DJ Harvey, Artwork, HiFi Sean, Horse Meat Disco, Roger Sanchez, Tom Findlay (Groove Armada), Alex Virgo, Mighty Mouse, Kelvin Andrews(Wonk) , Gene Hunt(Chicago), Mousse T, Boris Dlugosch, Heidi Lawden, DJ Alfredo, DJ Harri Sub Club) plus many more, Vol. 3 looks set to make its mark! The latest in Robot84's vinyl series, which demonstrates the producer's range of musical tastes and influences. From the lead track, a big room, disco house anthem and its cool instrumental version, to the more Italo Disco inspired 'Futuro Disko'. Both tracks have a familiar feeling that supporters of Robot84 Promo Vol. 1 & 2 will adore. Closing out the package is the dubbed-out-to-the max 'Ago (Dub Mix)'

Los Angeleno and all around swell guy Dino Soccio has been building his rep as a premier selector and editor with his own Pleasure of Love edits series, and now joins the RNT ranks with an EP of rarified rework gold. The record kicks off with the meteoric energy of 'Star Beaming', a rolling interstellar disco stomper, then lays back with the low-slung 'Fred’s Groove' and jazzy balearic groove of 'Laid Back', finishing off with the bouncey early-'80s boogie feel of 'Forgot'. All dusty digger’s delights, simonized and edited to perfection for maximum vibes!

Hot on the heels of their precursory release, Tropical Disco Records make a bold return, this time being the first outing to not include label head honchos, Moodena and Sartorial. The opener from Javi Frias is an effortlessly enchanting elision. 'Push me' pairs bolshy drums and brass, with an infectious vocal line, sure to demand any dancefloors immediate attention. Frias' is the booker and resident DJ for Madrid's infamous disco and boogie hub, Discotizer, and his ear for producing unrestrained party bombs clearly echoes this.

We’re back! Escondido Freakness “Brian Ellis” brings us this amazing Maxi with versions of two classics: Egyptian Lover’s anthem “Freak-A-Holic” on side one and “Never Gonna Give You Up” on side two

Over the course of just two and half years, Tropical Disco Records now reach their 17th release. They have remained utterly consistent, producing statements of a timeless and moving calibre. Moodena kicks off the EP with 'Jezebel', which keeping to its namesake, launches with floozy whistles and punchy, strutting drums. The initial drop lets loose a trumpet and plinking strings naughty enough, yet second time round hydraulic screeches and further brass send the mood through the roof, recalling golden era hip hop, funk and peak Oliver $. It's a powerful opener, no doubt ready to slay any dancefloor it encounters. Sartorial's 'Night Shade' has a haughtily proud, head-high body groove. Chimes shimmer amongst divine sax workouts and subtle keys. The live elements really come alive, sure to allure dancers at any point in the night. Dubai based Strictly Rhythm and Mn2s Recordings affiliate Conan Liquid shares his debut for TD with 'Gotta Scratch'. The bass is what sets the track apart; deep and righteous, effortlessly joined by a whirl of bold synth leads, tribal drums and playful piano dabs. To close the EP is another label debutant hailing from Russia, Igor Gonya. 'Caprice Mood' is a meaningful finisher, late 80's esque vocals elevate all surrounding elements, perfectly succinct strums and rolling bass, evoking an uplifting essence of reassurance and bliss in a troubled time.

A selection of the most iconic tracks emanating from the unique and magic poolside of Pikes Hotel (Ibiza), reworked, retouched and edited for maximum aural pleasure. Jazz N Palms is the brand commissioned to warm up the monthly exclusive Ronnie Scott's (London) jazz concerts. Jazz music fused with latin, funk, rock and international sounds, to be enjoyed under the palms and sun of the Mediterranean sea.

Some of LUXXURY’s most popular floor fillers on wax for the first time in this new limited series.
“Uh Huh” hearkens back to a Beautiful Time, ripping off and improving upon a Silver Convention-esque bassline. “Da Ya” is a deep cut Eastern European cover of a sleazy pop disco classic. “Petula” is LUXXURY’s most popular rework to date after DJ Harvey gave it an auspicious premiere in his Milan Boiler Room set.

The PPF are now back in full voice it seems. It's been 15 years since their beautifully packaged series of EP's found their way into the world's best record crates. And after two recent & very well received releases on Hot Peas 'N Butter, we get four more certified floor-fillers from the vaults. Constructed as club-ready reworks for their own sets, this pin sharp selection appears here as a one-off limited vinyl release.

Hot’n’Spicy label is back with even more hedonism in the fourth edition.Quality Slow-Disco Soul, Indonesian groove delights and Hedonist Jazz-funk reworks is what you can expect from Hot'n'Spicy VOL4. In this new edition, you can enjoy a Slow Disco-Soul monster with ‘Old Fashion’. On A2, a romantic 70ies pop Indo cut with ‘Caresse Indonesienne’ . On B1, a genuine US Disco spicy banger with ‘Black Mamba’ and on B2, the perfect emotional Synth-Jazz closing track with « You & Me ».As always, a tasty piece for diggers and djs by HoldTight.

Born out of a desire to share a selection of personal DJ focused, dancefloor edits, that have been exclusively test run and hammered by DJ Harvey and Lovebirds for the past few months, SIRS kicks off this new label offshoot with four, slick, sweltering and powerful reworks that ooze class.
Secret weapons of the highest order, each edit reimagines it’s original from the mind of the DJ – anticipating the moves of the club and harnessing the power that deft touches, reshaped structures and expressive effects can make to the force and energy of a record.
As appropriate soundtracking the crescendo of a club night, as they would be scoring the backdrop to a hazy sunset these edits are a must have in any DJs record bag.

BEATCONDUCTOR reworks this Balearic Yugotrack with a sublime guitar hook. Gorgeous Yugoslavian jazz for the crate diggers and late night deejay sets on Ibiza! Hand stamped 1-sided 12". Limited. Nu-disco/Balearic fans don't sleep on this one.

Like a phoenix, Montreal’s disco godfather, Robert Ouimet is back with the same vim and vigor as when was tapped by Gino Soccio for album consulting or when he remixed Francine McGee’s delirium in 1977. But, here he presents 4 songs from his deep archive, edited to ‘hands-up’ glory for today’s audience.

Tropical Disco Records return with another sizzling four-tracker, tackling deeper, more soulfully sustained tracks which still cipher the same party-centric impact consistent across every release.
Moodeena’s ‘The Chase’ is a fireball of an opener, showcasing a tantalizing flurry of teasing brass and uninhibited guitar strokes, cooly climaxing, sending shocks of piloerections to every corner of your body.
Next up label co-founder Sartorial on a slightly slowed, yet typical love flex with ‘Addicted To You’. It oozes high romantic interfusings of heady beats and a fantastically reinvented vocal. It’s an ode to that golden moment in mood music paired with midsummer sun, certainly one of his best works to date.
Tropical Disco debutant Chevals offers up a delectable deep house symphony with ‘Saturn’, a lush suite of hazy chords, boogie vamps and shuffling percussion.
Gledd & The Funk District’s ‘Late At Midnight’ closes of the record in fine style, looped swells and vintage stabs, laying a dexterous foundation for the full-frontal, fanatical vocal to follow. It appears the label are showing off using this tyrannic tool as the EPs send off, making you nostalgic about a night never experienced and stomping another firm footprint in contemporary disco’s orbit.

You know the drill, strictly multis remixes from the original tapes, combining creativity and functionality for maximum dance floor impact.

The mysterious Kayroy returns to Whiskey Disco for his second EP of 2019. Fans of his first EP will find more of the same, a raw, pastiche of samples glued together into a package of hands-up disco fire.
Rosella rolls along with a natural tendency to groove underpinned by trippy effects and classic piano and vocal riffs. You’re the Reason Why, lowers the tempo and amps up the vibes.
The B-Side is a sped-up departure from previous Kayroy fare, but sounds just as natural. Silk & Satin seems like the type of track one might hear in nearly any Harvey set, while One Night in Prague raised the tempo and will have your pulse racing with its relentless bass.

London based Prescription Pricing Authority returns to GAMM with another 7" monster. With heavy doses of soul, funk and jazz infected disco this beautifully designed release delivers on both sides.

Texan / Mexican neighbours, the Silver Rider and the Funk District hold hands in disco diplomacy that will break down any wall. What a time to be alive: 20 years ago, these would have been buried on the b-side, but in 2019 they rock down the house of the largest of clubs.

The wondrous rarity that is Hipnotic ‘Are You Lonely’ gets the rework treatment form four masters of the re-edit, each with their own trademark sound.
First up to the operating table, Opolopo increases the tempo edging up to the 118-mark adding a characteristic juiced up bass synth that oozes smoothness and swapping the flute melodies with cosmic synth lines that sparkle in the darkness.
Greg Wilson & Che Wilson tackle edit duties next in classic Wilson style. Again, opting to move into peak-time tempo territory, they begin with a stripped back, spacey intro that sees elements added one by one from a bumping bass and panning pads to rough snares and crisp claps. It wouldn’t be a Wilson edit without a double dose of tape delay, the duo dropping the vocals and synth lines expertly in and out for maximum dancefloor flavour.
Back down to the original pace on the B side, The Revenge offers up a slick, late-night redub treat. Only a handful of components are involved as he chops and changes the bass and synth lines to provide a mesmerizingly chuggy groove whilst dropping in choice vocal echoes that makes Hipnotic, even more hypnotic. Last up, Yam Who brings those strutting guitars further forward in the mix whilst adding some delicate piano touches that offer an elegant enhancement to the original.
Four new interpretations of a much loved and sought-after funk fuelled, boogie gem.

Prolific Spanish producer Rayko brings you four slices of synth-tastic nu-disco with a prog twist here. The title track is a lazy, hazy affair in which untold layers of analogue sound oscillate their way in and out of the picture. "Drive" sees him join forces with fellow Spaniard Landerground to deliver a wonderfully fluid, fluttering chunk of synth-heavy Balearica. The title is clearly a nod towards the famous movie of the same name, and many of the electronic sounds are reminiscent of the film's legendary soundtrack 'Autopower' is a tad funkier in feel and, with its sense of repressed energy, would make a great building track.
But for some truly out-there thrills, head for 'Oopart', a guitar-led affair that comes on like Ripperton jamming with space rock diehards Ozric Tentacles.

Straight Outta…Belpaese, a label fast becoming a go-to for those curiously catchy, exotic edits. Maxing out that luggage allowance with Latin, Disco and Italo-funk rarities for the demanding digger… be quick - these edit EP’s are snap up on sight business!

For the third release on new LA based Pleasure of Love, Dublin’s Mix & Fairbanks deliver tasteful reinterpretations of italo, african house, and rare 80s disco. The Dublin duo have releases on Orange Tree Edits, 045 Recordings, and Hot Digits but have saved some of their best material yet for this 12 Inch.On the A side, the euphoric Azoto rework is a driving disco romp for 'any time or place,' while 'Purple' patiently builds on a hypnotic bass with rhodes and airy leads before a sweet flight attendant lead take off. The 'Bee Side' kicks off with a carefully crafted reimagination of an 80s african house groove with added analog leads and percussion while 'Forever' fills out the release as a peak time disco banger that’s built on the framework of a certain famously unsung disco genius.

Universal Cave unleash the 10th release in their catalogue with the Universal Cave wizards and dynamic duo Superprince sharing the re-edit duties.

Universal Cave provide the goods for the A Side firing off a percussion heavy, Latin flavoured bomb in 'Lambada' - just wait for those epic fills, sure to whip any crowd into raptures. 'Take Your Time (Universal Cave's 909 Rubdown)' then lays up a hip house vocal flavoured, 909 enhanced 80's bomb.

Flip it over and Superprince take the reigns with 'Your Kind Of Love' - funked up disco goodness, reworked with an extra helping of devilishness. The last slice of gold, 'Hang High' takes the tempo down to
a string swelling, souped up, cosmic swagger.

Two sides, two artists but four entrancing edits to add
to the Universal Cave repertoire.

In the Felbm project, Dutch multi-instrumentalist Eelco Topper steps away from his previous synthesiser-laden sounds as Falco Benz, towards a much looser, simpler and sketch-like approach. Picking up a number of acoustic instruments, he began experimenting with a Tascam 4-track tape recorder and allowed these sketches to flourish.
The result is Tape 1 and Tape 2, a two-part project stretching across fifteen tracks - encompassing fluttering piano melodies, subtle jazz drums, rumba rhythms and soothing ambience. The jazz element links back to Topper’s childhood. “I grew up playing drums, switched to playing piano at sixteen and in the meantime I produced hip-hop beats,” he recalls. “I went to study jazz piano at the Utrecht Conservatory, which I finished with pain and effort… I was interested more in electronic and present-day music.”
This mix of being rooted in traditional jazz composition whilst searching for something more contemporary is the perfect encapsulation of these recordings. Tape 1’s jazz roots are palpable and as things move into Tape 2, it takes on a neo-classical, psychedelic soundscape and cinematic quality.

Originally released back in 2006 Destination Boogie has been one of ZR's most popular and respected compilations. In fact we recently reissued it on vinyl for the first time.
There's a lot of crappy edits out there, we believe these Dr Packer reworks are very worthwhile, well constructed new versions that make the tracks more playable for today's dancefloors whilst retaining their boogie tastic musicality.
Since the album was released the whole edit culture has exploded so we thought it would be a nice idea to get one of the best, Dr Packer, to rework four of the most danceable cuts from the album.
We at ZR HQ think he's done a great job on these........

Timeless mysterious crunchy groove from Formix no. 1

Volume 4 "Sound of the Summer EP " from Tropical Disco Edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor.
Tropical Disco Edits are pleased to present their latest member of the family, Moodena who premieres on the label with his summer groove "Strawberry Jam" a jazzy disco fusion with tinges of George Benson, sure to sweeten up any dance floor. Tropical Disco Edits boss Sartorial comes in with two jazz funk rollers in "Feel It" and "Electric Lane", with both tracks having his signature sound that just makes you wont to shake your booty! Finally, "Got You the Floor" sees Simon Kennedy team up with Sartorial to produce a classic groovin Tropical Disco track - a real favourite with in the Tropical Disco family!

Veteran NYC producer and DFA regular Juan MacLean hops on the RNT wagon for a rolling EP of drum-machine driven grooves for the Reserve sub-imprint. The record starts with the peak-time stomper Fine Time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of Don't Stop For Nothing. Everybody Clap leads off side B with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the EP closes out on the dubbier tip with the eponymous Panic In Fort Greene Park, a synthy and smooth slow burner. All around beautifully produced and eminently playable, Señor Maclean has made himself a most welcome addition to the Razor-N-Tape family with this dynamic EP.

They don’t get much more anthemic than Idris Muhammad’s ‘Could Heaven Ever Be Like This’ and who better to rework it than edit royalty, Late Nite Tuff Guy. Subtle in his touches yet incorporating a more DJ friendly, dancefloor orientated beat and tension building intro which teases elements of this classic before that instantly recognizable bass riff and staccato guitar chords come into play.
That subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in but the soul and feeling of Idris’ music is lovingly maintained by LNTG.
And for the purists out there, the flip houses the original mix so you’ve got two paths to heaven to choose from.