Disco | Boogie 222 Items

The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

The two glorious 80s Boogie tracks written and produced by Roy Ayers here on 7” for the very first time, originally released back to back on 12” single with copies exchanging hands for over £400, this was also much sampled on the Hip Hop scene.

After a first edition acclaimed internationally, Favorite Recordings and Charles Maurice finally follows-up to their French Disco Boogie Sounds compilation with a second volume!!
Pursuing his fine work at digging rare music from around the world, DJ and collector Charles Maurice presents another brilliant selection of great music linked to France and French West-Indies: 12 hidden and forgotten titles, all produced between 1978 and 1985, whether in France, or by French artists abroad. This time again, he perfectly browse and defines the great energy and quality of this specific Disco/Funk scene at that time, both in the underground market, or through bigger labels.
On one hand, tracks by Crystal, Jackie Esam, Ideku Dynasty or Marc Ashy, were produced by small artists and labels from the French Caribbean and African community and also filled with a raw spirit and some Tropical influences. On the other hand, tracks by Claude Morgan, Greg Smaha, Roots, or Black Bells Group, were released by major labels such as Phonogram, RCA, Derby, or Carrere, thanks to confirmed independent producers, acting not only in France, but also in Canada and the US.
Today, Favorite Recordings and Charles Maurice are very proud to unearth these 12 gems, with amongst them some very hard to find and almost unknown titles.

These unreleased demos by Craig Peyton & Jolyon Skinner were recorded circa 1983-1985. The duo penned Howard Johnson's "Let This Dream Be Real", Melba Moore's "Love of a Lifetime" & Will Collins' "Where Ya Gonna Be Tonight", before they went their separate ways.

Favorite Recordings proudly presents this new official single reissue ofMusic MadnessbyBeckie Bell: A killer disco anthem produced in 1980 by famous French producer,Pierre “Berjot” Jaubert. Pierre Jaubert has been one of the great producers from the Funk and Disco French music scene during the 70s and 80s, mostly known for his work with the group ICE, who he then transformed into Lafayette Afro Rock Band. “Music Madness” is a brilliant disco track from Beckie Bell’s rare album,In Need Of…After highlighting it in an extended version, on the compilationFrench Disco Boogie Sounds(2015),Favorite Recordingsdecided to reissue this killer song on a proper 12inch single. The package including the original album version and two hot remixes byTom NobleandVoilaaa.

New Jersey born Clyde Kingrap (aka The Real Fake MC) is probably the freakiest MC on earth. His Flow is definitely influenced by old-school Hip-Hop masters, but The Real Fake MC declares that his major influence remain in P-Funk, Gogo and early Punk Rock.

For more than 15 years he’s been grabbing mics and spreading funky vibes on stage & in collabs all around the world. His two 12? out on Favorite Recordings, Live & Survive & Hunt Ya Sunshine, and his 1st LP Rock It Up were produced by French producer Patchworks aka Mr President.

These two musicians have been dropping some tracks together for more than a decade, with always the same target: educate their love for Hip-Hop with jokin lyrics and Funk inspired beats played live with instruments.

They’re back with a brand new LP, Future Funk Survivors out on Boogie Butt Records.

Originally arranged & released by Jamaican producer Ralston "Stamma" Haughton on his SOMB (Sound Of Montego Bay) imprint, "My Music" is sung by Jamaican artist E.T. Webster and features a dub mix to the vocal on the flip. The music is provided by a high quality band of session musician, including Leslie Butler or Paul Hurlock.

Soul Jazz Records’ new Nigeria Soul Fever is their first release to explore the vast wealth of Nigerian music recorded in the 1970s. The new album comes with introductory sleeve-notes by Bill Brewster (author of Last Night A DJ Saved My Life).
Packed-full with Afro-Funk, Disco and Boogie all from Nigeria, this triple album/double CD set brings together a stunning collection of diverse West African sounds. Whilst a small handful of the artists featured (Joni Haastrup, Tee Mac, Christy Essien) have seen the light of day outside Africa, this is essentially a collection of killer tracks by an array of artists completely unknown outside of Nigeria. Artists such as Don Bruce & The Angels, Akin Richards & The Executives, Angela Starr, Jimmy Sherry & The Music Agents. It’s no surprise that these records are extremely rare and expensive to buy individually so this album will save you going broke trying to find them.
These recordings were made at a time when Nigeria’s trade restrictions banned imported records. Whilst new musical trends (such as American soul, funk, disco etc) entered and influenced the country, the local music scene remained just that – local. Consequently, these recordings remain practically unknown to anyone outside of the country.

Vinylmania: As classic disco came bounding through the late ’70s and into the electronically orientated sounds of the ’80s, New York was one of the undisputed frontiers for the latest developments in dance music culture, nightclubs and the art of DJ-ing. At the center of this seminal time for vinyl culture was a store called Vinylmania, set up by Charlie Grappone in the heart of Greenwich Village, Manhattan, just as the culture of 12-inch singles and promo copies was taking hold. From supplying Levan, Tony Humphries and many more with the latest imports to championing the emergence of house music in the mid-’80s, Grappone and his staff played a significant role in New York’s own dance music story. Through the ’90s and up until closing in 2007, Vinylmania was a store that catered to DJs from across the complex mixture of racial, social and sexual demographics that made up New York and its legendary nightlife. Man Friday: As the NYC Peech Boys came to an end, Man Friday became Larry Levan’s newest production project. Fronted by Kofi Morny and Brodie Williams, their debut single “Love Honey, Love heartache” was released by Vinyl Mania in 1986 with Larry Levan at the helm of the mix. Love Money: In the spirit of most dance music borrowing elements from other sources,
“Love Honey” was heavily inspired by another Paradise Garage & Loft classic from 1980 and its remix in 1981 by UK Outfit Funk Masters / TW Funkmasters. A dubbed out track big in the Jazz-Funk scene in the UK, it became a hit among underground Deejays in Both NYC & Chicago. Love Honey: No matter what list you look at. ‘Love Honey’ is always attached to Larry Levan’s tenure at the Paradise Garage. All the elements of a Garage Track are here; Dub Echoes, Synth Basslines, Percussions that linger, FX -that one can only dream of hearing on a Richard Long System- and an Organ, because after all, they say the Garage was like going to Church.

Second 2016 release from Disco Modernism, Milan! This is a collection of unreleased
tracks from the solo project of Stefano Tirone, formerly a member of State Of Art and Der
Blaue Reiter and later known as S-Tone Inc.
In 1982 he started experimenting with electronic dance music using analogue keyboards
and drum machines and here is a selection of these experiments.
Among the tracks, “Yes or no” is the instrumental demo that led to the influential Italo
classic “Yes no family” by Jock Hattle.
“Another place in the sun” features Fred Ventura on lead vocals and “No time of no
emotion” is a vocal track with the distinctive sound of Roland 808 drum machine and TB
303 bassline. Four more instrumental tracks complete the session, a couple of which with
a slightly post new wave attitude.
The release is strictly limited to 300

A bonafide dancefloor invitation, this classic cut by Chain Reaction was originally released in 1980 on the P&P affiliate label, Sound Of New York. A project between keyboardist Dwight Brewster (of The Imperials) and percussionist Harold Sargent (of Wood, Brass & Steel fame) Dance Freak provides one finest moments in the entire catalog. A funky disco track with all the elements of a party anthem, it’s no surprise it’s been a favorite of veteran Deejays like Kenny Dope and Danny Krivit. There are many reasons why this track is a must-have for Disco DJs. Outstanding percussions; check. Funky Guitar & Bass lines; check. Catchy chorus; check. Brass accents; very welcomed. Using a synth as a percussive instrument; incredible and most likely lifted from the Patrick Adams Handbook “How to make a hit record”.

Few years before the international hit “Uptown Top Ranking”, made with his friend Donna, Althea Forrest recorded “Hey Mister” for famous producer (and singer) Derrick Harriott. Mid 1970's, Derrick Harriott is the best reggae-soul producer in Jamaica. He's made tons of US soul cover with Jamaican artists. “Hey Mister” was recorded at Federal studios (Tuff Gong nowadays) and didn't get an international audience, not even in Jamaica, probably because it was not a cover! For the first time since 1976, “Hey Mister” is now available on a Maxi vinyl 12'' to offer the best sound quality. Thanks to Derrick Harriott's master tapes and to the original artwork, now you can play this tune in the perfect condition.

DaM-FunK is the kind of guy who seems like he’d make great company: laid-back, affable, personable. But to truly get the guy, to really understand him, is to know a deep love of music like no other. Dam’s contribution to the DJ-Kicks series gives you an opportunity to do just that. It’s a snapshot view into the mind of the pioneer of Modern-Funk music… DJ-Kicks invites you to get to know the man behind the shades.

Dam makes a lifetime of digging and absorbing music that feels as laid-back as the Santa Ana breeze. Years ago, he coined the term ‘Modern Funk’ to give context to his music. The elements of the synth-heavy and multi-layered style are gloriously displayed on DJ-Kicks. “Modern-Funk is a combination of all the sounds on the mix,” he explains. “Funk, Boogie, Electro, House, Modern-Soul, Ambient tones… a push and pull of nostalgia and progressiveness…”

At a satisfying 19 songs, DâM-FunK’s DJ-Kicks lets grooves breathe. This is a mix to happily get lost within; a document in vibe. Unexpected contemporary joints mingle with lost gems from unlikely places. The exclusive DâM-FunK production “Believer” makes its debut on DJ-Kicks, an extensive instrumental composition that on it’s own could only be classified as signature Modern-Funk. The mix also includes Dam’s excellent collaboration with Nite Jewel, as ‘Nite-Funk,’ on “Can U Read Me?”

Limited edition for Record Store Day 2016!

Benedek's debut LP for PPU!

Another Boogie classic on PPU! So, so good!!!

Great Disco-Reggae versions of classic hits by some artists as diverse as Madonna, Herbie Hancock, Justin Timberlake, The Commodores, The O'Jays, Curtis Mayfield, Harry Nilsson or Sugarhill Gang.

Perhaps one of the most revolutionary and influential people in the cannon of disco music, Patrick Cowley created his own brand of Hi-NRG dance music coined "The San Francisco Sound." This very special LP features a compilation of restored Cowley productions unearthed in the garage of vintage gay porn company Fox Studio. Spanning nearly 90 minutes, the 11 tracks (originally recorded between 1973 and 1981), epitomize Cowley's forward thinking and his affinity for mixing elements of varying styles of music. Simply put, Cowley was a musical trailblazer ahead of his time. His credits as a producer include SYLVESTER's "Do You Wanna Funk,” PAUL PARKER’s "Right on Target" and collaborations with JORGE SOCCARAS of INDOOR LIFE—this is just the tip of the iceberg. An early victim of AIDS, Cowley passed away at the age of 32; these recordings shine a new light on the experimental side of a disco legend who was taken too soon from us. Featuring over 80 minutes of music, this compilation contains soundtrack music from two Fox Studio films, Muscle Up and School Daze, never before released on vinyl. The tapes were restored and transferred using the same speed and pitch settings, then remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley, CA. The vinyl comes housed in a glossy dual pocket gatefold featuring classic gay porn imagery from the Fox Studio vaults plus an essay from Indoor Life vocalist, JORGE SOCCARRAS. For Patrick's 63rd birthday, Dark Entries and Honey Soundsystem present a glimpse into the instrumental world of a young genius. These recordings shine a new light on the experimental side of a disco legend who was taken too soon.

Songs Volume One is a collection of material written, produced and recorded by Dwight Sykes on 4-Track Cassette, in his home studio L.U.S.T. Productions.

Original founding members of New England's premier reggae band, The I-Tones; Jon Gorr (Keyboardist), Tony Allen (Drummer), and RAM (Vocalist) released their side project "It's No Lie" in 1983 on Massmedia Records.

Robbie M of Midnight Express (Danger Zone) is back with his latest single! This is the first track from Robbie's Upcoming LP.

“New” album recorded 1988-1992 ... At the request of Peanut Butter Wolf, Dam went through many of these recordings, all made on cassette, going back to his teenage years. As Wolf tells it, “Dam told me, ‘this is your project Wolf. Do whatever you want with it. I leave it in your hands. I don't even wanna see it til it's done. Have fun.’” ... so have fun, people! LP is limited to 1000 copies!

Back in! Obscure Philly disco from 1984 recorded at Sound Modification, includes Tom Noble Edit on the flip!

Back in! It all started in a local club in Pine Bluff Arkansas where Mojo and Spider played in their first group together Zodiac in the mid 70s. Spider played lead guitar, and Mojo held the brass section. Sam "Spider" Rice was also the music director for a vocal group called "La Pinch" which included vocalist Gary Pinchom (Pinch). As the 80s approached La Pinch was looking for a new sound. After relocating to the East Coast "The Pinch" was born. New York and Jersey was quite a change. Spider wanted to write a song to address the drug abuse he was seeing all around him. "Shot Out was a street term we used to describe someone with an excessive drug habit", recalls Spider. "We built a voice box from a horn driver, a couple of switches, and some tubing". They had some money stashed from a Zodiac gig and picked up a Prophet 5 and Roland Drum machine. After recording the track in 1981, the song was mastered at the legendary Power Plant in NYC. That would prove to be the major limitation for the release, since they were out of money now and could only afford to press 200 copies of the 7". Distributed in Texas and locally on the east coast, "Shot Out" would be the only release from The Pinch. UNTIL NOW! Re-mastered for the first time on 12" vinyl, this 80s funk masterpiece is finally back on wax.