Disco | Boogie 303 Items

Yvonne started her carreer as a singer at the age of 18 years. She performed the hit Garden OF EVE in 1981 (atlantic), produced by the great Donald Burnside. This outstanding classic tune stayed for several weeks on top of the hitlists, while Lover OF MY Dreams was a track initially meant for the 1983 album, but the track wasn't finished in time for the release of the album, it was only released in Europe during 1984. Slow Down was recorded during 1981 and was never release before.

The PPU debut EP from Japan outfit Wool & The Pants. The Tokyo trio includes players; Yu Tokumo (Guitar / Vocals), Kento Enokida (Bass), and Aki Nakagomi (Drums). First discovered in 2017 by Mad Love, Tokumo has been making this music since 2008 drawing inspiration from Jagatara, Kimidori, Daisuke Tobari, Sakana, Think Tank, Les Rallizes Denudes, ECD, Haruomi Hosono, Can, Syd Barrett, Laraaji, and SunRa.

Mastered from the original analog tapes for the very first time, Sharp-flat brings you the Witch Disco Singles as you’ve never heard them before. WIT 4 carries a single edit of 'My Desire' backed with 'You Are My Sunshine' from the group's classic 'Movin’ On' LP from 1980.

By the end of the 1970s, Witch was a Zambian music institution. Active since 1972, they had survived the Zamrock years and left an impressivegarage, psych and prog discography in their wake. But at the outset of the 1980s, the band was ready to embrace the modern sounds of a new era. Undertaking personnel changes and relocating to Zimbabwe, they were primed by the independence celebrations of their neighboring country to undertake their mythical transformation into an African disco powerhouse.

With access to a state of the art recording studio in Harare, Witch produced two exquisite albums in the early 1980s. Appearing in 1980,Movin’ On was preceded by the single “My Desire,” which featured new member Christine Jackson on lead vocals. With an upfront funky bass-line, falsetto backing vocals, swirling synths and tight horns, it was a searing hot disco offering that made no bones about the fact that the Witch was ready to get down. Composer/vocalist Stanford Tembo’s mid-tempo burner “You Are My Sunshine" was the perfect fit for the flip.

Documenting the band’s drift from disco into boogie, Witch’s final album Kuomboka was released in 1984 without an accompanying single. New lead vocalist Patrick Chisembele injected youthful energy and a modern soul edge, most notably on “Erotic Delight” with its crisp drums, slinky keys and intoxicating bass groove. Pop reggae was alson within the album’s stylistic purview by way of the closer “Jah Let the Sunshine” as well as “Change of a Feeling,” the flip side of a recently discovered single that wasn’t originally released.

Favorite Recordings presents Faché, a new long awaited EP by Voilaaa, including 3 brand new tracks from the Afro-Disco maestro, and tasty exclusive versions. This is also a first taste of the upcoming 4th album, which is planned to be released in September this year. The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then. Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa. On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin). Voilaaa is back and ready to delight your summer!!

For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving
African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often
accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind
a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe
and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like
Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great
return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a
more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South
America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again
delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound:
punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub discomeets-
Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely
composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where
Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as
well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the
Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).

The definitive survey of America’s independent 70s soul scene, and a companion piece to Now-Again’s long-running Soul Cal series. “(Soul Cal) captures the retro-utopian vision of a past where every smalltown record store or garage in the US might have hidden a virtuosic funk outfit; the thrill of knowing that jobbing musicians might be getting paid for the first time; plus the bittersweet knowledge that those that passed on are getting deserved recognition. And all that before you get the thrill of the music itself.” - Wire Magazine.

12" incl dl code containing the four vinyl tracks as well as the digital bonus track.

After a long time XXX the label returns with the third and final part of their edit series.

Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.

‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.

Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…

Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.

‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.

Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…

Limited to 300 copies. Exclusively available at HHV.
Here comes a new member in the highly acclaimed Wamono series! 180g presents an exceptional collection of Disco and Boogie tunes released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

● 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Nippon Columbia masters

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Nker.

In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious “Do The Bus Stop” hit, Japanese label Victor put out the following year the first Japan made Disco tune with “Sexy Bus Stop”, released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. “Sexy Bus Stop” became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego’s monster hit “The Birth Of The Odyssey - Monkey Magic” to Pink Parachute’s obscure (and excellent!) “Disco Great Tokyo” tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

Here comes a new member in the highly acclaimed Wamono series! 180g presents an exceptional collection of Disco and Boogie tunes released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

● 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Nippon Columbia masters

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Nker.

In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious “Do The Bus Stop” hit, Japanese label Victor put out the following year the first Japan made Disco tune with “Sexy Bus Stop”, released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. “Sexy Bus Stop” became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego’s monster hit “The Birth Of The Odyssey - Monkey Magic” to Pink Parachute’s obscure (and excellent!) “Disco Great Tokyo” tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

Second collection dedicated to the historic Typhoon disco in Gambara (Bs) Also in this double vinyl you can find some of the tracks that have characterized the style and musical programming of this club. Selected for the occasion by DJ Ebreo who is also a regular guest and for a period resident.

“Soul Is My Salvation" is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.

1st in a series of compilations collecting the ultimate funk & soul tracks from the legendary TK Disco catalog that have been instrumental is shaping the sound of hip-hop. 10 tracks from the vaults highlighting grooves that have been sampled by Drake, DR. DRE, Kanye, Madlib. Pete Rock, and more.

Black vinyl, insert

Giorgio Moroder in Finland

The pioneer of electric pop music, Giorgio Moroder (born April 26, 1940 in Ortisei, Italy) is an internationally acclaimed songwriter and producer who left his trace also in Finnish popular music. Several Moroder’s compositions and productions were released in Finland with Finnish lyrics in the 1970s and 1980s, when Moroder had his most creative peak. This compilation includes twelve Finnish Moroder-covers from early bubblegum pop to electronic disco.

Giorgio Moroder began his musical career as a singer. He gained success performing bubblegum pop in the late 1960s. He wrote some of his hits himself, but he also sang songs written by others. During his singer years he succeeded with songs Looky Looky (1969) and Son of My Father (1971). The latter became well known also in Finland, where it was covered by one of the most famous Finnish singers in 1960s and early 1970s, Ilkka Lipsanen alias Danny. The song found its way to Finland via Britain, where British band Chicory Tip had covered it first and made it to the charts with the song.

Danny was not the only Finnish singer in the early 1970s who looked at Moroder’s repertoire when searching for good songs. Koivistolaiset was a singing and dancing duo of sisters Anja and Anneli Koivisto who were well-known celebrities in 1970s Finland. They released Moroder’s composition Good Grief Christina as On siitä aikaa in 1973. This song was also discovered from Chicory Tip’s repertoire.

Cheerful and danceable bubblegum pop was an early 1970s phenomenon and in Finland it was the most popular music played in discos during those years. In the mid-1970s the style called disco music was born and the popularity of bubblegum pop faded. Also Moroder quit writing bubblegum pop and got interested in disco and electronic music. Synthesizer and drum machine technology developed and created new possibilities for producing electronic disco that can now be seen as proto-techno.

Virve Rosti was one of Finland’s most popular disco and pop singers in the late 1970s with her strong soulful voice. Rosti’s fourth solo album in 1979, Oon voimissain, was packed with her versions of late 1970s disco hits like Ring My Bell, I Will Survive and Knock On Wood. The album included also two Moroder’s compositions originally released by American disco group The Three Degrees, Antaudun (Giving Up, Giving In) and Ohari (The Runner). Both are excellent cover versions compared to the originals, even though the long instrumental section in the middle of The Runner is cut to a shorter one in the Finnish version. Rosti’s singing performance is also high quality.

Among Rosti one of Finland’s most popular female disco singers was Mona Carita, whose second album in 1980 was called Soita mulle and named after her cover version of Moroder’s composition Call Me, originally released by Blondie in the same year. Mona Carita’s version with lyrics by Raul Reiman is still among the best known Finnish disco and pop covers of the era.

Moroder’s most creative era ended in the early 1990s, though he has returned to music business within the last ten years. Finnish record producers also began looking in other directions when searching for songs. During the 1980s it became less and less popular to make Finnish cover versions of international hits. There were several reasons for this, from the improving quality of Finnish compositions to improvement of Finnish people’s understanding of other languages. When the audience began to understand the English lyrics of international songs, there was no need to make Finnish versions of them anymore. However, Moroder’s work is still recognized and played frequently today, and the same goes with the best Finnish cover versions of his compositions.

‘the Congregation - Jazz Alliance International’ compilation is the latest offering from Mono Jazz label. Compiled by Massimiliano ‘Jazzcat’ Conti - a DJ, broadcaster and internationally respected selector with over 150,000 followers on Mixcloud - and featuring liner notes by Paul Bradshaw (from the iconic ‘Straight no Chaser’ magazine), ‘the Congregation’ is an innovative, largely contemporary selection of tracks that they feel is representative of the current era - a true manifesto of the international jazz scene of the present days. The release was received with great enthusiasm by some of the leading DJs and music critics of the scene – from the UK, to Germany, to Japan – getting early radio support by Patrick Forge (nts), Colin Curtis (Hitmix Radio), Kevin Beadle (twr), Rainer Trüby (Compost Records), Shuya Okino (Kyoto Jazz Massive), Raffaele Costantino (Rai Radio 2), Ilya Rasskazov (Headz.FM), Michael Rütten (Soul Searching), David Patterson (jfsr), Simon Harrison (Basic Soul) & more. Built around a near mythical, unreleased song by Japanese producer Yellowtail featuring legendary beat generation jazz singer Mark Murphy, the selection of tunes contained in this album ventures far and wide. Soulful offerings by Anthony Joseph and Jimetta Rose & The Voices of Creation, percussive and spiritual renditions by the likes of Malcolm Strachan, Right Tempo’s own Francesco Sotgiu and Nicola Conte, Latin-flavoured explorations by Mexican giant Tino Contreras and Acid Jazz’s signed Mama Terra and a hip-hop spiced cut by Portuguese producer Azar Azar are some of the many moods that can be found in ‘the Congregation’.

A compilation of highly collectable and rare Surinamese 45's and LP cuts. Compiled by Antal Heitlager & Thomas Gesthuizen this is the follow up to the Kindred Spirits released Surinam! compilation. This volume goes even deeper into the field of 70ties and 80ties funk music from the Surinamese dance floors...Recommended! Fresh Artwork by Cosmo Knex (Johann Kauth)..

Mcde: "Killer compilation! lots of favorites on there and stuff i still need to find"

Gilles Peterson: "Jammin is a salacious boogie number, cooked up with quick-fingered bass work, female harmonising and guitar solos."

SAM Records was one of the labels at the forefront of the Disco Genre when the format was at its creative peak. This was the late 70’s and early 80’s, when the producers and artists involved were all using top notch professional recording studios with live instrumentation and their focus was on songs and rhythms that would make the dance floor move. Sam Weiss the founder of SAM was involved with various aspects of the music industry in addition to his role running the label, but the Sam Records imprint was his greatest passion, and that energy comes through in the songs that make up the catalogue. In this compilation we have engaged some of the world’s premier producers of the current disco inspired sounds that are blowing dance floors worldwide. They have used their talents and appreciation of the genre to mix, edit and master these classic jams into disco inspired productions that are fully equipped to ignite DJ sets and dancefloors worldwide.

Saigon Supersound is delighted to present the 3 rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago. The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that borrow vibrant melodies, inspired by the west, performed by the best representatives of this genre. In addition, this volume includes songs, famous in clubs both past and present like “Nếu Anh Về Bên Em” by Mai Hương and “Hình Ảnh Người Em Không Đợi” by Thanh Lan. Many believe that "Southern Golden Music" is just popular music, simply because it "pleases the listener". Volume 3 include melodies most Vietnamese might have considered “unpopular”, but popular with “golden music” lovers. Today, people often call “gold music” bolero music, because this is the most popular style found in this golden era of music. In this volume, Saigon Supersound have selected typical bolero songs like,“Hàn Mặc Tử” sang by Trúc Mai, as well as, “Nắng Chiều” by Lê Trọng Nguyễn. In addition to the variety of melodies, Volume 3 also shows the diversity of genres found in old Southern music by introducing songs that praise the homeland such as “Tình Reo Trên Sóng Lúa Vàng” by Thanh Lan, praising peace in “Xin Cho Tôi Giấc Mộng Bình Yên” by Thanh Tuyền, witty music in “Cậu Cả Lên Thành” by Connie Kim. Volume 3 closes with the song “Xuân Muộn” (Late Spring), performed by Hoàng Oanh. The song talks about the end of a lunar year - a cycle of heaven and earth, the end of sad stories and opens up new hopes for more positive things to come. Finally, the face of the movie star Kiều Chinh is chosen to grace the cover image of Saigon Supersound 3rd Volume. Although she may not have had any direct relations related to music, more than 50 years ago, Kiều Chinh's image appeared many times on the covers of various music sheets. The image of Kiều Chinh was chosen for the mix of Eastern and Western cultures present in her life and career that mirrored the music of that era. These songs, with melodies originating from Europe, the Americas and Africa have been an integral part of Vietnamese music since the 1960s

The pony rides again! Royal Athlete Records returns to the great racetrack of the record industry with the latest instalment of their Various Artists series. Four dancefloor winners for any competition and worthy of only true contenders bags. Kicking off with the nine minute epic live-drums-meets-juno-funk of ‘Hustle Never Ends’ by Galaxians followed by UK legend Paul Withey with the oh so smooth 80s-esque groove of ‘Confessions’. Side B opens with the retro Jam & Lewis style slammer ‘I Believe In Boogie’ by Germany’s First Touch and rounding off the release is the amazing new-wave freestyle anthem ‘Tell Me’ by California’s Sky Tony. Keep your eye on the prize and don’t miss out!

4 monstruous tracks straight from the basement feat. one of the original house music creator RON Hardy. All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.

4 monstruous tracks straight from the basement feat. one of the original house music creator RON Hardy. All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have. Essential Item - Limited Edition - NO Re-press

This summer, dive with us into the often-overlooked sea of late '70s/early '80s Italian Soul, AOR and Disco. Compiled by journalist, producer and digger extraordinaire David Nerattini (with a little help from our own Pierpaolo De Sanctis), Paisa' GOT Soul is the smooth and near-danceable soundtrack to a decade that is somehow still with us. A time of gentle grooves, summer loves and sweet escapism – one beautifully captured by Claude Nori in his photographs of Italian beaches and summer holidays. Welcome to the mood of an era.