Disco | Boogie 244 Items

New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo. Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians. “Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle. On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2 nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.

Feeling the summertime vibe over here at Disco Segreta, and we're ecstatic to revive one of the rarest summer-themed Italo disco tunes ever dropped! L.S. Manera, the alias of the studio ensemble helmed by musician Leonardo Del Vita and vocalist Sabrina Anselmi, epitomized the sun-soaked italo grooves of the 1980s. This short-lived group unleashed only a handful of singles between 1985 and 1988. Their debut single, "Sombrero" surfaced in 1985 as a promo-only 12” on the Roman label LGO, in exceedingly limited quantities, garnered relatively little attention. Fast forward nearly four decades, it has become one of the most coveted Italo 12”s, fetching exorbitant sums in collector's circles. “Sombrero” stands out among aficionados of obscure Italo-disco, embodying a distinct vein: that of summer-themed tracks. With its tantalizing blend of airy arpeggios, Juno 60 synth lines and bass, punchy percussions adorned with claps, DX 7 cowbells and a seductive saxophone solo. “Sombrero” has it all to seduce new discerning listeners, also thanks to the infectious alternating vocals in English and Spanish, featuring hilariously sultry hooks such as "Te quiero, Sombrero!" or "I love muchachas!" Disco Segreta fulfils another Italo disco dream by reissuing this absolute gem for a broader audience, presented in a meticulously remastered 12” edition featuring the original vocal and instrumental versions, along with the stellar “Estate Dub” by the Chilean-Swedish maestro of Italo-disco, Claudio Burgos, aka Mr. Fantasy, which we are sure will become an absolute dance classic. Sombrero, te quiero!

Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it! On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus. On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.

HiNRG masterpiece and often heard anthem in Mexico's Sonidos movement parties. Originally released in '89 at the tail-end of the HiNRG epoch as “house music” was starting to stake its territory in the charts, this production remained an underground hit by Los Angeles based duo Tyrants in Therapy (aka Dreams Come True). The melodic themes and lyric nuances explored in Sweet Magic make it a unique and unforgettable hymn you'll be humming when you wake up after a night at Patrick Miller. Faithfully remastered from the original master tapes which we managed to find and digitize in Los Angeles. Featuring a new stripped down extended mix by Castro using the original stems from the master tapes.

must have classic!

A brand new cut and remaster for 2023 of the multi genre-busting release 'Don't Send Me Away', that transcended most dance scenes from Modern Soul, Rare Groove, Crossover and Boogie to become perhaps the most in-demand '80s record on the current collectors scene.

A certified classic from a Philly soul legend, Garfield Fleming, that never fails to hit you right in the heart. Already one of the most sought after 12 inches out there, the popularity of 'Don't Send Me Away' was cemented when a video of Garfield himself signing the track at a Paris record stall in late 2018, went viral with nearly 3,000,000 views to date.

With original 12 Inch copies trading hands for £300+ it was high time a remastered reissue hit the shelves, giving a whole new generation of listeners the chance to bask in the glory of this unquestionable anthem.

The label say: This release marks the first complete album reissue on Canopy. Originally released in Nigeria in 1987, “Oppressor” was executive produced by Myke Moul himself and distributed domestically by EMI Nigeria & Tropic Records.

“Oppressor”, the album, finds the sweet spot between synth reggae, boogie, and euphoric Balearic island vibes.

Written by Myke Moul and arranged in collaboration with reggae star Majek Fashek in Nigeria, it was later re-crafted and recorded in France with a host of French musicians. Most notably the contribution of multi instrumentalist Pierre de St Front added engaging synthesiser parts and electronic drums.

Unfortunately the pressing of the album suffered from inherent technical flaws which adversely affected the sound quality and therefore even those lucky enough to find a copy, will not be able to enjoy it without considerable sonic defects. Therefore this remastered reissue will prove welcome to both collectors and new discoverers.

The titular track “Oppressor” stands out as a mid-tempo synth-reggae-boogie jam espousing the turbulent political times in Nigeria that were present in the late 80s. Elsewhere “Shadows in the Rain” is an instrumental cut displaying a jazz-funk sensibility which was unusual for a Nigerian artist at that time, and reflects Myke’s influences outside his home country. “Heading for the Top” is a boogie dance floor gem that shows the popularity of this genre at the time, as evidenced in many Nigerian releases and still sounds just as vital today. “Rescue us. O! Lord” shows Myke’s great song writing and Pierre’s fine musical skills working in tandem to create a reggae boogie tune, displaying the reggae & ska tendencies that were present in pop music in this era, from artists such as Grace Jones, Sly & Robbie or The Police.

All in all, the album demonstrates something fresh & exciting for Nigerian album reissues, touching down in a reggae fusion direction, with some fuller sounding production aesthetics, making the dynamics full and crisp on sound systems while also well suited to home listening.

Moana Pozzi in the late 1980s, following in the footsteps of her illustrious colleague Ilona Staller/Cicciolina, made her official singing debut by recording several songs arranged and produced by Jayhorus. The music ended up in several of her films as well as being performed in her hot live shows.

Discographically at the time only a few tracks were released on 7″ and 12″ singles that are now cult collector’s items for fetishists and weird DJs.

At last, Cinedelic has gotten their hands on the original masters, unearthing some unreleased ones as well, producing a luxurious gatefold LP.

Thus we find persuasive, nocturnal and mischievous tracks in perfect nightclub style such as “Amore Tossico”, “Autostop”, “Ultima Notte” and “La Gabbia” side by side with more Dance tracks such as his main hit “Supermacho”, the Dance-Rock “Impulsi Di Sesso” and “Gate One (Aeroplano Telecomandato)” and the Funky “Rocky.”

Unmissable!

Two classic Jackie Stoudemire gems, ‘Flying High’ and ‘Guilty’ get a long overdue reissue, the former of which has never been available on vinyl before.

Picked up by Tap Records impresario Jeremiah Yisrael, Jackie spent the lion’s share of 1982 in the studio with Yisrael, the prolific Gene Redd and dozens of musicians, including purportedly Barry White’s Love Unlimited Orchestra.

Ten songs were recorded over the course of the year, and two of the standouts are pressed loud and proud on either side of this limited 7 inch. First up the funk-fuelled, slick and stylish disco number ‘Flying High’, pressed for the first time ever to vinyl. ‘Guilty’ takes the B, one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades. Disco at its brilliant best. Yellow label version white sleeve.

After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

The killer 1981’s Nigerian funk boogie disco and reggae by Kio Amachree repressed for the first time.

Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.

Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

We're back with our 5th release! This time it's the certified dancefloor weapon by Alonzo Turner ‘Whoever Said It?’ Released on a 7 inch with a part 1 & 2, this record has been played on dancefloors worldwide by such players as Rahaan, Sadar Bahar and more, with those selectors favouring the part 2 in the most euphoric moments with that incredible vocal half way through. The record has remained hard to come by for most so we are thrilled to have this one out there as an affordable and great sounding reissue. Remastered as always by Frank at The Carvery and this time released with a vibrant company sleeve and a baby yellow label on the 7 to match the original. "Alonzo Turner was born in Northern California in 1955 and was introduced to music by his church, of which his father was pastor. As a young adult, Turner moves to West Hollywood and at 23, he starts to manage a local rock band while working day and night to write what will turn out to be his first and only release, ‘Whoever Said It’. The song catches the attention of Dave Crawford, A former producer at Atlantic. Like most stuff on Crawford’s label, LA Records, the single never makes it to the charts but helps Turner make a name for himself in L.A. and Orange County where he performs often. There is only speculation about what happened to ‘You’ve Got Something’, the LP on which the song was meant to appear, but five years later Alonzo ends up writing an eponymous piece for Norma Lewis (Shakatak, Charade) on her debut album ‘It’s Gonna Happen’. In 1984, struggling to make ends meet from his music career, Turner takes a part time job at a record store, while also pushing garments to an elite clientele in Beverly Hills, even selling clothes to one of Michael Jackson’s designers. In 1991, aged 38, Alonzo Turner will pass away from illness. Written by a loner who lived in a modest flat filled with antiques and expensive art pieces, ‘Whoever Said It’ is a testament to the idea that love does exist beyond our imagination. While asking who is to blame for spreading the opposite theory, Turner makes this simple yet compelling argument to debunk it: emotions are a motor of action, they literally set us in motion and therefore reality derives its very momentum from them." Alonzo Turner biopic originally written by Omar Krivit via musicismysanctuary.com

Limited to 100 copies.

Shake your ya-ya! Jake Sollo (Born in Nigeria as Nkem Okonkwo) started his career in the 1960s as a member of The Hykkers, a popular band that drew large audiences across the country (even during the turmoil of the Biafra civil war). After The Hykkers disbanded, Jake joined the Aba-based super-group The Funkees…a musical outfit turned into instant superstars due to the State Broadcasting Service's heavy rotation of their demo tracks. The Funkees became a phenomenon that spread across the country fast (and eventually to England where they were championed by the legendary John Peel). By 1976, due to creative and personal tensions, The Funkees slowly started disintegrating. Jake Sollo was soon offered the golden opportunity to join the ‘crème de la crème’ of Afro-rock groups: Osibisa. Jake’s distinctive rhythm guitar graced their hits, but his tenure with them was short-lived…in 1977, Sollo and two other members left the band because of financial disagreements.

Jake Sollo quickly moved on and did just fine after his experiences with said bands…he got steady work as a session musician and became a hot producer in the London scene. Eventually, that chapter came to a close as well (with budgets and visas to record in the UK becoming increasingly scarce at this point). Jake returned to Nigeria where he started recording and producing albums, during this period he became the MOST in-demand producer in Nigeria.

Sollo’s specialty was bouncy ‘high-gloss’ boogie (though he occasionally produced artists in other genres as well). Regardless of which style he was working in, a ‘Jake Sollo production’ was always instantly recognizable and his records’ main sonic signature was probably the distinct sound of the Prophet "V" synthesizer (a hot piece of hardware that was transforming music in Europe and America). Rumor has it that Sollo owned one of the two only Prophet synthesizers present on the African continent (the other one belonging to William Onyeabor). Without exaggeration and according to his peers…Jake was the hottest and most prolific music producer in Nigeria between the late 1970s and mid 1980s.

Next to his productions for other artists and major labels like EMI & Polydor, Jake Sollo would go on to record a total of three astonishing albums: ‘Coming Home’ (1977), ‘Show Me How’ (1979) and ‘Boogie Legs’ (1980). Boogie Legs would be Sollo’s final album, his career was cut short when he tragically died in a car accident in 1985…depriving the world of what no doubt would have been decades of more innovative and creative music.

On Boogie Legs, the listener is treated to Jake Sollo’s trademark sound with touches of pop, plenty of African groove disco, moments of psychedelic reggae, chattering guitars, mad synth skills and fat angular basslines … all bound together with Jakes distinctive guitar playing and smooth production. A triumphant album that combined the raw power from his roots with the slick tricks he learned in London. Also featured on these recordings are some ‘all-star’ guest appearances by musicians from the likes of Trevor Murrell (Kim Wilde, Sade) and Ray Carless (Maxi Priest, Adele).

Boogie Legs is a sexy monster of an album that shows off Jake Sollo as the multi-instrumentalist extraordinaire and Apostle of Nigerian music he was…the sound of an artist at the height of his power, with a career that came to an untimely end…but leaving us with a BIG legacy.

Tidal Waves Music now proudly presents the first ever vinyl reissue of Jake Sollo’s ‘Boogie Legs’ album (originally released in 1980 on Taretone). This rare Nigerian record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork. Limited to 100 copies 180g YELLOW VINYL (available exclusively from HHV RECORDS).

This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.

Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weaving around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and withe permission and blessing of the producers and performers.

sooooo good! Pure boogie!

First ever 12” edition of Ahmad Albar’s spacey 1981Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

Norman Connors' 'She's Gone' is a timeless blend of Soul and R&B from his 1981 album, 'Mr C'. 43 years since its initial release, 'She’s Gone' still endures as a masterpiece, showcasing Connors' musical prowess and ability to create unforgettable compositions. Lush arrangements, masterful instrumentation, and heartfelt vocals define the track with Norman Connors seamlessly fusing horns, strings, and rhythm instruments for a rich sonic experience. This 7'' heavyweight vinyl single, presented here exclusively for RSD is the first time this single has been available since 1981 & gives fans old and new the chance to own a slice of this classic, in demand Norman Connors production. remastered, but with slick early 80's aesthetics as was.

Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.

The fully remastered 12” includes the essential Instrumental mix.

Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.

Two Spanish slow disco tracks from 1977, originally released in 7" format, brought back in 12" format with an additional extended edit, very respectful to the original. "Zorongo" is a re-interpretation of a Andalucian popular folk song with Arabic influence, a gypsy love song from ancient times which was collected and presented by Spanish poet and playwright Federico Garcia Lorca before his death/disappearing during the Spanish Civil War. Jobam's new arrangement gives it a heavy downtempo disco facelift, taking the original gypsy warrior intensities of dealing with love and contrasting them with a beautiful orchestral string driven addition to the theme. Heavy Balearic, emotionally loaded gypsy business, something one could very easily imagine hearing at a 10 hour Harvey set in Pikes, Ibiza.

2 tracks taken from the "Sweetie" LP by South-African group, The Headquarters. Originally released in 1977 and very hard to come by in it's original form. The album tracks are loudly pressed on one side each in it's original length. "Real solid deep disco for the heads!"

Mastered by The Carvery.

Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.

This LP includes the killer boogie anthem “Mitamiyo”

In the late 1980s, Ilona Staller aka Cicciolina’s popularity was skyrocketing. It was at that time that she recorded her most representative and iconic song: ‘Muscolo Rosso’. It is finally reissued in 12″ 45rpm from original master tapes accompanied by 3 other dance hits such as ‘San Francisco Dance’, ‘Inno Alla Trasgressione’ and ‘Sexy Porno Shop’. Includes a postcard and sticker.

Re-issued for the very first time on vinyl, finally we have the chance to collect the only two EP's published by the influential post-punk combo from Bristol. Both records have been released on Recreational in 1982 and still sound fresh and highly influential. Their infectious hybrid of d.i.y. punk attitude and straight funk rhythms made the difference throughout the local club scene. A mandatory re-issue ! Also heard on the incredible Cherry Red box set ‘Shake The Foundations: Militant Funk & The Post-Punk Dancefloor 1978-1984’

Some gorgeous soulful boogie tracks right here!! The French Philippe Lecauchois, better known as "Phil Boogie Times" and Claudio Casalini, the factotum of the Italian label Best Record, teamed up with the intention of carrying on their identical passion, being devoted to Boogie, Funk, Soul and " Old School Disco". There couldn't have been a better choice to start this conjunction of passions and sharing of ideals: the first 12inch, produced by Darryl Payne in 1983, sees two precious gems such as "What's the Deal" b/w "Have You for My Love" by the charming ex Salsoul artist, Carol Williams (btbs-12001). The other reissue of Phil and Claudio is 1984's "Come Back Lover" masterfully sung and arranged by Carl Smith (btbs-12002). Listening to these splendid 40-year-old productions again will do good to the hearts of all the followers and fans of true soul music made in the USA. Coming on a limited vinyl edition!

New York boogie royalty right here, the holy trinity of The Fantastic Aleems, Leroy Burgess and John Morales. ‘Get Down Friday Night’ is a stone-cold classic, the Aleem twins taking care of the music, the legend Leroy behind the mic and mixed by the master Morales. Reissued for the first time since it’s 1982 release, it’s been a perennial underground club hit for 40 years and rightly deserves a home in every collection for that reason alone. Limited edition Green vinyl Green label version

Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!

One of the best boogie records of Nigeria repressed for the first time. Produced in 1981 by Jake Sollo and performed by himself flanked by the outstanding funky bass by Randy Taylor and the great vocal performances from the Galaxy girls. Recorded and produced in England but originally released only in Nigeria

The unique sounds of Ray Phiri's Stimela are showcased on this gem of a 12” EP from 1986. It was originally released only in South Africa on Gallo / CBS Records, although a 12" featuring the track 'I Hate Telling A Lie' was previously released on Plum Records in 1983. It has now become a sought-after item due to its addictive and original-sounding Balearic disco / cosmic boogie-esque nature.

Stimela were a popular and successful Mbaquanga / fusion outfit led by the guitarist, vocalist, songwriter, producer and arranger Ray Phiri; who was previously a member of the legendary band The Cannibals. The musicians would go on to gain global fame after featuring on Paul Simon's iconic 'Graceland' album and the mega tour that followed.

Kicking off the EP is a magical track that floored us from the first moment we heard it and one that has since become a Mr Bongo firm favourite. ‘I Hate Telling A Lie’ is a slow, infectious building groove that sits somewhere between lowdown jazz-funk, soul, reggae and gospel with shades of new wave pop and Balearic. It’s a truly stunning track that is hard to pigeonhole and all the better for it.

Another highlight from the EP is the monster instrumental, synth-boogie sound of 'I Love You'; championed by DJs such as Jeremy Spellacey (Crown Ruler). This hypnotic groove bubbles to perfection and is a slo-mo chugger extraordinaire.

We hope you dig it as much as we do.

Originally released on Discomagic in 1988, probably it’s one of the last italo disco classics tracks from the 80s. The track was composed by Fred Ventura (not performed) and Gianfranco Bortolotti (Media Records).Very energetic track with a unique structure in its genre, more clubby than an italo classic track. A unique fantastique lead melted into a likely trancy bassline. Dub version a bit more clubby on b-side.

Straight from the immense shelves of the Full Time Production warehouse, here's a new must-have gem for the italo disco lovers. Released for the first time in 1980 , eponymous album "Kano " is remastered for vinyl for the first time since then and is given an incredible new life through this version pressed on limited edition hand-numbered vinyl that is deep in grooves and inspiration. The first successful pioneer and ambassadors of the newly-minted "italo disco", Stefano Pulga and Luciano Ninzatti formed the core of Kano forging a consistent and memorable sound maintened throughout. This is the sound of an army of buzzing, mini-computers and thickly-slapped bass guitars igniting neon squares across dancefloors worldwide. As such, it sort of straddles the line between italo disco and synth funk. Each of the six songs provides 6 to 7 minutes of danceable delights with lengthy instrumental stretches perfect for nightclubs. With vocals that are a mix of natural, falsetto and robotic, this is an album for boys, girls and androids alike. The best of the bunch open and close the set, with "It's a War" marrying a downright deadly bass line with a furiously funky organ and apocalyptic screeching synths and "I'm Ready" providing a veritable celebration of this new sound that would go on to be a big hit in two different decades. "I'm ready" was not only the beginning of Italo Disco but also a starting point for Hip Hop because that track became a classic for breakdance. "Now Baby Now" provides further thrilling proof of the success of this sound. The positively boppy "Ahjia" hails its all-encompassing power with a jubilant refrain of "everything is music!", while the mostly-instrumental "Cosmic Voyager" acts as an adventurous, triumphant soundtrack for a hero spacecraft. "Super Extra Sexy Sign", meanwhile, grooves through the Zodiac signs in entertaining fashion.

Insanely rare full length 12 inch versions of an already eye poppingly sought-after 1980’s disco bomb, 'Rockin – Poppin Full Tilting'. A classic in it's own right, Midland brought it back to the forefront of people's minds, expertly sampling it in the 2016 summer anthem ‘Final Credits’, leaving many scrambling to find an original copy. The 12 inch original has never been sold on Discogs before, with prices of the 7 inch topping £125.

Paint A Picture are incredibly pleased to announce news of their first release: a fully remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and privately released on his Star Records back in 1981. With the original record now changing hands for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an insert providing further details and context on the release. Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from a lack of marketing and proper distribution but almost forty years later the record is now receiving the attention it deserves and with a price tag to match. The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth vocals and climaxing in a guitar and saxophone duel. The instrumental Version Two provides a fresh approach with the addition of dub FX and Indian percussion with the use of a tabla added to the mix.

Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

Sylvia Striplin is NY based jazz, soul, and R&B singer who is also well known as a member of Ladies of the Eighties which is led byRoy Ayers. This is her only solo album which was released from Roy's label "Uno Melodic" in 1981 and P-vine are so proud of releasing this finest rare groove as limited 180g heavyweight double LPs with OBI-strip! all tracks have been newly remastered.

For the first time ever repressed on FullTime Production the iconic disco record "Easy Going" by Easy Going!
That's a brand-new great landmark for the label as "Easy Going" set a milestone in the italian Disco culture.
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above.
The homonymous 33 rpm debut of 1978 is remastered and repressed on a glossy white vinyl and due next December 13th on FullTime Production!
It features the original LP cover highlighting the mosaic of masculine struggle between a sailor and a strictly naked policeman , photographed in the Roman club.
The music explodes with the piece that will define the group par excellence: "Baby I Love You" also released as the first single, sung by a very filtered voice on a hypnotic rug of keyboards and a captivating melody that define a real masterpiece of italian disco and beyond. The same goes for the remaining three tracks of the album, which are also set to set the dance floor on fire: "Do It Again" is pure dance from Studio 54 and on the flip side, Creedence Clearwater Revival's cover "Suzie Q" and the ballad "Little Fairy".

Be With hereby presents aural perfection. Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982. In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.

Exclusive edition on golden vinyl limited to 100 copies worldwide. Only available through hhv.de

Killer disco-boogie-funk from 1982! Featuring Italo-Disco legend SANGY (Firefly) and co-produced by Tony Valor.
Originally released in the US on the Chaz Ro label with generic sleeve, here’s the first ever vinyl reissue with new artwork.

Limited to 500 numbered copies. Originally released in 1982.