Disco | Boogie Vinyl 284 Items

Gloria Scott’s ‘What Am I Gonna Do’ is considered by many as one of the greatest soul records of all time. A masterpiece produced by Barry White, that oozes class, lush instrumentation and the remarkle vocal talent and emotive delivery of Ms Scott.

From the impecable opener ‘What Am I Gonna Do’ through to the Modern Soul scenes favourite, ‘(A Case Of) Too Much Love Makin’, nearly every cut on the LP is a classic.

An extremely rare LP since it’s release in 1974, with original copies changing hands for over £100. Now 50 years on it has been officially licenced & lovingly reissued by the Selector Series label and arguably an LP every Soul fan needs in their collection.

New Parisian label, Disques Messager, presents its first release and not the least. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which begins rather well, with the official reissue of these two stirring titles by Brazilian singer and composer Cristina Camargo. Native of Rio De Janeiro, Cristina Camargo had quite a short career, releasing only 2 albums in 1980 and 1981, but still enough to collaborate with some of the best composers, musicians and producers at that time. Her first self-titled album was therefore produced by Robson Jorge & Lincoln Oliveti and recorded with some of the finest musicians. “Moral Tem Hora” comes from this same LP and is a perfect example of the unique alchemy that emerged when the Disco and Boogie invaded the Brazilian music scene. A quite hard to find Boogie killer, composed by famous brothers, Marcos and Paulo Sérgio Valle. On B side comes “Minas Do Rei Salomão”, a more chilled-out title extracted from Cristina’s 2 nd album, Santa Maravilha. With its funky slapped bass, airy keyboards and the sweet vocals of Cristina, the song seems made to sip a nice cocktail at Ipanema.

Feeling the summertime vibe over here at Disco Segreta, and we're ecstatic to revive one of the rarest summer-themed Italo disco tunes ever dropped! L.S. Manera, the alias of the studio ensemble helmed by musician Leonardo Del Vita and vocalist Sabrina Anselmi, epitomized the sun-soaked italo grooves of the 1980s. This short-lived group unleashed only a handful of singles between 1985 and 1988. Their debut single, "Sombrero" surfaced in 1985 as a promo-only 12” on the Roman label LGO, in exceedingly limited quantities, garnered relatively little attention. Fast forward nearly four decades, it has become one of the most coveted Italo 12”s, fetching exorbitant sums in collector's circles. “Sombrero” stands out among aficionados of obscure Italo-disco, embodying a distinct vein: that of summer-themed tracks. With its tantalizing blend of airy arpeggios, Juno 60 synth lines and bass, punchy percussions adorned with claps, DX 7 cowbells and a seductive saxophone solo. “Sombrero” has it all to seduce new discerning listeners, also thanks to the infectious alternating vocals in English and Spanish, featuring hilariously sultry hooks such as "Te quiero, Sombrero!" or "I love muchachas!" Disco Segreta fulfils another Italo disco dream by reissuing this absolute gem for a broader audience, presented in a meticulously remastered 12” edition featuring the original vocal and instrumental versions, along with the stellar “Estate Dub” by the Chilean-Swedish maestro of Italo-disco, Claudio Burgos, aka Mr. Fantasy, which we are sure will become an absolute dance classic. Sombrero, te quiero!

Two gypsies with pedigree backgrounds in Flamenco got together with a drum machine in a studio during the early 80's and the result was Chipen, a somewhat poppy chart oriented project featuring Peret Reyes the grandson of legendary Catalan Gitano musician Peret (aka "El Rey de la Rumba") and Johnny Tarradellas. "Volao" is a mid tempo effort to bridge Pop and Rumba, mixing catchy funk guitar riffs with elements of Flamenco in unprecedented ways. "Chiribiri" sounds like it could be the theme song to a Catalan morning show or even a Japanese 80's Toyota Camry ad, reeks of stereotype and cliche, except that Chipen is the real deal, as real as the darkness of the hair dye on the cover photo. Extended version of Volao on the B side. Remastered at Manmade Mastering in Berlin.

Following on from 2016’s Doing It In Lagos: Boogie, Pop & Disco in 1980s Nigeria, Soundway Records return to that blistering set for the first and only officially licensed re-issue of the highly coveted debut album from Steve Monite, featuring the single ‘Only You’ that recently seeped its way into popular culture. Lovingly restored and remastered on 180g vinyl with liner notes. Shooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. An album that was largely overlooked on release in 1984, the track list includes the latter day hit ‘Only You’ and ‘Things Fall Apart’, the melody of which was lifted for Young Franco’s 2020 single ‘Fallin’ Apart’.

Selector Series are back with more holy grail goodness, this time in the form of early 80’s boogie from Detroit.

Gene Dunlap was born and raised in Detroit, Michigan. He began his music career at age four when his father taught him to play the drums, honing his craft at Detroit Mumford High School. He went onto perform with Roy Ayers before releasing two solo albums in 1981, It’s Just The Way I Feel & Party In Me.

In a celebration of soul music's enduring legacy, Celestial Echo is excited to unveil the reissue of Winfield Parker's revered classic, 'I Wanna Be With You.' Originally released in Baltimore in 1979, this soulful gem has maintained its status as a sought-after treasure by soul DJs for decades. With original copies commanding prices well beyond £200, the decision to reissue this timeless piece of soul music history on vinyl is a testament to its everlasting dancefloor impact. Celestial Echo is proud to present the reissue on a limited edition 7-inch vinyl record, meticulously remastered and pressed on heavyweight vinyl for an authentic analog experience. It also features a picture sleeve and redesigned labels. The following releases on this brand new re-issue label will include tracks from Brutal Force and Curtis. Diggers, and rare soul lovers need only apply.

Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it! On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus. On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.

2021 repress. Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

A holy grail for fans of French boogie, early hip hop, Arabic funk and Balearic bops,"Ettika" has been seriously sought after since Vidal Benjamin found it in the 1€ bin back in 2006. Teasing the ears of the underground via Vidal's 'Balearic Nightmare' mix for Noncollective, copies of the original were soon snapped up completely, and the later adopters were sated by a Blackdisco edit from Alexis Le-Tan (himself gifted Vidal's second copy), which is now also rare as hen's teeth. The fervour for the track is easy to understand. Underpinned by an endlessly buoyant bass groove, chanted female vocals dart out the speakers like a post- modern mantra while synth vamps flare in stuttering stereo. Middle-Eastern motifs add an air of mystery, but this truly belongs in a dance floor utopia. That the track was the product of a 'back-to-work' scheme aimed at unemployed immigrant youth in Rouen only adds to the appeal. Led by teacher Bernard Guégan, a quartet of students delivered lyrics in French and Arabic inspired by their rejection letters, serving a little social commentary and a lot of funk. If you're mad on Ahmed Fakroun and Shams Dinn, or even those folks in the Bush of Ghosts, then this is a must have for you.

must have classic!

Unavailable for years, the reissue of Kassav' legendary first album released for the RSD. Founding album of the modernization of Guadeloupe music, it will give birth a few years later to the global zouk phenomenon. This version gathers for the first time the original version as the American version of the album (4 different tracks).

A brand new cut and remaster for 2023 of the multi genre-busting release 'Don't Send Me Away', that transcended most dance scenes from Modern Soul, Rare Groove, Crossover and Boogie to become perhaps the most in-demand '80s record on the current collectors scene.

A certified classic from a Philly soul legend, Garfield Fleming, that never fails to hit you right in the heart. Already one of the most sought after 12 inches out there, the popularity of 'Don't Send Me Away' was cemented when a video of Garfield himself signing the track at a Paris record stall in late 2018, went viral with nearly 3,000,000 views to date.

With original 12 Inch copies trading hands for £300+ it was high time a remastered reissue hit the shelves, giving a whole new generation of listeners the chance to bask in the glory of this unquestionable anthem.

HiNRG masterpiece and often heard anthem in Mexico's Sonidos movement parties. Originally released in '89 at the tail-end of the HiNRG epoch as “house music” was starting to stake its territory in the charts, this production remained an underground hit by Los Angeles based duo Tyrants in Therapy (aka Dreams Come True). The melodic themes and lyric nuances explored in Sweet Magic make it a unique and unforgettable hymn you'll be humming when you wake up after a night at Patrick Miller. Faithfully remastered from the original master tapes which we managed to find and digitize in Los Angeles. Featuring a new stripped down extended mix by Castro using the original stems from the master tapes.

Randy Wiper is only known for this highly sought-after 100% pure Italo-Disco song from 1984, but the reason why he hasn't published anything else is that the artist embarked on a career as a film actor immediately after. The beginning of the song "I'd Like To Know" could be divided into three, the pattern of which is repeated in the subsequent instrumental parts, the piece possesses the sidereal energy of space disco. When it seems that we will leave the planet on board a shuttle, the soloist's voice enters, full of personality, it is that of Marcello Arcangeli and has the gift of inflections that sometimes recall that of Roy Orbison, at other times that of David Bowie. What remains most imprinted on the listener is the romantic part of the ballad, highlighted by the piano and passion. Finally there is the chorus which sounds exclamatory, imploring, but at the same time casual and danceable. Through a unique theme, that of a rare piece like "I'd Like To Know", we explore space, the heart, the disco.

Reissue of this italo classic from 1984. Comes with Flemming Dalum and DJ Tin Tin remixes.

Two classic Jackie Stoudemire gems, ‘Flying High’ and ‘Guilty’ get a long overdue reissue, the former of which has never been available on vinyl before.

Picked up by Tap Records impresario Jeremiah Yisrael, Jackie spent the lion’s share of 1982 in the studio with Yisrael, the prolific Gene Redd and dozens of musicians, including purportedly Barry White’s Love Unlimited Orchestra.

Ten songs were recorded over the course of the year, and two of the standouts are pressed loud and proud on either side of this limited 7 inch. First up the funk-fuelled, slick and stylish disco number ‘Flying High’, pressed for the first time ever to vinyl. ‘Guilty’ takes the B, one of the last songs Gene Redd would ever pen and some of the finest production work in a career that spanned four decades. Disco at its brilliant best. Yellow label version white sleeve.

After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

The killer 1981’s Nigerian funk boogie disco and reggae by Kio Amachree repressed for the first time.

Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.

""It's the Monkey !" is one of the most striking and unique reissues of Best Record to date, rises like a flame from the history of the Italo-Disco. Very well arranged and enriched by a creative use of many different sounds. There is nothing else quite like it! Strada was born in a studio where the extraordinary arrangers Ennio Tricomi, Enzo Vallicelli and Romano Trevisani work with Enza Kucic's superb vocal skills, their favorite backing singer of Crusin' Records. "It's the Monkey", considered to be one of the Top Five Italo-Disco tracks of all time, is a electro monster with all kinds of weird sounds and effects, wicked synth stabs, very original use of drum kits and arpeggios! There is nothing else that looks and sounds like this piece apart from "Raging Waters" by Al Jarreau in the 12" Dance Remixed by Judy Weinstein and Larry Levan. But how can one claim that someone copied Levan when Strada's album was releases three months earlier? "Street Dance" on the flip is an underrated electronic track with a deep dance potential, rhythmically slightly slower, with very catchy synth strings. Among the most evocative and important reissues of the year!"

Larry and Bell are two musos from the east and west of the Atlantic, who met on a scuba trip in Belize in '99. Larry plays Bongos, Bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on Guitar, Double Bass, and Kick Drum. After a few Rum Daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

Record Store Day 2021 Release. Famously sampled in Modjo’s number one smash hit ‘Lady’, Chic ‘Soup For One’ is a tried and tested recipe for greatness. Tantalizing, trademark Nile Rogers funk strumming, sublime synthwork, vocals to die for and hooks for days. Coming up to its 40th anniversary with the original released on Mirage in ’82.

Limited to 100 copies.

Shake your ya-ya! Jake Sollo (Born in Nigeria as Nkem Okonkwo) started his career in the 1960s as a member of The Hykkers, a popular band that drew large audiences across the country (even during the turmoil of the Biafra civil war). After The Hykkers disbanded, Jake joined the Aba-based super-group The Funkees…a musical outfit turned into instant superstars due to the State Broadcasting Service's heavy rotation of their demo tracks. The Funkees became a phenomenon that spread across the country fast (and eventually to England where they were championed by the legendary John Peel). By 1976, due to creative and personal tensions, The Funkees slowly started disintegrating. Jake Sollo was soon offered the golden opportunity to join the ‘crème de la crème’ of Afro-rock groups: Osibisa. Jake’s distinctive rhythm guitar graced their hits, but his tenure with them was short-lived…in 1977, Sollo and two other members left the band because of financial disagreements.

Jake Sollo quickly moved on and did just fine after his experiences with said bands…he got steady work as a session musician and became a hot producer in the London scene. Eventually, that chapter came to a close as well (with budgets and visas to record in the UK becoming increasingly scarce at this point). Jake returned to Nigeria where he started recording and producing albums, during this period he became the MOST in-demand producer in Nigeria.

Sollo’s specialty was bouncy ‘high-gloss’ boogie (though he occasionally produced artists in other genres as well). Regardless of which style he was working in, a ‘Jake Sollo production’ was always instantly recognizable and his records’ main sonic signature was probably the distinct sound of the Prophet "V" synthesizer (a hot piece of hardware that was transforming music in Europe and America). Rumor has it that Sollo owned one of the two only Prophet synthesizers present on the African continent (the other one belonging to William Onyeabor). Without exaggeration and according to his peers…Jake was the hottest and most prolific music producer in Nigeria between the late 1970s and mid 1980s.

Next to his productions for other artists and major labels like EMI & Polydor, Jake Sollo would go on to record a total of three astonishing albums: ‘Coming Home’ (1977), ‘Show Me How’ (1979) and ‘Boogie Legs’ (1980). Boogie Legs would be Sollo’s final album, his career was cut short when he tragically died in a car accident in 1985…depriving the world of what no doubt would have been decades of more innovative and creative music.

On Boogie Legs, the listener is treated to Jake Sollo’s trademark sound with touches of pop, plenty of African groove disco, moments of psychedelic reggae, chattering guitars, mad synth skills and fat angular basslines … all bound together with Jakes distinctive guitar playing and smooth production. A triumphant album that combined the raw power from his roots with the slick tricks he learned in London. Also featured on these recordings are some ‘all-star’ guest appearances by musicians from the likes of Trevor Murrell (Kim Wilde, Sade) and Ray Carless (Maxi Priest, Adele).

Boogie Legs is a sexy monster of an album that shows off Jake Sollo as the multi-instrumentalist extraordinaire and Apostle of Nigerian music he was…the sound of an artist at the height of his power, with a career that came to an untimely end…but leaving us with a BIG legacy.

Tidal Waves Music now proudly presents the first ever vinyl reissue of Jake Sollo’s ‘Boogie Legs’ album (originally released in 1980 on Taretone). This rare Nigerian record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork. Limited to 100 copies 180g YELLOW VINYL (available exclusively from HHV RECORDS).

Limited edition remastered reissue of Funky Family, the italo disco studio project from 1984. This production features Nicola Nicolosi from Nicolosi Family
we can remember him on Amnesie by Turas) and represents a real example of proto-house that became a Chicago classic regularly played by Ron Hardy at Muzic Box and during WBMX radio shows. This edition has the full instrumental cut on the side two instead of the short radio edit available on the original one.

This release comes on 180g vinyl. The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece. The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment.

Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weaving around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and withe permission and blessing of the producers and performers.

sooooo good! Pure boogie!

Limited edition of 100 copies, hand-numbered on label side A.
Includes A4 info sheet.

Originally released in 1979 on Dominant Records, the two songs, produced by Antonio Iglio and Antonio Moxedano, became a total cult through the years, a collector item if there is one. The original 7 inch is one of the most wanted and rarest, impossible to find, with few copies appearing in the second hand market at hundreds quotations, a true milestone in the underground Neapolitan Disco Funk sound released between the end of the Seventies and early Eighties in a lot of small, unknown labels. The fever around Tigre / Gennarino ‘O Sioux by Tonica & Dominante was so high that influenced a new wave of Neapolitan acts like Nu Guinea (Nu Genea) and also compilations of other singles from the past like “Napoli Segreta”. Finally reissued on Archeo Recordings, the first time appearing on 12 inch, Tigre and Gennarino ‘O Sioux are remastered for the Archeo release and each track backed by a Vocal Dub version done by italian dance music legends Leo Mas & Fabrice, two superb and extended grooves that will be fire for the Balearic/Nu-Disco scene.

Originally released in 1979, strangely only in Portugal, yet produced by a French duo, Anselmi/Silvestre. “Music Love Song” is a 7 minute long European disco excursion with an unmistakably unique aesthetic, confidently breaking every rule in favour of a sound unheard of at the time. Employing unorthodox studio techniques that would have been unacceptable for most major labels this single only made it on a relatively small sublabel in Portugal for some mysterious reason. The result is a deeply cosmic/melancholic escapade with dreamy androgynous vocals and raging guitars at 130+ BPM - hard to forget. Officially re-issued, remastered and released with original artwork that is no less bold than the music.

First ever 12” edition of Ahmad Albar’s spacey 1981Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!

Norman Connors' 'She's Gone' is a timeless blend of Soul and R&B from his 1981 album, 'Mr C'. 43 years since its initial release, 'She’s Gone' still endures as a masterpiece, showcasing Connors' musical prowess and ability to create unforgettable compositions. Lush arrangements, masterful instrumentation, and heartfelt vocals define the track with Norman Connors seamlessly fusing horns, strings, and rhythm instruments for a rich sonic experience. This 7'' heavyweight vinyl single, presented here exclusively for RSD is the first time this single has been available since 1981 & gives fans old and new the chance to own a slice of this classic, in demand Norman Connors production. remastered, but with slick early 80's aesthetics as was.

Francesco Puccioni "born genius" in Florence, Mike Francis "becomes legend" in Rome. Deeply inspired in his adolescence by the emerging movements of North American soul, country and West Coast music and by artists such as Marvin Gaye, Stevie Wonder and James Taylor, Francesco began to compose refined songs with radiant energy every day. From the first acoustic gestures performed with the guitar, always keeping compositional creativity and improvisation under his arm, he enters the unexplored waters of Italian disco music. This slow and inexorable transformation allowed him to create in 1981 with the Metropole group (with Al Festa and Claudio Giusti, all still in their twenties) the international disco hit "Miss Manhattan", a true piece of proto-Italo-Disco! A year later the young Florentine singer-songwriter wrote two evocative soul-disco songs produced by Paul & Peter Micioni, published by Best Record and performed by a certain Mike Francis (!). This is the birth of the stage name which will forever accompany the musician who became a fundamental reference of the experimental Italo-Disco "scene", then soon recognized worldwide. This coveted 12" vinyl reissue comes out with the same Best Record commercial cover as 40 years ago and with the same 'red sticker'. And finally we have the juicy reissue of "Nightime Lady" and the more appetizing and danceable "Love Has Found You", both perfectly remastered by Dom Scuteri, excellent in obtaining an impeccable sound recording, even eliminating some imperceptible defects of the original master tape. Therefore a super reissue (in limited edition) to listen to everywhere with the smart phone and to dance with joy and elegance at any type of party.

Brothers Gerard Mendes (also known as Boy Ge Mendes) and Jean-Claude Mendes display the intriguing combination of Creole Portuguese-African polyrhythms, American boogie, and Brazilian samba; the duo became massive stars among the Cabo Verde diaspora.

This LP includes the killer boogie anthem “Mitamiyo”