Disco | Boogie Vinyl 346 Items

Mr. K transports us to the golden era of the Loft with two disparate, but equally heavyweight classics from the Mancuso oeuvre mastered and cut loud, deep, and clear for club play.

First up is an edit of a track that embodies the spirit of early ’80s downtown New York City. Released in 1982, “Konk Party” was the band’s calling card and first hit, and represented their multicultural, no wave, hip-hop/disco hybrid perfectly, the opening sax riff itself a sly nod to Wild Sugar’s breakbeat classic “Bring It Here” that the Beastie Boys would later sample. A Loft staple — the video was even filmed there — “Konk Party” was also played widely across the influential clubs of the day, becoming an instant staple at Danceteria, Mudd Club, and other hot spots. The easy-going groove, heavy on the percussion and low-slung bass, complimented by bilingual lyrics from Angel Quiñones, has dated well, and sounds especially ready for action in this new edit from Mr. K, largely inspired by the original 12-inch’s choice Uptown Breakdown Mix. This is the first time “Konk Party” has been available on 7-inch.

The heavy percussion backing is perhaps the only similar element that links our A-side to its flip, but that only goes to show the breadth of styles that coexisted in the audio landscape of the Loft. “Hold On To Your Mind,” first released in 1970 by Northern Irish rock group Andwella, is a heavy, psychedelic tour de force that more than lives up to its cautionary, heady title. Mr. K has outdone himself with his new mix, a supercharged blend of extended percussion breaks — absent on previous 7-inch mixes — driving vocals, and fuzz guitar. For those who have never been able to track down the original single, an expensive proposition, and even for those who have, this new edit is certainly the definitive version.

Get inside the gambling den. Das Wettbüro is the new music on candomblé that will make you want to never stop playing. Toggling between love infested disco and droner Krautrock, leaning into Kosmische and Late 80s House - it is a pleasure to be surprised as their vision unfolds. These men don’t play for free. And they always win. Now bet your Money on this record

The Pina Crew return! An the A side we have a deftly extended Disco-Rock workout that crescendo's perfectly for maximum floor-frenzy. Over on the B, we're treated to a wonderfully sleazy, vocoder punctuated cosmic throb... Simple, effective jams on limited edition 7" Floor food for all moods. TIP!

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble. Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item. Chapter 7 sees two prized cuts bursting with that unbridled gospel energy, Spiritual Souls 1982 number - ‘We Came To Show You The Way’ and Heaven’s Sound’s 1984 gem – ‘Fire’.

More glorious heat from the vaults of NYC's Disco powerhouse - P&P Records! One of many labels operating under the equally legendary tutelage of Patrick Adams and Peter Brown, two truly colossal figures in NYC's music scene, the P&P records catalogue is still fascinating underground dance music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds its way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco Classic!

“Soul Is My Salvation" is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.

The first official reissue of ‘Good Lovin’’ – a modern soul dancer with a killer groove, heavy low-end, delectable string & horn trade-offs and the husky tones of the inimitable Al Mason, that blew up on the scene in 1980 and now commands eye watering prices between collectors. This dinked 7 inch comes backed with ‘We Still Could Be Together’ off the original promo 12 Inch, with both tracks fully remastered and officially licensed for the first time since its original release.
‘Good Lovin’’ stormed dancefloors back in the early ‘80s taking Al’s undeniable, raspy vocal prowess and stirring it up with an energetic combination of funk guitars, full frontal basslines, on-point harmonies and a perfectly arranged string and brass section. It’s been a rare treasure on the second-hand market with original copies trading hands for £400 so an official reissue will be music to many an ear.
The B side, ‘We Still Could Be Together’, is an emotive ballad filled to the brim with Mason’s tangible passion alongside smoky pianos, cinematic strings and velvety backing vocals. A slow stepper with a bittersweet message behind it.

Rarely does an artist pay homage to the classics like Dimitri From Paris. The Grammy nominated producer, remixer, composer and DJ has made every one of his repertoire of reworks sound effortless; no mean feat when the original tracks are by the likes of Disco’s greatest musicians. In 2018 he released his “lifetime achievement” on Glitterbox, with the strictly limited pressing of the ‘Dimitri From Paris presents Le Chic Remix’ boxset. Now the 12’s have their own separate outings, bringing greater focus onto the individual productions, as each vinyl features two of the incredible Dimitri remixes, along with their respective instrumentals on the B-Side. On this record, Dimitri continues to get to the heart of why CHIC’s music remains so universally relevant, underlining the enduring cultural significance of dance music in its most unabashed form with his careful remixing of CHIC classics ‘My Forbidden Lover’ and ‘I Feel You Love Comin’ On’.

Classic jazz/funk/disco cut that became an instant anthem on all discerning dance floors when it was originally released, and for decades to follow. Includes the previously commercially unreleased Sax Mix of ‘Journey’, cut loud at 45rpm.
Championed by DJs including Francois Kevorkian, David Mancuso, Larry Levan and more, it’s a record that, alongside tracks like Atmosfear’s ‘Dancing In Outer Space’, become synonymous with the UK influence on US club music at the time. A sound that many forward thinking DJs in New York, Chicago etc. embraced to stand out from the crowd and bring depth to the dance floor.
Driving jazz/funk, legato bass, grooving beats, subtle keys, dubbed out percussion and guitar licks that bring you to a simple but infectious piano melody.
A collaboration between Andy Sodjka and Jerry Pike, mastered by Herb Powers.
Licensed from Chemical Discs.

Nu York Groove Sessions drops another hot LP of rare boogie, disco dub & holy grail cuts! Followers of Larry Levan's Paradise Garage, crate diggin fanatics & trainspotters alike should jump for joy as thus runs the full spectrum for you & yours. Super limited pressings so don't miss out!

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 2 features a DJ friendly Al-Tone extended mix of the gospel boogie cut ‘Look Up’ by Moments Of Faith Singers, along with Lamont Butlers’ Ungodly War.

Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn’t heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

Pioneers, that’s what we call them. Not properly a giant team, but a bunch of forward thinking producers. In the heyday of the italo disco there was some forward thinking, a new way to address the club scene. 1985 is the golden year and if you want to get to the core of the synth-pop experience look no further ! This previously unreleased compilation collects a series of unbelievable tracks. An outstanding vision featuring la crème de la crème of the early 80s scene. All the way from electro wizard Alexander Robotnick to the astonishing performance of vocalist Mya Fracassini, through the French connection of Bigazzi brothers of Mon Bijou.

During the summer youth program of 1970 and '71 at St Paul's Catholic church a young Tunnie Smith was singled out by Father George Artist for his outstanding singing abilities. He was soon introduced to Joe Delpit and Reginal Brown to sing along with their show and dance band "The 13Th Amendments. It didn't take long before Tunnie was a full member of the band and became a featured singer performing throughout Louisiana. After a year and a half of performing at nightclubs, military bases and universities Tunnie landed a record deal with Rick Hall's Fame/UA record label. His first single from 1973 was a wonderful mid-tempo number entitled "Finders Aren't Always Keepers" flipped with "Do That To Me" It gained National distribution and had some good success. Tunnie left Fame records and was introduced to Stax record executives Al Bell and John Smith. After signing with Stax Tunnie met legendary writer and performer David Porter where they recorded an album which was scheduled for release around 73/74.Unfortunately Staxs association with CBS came to a halt and the project got shelved. Tunnie went home and carried on performing around the Louisiana area with his new band Sweet Music Orchestra" Fast forward to 1983 Tunnie whilst recording some vocals at River City Recording met Chicago producer and arranger George "Paco" Patterson. George was musical director and had worked with The Isley Brothers Wilson Pickett and many other well known artists. During this period Tunnie along with George formed a great partnership and along with some top session musicians record some incredibly lush, well produced and atmospheric songs The A Side "Dancing On Da Cloud" kicks of with female backing vocals and cascading strings layered over each other to create a full bodied 2 Step Rare Groove classic, which we can only compare in the highest esteem to an out take from Marvin Gaye or Leon Ware. It oozes sheer class with rasping horns and Tunnie showing he hasn't lost any of the singing prowess he got singled out for as a young boy in1971. "I Found A Miracle" is a slightly slower affair than the A side but still kicks a punch. It starts with pounding drums and again those cascading strings whilst Tunnie's scatting vocals flow until the verse arrives. It is a powerful beat ballad-esque song that sits perfectly back to back with "Dancing On Da Cloud." We at Super Disco Edits are very excited to be able to bring you the first instalment of Mr Tunnie Smith!

Following on from Buddy's debut single 2 years ago we bring you Buddy Hank & The Shine Bands previously unissued lp called "Dust to diamonds".
It comprimises of the previous hit single "Try you love" along with 3 new discoveries from the same session.
"Lets get down tonight"/""Sugar baby" plus "Your'e so special". All 3 are infectious disco boogie tunes with that recognizable sound Buddy Hankerson helped create for Young & Company on Brunswick records.
Also contained on the lp is an instrumental verison of "Lets get down tongight" plus two instrumentals from the 1981 sessions they never got around to laying vocals down to.
"im so glad i found you" and "Sham".
We really hope "Dust to Diamonds" wipes the dust away you.

Hailing from Florida, The Tropics were one of the finest 60s garage bands. Their memorable concerts are still remembered today by the lucky ones who saw them at the time. Between 1965 and 1969, they recorded some explosive and now legendary 45s which are prime examples of garage-rock, teen-beat, folk-rock and proto-psych sounds. Here you’ll find most of those 45 sides along with some rare, previously unreleased on vinyl tracks. Including the classic “As time’s gone” (covered by The Fuzztones) and many more.
Remastered sound in mono, insert with detailed liner notes by Jeremy Cargill (Ugly Things) and rare photos.
“In 1965 The Tropics were the biggest band in Florida…simple as that. I watched them in awe” Tom Petty

Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!

Official limited edition reissue of Asso's Italo masterpiece from 1983. Featuring "Do It Again", a killer Balearic disco-style cover of the Steely Dan classic. On the flip side you get the wonderful boogie jazz-funker "Don't Stop", a track which is pure blissed-out dancefloor heaven and deservedly became a Loft and Garage classic as well as receiving heavy rotation on both the cosmic and Balearic scenes. With the coolest of laid-back jazzy piano grooves underpinned with driving funky squelching bass and superb syncopated drums.

Official remastered reissue of the italo-disco classic song: Gimme Love, a tribute for the legendary Cellophane Club in Rimini active during 80s. This limited edition release contains the original long version on the A side plus the "Italian Version" on the B side.

The last and final instalment of the brilliant mighty fire unissued reels. And again two beautiful sides straight from the pen of Melton Bolton. These tracks were sitting around before they cut a deal with Elektra records. Melton Bolton has been a prolific player and musician for over 40 years. Writing for Motown plus a host of other record labels.
The label salvaged the reels, cleaned them up a bit. Nothings perfect in this music world. But the chance to give these songs a new vehicle gives Super Disco Edits always a great pleasure.

Check out this nice disco vibe by Jackson Jones & The Hippy Boys from around 1980!

Strut present the first definitive retrospective of an icon of 1970s and "80s soul, jazz and disco, Patrice Rushen, covering her peerless 6-year career with Elektra / Asylum from 1978 to 1984.Joining Elektra after three albums with jazz label Prestige, Patrice had shown prodigious talent at an early age and had first broken through after winning a competition to perform at the Monterrey Jazz Festival of 1972. By the time of the recordings on this collection, she had become a prolific and in-demand session musician and arranger on the West coast, appearing on over 80 recordings for other artists."Remind Me" features all of Patrice Rushen"s chart singles, 12" versions and popular sample sources on one album for the first time. Fully remastered by The Carvery from the original tapes.

Sophie Lloyd returns to Classic Music Company for another stunning soulful delivery, this time teaming up with Faithless vocalist Pauline Taylor on ‘Angels By My Side’. Much like Sophie’s previous works on Luke Solomon’s imprint, this record brims with the same joyous energy sure to uplift, as live recorded strings, horns and keys give an added richness to the release. With Sophie’s Classic debut ‘Calling Out’ a modern day dancefloor anthem with 10 million streams and counting, and her latest offering garnering early support from the likes of NYC legend Danny Krivit, there is no doubt ‘Angels By My Side’ will follow suit as an essential record for discerning selectors.

Newborn french label Raoi Records is proud to release for the first time a remastered and fully licensed compilation of the two sought after records of Joe Sembene: Heart of Africa & Weur Di Dane/Le P’tit Quinquin. Side A is "Heart of Africa" with the songs "Gorelle" & "Autrefois", two timeless and unparalleled afro/electronic tracks. The first song on Side B is "Weur Di Dane", a perfect blend of afro and boogie vibes. The voice of Joe's wife, Josy Sene, stands out all along the track, a pure bliss! This is followed by a cover of a traditional song from the north of France called "Le P'tit Quinquin", but Joe gives it a strong reggae twist in the vain of Serge Gainsbourg’s "Aux Armes Et Cætera"! However, it had little success at the time... After recording these two remarkable and hard-to-find 7 inches at September Records in Lille (Fr), Joe suddenly disappeared… Who knows where Joe Sembene is right now?

Escort kicks off a new series of 7” releases with a bang!
On the A-side is 'City Life', a bubbling party starter of a track, which features disco royaly Fonda Rae on vocals, while on the flip ‘Fantasy’ blends echoes of 70s tropicalia with dubbed-out disco vocals for a super groovy trip.

Rarely does an artist pay homage to the classics like Dimitri From Paris. The Grammy nominated producer, remixer, composer and DJ has made every one of his repertoire of reworks sound effortless; no mean feat when the original tracks are by the likes of Disco’s greatest musicians. In 2018 he released his “lifetime achievement” on Glitterbox, with the strictly limited pressing of the ‘Dimitri From Paris presents Le Chic Remix’ boxset. Now the 12’s have their own separate outings, bringing greater focus onto the individual productions, as each vinyl features two of the incredible Dimitri remixes, along with their respective instrumentals on the B-Side. On this release we hear ‘He’s The Greatest Dancer’ get the Dimitri treatment that showcases unheard sections from the master tapes, followed by Norma Jean Wright’s life-affirming ‘Saturday’, remixed to cinematic proportions once again by Dimitri.

An instantly recognisable intro that Daft Punk turned into one of their most well-known anthems, ‘Harder Better Faster Stronger’ - Edwin Birdsong’s ‘Cola Bottle Baby’ is straight up insatiable, late ‘70s funk fire.

Limited to 500 handnumbered copies.