Disco Edits Vinyl 371 Items

Cccp Edits, the vanguard of experimental music, unveils its latest sonic odyssey with the release of a mesmerizing vinyl EP. Immerse yourself in a world of unparalleled soundscapes, where every groove tells a story and every beat pulses with innovation. Limited edition. Order yours now!

"Fabulous Acid Edits Crafted by the Floorfillers. One Side With Vocals, the Other an Instrumental Journey, Delivering the Essence of a Timeless Hit That's Sure to Make You Groove."...

Light Touches Records is devoted to shed new lights on hot rarities, unknown grooves as well as forgotten classics. 2024 welcomes the new 12” on the label with 4 hot and rare gospel disco/funk tunes to uplift your sets and throw people’s hands in the air!

“The Top” is an uplifting and relentless disco roller for incendiary peak times, “Hear my prey” suits the openings with its midtempo funky groove. On the flipside, “Lil Longer” gets deeper and moodier for the most demanding djs out there while “Giving It Up” rounds things up with its lovely boogie vibes.

All tracks have been carefully edited by Andrea Passenger without overdubs, in order to bring the spirit of classic disco manipulators to today’s dancefloors! 12” limited to 300 copies (no digital).

Our favorite São Paulo DJ is Rafael Cancian, long-time friend of MotorCity Wine, About Disco label boss, Mareh resident, and all-around good guy. The first time he played MotorCity Wine everyone was asking how a Brazilian DJ could sound so much like he's from Detroit!

So at long last Rafa steps up with 2 brilliant edits on Hot Pot. "Heaven" takes up the A-side, a cosmic disco groover for midtempo dance floor ecstasy. Over to the B-side, "Nigeriac" is a syncopated Afro Funk Rock joint for those rare groove moments. Cut loud and hi-fi to 12", don't sleep.

Mr. K’s series of edits on Most Excellent Unlimited is nothing if not eclectic, and utilitarian — as befits a veteran DJ of Danny Krivit’s stature. For our latest, Krivit pulls two disparate gems out of his bag of tricks and fits them neatly on a single 7-inch piece of vinyl.

In 1972 Ralph Bakshi’s landmark underground animated film Fritz the Cat was released, featuring a soundtrack performed by an all-star cast of San Francisco area musicians associated with the Berkeley-based Fantasy label. Perhaps Fantasy’s biggest artist was the vibes player Cal Tjader, who debuted in 1955 and was still going strong when songs were gathered for the movie’s soundtrack nearly twenty years later. Rather than simply using one of his older, already-recorded tunes, Tjader laid down a completely new version of his earlier hit record “Mamblues.” This time however, he swapped his standard latin percussion accompaniment for a can’t-miss rhythm section of Bernard Purdie, Chuck Rainey, and Arthur Adams. The result was a searing funk workout that took the latin jazz classic to new heights. Mr. K subtly warms this one up by adding a hint of reverb and bringing the tempo down a notch, pushing things from frenetic to funky, and firmly into friendly mixing territory for the DJs.

For our flip side, we turn to an unsung jewel amongst Philadelphia’s many contributions to disco music. Executive Suite released a series of singles in ’74 and ’75 that were recorded at the famed Sigma Sound Studios and had ties to a number of better known disco luminaries, among them the holy trinity of Baker-Harris-Young and, on “You Believed In Me,” the mighty Patrick Adams. Along with his longtime associate Stan Lucas, Adams garnished the vocal quartet’s composition with a driving arrangement and epic, soaring strings. The combined effect produced a vibrant, uplifting club cut that echoes the positive spirit of Curtis Mayfield’s “Move On Up” while being altogether its own thing. For our latest release Mr. K focuses solely on Adams’s instrumental section, returning repeatedly to that addictive string riff and creating a propulsive rhythm track that just doesn’t quit. And we don’t want it to!

As always, these connoisseur’s choice cuts have been remastered and pressed to Most Excellent Unlimited’s standards, and are primed and ready on 7-inch for DJs and home listeners alike.

LBD sounds are back with a new 12" from their Lbdissues series. This time they have a track taken from a sought after 7" single by Eva Hurychova & Jan Neckar from former Czechoslovakia, originally released in 1984, professionally remastered and with additional reinterpretations & edits. "To Chce Mit Svuj System" is a sleazy electro disco number with its unmistakable 80s sound, instantly memorable without being too in your face. Optimo's JD Twitch comes on board with his extended edit, that stays close to original but has upgraded it for current dancefloors. And last but not least, a newly formed duo of Oliver Torr and LBD Sounds label owner Olin, now working under Torr & Rich moniker, are here with their debut work - a pitched down 80s disco reinterpretation of "To Chce Mit Svuj System".

Dispute Records is more than glad to welcome the fantastic Jonny Rock for the first release. Three weird and wonderful jams for obscure dancefloors... and beyond.

Tooflie is a vinyl-only label based somewhere on the shores of the Baltic Sea that brings authentic music from all over the world right to the dance floors. For the first release, we have collected four oriental DJ edits and original tracks with the smell of saffron and the taste of curry, seasoned with a passion for industan.

Hi Quality Records hit the grounding running with their first release, a spellbinding, full frontal, double disco workout of original material from More Amour.

A melding of the minds of two longtime friends, Artwork and Jon Solo, More Amour kick things off with the peak time cosmic warper ‘Nightshift’. A cross-Atlantic cocktail of intergalactic synthwork, beefy drums and celestial pads with an extra shot of disco in there to keep you grooving till the early hours.

Flip it to find a Balearic boogie beast in the form of ‘Don’t Look Down’. Full of brain-spangling synths and blissful chords that will have your mind riding off into the sunset before that keytar solo blasts you into another dimension.

Package includes free peel off kiss-cut sticker.

Right on, right on! The Godfather of Soul gets a fresh feeling of funk courtesy of the main man Opolopo with these two exquisite edits. On one side the extended, on the flip the instrumental, Opolopo’s ready to get up and do his thang, giving a modern twist to this funked up dancefloor bomb.

Stevie sounds ever so fresh and updated on the A side's bass heavy piece of funky 4-on-the-floor neo-soul, "wish". This will surprise a few people. THE Rolling Stones disco classic gets reworked on "I Miss U" with ultra groovy beats, a funky bass line, and a few gorgeous breakdowns.

Mallorcan mastermind Joan Bibiloni gets two key works from his esteemed catalogue officially licensed via Gouranga Music and edited by the remix maestro Ray Mang. On the A side the boogie brilliance of the aptly named ‘The Boogie’, extended and echoed in all the right places to form a true dancefloor winner. On the flip, Mang turns this classic Balearic Bibiloni gem ‘Val, I Vuw Ya’ that has an acoustic guitar and chromonica spinning around each other from the three and a half minute original into a hypnotic six minute wonder.

P&F Recordings takes a quick break from original material to welcome back everyone’s favourite Episcopalian Minister/DJ: JAZ. When it comes to left-field floor fillers, JAZ (née John Zahl) is in a league of his own. Over the past 13 years, he's churned out celebrated home listening mixes, jaw-dropping DJ sets, and extended edits with a pace that belies the usual slow-motion tempo of the majority of his selections. Here, he serves up four colourful, cosmic, dance floor delights. EP opener ‘Cloud Worship’ marries a chugging prog-rock-esque bassline with virtuosic synth work. Then ‘Pick a Toy’ gets us sweating with some serious Caribbean flair. On the flip side, ‘Puzzle’ delivers exotic chants and an infectious, serpentine beat and lastly ‘Friday Night’ closes things out with infectious, retro positivity. While one might wonder how JAZ consistently unearths these obscure yet essential gems, it's obvious that he's driven by a higher purpose. Let the ceremonies begin!

Mike Maurro is back at it. Taking the keys to the Philadelphia International Records vault and plucking out two certified classics The O'Jays - I Love Music and Harold Melvin & The Blue Notes feat. Teddy Pendergrass - Wake Up Everybody to give them a little Maurro re-edit magic. Officially licensed and taken from the master tapes, Maurro extends each track in all the right places, looping sections up, echoing elements and keeping everyone calling out for more. Uplifting music for the soul, given a new lease of life.

Vladimir Dubyshkin's long awaited hits are finally out.

Another essential Chaka tune getting the Krewcial treatment. Mixed from the original multitracks, with love and respect for the original. Three quintessential variations: a more intimate acoustic version, a completely new arrangement and of course a 9 minute never-ending dancefloor version with various breaks and climaxes.

Backatcha with some sweet, sunshine fuelled Bali business. This time Pantai People send a call out across the ocean to Brooklyn’s finest and Razor-N-Tape royalty Jkriv. In true Jkriv style he packs a punch across four peak-time edits, specially selected for the dancefloor. From the gospel-tinged, disco house gem ‘Mountain’, to the soaring string laden epicness of ‘The House’ on the A. To the funk fuelled stomper ‘Down Slow’ and Latin loving ‘Terra Amor’, there truly is a cut for everyone on this EP.

Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side.

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!! New Year SpringSS release for 2022.

Side A. Red Clay, Jazz Guitar version sampled all time classic by A Tribe Called Quest. SIde B. Peaceful Sundown sample by Jay DIlla ,De La Soul Jay Dilla Used these samples a few times for a few solo projects..

Black Cash & Theo edits!

Galaxy Sound CO crew back at it!!

It was certainly unpredictable that a legendary jazz drummer would record one of spiritual disco’s most revered songs twenty-three years into his career, but that’s exactly what happened when Idris Muhammad laid down the epic “Could Heaven Ever Be Like This” in 1977. Hailing from New Orleans, Muhammad always had more than a touch of funk to his rhythms, and by the late ’70s his collaborations with master engineer Rudy Van Gelder on recordings for the CTI and Kudu labels had gelled perfectly with the reigning jazz-funk sound of the day. Arranger Dave Matthews (famously part of the James Brown stable) collaborated with lyricist and former Long Island record store clerk Tony Sarafino on writing the song, which on the original recording unfolds over a nearly 9-minute build. Appearing at the crest of the disco movement, “Could Heaven Ever Be Like This” was an immediate hit with David Mancuso and the attendees of his loft parties, quickly spreading to other venues and even making a small climb up the Billboard R&B charts. For this new issue on Most Excellent Unlimited, Danny Krivit, whose own career as a dancefloor orchestrator from the DJ booth has paralleled the timeframe of the song’s existence, has replaced the original loose introduction with a mix-friendly steady groove that maintains the unstoppable pulse of the song while maintaining the cathartic mid-song break and giving the track potential for even more momentum.

Another percussionist is responsible for our flip side track, “Magic’s in the Air.” Vince Montana was not only an in-house arranger and producer for Philadelphia International and other Philly soul labels, but was an accomplished vibraphone player. His talents are on display and doubly emphasized by Mr. K in this overlooked cut from Ronnie Walker, a falsetto singer who draws a rather strong comparison to the best songs of fellow Philadelphians Blue Magic with this uptempo, subtly synthy 1975 track. Never having appeared on a 12-inch, and indeed never having appeared even on a full-length album, Krivit’s edit is the first extended mix of “Magic’s in the Air” to date. Alongside “Could Heaven Ever Be Like This,” itself notoriously difficult to find in 12-inch form, this latest from MEU’s long running series with Mr. K is a bonafide must-have for the discerning DJ.

After an awesome mixtape here is the first volume from a series of maxis by Nabil Vortex. As a tribute to these masters of the underground and to make you dance to fresh sounds, from Maghrebian Raï to Chaoui, or Arabic music, Nabil’s new tales will take you on a fantastic travel trough time and space.

Lee Gomez aka Wipe The Needle has made music in many complimentary styles. His debut on Local Talk featured Alex Littmore's soulful vocals and took us on journey that goes beyond the house genre. This time his bruk roots are heavily featured, sprinkled with a touch of soul, jazz and boogie to create an impressive collection of songs. Fans of Bugz In The Attic and bustling West London broken beat mixed with grit, this one's is for you.

Back at it with certified disco royalty Mr K, who lets loose the 7th instalment of his sought after, limited edit series. Tweaked and extended in all the right places, if there’s anyone that knows the recipe for dancefloor ecstasy it’s this man right here.

Disco deliverance done right, the king Mr K. drops the 6th instalment of his buy-on-sight, limited edit series. Retouched and retweaked gold, destined to fire those synapses into the stratosphere whichever side you draw for.

Following the success of Krewcial’s Woman edits, here’s three unmissable variations on another out and out disco classic, from stripped down and intimate, to peaktime dancefloor anthem, using only the original multitracks.

These dancefloor-inspired edits have been approved by BMG, Partisan Records and Fela estate, with all profits going to the UN World Food Programme in Yemen. In Fela’s own words: Music is a weapon of the future, music is the weapon of the progressives, music is the weapon of the givers of life. Supported by All City Records, Partisan Records, BMG France, NTS Radio, Dublin Digital Radio and Worldwide FM. Very limited stock first come first served. 12 inch black vinyl, white disco bag in brown card outer sleeves. Hand numbered.

BEATCONDUCTOR reworks this Balearic Yugotrack with a sublime guitar hook. Gorgeous Yugoslavian jazz for the crate diggers and late night deejay sets on Ibiza! Hand stamped 1-sided 12". Limited. Nu-disco/Balearic fans don't sleep on this one.

Smartbar resident & COOL RANCH boss CHRISSY is back with a pair of jackin, disco-infused house stormers with remixes from NYC DJ ELI ESCOBAR who delivers a tribal remix of "NOTHING" while DUKE SLAMMER doubles down on "CANT GET ME DOWN". Support from The BLACK MADONNA and PAUL JOHNSON.

A second selection of edits from Love Creation, this time with a more Balearic slant to enchant your dance floor.

Re issue of the classic Heavy Disco remix of Kate Bush. This edit has been a mainstay of many DJs' playlist over the years. It's a deep, throbbing, psychedelic monster with added keyboards and efx. Absolutely essential!

One sided Limited pressing act fast!!

Volume 8 of our ongoing Luv N’Haight Edit Series is our biggest one yet! Featuring another helping of Kon with co-headliner Ohmega Watts, taking turns remixing and reimagining another Twilight classic. Supplied with the original stems culled from master tapes provided by Twilight’s own Lawrence Ross, Kon’s remix transforms the original into a mid-tempo boogie-house jam. The deep, minimal intro gives way to a swinging groove with the chorus interspersed in perfectly to sync with the tune. Also included is a dub version that’s a bit more stripped down giving the groove a bit more room to stretch out. Ohmega Watts’ title for his remix is apropos as it’s the type of song to get a house party jumping. With a classic 4 on the floor house beat accompanied by a groovy driving bassline, it’s definitely guaranteed to shake your hips and move your feet!

Limited edition for Record Store Day 2015!

Miami's TK Disco unleashes the official Todd Terje Edit of K C & The Sunshine Band's "I'm Your Boogie Man". Limited copies. Only available to Record Store Day 2015

G&D back with their 6th Volume of edit series. Limited press to 300 handwritten numbered copies. Three killer tracks are always seriously edited by the unknown Italian duo. No Repress.