Disco | Boogie Vinyl 183 Items

French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these. These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco.

Since the release of the first volume in 2019, we knew we couldn't stop there. In 2021 we are even more excited to present the 'Drum'n Voice Remixed 2' album by the legend Billy Cobham in collaboration with Italian producers and composers Nicolosi / Novecento. As a taster to the album we are very happy to be releasing an EP containing remixes of ‘Interactive’ from the legend Louie Vega. Acclaimed as jazz-rock fusion's greatest drummer, Billy Cobham has dedicated his whole life to musical exploration and creative expression. Born in Panama, he has been surrounded by music. His father was a pianist, his mother was a singer and Billy started playing drums at four years old. Throughout his career he has collaborated with artists like Miles Davis, Horace Silver, Airto Moreira, George Benson and appeared on over 300 recordings, including icons like Peter Gabriel, Quincy Jones, Jack Bruce, Bob Weir, and James Brown, and to date, has produced and released more than forty albums as a leader. The first album ‘Spectrum’ is a masterpiece and still considered a reference album today. Billy and Nicolosi composed so many songs of the highest quality and class that we immediately wanted to get to work preparing a second volume of remixes. We are really happy to present the Louie Vega remixes of ‘Interactive’ in the run up to ‘Drum’N Voice Remixed 2’ collection that's set for a release later in the year. ‘Little’ Louie Vega does not need any introduction. One half of the Masters At Work (that are back now after a long time with their new single), he is one of the most important House Music duo of the last 30 years, even receiving a nomination in the last Grammy Awards. With the collaboration of Josh Milan (aka Honeycomb and former one half of Blaze) at the keyboards, these incredible remixes of 'Interactive' make track shine thanks to a powerful blend of funky cosmic disco and a perfect killer groove that makes us dance on Brian Auger's magnificent Hammond improvisation.

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble. Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item. The final chapter sees two cuts of pure gospel greatness, taking your soul to salvation via firstly the Bibleway Church Of God In Christ – Since Jesus Came Into My Life followed up by Eliezer Mass Choir - Where He Leads Me.

Nese Karaböcek is a popular Arabesque singer and film / TV star from Turkey. She started singing at a very young age and has a vast recording career. “Yali Yali” is a selection of her grooviest tracks from the 70s, including the massive psych-funk dancefloor bomb title track plus another fabulous examples of Anadolu pop-funk, mixing Turkish melodies and instruments with disco arrangements, Moogs keyboards, funky drums...

The first official reissue of ‘Good Lovin’’ – a modern soul dancer with a killer groove, heavy low-end, delectable string & horn trade-offs and the husky tones of the inimitable Al Mason, that blew up on the scene in 1980 and now commands eye watering prices between collectors. This dinked 7 inch comes backed with ‘We Still Could Be Together’ off the original promo 12 Inch, with both tracks fully remastered and officially licensed for the first time since its original release.
‘Good Lovin’’ stormed dancefloors back in the early ‘80s taking Al’s undeniable, raspy vocal prowess and stirring it up with an energetic combination of funk guitars, full frontal basslines, on-point harmonies and a perfectly arranged string and brass section. It’s been a rare treasure on the second-hand market with original copies trading hands for £400 so an official reissue will be music to many an ear.
The B side, ‘We Still Could Be Together’, is an emotive ballad filled to the brim with Mason’s tangible passion alongside smoky pianos, cinematic strings and velvety backing vocals. A slow stepper with a bittersweet message behind it.

Rarely does an artist pay homage to the classics like Dimitri From Paris. The Grammy nominated producer, remixer, composer and DJ has made every one of his repertoire of reworks sound effortless; no mean feat when the original tracks are by the likes of Disco’s greatest musicians. In 2018 he released his “lifetime achievement” on Glitterbox, with the strictly limited pressing of the ‘Dimitri From Paris presents Le Chic Remix’ boxset. Now the 12’s have their own separate outings, bringing greater focus onto the individual productions, as each vinyl features two of the incredible Dimitri remixes, along with their respective instrumentals on the B-Side. On this record, Dimitri continues to get to the heart of why CHIC’s music remains so universally relevant, underlining the enduring cultural significance of dance music in its most unabashed form with his careful remixing of CHIC classics ‘My Forbidden Lover’ and ‘I Feel You Love Comin’ On’.

Classic jazz/funk/disco cut that became an instant anthem on all discerning dance floors when it was originally released, and for decades to follow. Includes the previously commercially unreleased Sax Mix of ‘Journey’, cut loud at 45rpm.
Championed by DJs including Francois Kevorkian, David Mancuso, Larry Levan and more, it’s a record that, alongside tracks like Atmosfear’s ‘Dancing In Outer Space’, become synonymous with the UK influence on US club music at the time. A sound that many forward thinking DJs in New York, Chicago etc. embraced to stand out from the crowd and bring depth to the dance floor.
Driving jazz/funk, legato bass, grooving beats, subtle keys, dubbed out percussion and guitar licks that bring you to a simple but infectious piano melody.
A collaboration between Andy Sodjka and Jerry Pike, mastered by Herb Powers.
Licensed from Chemical Discs.

Ok we don't want to come over all hip but here we have some mad rare Gospel disco for you, direct from the master tape as well as that's how we roll (sometimes). Wonky but insanely catchy 45, 'not a minute too late', is the big banger on this 45, but please don't sleep on the dope previously unreleased flip 'Sweet Surrender' which I rate as well.

Turkish disco pop funk sound compilation album. Great soul-pop and disco-funk with amazing moog organ, keyboards/synths, bass, rhythm and wah guitars.. This compilation has the unique sound in Turkish Disco-Funk music with influences of soul, jazz, pop, rock and beats. Turkish instruments with great disco tunes and great female & male vocals.

Emotional Rescue and HMV Record Shop (Japan) end their Disco Reggae Lovers 7" series with reggae legend Sugar Minott and this utterly unique UK soul-boogie rarity, I Remember Mama. Reggae star, vocalist, producer and sound system operator, Kingston JA born Minott released over 50 albums and hundreds of singles for the likes of Studio One, Wackies, Suffering Heights and his own Black Roots label. His distinctive soulful voice pioneered the Dancehall style and following his UK hit "Hard Time Pressure" he moved to London in 1980, adopting the rising Lovers Rock sound. On a visit to Wackies' offices in Soho he met Steve Parr, who had recently opened a studio next door. Keyboard player for the likes of Desmond Dekker and Geno Washington, Parr moved into composition, mixing, sound engineering and production, before setting up the Sound Design Studio in Dean Street. Principally a studio, the meeting with Minott hatched the idea to create a label to showcase their capabilities. Produced by Parr, he played all the instruments except the distinctive sax by friend Andy MacDonald. With Minott's heartfelt lyrics, this marriage created a one-off, a ground-breaking synthesised 4/4 rhythm track with funk groove and soulful vocals. Released on 7" and 12", the versions noticeably differ and is the perfect closing to the Disco Reggae Lovers series.

Following on from Buddy's debut single 2 years ago we bring you Buddy Hank & The Shine Bands previously unissued lp called "Dust to diamonds".
It comprimises of the previous hit single "Try you love" along with 3 new discoveries from the same session.
"Lets get down tonight"/""Sugar baby" plus "Your'e so special". All 3 are infectious disco boogie tunes with that recognizable sound Buddy Hankerson helped create for Young & Company on Brunswick records.
Also contained on the lp is an instrumental verison of "Lets get down tongight" plus two instrumentals from the 1981 sessions they never got around to laying vocals down to.
"im so glad i found you" and "Sham".
We really hope "Dust to Diamonds" wipes the dust away you.

Modern day Disco Remix king Mike Maurro strikes again! This time, Atlantic Records and Brookside team up and have Mike tackling two classic tracks by The Trammps: “Hooked For Life” & “Soul Searching’ Time”. “Hooked For Life” was released on Atlantic’s “Exclusive Disco Series” of promo only 12”s in the U.S. back in 1975 and “Soul Searchin’ Time” was also released as a promo only 12” in the U.K. on WEA’s ultra rare “Disco Special Cut” series. Both tracks get the “Maurro Remix” treatment with extended intro’s, instrumental passes and breakdowns, and finally mastered in Philadelphia by Mike Tarsia of the world famous Sigma Sound Studios. Pressed on high quality, limited edition, Yellow Vinyl 12” discs for optimum sound quality. Don’t miss the opportunity to add this to your collection!

Strut present the first definitive retrospective of an icon of 1970s and "80s soul, jazz and disco, Patrice Rushen, covering her peerless 6-year career with Elektra / Asylum from 1978 to 1984.Joining Elektra after three albums with jazz label Prestige, Patrice had shown prodigious talent at an early age and had first broken through after winning a competition to perform at the Monterrey Jazz Festival of 1972. By the time of the recordings on this collection, she had become a prolific and in-demand session musician and arranger on the West coast, appearing on over 80 recordings for other artists."Remind Me" features all of Patrice Rushen"s chart singles, 12" versions and popular sample sources on one album for the first time. Fully remastered by The Carvery from the original tapes.

Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’). Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle. Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco. To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul. A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly. Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable. Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

Escort kicks off a new series of 7” releases with a bang!
On the A-side is 'City Life', a bubbling party starter of a track, which features disco royaly Fonda Rae on vocals, while on the flip ‘Fantasy’ blends echoes of 70s tropicalia with dubbed-out disco vocals for a super groovy trip.

Rarely does an artist pay homage to the classics like Dimitri From Paris. The Grammy nominated producer, remixer, composer and DJ has made every one of his repertoire of reworks sound effortless; no mean feat when the original tracks are by the likes of Disco’s greatest musicians. In 2018 he released his “lifetime achievement” on Glitterbox, with the strictly limited pressing of the ‘Dimitri From Paris presents Le Chic Remix’ boxset. Now the 12’s have their own separate outings, bringing greater focus onto the individual productions, as each vinyl features two of the incredible Dimitri remixes, along with their respective instrumentals on the B-Side. On this release we hear ‘He’s The Greatest Dancer’ get the Dimitri treatment that showcases unheard sections from the master tapes, followed by Norma Jean Wright’s life-affirming ‘Saturday’, remixed to cinematic proportions once again by Dimitri.

An instantly recognisable intro that Daft Punk turned into one of their most well-known anthems, ‘Harder Better Faster Stronger’ - Edwin Birdsong’s ‘Cola Bottle Baby’ is straight up insatiable, late ‘70s funk fire.

Limited to 500 handnumbered copies.

Sensational – that’s Frank Hatchett! These words can be found on many of the 16 albums credited to the legendary NYC jazz dancer, choreographer, and teacher to the stars - Madonna, Brooke Shields, Olivia Newton-John, and Naomi Cambell. In the highlights compiled on this expansive double LP set, the sounds of Hatchett’s albums run the gamut from disco and funk in the 1970s to electro and proto-techno as they glide through the ’80s. Most tracks clock in at a brisk 2:30 – the ideal length for Hatchett’s classes or his students’ recital performances. Fans of library music will find a similar focus on immaculate performances, while the tightly coiled drum breaks, Afro-Cuban rhythms, and thumping 808s will send rare groove collectors into a state of head nodding bliss. Hatchett’s name and photos may appear on the sleeves of his records like Dance Crazy, Jazz Power, or Vop Style, but he is nowhere to be found in the music contained within. Instead, these albums dating back to 1974 were recorded by studio players under the guidance of musical director Don Tipton or arranger Zane Mark. Performers include: keyboardist Fred McFarlane (Madonna, Keith Sweat, Evelyn “Champagne” King), drummer Bernard Davis (Steve Winwood, Ryuichi Sakamoto, Kool & The Gang).

Beppe Loda and 'was resident DJ at the disco Bisbi Pavone Mella (bs) in 1980 and semi-resident until 1992, the year of final closure of the club, in this double collection, have been selected the most significant songs of the musical journey started by Loda in that period.

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

Happy Milf Records are proud to present Tony Cook’s The Lost Tapes Vol. 1, a 4 track EP, consisting of all original Modern Funk/Proto-House previously unreleased songs. The legendary Tony Cook, one of the most influential artists of Funk music, and James Brown’s drummer, has produced many great records since the early 80’s, from Boogie, Electro Funk, and House Music. This EP showcases the versatility of Tony Cook’s creative repertoire and is a testament to his very unique style of production.

Are you ready to boogie ? Orly Sad, Italian producer based in Trieste built this solid 6 tracks EP dedicated to the ride. Melting heavy electro funk grooves & vocoder hooks in the pure west coast tradition, it's a must have for the poppers, lolow's drivers, and lowfi boogie lover!

Since 2019 the collective of Parisian partygoers, Pardonnez-Nous, have decided to launch their own label. Just like their parties, their goal is to shine a light on dancing music.
Constantly looking for new tracks to enlighten the dancefloors, their outings are in line with the vision of deejaying defended by its founders. Finding forgotten pieces that are the geneses of dance music and mixing them with more contemporary sounds. Re-editions, edits, remixes or original productions the label doesn’t just stick to one style but aspires to represent all the music of partying!
Mexico, Peru, Surinam, and of course Sweden: in 1986, musicians from around the world responded to the Swedish composer, arranger and multi-instrumentalist Torbjörn Langborn’s invitation. His idea was to bring together the two groups he played with: a jazz quintet, and his salsa ensemble.
The cocktail was explosive: after several days recording at the Humlan studio in Stockholm, Torbjörn Langborn & the Feel Life Orchestra produced an eponymous album, combining, in Langborn’s words, “disco and funk with congas and Batá percussions.” The B side was a three-part gem nearly seven minutes long titled “Feel Life”, where he gives free rein to his talent as a jazz pianist. Thirty years later, we asked the famous remixer Dimitri from Paris to express is talent to produce a new version of this classic music track. "Pardonnez-nous", here it is.

Pursuing their explorations of international Funk and Disco music, Favorite Recordings and Bruno "Patchworks" Hovart present us Voilaaa. With this first 2 tracks single revealing the Afro-Disco inspiration of this new experience, Favorite also expands its new series of Disco 12inch singles recently launched with several fine reissues.

Great additional 12inch single package, including exclusive extended versions by Nick The Records, Waxist and Charles Maurice.

Helped by a close connoisseur friend, DJ and collector Charles Maurice presents a fine selection of what he thinks represent best the amazing energy of this specific movement and period. With 10 rare titles, all produced between 1975 and 1984, he shows a perfect picture of what you could find in French record stores at that time!

Returning for Volume 4 of the sought-after series, Glitterbox Jams is back with another red-hot delivery of dancefloor gems, ready to become a record box essential for all discerning disco DJs. The A-Side features two remixes of an early noughties dancefloor gem, as two esteemed disco editors Moplen and Dr Packer both take on ‘Love Will Be Our Guide’ from Mark Picchiotti presents Jersey Street. On the flip come two productions from Italian-Belgian producer Vito de Luca, donning his Aeroplane alias for a disco-infused remix of Marco Faraone & Greeko’s hip-house pumper ‘Armaghetton’, before swapping over to his Flush pseudonym to deliver the playful Balearic joy of ‘Come Back Baby’.

Brit Funk at it’s finest! Tony Simmons eye-wateringly expensive ’83 jam ‘I can’t let you go’ backed with Soul Shack’s cosmic masterpiece ‘Galactic Funk’ from 1980, reissued for a new generation. Stepping up first ‘I can’t let you go’, slaps a smile on your face before you’ve even got 30 seconds in. Harnessing that raw, live instrumentation energy that made up so much of Brit Funk’s charm, a recipe for happiness via a killer drumbeat, heavyweight bassline, dazzling guitars and uplifting vocals. With originals trading hands for close to £200 this reissue will be welcome sight for many. On the flip, a cosmic kaleidoscope in the form of Soul Shack’s ‘Galactic Funk’. Slap bass at boiling point, synth lines to tingle the spine and raucous chants to send your head to another dimension. Two Brit Funk gems that you need in your life!

Two stone cold Roy Ayers classics, get the South Street Disco official reissue treatment, one side the feel-good disco-tinged, jazz funk fire ‘Running Away’ and the other the smooth groove, love letter funk bomb ‘Love Will Bring Us Back Together’. Melting hearts, melting minds, is there a better Valentines gift out there then two slices of joy from Roy? From hip hop to house, ‘Running Away’ has been a favoured sampling treasure since it came out in 1977. Co-produced alongside Edwin Birdsong and William Allen, joyous vocal harmonies dance around grooving basslines, strutting guitar riffs and Roy’s warm soothing tones. Top it off with some trademark vibes and it’s a one-way ticket to happiness, pure sunshine smiles all round. Flip it to find ‘Love Will Bring Us Back Together’. Straight up seductive business co-produced by Carla Vaughn. It’s silky, it’s smooth, it’s everything you want it to be and more. Clavinet wizardry, buttery Rhodes layers and fiery vocals. Loved up funk at it’s best.

Daniel Monaco is a musician who defies definition. An artist who is as comfortable strumming a bass as he is bending waveforms on his synths, this is a creative that guarantees something unique. Tu Sei Pazza more than meets that guarantee. The title track is an instant classic. Soft burbling basslines float around a steady kick before daring brass sections are punctuated by scaling xylophone lines. Somewhere between late 70s lounge music and strikingly modern disco, this piece will put a smile on any face. Whodamanny lands on the flip and takes the original to moonbase five via Studio 54. Tempos are reduced as a path of cosmic laser-funk is taken by the amazingly versatile Naples producer. A cracking close to a 7” that packs a real punch.

Rare boogie joint time, Isabr'm or his real name Isaiah Lanes obscure and expensive. Recorded at Starlight Sound in Richmond, California (The same studio when many of the Digital Underground tracks were records as well as Alexander O'Neal) the record has remained obscure due to its price and rarity. Straight dancefloor boogie fire all the way on 'If I had you, flipped with a wonky drum machine balled 'Nothing At All' which I kind of love.

Two years ago, Ferdi Schuster was a young multi-instrumentalist and producer
daydreaming of releasing his music on Claremont 56, one of his favourite labels.
Now he’s set to release his stunning debut album, “All One”, on Paul Murphy’s
long-running imprint.
It’s been a long time between drinks for the German producer, who last graced
C56 with his superb double A-side single, “Little River/Befreit”, in the autumn of
2017. Fittingly, it’s “Little River” – a babbling brook of audio bliss rich in sambainfluenced
drums, soothing acoustic guitars and spacey synthesizer licks – that
kicks off “All One”, a seductive set in which every drumbeat, piano note, guitar
riff, synthesizer flourish and fireside-warm bassline was played by the man
himself.
Throughout, it’s easy to see why Murphy decided to snap up Schuster and
push the producer to record a debut album. Check, for example, the dubbedout
shuffle of “Thinking of You”, where ghostly chords, soft-focus guitar solos
and ethereal vocals drift across the soundscape, and the slowly unfurling bliss
of “The Good Fight”, an effortlessly Balearic workout rich in sun-kissed guitars,
bubbly synth lines and chords so snugly they could probably be used as a
comfort blanket.
Schuster’s greatest strength is undoubtedly the evocative and enveloping nature
of his instrumental music, which draws on a variety of complimentary influences
but never sounds anything less than original and fresh. Some listeners may be
enchanted by the loose and languid pulse of “Fading Away” or the lo-fi reggaejazz
of dusty closing cut “Night Talk”, though others may prefer the stoned funk
shuffle of “Interaction” or the spacey vibrations of “Pulsa”, where intergalactic
synthesizer lines wind their way around heady bass guitar and sparse, off-kilter
deep electro drums.
“All One” is that kind of set; an atmospheric and musically accomplished
collection of cuts capable of muting the mundane and distracting from the stress
of 21st century life. As debut albums go, it’s something of a stunner.

Classic jazz/funk/disco cut that became an instant anthem on all discerning dance floors when it was originally released, and for decades to follow. Includes the previously commercially unreleased Sax Mix of ‘Journey’, cut loud at 45rpm.
Championed by DJs including Francois Kevorkian, David Mancuso, Larry Levan and more, it’s a record that, alongside tracks like Atmosfear’s ‘Dancing In Outer Space’, become synonymous with the UK influence on US club music at the time. A sound that many forward thinking DJs in New York, Chicago etc. embraced to stand out from the crowd and bring depth to the dance floor.
Driving jazz/funk, legato bass, grooving beats, subtle keys, dubbed out percussion and guitar licks that bring you to a simple but infectious piano melody.
A collaboration between Andy Sodjka and Jerry Pike, mastered by Herb Powers.
Licensed from Chemical Discs.

Numbered limited boxset (1000 units Worldwide) with red ribbon inside to pull out the records. Features 3LP+3CD and a large poster. includes REMIXES by Frankie Knuckles, Kevin Saunderson, Alan Braxe, Dimitri from Paris, etc…!

Several years ago, the Disco Records DJ Crew members got their hands on a couple of original 70s obscurities, while these standout records shone brightly in their own right, the team finally decided to put them out as those obscure old records fetch eye-wateringly high prices on the second-hand market. Due to popular request & lovingly mastered to the highest possible standards, they are now available to play and share in very special moments at parties around the world. This will surely be one of the most keenly anticipated disco release of the year. For our first release, we are extremely proud to bring you at last, three very hard to find disco anthems on sides A & B in their glorious full extended versions.

‘80s funk at its best. Originally only ever available on the album ‘Just How Sweet Is Your Love’, New Jersey group Rhyze’s ‘Do Your Dance’ gets its first ever reissue as a single on 7 inch backed with the disco monster ‘Free’. A staple of some of the biggest DJs and diggers out there, this is a must have record. Your first time to grab this on 7" Official SAM release with original labels and housed in a picture sleeve.

The first in a new collaborative series between Theo Parrish & Prime Direct Distribution unearthing some of Theo’s most sought-after edits, backed with the fully licensed original, both remastered and cut loud on either side of a 12 inch. Kicking things off we have one of Theo’s most treasured cuts, his ‘Ugly Edit’ of Made In USA - Never Gonna Let You Go, bootlegged endlessly in the past and racking up prices of up to £144 on Discogs it’s a high time an official reissue came around.
As iconic an edit as they get, ‘Never Gonna Let You Go’ encompasses everything great about Theo’s energy behind the decks - extending grooves for longer than anyone else even dare, working the EQ’s like a god and throwing in a bit of that raw magic that only he knows how. Taking the original’s sumptuous breakdown, Theo works it into a spirited, high energy disco workout looped into a near 10-minute stomper, big on the bass and brass fire whilst leaving the vocals at the door.
On the B side the original ’77 Made In USA version is laid out in all it’s glory. Funk powered, horn-laden disco goodness with breath-taking vocals from the Stateside troupe.

The career of Patience Africa Spanned over 40 years. After almost a decade of success on a major label with her Zulu Disco sound, and a few years in the early 80s experimenting with a more soulful sound, the funky synths of the 80's would force her to stay relevant in the quick changing times. It would be in 1987 that she would sign to the independent Ream Music which with the help of their tight knit in house production team had released hits for upcoming disco artists Makwerhu, Ntombi Ndaba, Sunset, Athena, Percy Kay and more. The label's success in the traditional market made Patience a perfect fit and could have been their first crossover artist.
With the help of owner's Danny Antill and Clive Risko they would cut a 4 track EP that like many others of the time ended up being lost in to the hyper saturated market of the emerging Bubblegum demand. Two tracks would be written by Patience, including the title "Wozani La" Musically these were more aligned with her sound of the 70's accompanied by a purely digital production, but it's the two songs written by label boss Danny Antill that appear on this release. These two songs are unlike anything heard at the time. Embracing full commitment to the digital studio and some extensive and risky experimenting the trio managed to slide heavy house bordering electro pop and a haunting swing beat groove alongside the compositions of Patience to complete this EP for both markets. Although the album had great potential, poor promotion and low sales led Patience to feel cheated and after not earning a cent for the record left the label and took her first break from music since the early 70's. She would later return to her original sound recording up to til 2006 when she released what would be her final album before her death the following year. Still loved by her fans and those who knew her, she is remembered through the Patience Africa Foundation. Founded by her son Mangaliso in 2017 to help create a better South Africa in our lifetime.

James Mason is mostly known for his late 70's album 'Rhythm Of Life', which is a soul-jazz classic. Soon after music trends shifted to (electronic) disco and James' music became out of fashion, leaving 'Rhythm Of Life' to be the only album he released to date. The early early 80′s saw him have a few studio sessions from which more electronic output like Wuf Ticket’s ‘The Key (Prelude Records) resulted. James also produced various disco acts like Disco 3, Earl Flint and Brenda Bayton.

Here four classic studio experimentations conceived by Harry Thumann former owner and main engineer of Country Lane Studios based in Munich, Germany: the home of the glorious munich-sound during the disco era. Many strong songs where produced here, so this EP represents the evolution in sound during that era mid-seventies early eighties.

Profondo Nero compiled by Cinema Royale Profondo Nero narrates a storyline that goes beyond the borders of Italy’s musical legacy. Cutting across the face of Italo disco’s leftfield musicians between the early and late ‘80s, Profondo Nero champions a multi-faceted sound that nods to the blueprint of Italo disco but tries to dig deeper. The music is unmistakably Italo disco but moves away from the familiar classic sound. Amsterdam based collector Cinema Royale stitches together eleven tracks from 1983 – 1989, celebrating a sound he fittingly describes as ‘leftfield Italo’. The compilation connects the dots between soulful disco (Louise Freeman – Mirage), synth-pop (Mark – Dreamland), electro-rap (Loukas Thanos – Jazzburger), breaks (Santoro – Lover Message), 80s dub disco (Jet Set – Love Break), Balearic (Isamar & Compañia - No Estas), boogie (Tom Hooker – Talk With Your Body) and proto-house (International Music System - An English ’93). Profondo Nero’s title salutes the legendary oeuvre of Italian horror director Dario Argento. His Profondo Rosso (1975) is a classic example of exquisite cinematic storytelling, boasting courageous colors, expressionist camera angles and an unforgettable Goblin score forming the ingredients for an intriguing piece of art. Profondo Rosso’s music, created the spark for a new Dekmantel Records endeavor led by Amsterdam based experimental film score connoisseur, record collector and DJ Cinema Royale. For those in the know of underground Amsterdam music culture, Arne Visser aka Cinema Royale is among the city’s longest standing record collectors. Born to an Italian mother and Dutch father, Arne was brought up on a diet of Italo disco in the 80s. Cinema Royale explains: ‘For Profondo Nero I took a plunge into the lesser known fringes of Italo disco. From there I tried to connect, among others, San Francisco boogie, Balearic, Japanese late era Italo-electro and synth-pop funk. I hope you can hear what I had in mind: an infectious showcase of my take on traditional Italo disco that will hopefully get a lot of listeners itching for a spin. It’s fair to say that lately this particular sound has seen a reappraisal and renewed interest. As a party-starting collection for entry-level connoisseurs or suave but lazy types, I hope Profondo Nero can be an education. I’m not claiming I’m the first DJ or collector to do so, but I did try do present something special by digging deep.’ It wasn’t my goal to unearth the most obscure tracks, instead I wanted to compose a compilation that takes you on a journey. ‘In my opinion the best DJs create something extraordinary out of illogical selections by combining music against all odds and showing different kind of moods along the way. There’s a certain amount of arrogance involved: you take the music out of its original context. But by doing so in a very conscious way, you might be able to enhance the power of the individual records. Hopefully each song on Profondo Nero provides an intimate and memorable experience.’

Benedek's debut LP for PPU!

Original founding members of New England's premier reggae band, The I-Tones; Jon Gorr (Keyboardist), Tony Allen (Drummer), and RAM (Vocalist) released their side project "It's No Lie" in 1983 on Massmedia Records.

Discom proudly presents Du Du A- Du Du Archive 1984-1989 LP, a collection of previously unpublished and rare tracks of Belgrade's cult band Du Du A. Discover the music of the group whose leaders Dejan Kostic and Zoran Zagorcic primed for their never-released second album and find out why they earned a cult status among DJs and collectors worldwide!
Du Du A was formed in the early '80s, in NYC, by Dejan Kostic during his sound production studies. The first line-up in Belgrade included saxophone player Vuk Vujacic as a co-author. In 1982 they released a 12" Maxi Single: Ja Tarzan, Ti Dzejn "Jungle Rap"/ Afrikanac Iz Beograda for RTB, the first ever rap music record in the former Yugoslavia. The next year, they released an LP album called Primitivni Ples (eng: "Primitive Dance") with Zoran Zagorcic as co-author, vocalist, synthesizer player and percussionist featuring some of the most creative musicians of the time: Sasa Habic (the author of Bebi Dol- Mustafa), Goran Vejvoda (known as guitarist of Kozmetika and Rex Ilusivii's collaborator), Bebi Dol, Dragan Mihajlovic (one of the founders of Katarina II) and Nebojsa Antonijevic (the founder of Partibrejkers). This album brought an unusual mixture of styles such as funk, reggae, rap, and dance, all flavored with excellent musicianship and humor. The band was also active in 1984, performing various excellent concerts and releasing one SP Romance/Irie for Jugoton, as an introduction to the new album. However, that year Dejan Kostic went to Kairo to perform in clubs along with Bebi Dol. After returning to Belgrade, they recorded just one song Pustinjska Tajna (A Secret Of The Desert) with Zoran Zagorcic as an author, vocalist and keyboard player. Dejan and Zoran agreed to compose and record songs separately, and to bring them together for the new album. After they completed the tracks, the country's major labels RTB and Jugoton, both declined to release them. They left the band and Dejan Kostic formed Du Du Ah with new crew of musicians, who played some of the songs planned to release on that album (later they have released album "Ritual" with completely different songs). Zoran Zagorcic, along with members of Electricni Orgazam, formed the band "Fetish" which also played some of the songs intended for the album. The compilation Du Du Archive 1984-1989 LP contains 5 previously unreleased songs composed by Dejan Kostic, and 3 previously unreleased songs composed by Zoran Zagorcic, with 2 songs that were published in Zoran Zagorcic's private CD-R edition.

Joey Negro! Michael Gray! Moplen! Massivedrum! David Penn! Mighty Mouse! Ben Liebrand! They are all there! Thirty-Five years after the release of Volume 4, High Fashion Music are back with the aptly named – Vol 5! And Ben Liebrand returns once again to flawlessly mix these remixed pieces together in one continues mix. “High Fashion Dance Music” mix-albums were incredibly popular in the during the ’80s, showcasing essential cuts from legendary dance artists from the time. Volume 5 is back pumping and loaded with the recent remixed and timeless cuts from Blueboy (David Penn remix), T-Connection (Moplen remix), Karen Young (Joey Negro remix), Disco Dandies, Ashford & Simpson (Joey Negro remixes) and Johnny Guitar Watson (Ben Liebrand remix) are joined on the Dancefloor by hot new versions of classics like Bucketheads’ “The Bomb” and is the at the same time presenting the new and upcoming singles from contemporary artists including S.O.S Band (remixed by Ben Liebrand), Bucketheads (Remixed by Massivedrum) HP Vince, and Who’s Who (remixed by Mighty Mouse). Volume 5 also has the eye-catching retro styling with detail from OG’s in the scene. Curated by experts, Volume 5 will also be available on various music formats, each having it’s unique playing-time, including Vinyl LP, Compact Disc, the good old MusiCassette and even on DCC! (Such in close cooperation with the DCC Museum in Los Angeles)

It's time to get on up people!! Multi-track guru Moplen has only gone and got his mitts on the 1978 Island classic from Chic legend Kenny Lehman and his side project Roundtree!! ‘Get On Down’ receives another impressive polish from one of the scenes hottest Disco masters that’s beautifully arranged with fresh layers, enhances the original sultry vibe perfectly and puts some sexy bump into this original Disco ride that you thought couldn’t be improved….Essential!!…..and it comes with a bonus dub!!

FREAKWAY is back with their debut release on CITY BABY after their sold out 7" on STAR CREATURE. Two LIQUID PEGASUS
produced disco groovers with Tokyo based drummer/vocalist NELSON SCHMELSON on the vox. A: "RUNNIN'" a super infectious
disco track. AA: "SAILIN'" a mellow end of summer jam. Pic sleeve. Initial limited pressing with only 350 available.

This is a pure labour of love, not only is Daniel Vangarde a musical legend, he created, produced and wrote, (together with his musical partner Jean Kluger) acts like Gibson Brothers, Ottawan and La Compagnie Creole, he’s also the father of Thomas “Daft Punk” Bangalter, one of Mighty Mouse’s musical heroes. Mighty Mouse reveals: I loved the original, and wanted to keep the energy of it in my remix. I kept a lot of the music parts and added a few synth elements and re did the drums to support what was already there. It was much fun, and a little nerve racking. When I got the stems it was like a history lesson and I could hear where Daft Punk must have got some of their influence from, just listen to those vocoders! I got the seal of approval from Daniel too, as he said…“It did put a great smile on my face too! congratulations, the remix is really good. The remixer understood the spirit and energy of the music, this is rare.” Now, talking about a compliment! Mighty Mouse’s mind was blown at this point, so we are excited to bring you this masterpiece in 12” format!

Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet. With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP. Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power. Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between.

After his successful album “Dreams From Last Night”, Beath returns with his unmistakable sound on a two-sided 7″ that ensures a permanent summer sensation.

The Whole Truth is back after a small hiatus with a new collaboration with Eric Boss of Myron & E fame. Last seen together on Party Down, whose boogie stylings garnered support from the likes of Dam Funk, this time Eric takes the pitch-perfect 80s funk and gives his producer a theme tune, a calling card. This one is a real underground funk gem. Eric has been making waves on the boogie scene for sometime with his Pendletons releases.
Previous Whole Truth releases have had radio play from the likes of Monki(BBC Radio 1) and Nemone (6 Music). And this time, not only does the artwork come from Lewis Heriz (Sofrito) he also plays a mean guitar.

Following on from the standout D.J. Rogers release, South Street Disco turn their sights to reissuing two seminal and much sought after ‘70s jazz funk Loft classics. One side houses Miroslav Vitouš’ cosmic disco delight ‘New York City’, the other uncovers the Latin infused whirlwind ‘Whistle Bump’ from Eumir Deodato.
First up the Czech jazz bassist and founding member of Weather Report, Miroslav Vitouš, supplies the infectious vibrations of ‘New York City’. Harnessing the spirit of the bubbling NYC underground club scene of the mid ‘70s, Vitous lays down a proto Arthur Russell flavoured jam, that blends whirling new-wave-esque vocals and brazen basslines over trademark cosmic keys from the master, Herbie Hancock. Combined with tight drumming and fiery, overdriven riffs it paved the way for this to become a dancefloor hit and a clear precursor to the early house scene. With originals trading hands for £120+ it’s high time ‘New York City’ got an official remastered reissue.
On the flip side, a timeless Brazilian instrumental jazz-funk gem from Eumir Deodato that likewise became a certified classic through heavy rotations on New York’s revered dancefloors, most notably via David Mancuso at The Loft. Feel good feelings amplified by spirited Rhodes, psychedelic strumming and that sure-fire Latin infused bongo / whistle carnival combo. Carefree, unbridled energy that sees Pops Popwell’s funk bass perfectly accompanying blazing guitar solos and a horn section from heaven, it’s impossible not to get down to. Pure South American sunshine bottled up and ready to be supplied at will.

Another Boogie classic on PPU! So, so good!!!

Formed in 1970, Hokis Pokis was a seminal band in the New York disco scene with a handful of underground local hit singles including the highly-sought after “Nowhere” “Find What You’re Looking For” and “City Rhythm”.

Releasing several singles from the mid ‘70s all the way to the ’80s, Luv N’Haight has compiled all of Hokis Pokis’ musical output into an album which also includes 2 previously unreleased tracks. Remixed and remastered digitally from the original master tapes, the versions on the album are elevated from the already amazing originals with a cleaner sound and harder-hitting bottom end, bridging the gap between dancefloor fanatics in disco’s heyday to their modern day counterparts. Never before seen photos along with corresponding liner notes from DJhistory.com’s Bill Brewster are included in the deluxe double-LP package, telling the story of a group of friends that embark on a musical journey that continues to this day. From the beginning of disco’s rise to its inevitable decline, hitting a low point with the “Disco Sucks” movement, to its eventual resurgence in popularity with today’s dance-culture, Hokis Pokis has remained together bonded by friendship first, coupled with a shared musical vision that continues to endure.

Look for Under the Influence of Hokis Pokis album later in the year featuring heavyweight producers Kon, DJ Spun, Citizen Kane, Al Kent, DJ Day and others who all take their turn creating new, original dancefloor classics from the original multi-tracks.

It took Mr Raoul K more than three years of work inside and outside the studio to complete his first album for Compost Records. His first goal was to show all the musical influences he came across during his time in Ivory Coast. Ivorian music has incorporated musical traditions and instruments from East-Africa, West-Africa and from Central Africa – a real musical melting pot. To complete 'African Paradigm', Mr Raoul K used lots of the instruments he bought during his trips to Africa - including a Kenyan Mbira and Senegalese talking drums, for example. All instruments you hear on 'African Paradigm' were played the old-fashioned analog way - no synthesized sounds. Mr Raoul K teamed up with vocalists Ahmed Sosso, Lady Parul and Sona Diabate to emphasize his message, because sometimes (only sometimes) words speak louder than music. His second goal was to share his view on Africa through his music, making 'African Paradigm' a political album as well. Mr Raoul K has always used his music as a means of political expression - 'Le Karantkatrieme Peul' dealing with Barack
Obama's presidency, for example. The album's main track, 'African Paradigm', was an epic track with a running time of about 50 minutes. Mr Raoul K thinks of the track as a work in progress. Here he releases two finished parts plus an additional intro. The remaining parts are scheduled for a later release. If you listen closely, you can hear Mr Raoul K painting layer after layer after layer of sound until the whole picture finally appears. Showing a beautiful continent, torn apart by foreign powers, independent by law but still suffering from the burden of being colonialized for cheap labour and raw materials and suffering from inner conflicts and civil wars. The music mirrors this picture. You can hear the sense of urgency, the suffering - different kinds of driving drums, haunting percussion, dancing flutes, irie effects lurking in the shadows... But there are contemplation and hope as well - the hope, that there will be a better future for Africa.

Archie Bell & The Drells, People's Choice, Teddy Pendergrass, Lou Rawls. The legendary partnership of NYC's Disco godfather Tom Moulton and Philadelphia International Records has long been documented. A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the labels output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of House music.

Limited Edition 12" of the classic balearic disco burner : Turn Me Loose originally produced in 1983 by Peter Micioni (Traks, Mike Francis, Amii Stewart). Containing here the full extended version of 14 minutes on the side A plus the SIRS CUT on the flip side!
Being one of the main players of the german dance scene Daniel Klein became the 1st German Resident DJ in Ibiza at the famous Space Club, and supported by DJ Harvey who named SIRS as one of the most promising Producers, and so he is featuring mostly all releases from SIRS since the very beginning.

Blessed by the Californian modern funk diva Moniquea , Amadeo 85 is back with a brand new 7". Moogy basses, heavy drum machines and FX from space are the mood of this double sider. On A side, Moniquea transcends this rough beat with her classy style, an ode to the universal party, in the deep boogie funk spirit. On B Side, this drunk Funk Boogie is a space travel produced under the influence of liters of Vinho Tinto, with the support of Bacchus himself.

Favorite Recordings and Charles Maurice proudly present the 5th edition of the AOR Global Sounds compilations series: 8 rare and hidden tracks, produced between 1977 and 1984 in various parts of the world. Started in 2015, the AOR Global Sounds series was born from the will of Charles Maurice (aka Pascal Rioux) to share his longtime love for the AOR and WestCoast movement and highlight its influence for many artists in the late 70s and early 80s. In this 5th volume, he selected again highly forgotten productions, deeply infused with Disco and Soul flavors. Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, while the other half is made of productions from all over the globe, from France or United Kingdom to Venezuela. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press. Often, these records will have a special story, sometimes they’re just part of the universal quest of finding true love. Nonetheless, they all carry a wide range of emotions magnified by the music. For example, “Don’t Take It Away” by Westside is as a love song about a new relationship, recorded in Minnesota and mastered on Sunset Bld. (Hollywood) by Bernie Grundman, who worked on Thriller – funny thing, the original LP is a picture-disc, which was still quite rare back in the days because the singer saw one from Mickael Jackson when visiting the studio. “Til’ Mornin’ Comes”, the only release by The Ferry Brothers, is also a love song, recorded in NYC with notably Gwen Guthrie, Vivian Cherry & Patti Austin singing as backup vocalists. On “What Its Meant To Me”, Jonathon Hansen remembers with emotion the good times spent with the members of his band including the vocalist he was in love with. On “J’Irai Squatter Ton Cœur”, Didier Makaga better-known as a French Boogie & Pop singer, arranger & composer, sings a charming declaration of love on a heavy and groovy eighties production. “You Never Know” by Rhapsody, recorded in Connecticut, sounds more like an East coast fusion of Soul and Jazz-Funk à la James Mason. “What You Do To Me” by Sugar Cane was highlighted on a Pittsburgh Rock Radio compilation: listening to this smooth ballad with its amazing Moog synth break will lift your soul. “Kailua” by Venezuelan Jazz-Funk band Esperanto, is a song about Hawaii which evocates bucolic dreamy nights facing the ocean, a typical AOR vibe. Finally, “I Need You” from Mark Williamson is a blue-eyed soul UK groover ending on a fouron-the-floor climax! And we could detail stories but our guessing is the best way to learn more about all these gems is to listen to the compilation, fully remastered from originals, and whether your preference is for vinyl or CD formats.

Unreleased Miami boogie and deep soul from the vault of Teddy Studstill. Mixed and mastered from the original session tapes recorded in the early eighties. Terrestrial Funk ties back to their first release with this Miami magic. Teddy Studstill, an unsung hero of South Florida who played guitar on Lang Cook's 'She's Hot With 2,000 Watts' unearths these timeless tunes he wrote four decades ago. Accompanied by Miami legends Luke Jasmin on the keys and vocalist Harris Mazyck. We're grateful Teddy has brought these tracks to light and now the world can finally indulge in their delight.