Disco Edits Vinyl 410 Items

The Gallery launch is upon us, and what Art Masterpieces they are!
Causing shock waves across Trafalgar Square at the recent People’s Vote March this ludicrously large, galactic gem finally sees the light of day on 12”, backed with a rapturous disco roof raiser.
The crescendo to a protest and a track that many have been scouring the internet for ever since, ‘Baby Baby Please’ couples a huge ‘70s vocal with a perfectly accompanied stomping ‘80s arp-laden beat to create a record that will light the fire of revolution in even the most indifferent of souls.
Flip it over for a cosmic-tinged, disco powerhouse in the form of ‘True Destiny’. Think glitz, glam and downright unadulterated ecstasy, channelled from disco’s glory days to the modern dancefloor at the drop of a needle.
Like the track, support the movement - donations will be made to the cause.
Early support from… one or two of the best DJs in the world as no other **** has it.
Buy now... be the 3rd person to play it...

The boys from Munich are back on RNT with a 4-tracker of serious flavor! 'Express Lane' launches the 12” on the disco highway for a wild ride of cheeky vocals, horn stabs, and vocoded synths, then veers south for some North-African New Wave with 'Libyan Sun'.
The B side kicks off with the Afro-disco monster 'Don’t Oho', already a staple in RNT sets and then finishes with the minimalist electro-soul bounce of 'Emergency Loop'. Sure-shots, the lot of 'em!

Two stone cold, all time classics, from two undisputed legends, re-edited, extended and repurposed for the modern dancefloor.

Long time house and disco devotee Dave Lee comes through on Z Records once more with a sampler from this years ZR Essentials collection. It features two of his masterful reworks starting with Jamiroquai's 'Little L'. He flips into a funked up cosmic delight with plenty of the original's synth flourishes melodic hooks and orchestration all present and correct but with added slap bass, replayed rhodes and beefy new drums which make this a surefire dancefloor winner pretty much anywhere. On the flip comes Dave Lee's Disco Fantasy mix of Shelia & B Devotion's 1979 hit 'Spacer' which has a more retro disco sound thanks to the masterful original work of Chic. Additional clav, new string parts and solo-ing keys give 'Spacer' the extended DJ mix it never had at the time of original release.

Another summer, another Back To Bahia from the one and only John Beltran! For Volume 3 Beltran flexes his Afro-Brazilian Deep House chops for this brilliant 7”. “Lsaura” kicks off the release on a jazzy boogie tip reminiscent of the Minneapolis funk sound or Ron Trent’s Warm, perfect for discerning dance floors. On the flip is “As The Sunsets”, a gorgeous and emotive composition to take the party to closed-eye-ecstasy. Limited 7” pressing manufactured in Detroit, TIP!

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora

Tasty Recordings are back, serving up a five-track, fun-filled selection of audacious edits for your aural pleasure. Guaranteed smiles for miles business this, reframing five classics like you’ve never heard them before.

8 reworks of rare and unexpected italian disco and funky pop music from the 1970ies. Not the usual electronic Italodisco classics, but here come some more organic sounding band-disco music from the time of 1976 - 82. Positive vibrations and high quality dance pop reworked for today’s advanced dancefloors by Toy Tonics head honcho Kapote and his Italian friends BPlan and Paul Older. Some of these edits already have been released as bandcamp only, but because of extreme demand for vinyl Toy Tonics did this limited edition double vinyl release.

Straight Outta Belpaese, disco - exotica - balearic for the demanding digger.

Now a firm favourite in many a DJ’s record bag, Nigerian disco-boogie king Steve Monite’s hit “Only You” (featured on Soundway’s recent “Doing It In Lagos” compilation), is given a rework by Sofrito’s own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys’ Dan Tyler to take on “Hafi Deo” - a beautiful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.

Essential Item Limited Edition No Re-Press…

Turbotito and Ragz's electrifying Naya Beat label has curated a cultured list of remixers to add their spin to the work of legendary Indian vocalist Asha Puthli. This essential remix album features Yuksek, Maurice Fulton, Psychemagik, Kraak & Smaak, Jitwam, and Turbotito & Ragz. Naya Beat, which translates from Hindi as 'new beat', is focused on uncovering foundational electronic sounds from the subcontinent and South Asian diaspora through reissues, remixes and compilations. It found quick success with its first release, 'Naya Beat Volume 1: South Asian Dance and Electronic Music 1983 - 1992', followed by a rare 1985 Hindi New Wave album by Pinky Ann Rihal and more recently a ground-breaking compilation ‘Awaaz’ uncovering Bollywood electro and leftfield 80s original soundtrack recordings. Hot off their highly sought after EP of Dimitri From Paris’ seminal remixes of Asha Puthli’s iconic track ‘Space Talk’, the label now offers up the first of two full-length releases based around her music. For this LP, Naya Beat tracked down the long mythologised original stems and recordings of Puthli's most seminal albums, including ‘The Devil is Loose’, and working closely with Asha, they have tasked a series of producers inspired by her work to remix her music. Yuksek opens up with a pumping disco remix of 'I Am Song (Sing Me)' awash with uplifting synths and big claps next to the original vocals, which soar to the heavens. The seminal 'Space Talk' is remixed by Maurice Fulton into super steamy and late-night territory. The live drums and jumbled percussion are lit up with soulful chords as Puthli's carefully delivered vocals seduce up top. 'Lies' (Kraak & Smaak Remix) rides on fat-bottomed drums and bass that unfold with a dub swagger beneath a nebulous eco-system of cosmic synths and dramatic vocals. Label heads Turbotito & Ragz flip 'One Night Affair' into a leggy disco celebration with sweeping synths and bright effects, and Psychemagik's 'Right Down Here' is a pulsating mix of dark, snaking bass and drums with deep space ambience and raw hits making for a turbulent and tense atmosphere. Lastly, Jitwam closes out with a smooth disco sound laced with dynamic drums and cruising chords next to another sensuous top line from Asha Puthli. This is a stunning collection of remixes that pay homage to the originals while taking them into new sonic territoryA series of single drops will precede the whole LP; Yuksek (21st July), Maurice Fulton (4th August), Turbotito & Ragz (18th August), Psychemagik (1st September), Kraak & Smaak (15th September), Jitwam + LP (22nd September).

It is time to succumb to the sounds of the Magic Wand label once more and this eighth sonic spell is another one that will leave you happily helpless. It finds the Coyote lads step away from their fine work on Is It Balearic? to cook up two top edits. First up they offer 'Lonely' - a broody, steamy and shimmering tropical Balearic workout and then comes the organic and lazy drums of 'Western Revolution' with an iconic gravelly vocal from Gil Scott Heron. There are folk-tinged Americana sounds on 'Love Home' and laid-back disco licks on the seductive 'Luca' to make this a summer party essential.

New TTJ with special reworks. Essential Item. NO Repress

They don’t get much more anthemic than Idris Muhammad’s ‘Could Heaven Ever Be Like This’ and who better to rework it than edit royalty, Late Nite Tuff Guy. Subtle in his touches yet incorporating a more DJ friendly, dancefloor orientated beat and tension building intro which teases elements of this classic before that instantly recognizable bass riff and staccato guitar chords come into play.
That subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in but the soul and feeling of Idris’ music is lovingly maintained by LNTG.
And for the purists out there, the flip houses the original mix so you’ve got two paths to heaven to choose from.

MN8's mash-up of Nina SIMONE's iconic "black IS THE Color OF MY True Love's Hair" and KHRUANGBIN's "A Hymn" is stunningly beautiful & haunting. MN8 retains the hypnotizing minimalist approach of the originals, while filling empty space with mystery & tension. Single-sided & hand stamped 7".

Respect003 serves up two certified anthems that have blown the roof of many a dancefloor before, re-edited for the modern mind, body and soul.

The return of the mighty Lntg. A double dose of those trademark edits, reloved, reworked and remoulded into two extended and exhilarating mixes in true Lntg style. A must have, as always.

Snips is the founder of Barbershop Records and co founder of Livin Proof, with over 15 years experience as one of Londons most prolific DJs and over 10 years worth of production credits across Hip Hops underground. 2018 has seen Snips emerge as a budding solo artist, fusing the production styles of Hip Hop, House, Soul and Funk in the same fashion as he is known to do behind the turntables.
With his debut album "The Barbershop" making waves on both sides of the Atlantic and his Single "The Product" On Classic Records garnering support from a cross genre selection of heavyweights such as Karizma, Benji B, Eli Escobar, House Shoes, J Rocc, DJ Spinna and Henry Wu, Snips returns on his own label Barbershop Records and delves into Edit territory once again with a second limited 45'. This release delves into some modern soul and jazz, flipping some new age cult classics to club friendly future anthem

Israeli DJ and collector Elado makes his debut on RNT with a pack of impossibly rare edit heat! A relative newcomer to the scene, Elado made some waves recently with a stunning entry on Eddie C’s Red Motorbike, and he’s clearly no novice when it comes to digging as this exceptional pack of tunes shows. With rarefied material ranging from Africa, India and the Mideast, Elado works these 4 tunes with a careful editor’s touch, nipping and tucking only where necessary to let the incredible source selections shine through, but rendered eminently DJ-friendly. Already supported by Antal and many others, this 12” is the first essential add of 2021!

Rediscover classics like never before with our limited edition vinyl, Volume 4 from Frieds 4 Ever. Featuring two expertly crafted edits of well-known tracks, recorded at 45 RPM, this release infuses nostalgia with innovation.

Passion Play by The Sugarhill Gang b/w Who Is She (And What Is She to You) by Madeline | Galaxy Sound Co. — GSC35039, Number 39 delivers 2 sweet soulful remastered edits for all the real heads out there.

Side A’s “Passion Play” by The is taken from the Englewood, NJ disco/R&B/hip-hop band’s self-titled 1980 LP The 3 were assembled into a group by producer Sylvia Robinson, who founded Sugar Hill Records with her husband, record producer Joe Robinson. The song features background vocals of funk/soul band Positive Force. Unlike some of the best songs by The Sugarhill Gang, “Passion Play” failed to make it to the charts. However, its impact on the music scene is immense seeing multiple artists sample it, especially the bassline. Some of the songs that have sampled “Passion Play” include “Devil’s Shoestring” by Metal Fingers, “We Can” by Kerri Chandler, “Lower the Boom” by The Treacherous Three, “We’re Ready” by Dominant Force, “Havin’ Fun” by Large Professor, & “No/Yes” by Queen Latifah.

Side B’s “Who Is She (And What Is She to You)” is taken from Madelaine’s sole 1978 album “Who Is She” (Chi Sound Records – CH-LA863H). It is a soul-jazz cover of the classic Bill Withers track & this version has been sampled and reintroduced to a new audience by a variety of hip hop artists, most notably by Mos Def (“Life Is Real”, 2004) & Timbaland & Justin Timberlake (“Carry Out”, 2009). The track hits with a strong Chicago soul pedigree – thanks to arrangements from Johnny Pate & production from the great Carl Davis. In anyone else's hands Madelaine might sound more like an adult contemporary singer – but Pate's grooves & Davis' polish really swing things into all the right territory – similar to the same sophisticated soul vibe of Carl's own Chi-Soul projects

This round, we get treated to another masterclass in a far ranging deep balearic hypnotic chugging tripped-out ride with 3 cuts of the highest caliber.

For good measure, we hear it's been picked up by some choice selectors already.
Don't sleep. Grabbing doubles are to be recommended.

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Mr. K goes Gospel on the latest seven from Most Excellent Unlimited’s series of collaborations with the master editor. As is often the case, both of these edits are appearing on vinyl, and on 45, for the first time, with all the hallmarks of MEU’s commitment to quality.

A massive favorite with audiences who’ve attended Danny Krivit’s sets around the world, his “Churchapella” edit of Madonna's “Like A Prayer" is finally on wax. One of the singer’s greatest tracks, it has always fascinated with its combination of the sacred and the profane, leaving it up to the listener whether she is referring to a secular or holy love. In Krivit’s hands, focused largely on the undeniably massive sound of the Andre Crouch Choir, the divine nature of the lyrics shine through. Uplifting, moving, even transcendent when presented at the right moments, it’s both an inspiring piece of music and a seriously powerful DJ tool.

“Like A Prayer” is paired on the flip side with a fantastic edit of the Clark Sisters funky, slinky rare groove classic “Ha-Ya (Eternal Life).” Never officially released on 7-inch before, Krivit has taken the loose original recording and given it a steady pulse not by adding post-production elements, but via his experienced hand at building a musical movement that audiences will respond to. A slight tempo change, a bit of careful repetition, and at last connoisseurs of the smaller format vinyl have a definitive version of this powerful song.

A side has Donna Summer acapella over a classy smooth 60s Motown groove. Beyonce is looking crazy in the dancehall on top of a classic Kingston cut on the B side. Stamped 7"!

Siedah Garrett's seminal 1985 classic 'Do You Want It Right Now' receives 3 new incredible remixes from Dr Packer, BluePrint and Jolyon Petch. Dr Packer delivers a truly funk-worthy re-work injecting a barrage of the smoothest soul-laced sonics for an early 90s house meets nu disco cut. Jolyon Petch ramps up the funk with infectious guitar licks and groove-laden bass for his 'Elektrik Disko Mix’.

Love Drop returns with his third EP on Gamm and we dare to say that this is his best one so far. On the A side we're taken on a +10 minute long Lebanese inspired jazz-oriental-disco journey that perfectly blends east and west together...epic shit! On the B, we take a trip to Brazil together with George Duke for a grand brazil-disco jam that has a huge sing-a-long anthem chorus...re-run the summer all year 'round!

This latest limited 7" from Mr. K features two incomparable baroque soul masterworks, one from a Chicago-based band that defied categorization and the other a deep cut from a living legend songwriter and performer.

The psychedelic soul of Rotary Connection’s “I Am the Black Gold of the Sun” still sounds revolutionary and unlike anything else, a full fifty years after it was originally released in 1971. Swathed in ethereal ripples of strings (courtesy the Chicago Symphony Orchestra) innovatively arranged by unsung genius Charles Stepney, and rooted in a rock solid foundation provided by the cream of Chicago’s cutting edge session musicians (among them guitarist Phil Upchurch and drummer Morris Jennings, veterans of countless soul jazz cuts), “Black Gold” sits in uncharted territory somewhere between soul, rock, jazz and classical chamber music. It’s a gorgeous territory, a fantasy land where Minnie Riperton and Sidney Barnes’s vocals transmit mystical, uplifting vibes, the entire affair anchored throughout by an addictive piano riff—a mixture that proved irresistible to Masters at Work, who covered it for their Nuyorican Soul project in 1997. Mr. K’s edit doesn’t try to force anything fancy on this masterpiece, simply tightening it up and taking advantage of the lush remastering to present this progressive classic on 45 for the first time.

In keeping with the orchestral soul mood, Mr. K turns to Stevie Wonder’s “Pastime Paradise” for the flip. Whereas “Black Gold” paints a portrait of a magical land, Stevie’s lyrics on “Pastime Paradise,” originally issued in 1976, are a penetrating look at the very earthbound concerns of modern society and its follies, an urgent message to look ahead rather than languish in dreams of the past. The sensitive string accompaniment provides just the right amount of gravitas and emphasis to Stevie’s voice without overwhelming it, while the hare krishna-inspired tambourine keeps the rhythm effectively. Mr. K’s edit again keeps things true to the original, simply providing a subtle intro that uses the tambourine rhythm to lead into the body of the song.

Four smoking hot disco tunes picked by Mr. Fonk and reworked by our veteran edit producer and KitKat resident Billy Idle. Sounding like the mid 70s and early 80s, these tracks have all been tested thoroughly on our Disco Bizarre floor to maximum effect. No fillers, just thrillers!

Straight Outta Belpaese, MORE disco – exotica – balearic - Italo-funk for the demanding digger!!!

Having returned from a 4-year break in August with its latest release from GW & Henry, A&R Edits follows up with a debut for Moplen. With a recent remix of Frankie Knuckles ft. Jamie Principle and a Salsoul Reworks EP, Luca Moplen has been gaining new traction of late, so it felt fitting to release two of his evergreen edits on vinyl for the first time. Moplen’s edit of Tavares’ classic disco stomper ‘It Only Takes A Minute’ coupled with Greg Wilson’s edit of Moplen’s edit of Larry Levan’s mix of David Joseph’s ‘You Can’t Hide (Your Love From Me)’, if you can follow all that!
An all brother group hailing from Providence, Rhode Island, Tavares were a band that evolved with the disco sound, hitting their peak in 1976 when both ‘Heaven Must Be Missing An Angel’ and ‘Don’t Take Away The Music’ became huge club favourites. They scored their first R&B #1 in ‘1974 with a cover of Hall & Oates ‘She’s Gone’ and in 1975 they returned to the top of the R&B chart whilst going top 10 pop and scoring a #2 Disco hit with ‘It Only Takes A Minute’. In 1992 a cover by boy band Take That would gift them their first top 10 entry, many people unaware that this track had first been recorded 17 years earlier.
Rising to prominence in Brit-funk band Hi-Tension, David Joseph soon found his footing as a solo artist after they’d split, with his first release being ‘You Can’t Hide (Your Love From Me)’ in February 1983. That same month, Greg Wilson appeared on The Tube, mixing between two copies of this very record – the first time mixing had been demonstrated on British TV. It would subsequently enter the UK chart, climbing into the top 20. The track would then be remixed by legendary Paradise Garage DJ Larry Levan, resulting in a #2 placing on the Billboard Dance chart. Upon hearing Moplen’s extended dub edit, Greg worked further into it reintroducing the song – given his history with the track it was unthinkable that he’d play it without the vocal. The result is a unique version where Moplen’s dub sets the vibe during the first half of the edit before the song is finally introduced.

The vinyl-only DJ-oriented A&R Edits makes a return with a new 12” EP ‘Disco Mondo’ / ‘In The City’. Following releases from Henry Greenwood, Derek Kaye, Sophie Lloyd, Fingerman, Peza and Twisted Soul Collective between 2013-15, the label stayed on the backburner for four years as other projects took precedent. Now re-emerging with the tenth vinyl release in the series, combining the GW & Henry reworks of El Coco’s smooth grooving esoteric disco cut ‘Mondo Disco’ and Marshall Hain’s brooding Balearic treasure ‘Dancing In The City’.
Courtesy of the influential Rinder & Lewis production team, ‘Mondo Disco’, originally issued in 1975, became a firm favourite with underground DJs and disco lovers, this playful yet purposeful rework boosts the track’s drive with an eye on the contemporary dancefloor.
Marshall Hain’s hazy/lazy ‘Dancing In The City’, a much-loved memento of the summer of 1978, was a huge UK hit, reaching #3 on the singles chart. Offering a perfect soundtrack to sun-kissed beaches and blissed-out festivals, this rework breaths a new lease of life into this sonic delight.