Disco | Boogie Vinyl 373 Items

Back IN Print 2022 Edition - Limited Edition of 300 copies Recorded Live in Hyattsville, MD 1975-2015. George really had no interest in releasing this record. "Seeing Is believing, they don’t need records, trust me I did that, today they getting it live". So this record is that, live tapes from the house, recorded on a government issued cassette recorder from National Library Service for the Blind. George calls these his practice tapes for songwriting, and performance warm-up, and never beyond his ears were they intended to travel. "You just got to see me live if you want to really see me.. so when we get there just plug me in, and point me at that crowd". Last time I saw George they had him wired to the club system. He unplugs his Yamaha keyboard, licks the tip of the power cord and taps a beat on it, finally plugging in, synth lights up, tones all at zero, beats at zero. Then he builds from there, counting blind through a preset one hunderd factory tones and rhythm patterns. "I gotta start off at zero, and go from there." After the Marshmellow Band disperesed, he got this Yamaha keyboard, same one he’s been playing since 1990, endless scrolling over the same presets, trying to make them fit, tempo down, tapping while telling the story and asking if that feels right to you. "This always gonna be different live."Some selections on this album are original material from home sessions prior to George’s 1980 self- released LP. The rest, just a sampling from the Smallwood mind’s library of classic song writers. - Andrew Morgan (Peoples Potential Unlimited)

Another classic Cosmic Chronic from a few years back, rounding out the end of an era for the Miami imprint. Re-mastered by Stan Getz. Machine Gun Boogie b/w Sophia.

Gorgeous electro boogie, nothing less then you would expect from PPU!

PPU's first long-play LP highlights some of the early beginnings of one of our favorite producers, Uku Kuut. Written and recorded at Uku's home studio in Los Angeles and Stockholm between 1982 & 1989. Some tracks co-written with Maryn E. Coote, famous jazz vocalist who had her beginnings in 1960s Soviet Union. "That's my mom" recalls Uku, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, Uku's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear. In true PPU style this LP is a mix of Uku Kuut's raw cassette demos, forgotten masters and unreleased magic.

Original founding members of New England's premier reggae band, The I-Tones; Jon Gorr (Keyboardist), Tony Allen (Drummer), and RAM (Vocalist) released their side project "It's No Lie" in 1983 on Massmedia Records.

Cult boogie funk release from Robbie M & The Midnight Express Show Band of Rock Island Illinois. A PPU follower's favorite, and after many requests the 7" reissue is now available..Includes the newly remastered 1983 7" version of "Danger Zone" and Robbie M's "I Need Good Lovin" from 1989.

Uku Kuut & We Are, recorded with his high school band during his time in Sweden. Includes the recordings "Funky" and "What's Happening Today". Special thanks to the late Maryn Coote for unearthing all these gems from Uku's cassette tape archive! This is an alternate pressing than the single-sided PPU release of "Funky". There was an issue originally with the B Side which was scraped, but all has been fixed and "What's Happening Today" is available as the B Side in all it's glory!

First released back in 2014 on Greg Wilson’s Super Weird Substance label, as a limited 12'' vinyl run of 500, ‘Don’t You Worry Baby The Best Is Yet to Come’, has subsequently become a much sought after record with modern soul enthusiasts, copies currently selling at well over £100. It was soul legend, Colin Curtis, who suggested, at last year’s We Out Here festival, that a 7'' pressing may be timely. Colin’s connection with the track goes back to hallowed Northern soul club, the Blackpool Mecca, in ‘70s, where the Bessie Banks original, never issued in the UK, was a cult-classic. The Reynolds are Merseyside twins, Carmel and Katherine Reynolds, who worked with Greg across various projects on the label. Katherine takes the lead on this track, and handles it like a veteran, her vocal elegantly gliding the groove – Greg working in collaboration with Wolverhampton DJ/musician Peza, who programmed and co-mixed the track.

Limited Edition for Record Store Day 2018! Two of Jean Carn's seminal hits combined. “Was That All It Was” is a big hitting disco exploration with hints of Jean’s gospel choir background coming to the fore.
The flip houses the classic “Don’t Let It Go To Your Head” – covered on many an occasion since it’s release back in '78.
Pressed on 180g vinyl.

Fresh Italian nu-disco edits.

An incredible 45 of Latin disco - recorded in Peru during the late 70s by funk pioneers Black Sugar, and right up there with the best from New York and LA of that era!It's taken over four decades 'Baila' to become a winner spin at international events in the soul and disco scenes, a sought-after collector's item and, above all, the dancefloor hit that should have always been. First time reissue.Black Sugar is a Peruvian band, considered a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms.In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in.Word is that Sono Radio, home to a bunch of local Tamla MoTown releases for the Peruvian market, thought that Black Sugar's prestige, and their credibility in the new orientation towards disco sound, would benefit from seeing their new single pressed with the labels of the famous record company from Detroit. And so it was. Under certain lights and shadows, 'Baila' was finally released in Peru only in 1978, sporting the same look as the releases of the likes of Marvin Gaye, Diana Ross, Commodores or Thelma Houston. A clever marketing ploy that however failed in boosting the sales of the single_Only a few original copies have survived to this day, of either the first and the second edition from 1979 released on the US label Libra, and reached the collectors market. It's now, over four decades later, when the interest on this recording has gone stronger and 'Baila' is getting regular spins at international soul/disco scene events, having become a very sought-after collectors item and, on top of that, the dance floor anthem that should have always been. The stunning piano arrangements of the intro, the outstanding brass sections -faithfully copied from the disc...

Kalita are delighted to announce the first ever re-release of Los Angeles-based outfit Addmoro"s three sought-after recordings from their privately released invisible 1985 boogie grail "Keep On Trying".

2023 Repress

Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. Side A features the notorious anthem "Keep On Lovin' Me" (the one with *that* life affirming video) whilst Side B houses the outstanding, semi-slept-on "Turn Me Out".

Following the huge succes of “Serious”, remixed by Michael Gray, we now dive into the enchanting world of “Joy & Pain,” a timeless masterpiece penned by the legendary Frankie Beverly of Maze-fame. The brilliant Donna Allen and expertly remixed by the maestro himself, Dr Packer. With his trademark nu disco groove, Dr Packer unleashes an irresistible sonic force, propelling you into a realm where Donna effortlessly takes the reins with her divine R&B prowess. Together, they embark on an awe-inspiring journey, catapulting you into the very heart of dance floor ecstasy. Dr Packer unveils a package of unparalleled excellence, breathing new life into this classic gem and ensuring its enduring legacy. Get ready to surrender to the irresistible allure of pure dance floor heaven!

Few years before the international hit “Uptown Top Ranking”, made with his friend Donna, Althea Forrest recorded “Hey Mister” for famous producer (and singer) Derrick Harriott. Mid 1970's, Derrick Harriott is the best reggae-soul producer in Jamaica. He's made tons of US soul cover with Jamaican artists. “Hey Mister” was recorded at Federal studios (Tuff Gong nowadays) and didn't get an international audience, not even in Jamaica, probably because it was not a cover! For the first time since 1976, “Hey Mister” is now available on a Maxi vinyl 12'' to offer the best sound quality. Thanks to Derrick Harriott's master tapes and to the original artwork, now you can play this tune in the perfect condition.

A welcome return from Sanctuary on their dependable Life Classics label. Short-run edit fun to be had here, with another 4 track selection of 80's Soul & boogie jams.

Mark Lower is back, and Nervous Records once again hand over the reins to the Nu-Disco prince for his second full length album. Through a series of high-streaming single releases and high-profile remixes, Mark has firmly established himself as one of the freshest sounds in the ever popular Disco-inspired House Genre. His relationship with Nervous Records goes back to 2013, when he released his break-out hit “Bad Boys Cry”. Since then Lower has gone on to see his discography on Nervous alone reach over 150m total streams, and he has developed an especially productive relationship with the A&R Director Andrew Salsano where he has full confidence to constantly push the envelope of genre and format to continue to be a creative leader in the industry, knowing the label will stand behind and work in tandem to bring his sounds to the widest audience possible. It took Mark 7 years (and a break-up) to release a new LP. On « Blurry Dreams Of You », Mark explores new horizons while also keeping his famous signature sound on a few cuts. While his first album « Mark Lover » (2014) was 100% made with virtual intruments and synths, « Blurry Dreams Of You » features talented musicians like Lefti (bass / guitars), Pete Whitfield (live strings) and Edouard Musiala (Sax) among others. On the vocal side, the album features good friends like Scarlett Quinn, Yota or Alexandra Price, but also the amazing Scavenger Hunt, Adeline, Alena and Leeloo.

The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

We are honoured to have none other than Jamal Sul better known as Moving Still as the first artist to bless us with two ‘90s Kuwaiti edits on a 12” EP release, the first of the ‘Yallah Ya Ashab’ (Let’s Go Friends) series. The release is in collaboration with Kuwaiti cassette label Al Nazaer who have had a major impact on music from the Gulf region since the ‘80s. Moving Still follows on from his infectious disco floor-filler Sidi Mansour (Moving Still Edit), which took the festival circuit by storm, and his italo-esque edit of Egyptian pop star Azza Kamal’s Maadna Bkra in collaboration with Dutch producer Tjade. Both edits reached #1 in Rush Hour’s best-sellers chart and were played out across the world with support from Palms Trax, Hunee, Skatebård, David Vunk, CC:DISCO!, Esa Williams and Nabihah Iqbal. He recently came full circle with a beautiful 6 track EP Kalam Hub on close supporter Palms Trax’s label Cwpt. For the A side, Moving Still & Disco Arabesquo have combined forces to flip Omrena, a 1998 track from Kuwaiti singer and actor Bashar Ali Sultan, best known for his playful song El Galb El Mehtas. Omrena (‘our lifetime’) is a tale of longing to that time spent with our loved ones and the desire to unite with that lost love. The edit is brought to life with Moving Still’s signature arpeggiated bassline and drums, and masterfully arranged by Disco Arabesquo. The result is a percussive club banger, adding a sense of urgency to the yearning of the original. The B side Nerjaa (‘we return’) is a mystery of a one hit wonder by the obscure band Firkit el Lotus (the Lotus band). Recorded in 1994 in Kuwait, written by Sultan Johar and produced by Meshal Jumah, there are no further details on the band’s members or how long they were together. The original track was a Moving Still find from a Kuwaiti mahragan (festival) compilation, sharing it with Disco Arabesquo during their first in-person meeting in Amsterdam in 2019. The Arabic new-jack swing track has been a quiet obsession of the two ever since. This stripped back edit transforms the original with a refuelled and recreated 808 drum and sub-heavy bass, with crooning vocals to have you fall in love while dancing in the club.

Ok we don't want to come over all hip but here we have some mad rare Gospel disco for you, direct from the master tape as well as that's how we roll (sometimes). Wonky but insanely catchy 45, 'not a minute too late', is the big banger on this 45, but please don't sleep on the dope previously unreleased flip 'Sweet Surrender' which I rate as well.

Limited edition vinyl!
Finally opening up the garage after 8 months of deep winter, Chandeliers are hopping in the black Chrysler LeBaron convertible, and rumbling down Western Ave to a bubbling, dark and sensual soundtrack called "High Diamond". A gothic synth-funk house beat pumps the blood of this diamond, brooding and mood-altering, evoking a feeling that there is something menacing going on just blocks away, but for now, we are here, and we will dance. The flip side "Snake Bomb", is a wicked, reptilian instrumental, where the promises of our new snake democracy lies in the power of those with their hands on the synthesizers and drum machines. With a trapped-out drum kit pushing us into the future, and industrial metallic synth bombs being hurled over our newly shed skins lying on the sand next to us, "Snake Bomb" spins us at 45 revolutions per minute into some distant but oddly familiar past, when we were still trying to escape from our lizard leaders.

A bonafide dancefloor invitation, this classic cut by Chain Reaction was originally released in 1980 on the P&P affiliate label, Sound Of New York. A project between keyboardist Dwight Brewster (of The Imperials) and percussionist Harold Sargent (of Wood, Brass & Steel fame) Dance Freak provides one finest moments in the entire catalog. A funky disco track with all the elements of a party anthem, it’s no surprise it’s been a favorite of veteran Deejays like Kenny Dope and Danny Krivit. There are many reasons why this track is a must-have for Disco DJs. Outstanding percussions; check. Funky Guitar & Bass lines; check. Catchy chorus; check. Brass accents; very welcomed. Using a synth as a percussive instrument; incredible and most likely lifted from the Patrick Adams Handbook “How to make a hit record”.

Vinylmania: As classic disco came bounding through the late ’70s and into the electronically orientated sounds of the ’80s, New York was one of the undisputed frontiers for the latest developments in dance music culture, nightclubs and the art of DJ-ing. At the center of this seminal time for vinyl culture was a store called Vinylmania, set up by Charlie Grappone in the heart of Greenwich Village, Manhattan, just as the culture of 12-inch singles and promo copies was taking hold. From supplying Levan, Tony Humphries and many more with the latest imports to championing the emergence of house music in the mid-’80s, Grappone and his staff played a significant role in New York’s own dance music story. Through the ’90s and up until closing in 2007, Vinylmania was a store that catered to DJs from across the complex mixture of racial, social and sexual demographics that made up New York and its legendary nightlife. Man Friday: As the NYC Peech Boys came to an end, Man Friday became Larry Levan’s newest production project. Fronted by Kofi Morny and Brodie Williams, their debut single “Love Honey, Love heartache” was released by Vinyl Mania in 1986 with Larry Levan at the helm of the mix. Love Money: In the spirit of most dance music borrowing elements from other sources,
“Love Honey” was heavily inspired by another Paradise Garage & Loft classic from 1980 and its remix in 1981 by UK Outfit Funk Masters / TW Funkmasters. A dubbed out track big in the Jazz-Funk scene in the UK, it became a hit among underground Deejays in Both NYC & Chicago. Love Honey: No matter what list you look at. ‘Love Honey’ is always attached to Larry Levan’s tenure at the Paradise Garage. All the elements of a Garage Track are here; Dub Echoes, Synth Basslines, Percussions that linger, FX -that one can only dream of hearing on a Richard Long System- and an Organ, because after all, they say the Garage was like going to Church.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

Dimitri From Paris remixes Space Talk! Naya Beat is proud to announce a historic Asha Puthli 12” disco single, "Space Talk: With Remixes By Dimitri From Paris", the first in a series of Naya Beat remixes and retrospective releases featuring the legendary Asha Puthli. Working with the original Space Talk stems and studio recordings, Dimitri From Paris does the impossible – delivering not one but two stellar versions of the original masterpiece. Two remixes that are destined to be classics in their own right. Be it the world of disco, rare groove or hip hop, Space Talk is one of those rare tracks that transcends time, genre and place. A track equally at home in David Mancuso’s The Loft as in the hands of afro cosmic pioneers Beppe Loda and Daniele Baldelli. A track that has been sampled by The Notorious B.I.G and P Diddy, 50 Cent, and Redman. A track that has seen countless bootleg disco edits but that until now has never been remixed. No stranger to working with iconic music, Dimitri’s two stand apart remixes deliver his trademark sound and more. This is Dimitri at his best. Beautifully dubbed out and magically lush production (with plenty of laser sounds to boot) builds on the original’s interplanetary excursions. While the remixes are quintessentially Dimitri, they also pay homage to greats like Tom Moulton, Patrick Adams and Larry Levan. Exclusive to this release (along with "Dimitri From Paris Spacer Dub") are a "2023 Mix" and "Extended Mix" of the original, lovingly mixed for the discerning DJ by Naya Beat cofounders Turbotito & Ragz using the original studio recordings. Their very existence the stuff of rumour and legend, Naya Beat and Asha have tracked down the original stems and studio recordings from her most seminal albums, including "The Devil is Loose". "Space Talk" is the precursor to a full length LP coming out in September 2023 featuring remixes by legends like Maurice Fulton, Yuksek, Kon, Psychemagik, JKriv and Black Devil Disco Club to name a few. This is a once in a lifetime opportunity for producers inspired by her music to honour Asha’s influence and legacy. This is Naya Beat’s third release in a series of reissues, reworks, remixes and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora

For its second release, Providenciales Records was able to unearth a previously unreleased album from the Buster Brown Band, featuring Kelly McNulty (from the Tagg/McNulty Band), Roger Burton (from the Bee's Knees), Jim Casey, Gregg Bissonnette (Ringo Starr's drummer), among others ... Inspired by some of the best Soul, AOR and Funk artists, the band recorded these demos in studio in 1982 thanks to their local success in Dallas, TX, at the popular Popsicle Toes venue (the album title). “Baby Don’t Lie” starts the album with a beautiful and mellow Soul / AOR introduction, while the following tracks, “Day Or Night”, “Endless Possibilities”, “Shock Proof” and “Say It” complete the LP with their Soul / Funk touch. There is even the first version of "Baby Don't Lie" as closing track, which was recorded 5 years before, in 1977. Band members have collaborated with artists such as Lee Ritenour, Ringo Starr, Harvey Mason, The Isley Brothers, Smokey Robinson, Kenny Pore, Eric Tagg, and much more… Liner notes (including exclusive pictures) and full story of the band by the one and only Grammy awarded David Ritz (coauthor of "Sexual Healing" with Marvin Gaye)! Limited edition of 500 copies, fully remastered