Disco | Boogie Vinyl 196 Items

Following up his latest "Jazzy Edition" Mr Al Kent now delivers the "Disco Edition". We begin with a +11 min long mid tempo jam that will please any fans of Patrick Adams. On the flip we go more up-tempo with a power disco cut that clocks in over 12 min. Lots of things happening with many twists and turns on this one...epic stuff!

Al Massrieen: Disco, Funk and modernized Arabic Pop from Egypt

In the beginning of Habibi Funk, our search was focussed on vinyl records. Around a year ago though, we got to the point where we realized that it became substantially harder to discover music, that we enjoyed and hadn’t heard before. It became apparent that it was time to start looking for other formats. Cassette tapes were the obvious alternative. These were introduced in the arabic world around the late 1970s. In some countries they took over a bit earlier, in others a bit later, but eventually they pushed the vinyl format out of the market in the 1980s. In Egypt this trend already even started in the late 1970s.

Al Massrieen was one of the first bands I learned about once I discovered the tape format for myself. They were really popular in Egypt in the 1970s and the more of their music I found on either tapes or Arabic pirate mp3 sites, the more I was becoming a fan. Only very few bands from the region can match the band’s versatility as well as their strive for innovation. Hany Shenoda is the man behind the Al Massrieen band. He is a reknown figure of the Egyptian music scene and has worked with everyone from Abdel Halim Hafez to Mohamed Mounir. Al Massrieen was his attempt to introduce his ideas of modernizing Egyptian music, heavily encouraged by Naguib Mahfouz (Egypt's only winner of the Nobel Price for literature) after discussing his ideas with him.
Al Massrieen's sound goes from lush disco like “Sah” to psych rock like “Horreya” or incredible jazz fused pop on songs such as “Edba Mn Gded”. I was shocked to realize the band seemed to be hardly known outside Egypt, even though I feel they're at least on the same level as Ahmed Fakroun. An relative obscurity which I largely attribute to the fact that their releases never have been pressed on vinyl (apart from a Greece best of LP which wasn’t a strong compilation of the group’s songs). One way or another it felt like this band and especially their composer, band leader and overall brain Hany Shenoda was in need to get some recognition outside of Egypt. The release is fully licensed from the band and comes with an extensive booklet with liner notes, interviews and unseen photos.

Chicago’s dynamic duo AL & Tone (B. Nimble) return with 2 funky disco grooves on a limited 7 inch. The AL side features "all THE Time" a primetime dance floor tune showcasing serious brass. The Tone side offers the disco funk jam "run IT" which rides a wicked bassline.

Can we say this is a legendary album? Yes we can! Italo group ALEPH’s epic 1988 album “black Out“ finally get’s, after 33 years, the re-issue it deserves by Dutch High Fashion Music! But not “just” a re-issue. This one only contains the extended or 12” versions of the original Aleph album tracks, including the famous Dutch remixes of Fire On The Moon and Fly To Me by Dutch Peter Vriends (previous released on Italoheat and Streetheat). To optimize quality and to enjoy the re-mastering, done from the original master tapes, to the fullest, this one comes as a double 2LP album, 3 tracks per side, to guarantee maximum output and level. All tracks have been remastered by Dutch wizard Arjan Rietvink, which makes this album a not be be missed item for all Italo Disco lovers!

PPU from way out, coming to you from Bassano del Grappa, near Venice, Italy. “1 2 3 Stella” is the first single by Alex Fernet. It’s about polyamory and unconventional love stories in general, as well as their consequent troubles and difficulties. The setting is ludic and stellar: “1 2 3 Stella” is an italian game and “stella” means star. “Tornerai” is an Italian cover version of “In your Eyes” by Badbadnotgood feat Charlotte Day Wilson. During the Sixties, Italian singers used to cover american soul and beat songs in Italian, not necessarily translating the lyrics. This cover song wants to “recover” that custom and it’s about the regret after a breakup (“tornerai” means “you will come back”).

Alex Puddu is at the top of his game, with a strong set of tight-produced soulful and melodic tracks that bring you back to the late ‘70s / early ‘80s, in the middle of the Jazz-Funk and Boogie music scene. “Discotheque” also hosts the brilliant collaboration with Gene Robinson Jr., singer of the legendary Philadelphia R&B/funk band Breakwater, on three tracks.

Promotional campaign has already started on November 1st with the launch of the official videoclip of the first single “Don’t Hold Back”, also available on the main digital distribution platforms (Spotify, iTunes, Google Play, Amazon Music, etc.).

4th pressing.

Medical Records presents the 2nd pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuochi.In 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. It became quite an import hit in America’s underground club scene, and sparked the mini-LP “Ce N’est Qu’un Début” that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit “Problèmes d’amour” as well as the track “Dance boy dance” which has appeared on other cult disco compilations. “Ce N’est Qu’un Début” will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality 160gram black vinyl this time in a limited edition of 500 copies.

Blessed by the Californian modern funk diva Moniquea , Amadeo 85 is back with a brand new 7". Moogy basses, heavy drum machines and FX from space are the mood of this double sider. On A side, Moniquea transcends this rough beat with her classy style, an ode to the universal party, in the deep boogie funk spirit. On B Side, this drunk Funk Boogie is a space travel produced under the influence of liters of Vinho Tinto, with the support of Bacchus himself.

Favorite Recordings proudly presents Recalling You, a dazzling Disco/Jazz-Funk new single EP by our longtime friend and label mate Andre Solomko.

Born in Ukraine and based in Finland for a while, Andre Solomko is a rich and engaging personality, but above all, a talented saxophonist, composer and engineer, with contagious passion. Since they met 7 years ago, Andre and Pascal Rioux’s (founder of Favorite Recordings) collaboration resulted in 3 albums and a couple of singles acclaimed internationally. Primarily known for a sound mixing Jazz-Funk, with European Soundtracks, Pop and Soul influences, Andre Solomko’s skills for composition and production are much wider. Almost 2 years ago, he’s therefore demonstrated his versatility when delivering the hot Disco anthem “Le Premier Disco Sans Toi”.
This first attempt definitely seduced many DJs and collectors, and it seems Andre enjoyed the trip too and decided to embark for it again with “Recalling You”. For this new single, Andre’s idea was to revive two of his past compositions, tailoring brand new glamorous Disco suit and arrangements for it. Backed again by a close team of musicians and the beautiful and charming vocals of Charlotta Kerbs, the new session was recorded live and analog as usual, and then brilliantly mixed in France by Jordan Kouby at Question de Son studios. It ended with what might be Andre Solomko’s best level of productions and sound so far.
To make it short, “I Recall” and “Teasing You” felt in love and had a baby at the nightclub… here comes Recalling You, packed in a 45rpm 12inch vinyl edition and coming with a hot Dub edit by Charles Maurice on B-side.

The Norman Connors produced Aquarian Dream first appeared in 1976 with their debut album on Buddah, featuring the extremely popular 'Phoenix' along with the club dancer 'East 6th Street'.
Both tracks were only released previously on 12" in the UK and quickly became a huge collector's item with the release averaging £50 on Discogs some 38 years later.
Fully remastered on limited edition 180 gram heavyweight vinyl, officially reissued for the first time since its original release.
A much loved & timeless disco track sampled many times in the house music community.

Armonics made quite an impression with the stellar “Universal Oneness” on Diamonds in the Night Vol.1. Now the Italian synth magician returns to the Bordello with Prison Planet, an EP sizzling with the same sensational sounds that graced his first appearance. Dark nights and rising cities are conjured in the soundtrack grandeur of “Mind Guardians” before the solar synthwork of “Prison Planet.” Elements of the otherworldly course through the four tracker, fantastical images and the splendour of space being captured for the floor. The B-side maintains the magic with the crusading crescendos and swashbuckling lines of “The Awakening.” BPMs rise for the finale. Chords dance and twirl with spritely charm in “Spiritual Gate”, neon flecked percussion racing to the finish line.

Club Internacional unearth more long lost Brasilian grooves from the archives of Rio imprint Top Tape for lovers and collectors around the globe. This edition kicks off with the funk-driven sounds of Melo Do Fricote by Band' Azul. Fusing rapturous vocals, guitar and horns this track originally appeared in 1982 and was the band's only 45 single release. Here it is in its original format at last. The flip side features the much more established artist and celebrated guitarist Octavio Burnier. As one half of Burnier & Cartier he produced one of the most sought after LPs in Brasilian music in 1974, which became like gold dust to collectors of Brasilian music. It was recently reissued by the excellent Mr Bongo to the relief of all lovers of Brasilian sounds. In this later solo track 'Que Nem Sol', Burnier demonstrates his exquisite guitar playing as well as his talents as a composer and singer. A seriously delicious slice of soft boogie funk it was released only on 45 single on the Top Tape label back in 1980, and again has never been repressed. Club Internacional hopes you enjoy bringing these long lost, blissful funk vibes back to life via this limited edition vinyl 45 pressing.

Türküola’s new vinyl release of Kayalarınoğlu 2023 is based on Barış Manço & Kurtalan Ekspres’ 1975 album “2023”. On the other hand you can hear tracks like “Estergon Kalesi”, “Ben Bilirim Ben Bilirim” as well. “Estergon Kalesi” was the latest single released before the 2023 LP and “Ben Bilirim” was the A side of the single which contained single version “2023” at the flipside. In addition to these additional tracks you can hear the unedited version of “Kolbastı” first time on vinyl.
2023 was Manço’s most experimental album which contained a lot of electronic sounds of analogue synthesizers and also early drum machines. The track “Kayaların Oğlu-2023” has a touch of early electronic music of its age just like Jean Michael Jarre and Chezlaw Niemen. “Ben Bilirim” is a power funky song while the band’s experiments in Baykoca Destanı drives us to concept albums of pogressive rock groups such as Genesis, Yes, Renaissance etc. You can hear moody Anatolian Rock ballads in “Uzun İnce Bir Yoldayım” and “Yol Verin ağalar Beyler”. In both tracks you can hear a powerful rhythm section formed of two drummers and one percussionist.
The cover art also reflects the esthetic approach of Türküola during 1970s and 1980s. After the accurate reissues of 2023 by different companies, Türküola gives a new path to interpret the album once again but this time in a new vision.

After his successful album “Dreams From Last Night”, Beath returns with his unmistakable sound on a two-sided 7″ that ensures a permanent summer sensation.

Benedek's debut LP for PPU!

You probably don't know this disco banger, I think there is about 4 or 5 known copies on 7", everyone who has a copy has been keeping it quiet. I first heard it from David Haffner about 4 years ago and had been after it since then. After a lot of research I came to the conclusion the everyone involved had passed away, but months after giving up after I spotted Benita's full name on another related LP credited as a backing singer. I was then able to track down Benita who was alive, well and surprised and very happy to hear from me. This one is a beast and will fly out (I find myself saying this far to often).

The second single from the Cultures of Soul compilation, Boogie Breakdown: South African Disco 1980 to 1984, Benjamin Ball's "I Just Keep Dancing" is a synth and drum machine-fueled track that also reveals Ball as one of South Africa’s earliest rappers.
Boston-bred DJs, Soul Clap provide an excellent rework of the track adding some big room club flavor to the track for DJs around the world. Soul Clap are the globe trotting DJ duo of Eli Goldstein and Charles Levine who've done everything from headlining clubs in Ibiza to creating DJ mix albums for Fabric and DJ Kicks to making records with George Clinton, Sly Stone, and Robert Owens. Licensed directly from the artist and housed in a custom disco sleeve this edit won't be available anywhere else.

Bill Brown and Al Hall jr met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer billy Wilson. These studio sessions were don't at Paramount studios Hollywood where Al Hall jr was working for producer Art Smith a&c music. The main distributor for A&C was Accent records. So the Soul Injections very first single "Stay off the moon" was released via Accent, as was Bill Brown's "Bip Bam" The group wasn't that pleased with how Accent handle the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn, organ; Kirk Lightsey, keyboards; Mel Bolton, guitars; Mel Lee, drums; Al Hall jr (trombones), Willaim 'Bill Henderson strings. The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday people feat Alexis "world full of people"....A now cult soul 45 ....We are pleased to give you our last outing for Bill and the Crew. "Dreamworld Fantasies" is a wonderful unissued 1977 modern soul disco tune dreaming of how our lives should be, flip it over and we have given you the rare previously released 1971 single of "Stay off the moon" a political message that still seems relevant today

Since the release of the first volume in 2019, we knew we couldn't stop there. In 2021 we are even more excited to present the 'Drum'n Voice Remixed 2' album by the legend Billy Cobham in collaboration with Italian producers and composers Nicolosi / Novecento. As a taster to the album we are very happy to be releasing an EP containing remixes of ‘Interactive’ from the legend Louie Vega. Acclaimed as jazz-rock fusion's greatest drummer, Billy Cobham has dedicated his whole life to musical exploration and creative expression. Born in Panama, he has been surrounded by music. His father was a pianist, his mother was a singer and Billy started playing drums at four years old. Throughout his career he has collaborated with artists like Miles Davis, Horace Silver, Airto Moreira, George Benson and appeared on over 300 recordings, including icons like Peter Gabriel, Quincy Jones, Jack Bruce, Bob Weir, and James Brown, and to date, has produced and released more than forty albums as a leader. The first album ‘Spectrum’ is a masterpiece and still considered a reference album today. Billy and Nicolosi composed so many songs of the highest quality and class that we immediately wanted to get to work preparing a second volume of remixes. We are really happy to present the Louie Vega remixes of ‘Interactive’ in the run up to ‘Drum’N Voice Remixed 2’ collection that's set for a release later in the year. ‘Little’ Louie Vega does not need any introduction. One half of the Masters At Work (that are back now after a long time with their new single), he is one of the most important House Music duo of the last 30 years, even receiving a nomination in the last Grammy Awards. With the collaboration of Josh Milan (aka Honeycomb and former one half of Blaze) at the keyboards, these incredible remixes of 'Interactive' make track shine thanks to a powerful blend of funky cosmic disco and a perfect killer groove that makes us dance on Brian Auger's magnificent Hammond improvisation.

"Black Devil Disco Club's story is as deep and strange as the music itself. His first album ‘Black Devil Disco Club’ is one of the most enigmatic electronic masterpieces ever made. So ahead of it’s time that no one could believe it was made in 1977 (released 1n 1978). Many thought it was a hoax and that the music was made by Aphex Twin or Luke Vibert but when Lo Recordings released the ‘28 After’ album in 2006, the truth was finally revealed.

Black Devil is the alter ego of Bernard Fevre, a French composer of electronic library music including the magnificent ‘Strange World Of Bernard Fevre’.

Bernard grew up and worked in Paris, and it was the African clubs and rhythms that inspired him to make the ‘Disco Club’ album. With only a small arsenal of electronic keyboards, a vocoder and looped conga drums he made music that transcends time.

Fast forward to 2020 and ‘Lucifer Is A Flower’ is every bit as enigmatic, inventive and inspiring as it’s title suggests. A kaleidoscopic ride into the mind of a musical master. Beautifully packaged with design by Non Format that includes pictures of the devil as a young man, it’s a fitting tribute to a career that has spanned over 40 years of divine and diabolical genius"

Record Store Day 2020 Release.
Limitation: 1000 copies.

Soul Brother Records present two rare Scepter / Wand disco classics on one limited edition 12” single for Record Store Day RSD 2020 Limited Edition 1,000 Copies. Bobby Moore was a singer, musician and bandleader from New Orleans. He worked as a writer and arranger from the 1960s to 1980s, (Call Me Your) Anything Man one of only a handful of solo 7” single releases. The 12” version has never been commercially released before, it’s prior existence in this format has only been on acetate. Sweet Music were the vocal trio who sang background vocals with KC and The Sunshine Band. Never before on 12”

Brief Encounter is an 8 piece Soul/Funk group from North Wilkesboro who is widely known by vinyl collectors because of rariity of their records. After the successful reissue of their first album (plp-6843), P-vine presents the brand new compilation album which includes all of their singles released in the 70's! come with Japanaese OBI-strip.

Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

Favorite Recordings proudly presents this new official single reissue of I Believe! by Calvin B. Rhone: A very rare Gospel/Disco masterpiece, originally released at only 1000 private-press copies, and surprisingly unknown and underrated until today.
Calvin Bernard Rhone, a native of Los Angeles, has been ministering in word and song for more than 40 years throughout the US and abroad. He acknowledges that he is passionate about music; yet purposed for ministry. Beginning his professional singing career at age eight, he has shared the stage with possibly every major Gospel artist from the 60’s to present.
In 1983, he released the album Intimate Friends on his own label, C.B.R. Records. Recently discovered by DJ and collector Charles Maurice, the LP has never received the attention and fame it deserves. It was anyway obvious for the DJ and Favorite Recordings, that some of the tracks it includes would for sure become real classics for all Disco and Funk music lovers and deejays.
Officially licensed to Calvin B. Rhone himself, it’s today reissued for the first time, as a 3 tracks vinyl single.

York Pennsylvania born and raised, R&B vocalist Carman Bryant has performed throughout the U.S. and all over the world. There’s a saying in the Harrisburg/York Pa.area “If you want a seat, you better get there early” for a performance by Carman and her band. Carman's recording "Midnight Star” is an unreleased recording that was produced many years ago by Cecil DuValle of the Teddy Pendergrass band. The original studio masters were lost when Cecil moved to England because Teddy Pendergrass stopped performing. "Take a Chance" is a duet by Doug Payne and Carman from the same recording sessions at Alpha International Studios that was located in South Philadelphia. This was during the time that Doug Payne was on the "We are Family" tour with Philly recording group "Sister Sledge''. Doug Payne is a graduate of Howard University Washington D.C., and Fiorello LaGuardia High School of Music & Art in New York City, this is the same school that was used for the movie and television series "fame" starring Debbie Allen and Irene Cara. Doug had two songs signed with Tsop Gamble & Huff's publishing that were selected to be recorded by Phyliss Hyman before her death. In 1981 Doug Payne started his own label in Philadelphia with the release of "holiday" by Doug Payne & Polygon. Carman and her son Terrell Bryant aka Nakuu both have been busy lately recording new music to hit the scene around the same time.Terrell Bryant is the son of Jason Bryant who started The SOS Band. Doug's wife June Payne is a former member of Philadelphia recording group The "Three Degrees".

Casbah 73 makes his Glitterbox Recordings debut with an insatiably funky slice of disco soul ‘Love Saves The Day’. Driven by a soul-filled vocal hook from Angela Goode, this timeless jam’s authenticity lies in its rawness, sounding like it’s been ripped straight from a 1970s dancefloor while maintaining a freshness for today’s listeners. This special 12” delivery includes two stellar re-works, opening with master of the disco edit Danny Krivit’s funk-fuelled mix that smacks with New York City flare, bubbling keys and slap bass breakdowns to boot. The snapping Percussion Jam closes out the A-Side, before Chicago’s Rahaan takes control on the flip, taking the vintage sounding original and transforming it into a pumping, modern disco cut. Finally Casbah 73’s original rounds off the 12”, completing this package that is a must have for any discerning disco DJ.

Special Valentine's release - this one's for the lovers baby!
Fresh off the sequel to Bobby, Caserta and co welcome Teddy to the BB family. With another iconic voice spread out on 2 distinct mixes, Caserta is a firm believer in the “If it ain’t broke don’t fix it” approach.
The A Side takes you under the stars of a rooftop disco on a warm summer night. With live bass and triumphant horns this mix is sure to have you feeling right into the wee hours. Speaking of the wee hours, when that time approaches you can flip her on over to the B Side for the ‘Bassment Dub’. The repetitive bassline and hard drums are sure to take you right until sun up!

Return of the dirt. Two versions from the earth, from the dirt, our music includes that "what's in this pipe mix", the original home recordings of Orlando Florida session players directed by Tony Cole for Central AYR. This is PPU's teaser for their 10 track album coming this summer.

Numbered limited boxset (1000 units Worldwide) with red ribbon inside to pull out the records. Features 3LP+3CD and a large poster. includes REMIXES by Frankie Knuckles, Kevin Saunderson, Alan Braxe, Dimitri from Paris, etc…!

Volume III, the return of Lo Joe Soul and Electro Wayne as Circuitry.. 10 track LP of midwest madness, tweaked to its limits during 2020 lockdown. Featuring vocoder-funk classic "Sexy Body", the lost slo-jam "This Is Dedicated".. and unreleased electro bomb "Arrested By The Funk".. B&W jacket designed by the SoftGrid.

Circuitry is... Electro Wayne & Lo Joe

Written, Composed, Produced and Arranged by Circuitry for Circuit Shock Productions.
Recorded Live at: Short Circuit Studios 1985-1987
Drum Machines: Roland TR707, Roland TR808, Oberheim DMX,Kawai r50e
Keyboards:Roland Jx10, Yamaha Dx7 & Dx 5, Roland Jx-3p,Oberheim Matrix.

More glorious heat from the vaults of NYC's Disco powerhouse - P&P Records! One of many labels operating under the equally legendary tutelage of Patrick Adams and Peter Brown, two truly colossal figures in NYC's music scene, the P&P records catalogue is still fascinating underground dance music lovers to this day. Covering a wide range of styles including Gospel, early Rap and Disco the label's output continually finds its way into the playlists of respected DJ's and selectors across the globe. This latest repress from the vaults is a real biggie - a true NYC underground disco Classic!

DBH Music welcomes Queen Constance Records to the label Family! Another fantastic label runned by the Mastermind Peter Brown from New York City. We're honoured to present you in future some pearls of Disco & Funk on black gold! Starting with the essential and hard to find "Cloud One - Doin' It All Night/ Dust To Dust" from 1979, written and produced Peter Brown & Patrick Adams!

A true Holy Grail from the Cloud One catalog, “Don’t Let My Rainbow Pass Me By” is the third of a string of titles on Golden Flamingo produced by the P&P duo of Patrick Adams and Peter Brown and featuring vocals from “Guardian Angel” singer Margot Williams.

Similar to previous Cloud One’s productions, this record had all the elements of a Patrick Adams classic, but with vocal arrangements that foreshadowed the work he would do with Inner Life and Jocelyn Brown at Salsoul. Perhaps not so much of a coincidence then that Margot Williams would provide backing vocals on Inner Life’s Second and final album.

Even though it was originally released in 1981, “Don’t Let My Rainbow Pass Me By” is still championed by high-profile deejays today. Over the years, it’s been notably sampled in Basement Jaxx’s Romeo and covered by Todd Terje and Prins Thomas in “Reinbagan"" as a Dub-Disco cut. Available for the first time since it’s original release, our only piece of advise is to don’t let this classic pass you by.

Back in! Limited edition 7inch single from the forthcoming album 'Saturday Night', the life's work of Cyril Walker. During the making of this record CYRIL passed away on December 31, 2010. He will be missed.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

Daniel Monaco is a musician who defies definition. An artist who is as comfortable strumming a bass as he is bending waveforms on his synths, this is a creative that guarantees something unique. Tu Sei Pazza more than meets that guarantee. The title track is an instant classic. Soft burbling basslines float around a steady kick before daring brass sections are punctuated by scaling xylophone lines. Somewhere between late 70s lounge music and strikingly modern disco, this piece will put a smile on any face. Whodamanny lands on the flip and takes the original to moonbase five via Studio 54. Tempos are reduced as a path of cosmic laser-funk is taken by the amazingly versatile Naples producer. A cracking close to a 7” that packs a real punch.

Yet another highly in-demand 12" from the Philadelphia International stable and an artist whose records never go out of date! This is a killer double-sided beauty with the frenetic and jazzy "Life On Mars" from his debut 1976 album on the top-side and the mellow all-time classic and soul boy anthem "The Sweetest Pain" from 1979 on the flip.
Two very different sides of a great artist, both of which show the level of diversity that he was capable of producing. The last legitimate release of this was back 1999 and a Mint copy will currently set you back circa £50, if you can ever find one.
Fully remastered on limited edition 180 gram heavyweight vinyl.

San Francisco native and modern funk wiz Diamond Ortiz makes his first appearance on Austin Boogie Crew Records with "Goodies", a sweet and enticing 12” EP of quality jams!

Coming off the buzz of his acclaimed "Loveline" LP, Diamond takes a slightly more chill but equally party-centric approach on Goodies. This is the first 12” release on ABC and it’s fire from front to back!

No one pushed the boundaries of Dance music quiet like the late
Arthur Russell. On “Go Bang,” in his Dinosaur L persona, Russell’s
unique falsetto-esque vocals are layered over a pulsing disco
thump with a flourish of Fender Rhodes keys establishing the
downtown feel of this solid groove.
Get On Down is proud to present this classic single, featuring the
complete “Go Bang Part 1” and “Go Bang Part 2”.

No one pushed the boundaries of Dance music quiet like the late Arthur
Russell. Perhaps no track does so to such an extreme as “In The Corn
Belt”. Working in his Dinosaur L persona the mix on “Corn Belt” is by
another giant of the genre, Larry Levan of Paradise Garage fame. The
groove is intensified by layers of shredding guitar, percussion and some
instrumentation that sounds otherworldly.
Get On Down is proud to present this classic single, featuring the complete
“In The Corn Belt Part 1” and “In The Corn Belt Part 2”.

Songs Volume One is a collection of material written, produced and recorded by Dwight Sykes on 4-Track Cassette, in his home studio L.U.S.T. Productions.

Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’). Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle. Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco. To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul. A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly. Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable. Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

One of the greatest gospel disco records of all time from Detroit’s Elbernita "Twinkie" Clark gets its first ever 12 inch pressing courtesy of South Street Disco. Formerly of the Clark Sisters, Elbernita went solo in ’79 and after a debut album she let loose the ’81 follow-up ‘Ye Shall Receive Power’. ‘Awake o Zion’ is the jaw-dropping, gospel disco dancefloor destroyer cut of choice from the album and now rightly receives a full length, 6 minutes of joy, loud and proud, 12 inch pressing. Favoured by the likes of Hunee, Antal, Sadar Bahar and Motor City Drum Ensemble to name only a handful. On the flip the truly epic, organ-led, body slammer, ‘Power’, sure to convert any naysayers out there. Heavenly goodness for your ears, eyes and mind.

Originally released in 1982 on Cinofilm Produzione, Francesco Strippoli aka Armonics discovered the ‘Radio’ 7″ by pure chance last year near his home in Bari. It was in Vito Lisco’s basement, who written and produced this track together with Renzo Maria La Costa back in the 80’s. They polished up the original track and on top re-recorded the vocal parts, added some guitar riffs and remixed everything together for a modern take on this eccentric italo production by Evolution (l&l). Limited to 200 copies.

Sensational – that’s Frank Hatchett! These words can be found on many of the 16 albums credited to the legendary NYC jazz dancer, choreographer, and teacher to the stars - Madonna, Brooke Shields, Olivia Newton-John, and Naomi Cambell. In the highlights compiled on this expansive double LP set, the sounds of Hatchett’s albums run the gamut from disco and funk in the 1970s to electro and proto-techno as they glide through the ’80s. Most tracks clock in at a brisk 2:30 – the ideal length for Hatchett’s classes or his students’ recital performances. Fans of library music will find a similar focus on immaculate performances, while the tightly coiled drum breaks, Afro-Cuban rhythms, and thumping 808s will send rare groove collectors into a state of head nodding bliss. Hatchett’s name and photos may appear on the sleeves of his records like Dance Crazy, Jazz Power, or Vop Style, but he is nowhere to be found in the music contained within. Instead, these albums dating back to 1974 were recorded by studio players under the guidance of musical director Don Tipton or arranger Zane Mark. Performers include: keyboardist Fred McFarlane (Madonna, Keith Sweat, Evelyn “Champagne” King), drummer Bernard Davis (Steve Winwood, Ryuichi Sakamoto, Kool & The Gang).

As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s euphoric debut album Mondo Della Notte. A homage to the world of the night where Franz plies his trade. Solid production and understanding of the various references informing the contemporary dancefloor imbues this set with a quality of permanence. Each track clocks-in at around the seven minute mark accommodating all Scala’s retro influences providing the space for walls of sounds to expand and unfold along these infectious rhythm voyages.

As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s Mondo Della Notte. This is part 1 of the album, which is also available as 2LP bundle.

As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s Mondo Della Notte. This is part 2 of the album, which is also available as 2LP bundle.

Back IN Print 2022 Edition - Limited Edition of 300 copies Recorded Live in Hyattsville, MD 1975-2015. George really had no interest in releasing this record. "Seeing Is believing, they don’t need records, trust me I did that, today they getting it live". So this record is that, live tapes from the house, recorded on a government issued cassette recorder from National Library Service for the Blind. George calls these his practice tapes for songwriting, and performance warm-up, and never beyond his ears were they intended to travel. "You just got to see me live if you want to really see me.. so when we get there just plug me in, and point me at that crowd". Last time I saw George they had him wired to the club system. He unplugs his Yamaha keyboard, licks the tip of the power cord and taps a beat on it, finally plugging in, synth lights up, tones all at zero, beats at zero. Then he builds from there, counting blind through a preset one hunderd factory tones and rhythm patterns. "I gotta start off at zero, and go from there." After the Marshmellow Band disperesed, he got this Yamaha keyboard, same one he’s been playing since 1990, endless scrolling over the same presets, trying to make them fit, tempo down, tapping while telling the story and asking if that feels right to you. "This always gonna be different live."Some selections on this album are original material from home sessions prior to George’s 1980 self- released LP. The rest, just a sampling from the Smallwood mind’s library of classic song writers. - Andrew Morgan (Peoples Potential Unlimited)

Exact replica repress!! George gave us his orginal metal stampers and we were able to press a limited run of these before the plate broke! Best sound quality here.. don't miss this sought after modern soul masterpice. Perfect for all the still clubbing moms on the dancefloor.

Following on from our previous Gladys Knights & The Pips 12" ('Love Is Always On My Mind'/'Bourgie Bourgie' Cat No: DISCO115) it gives us great pleasure to re-issue her most sought-after and in-demand 12" - the Walter Gibbons remix of "It's A Better Than Good Time" backed with the full version of "Saved By The Grace Of Your Love".

This is a legendary and super-rare 12" which was only ever issued in Canada and has become something of a holy grail for serious dance music collectors over the years.
A decent condition copy will currently set you back £300+ and that's only if you're lucky enough to find one! it's a Gibbons master-class like you know he can.
Fully remastered on limited edition 180 gram heavyweight vinyl.

Record Store Day 2020 Release.

Formerly unreleased, super-rare tracks from the original New York scene, art-house band Gray originally fronted by the legendary artist Jean-Michel Basquiat. A slice of the Lower East Side New York grounded in real experiences, real feelings and the joys of urban living, expressed through the tracks ‘Never Gonna Leave New York City’ & ‘Willie Mays, Boom For Real’ from founding Gray member Michael Holman and bandmate Nicholas Taylor. This RSD release comes in a stunning full colour sleeve complete with liner notes from executive producer, as well as legendary counterculture author and rock biographer (Jagger, Dylan, Bowie, Pink Floyd, The Ramones, Talking Heads, Zappa, etc), Barry Miles.

Harold Melvin & The Blue Notes were one of the most popular groups on Gamble & Huff's Philadelphia International label, clocking up a number of hits in the mid 70's.

This release featuring two of their recordings, typify the cream of Philadelphia International and Sigma Sound studios dominance of the mid 1970s dance-floor at the absolute height of their creativity and power.

"Bad Luck" spent an unprecedented 11 weeks on the No.1 slot on Billboard's U.S. Dance chart in 1975 and has since become one of the biggest dance-floor staples ever recorded.

On the flip we have the original full version of the classic "Don't Leave Me This Way".
Both songs are mixed to perfection by Tom Moulton and both are state-of-the-art lessons in what exhilarating Dance Music is all about. Fully remastered on limited
edition 180 gram heavyweight vinyl.

Under their one-off disco moniker, Leroy Burgess & The Fantastic Aleem Brothers produced this 1980 dancefloor wonder that finally gets its first deserved re-issue to celebrate its 40th anniversary. Remastered with love and respect and pressed on limited 7" vinyl for the true collectors.

Formed in 1970, Hokis Pokis was a seminal band in the New York disco scene with a handful of underground local hit singles including the highly-sought after “Nowhere” “Find What You’re Looking For” and “City Rhythm”.

Releasing several singles from the mid ‘70s all the way to the ’80s, Luv N’Haight has compiled all of Hokis Pokis’ musical output into an album which also includes 2 previously unreleased tracks. Remixed and remastered digitally from the original master tapes, the versions on the album are elevated from the already amazing originals with a cleaner sound and harder-hitting bottom end, bridging the gap between dancefloor fanatics in disco’s heyday to their modern day counterparts. Never before seen photos along with corresponding liner notes from DJhistory.com’s Bill Brewster are included in the deluxe double-LP package, telling the story of a group of friends that embark on a musical journey that continues to this day. From the beginning of disco’s rise to its inevitable decline, hitting a low point with the “Disco Sucks” movement, to its eventual resurgence in popularity with today’s dance-culture, Hokis Pokis has remained together bonded by friendship first, coupled with a shared musical vision that continues to endure.

Look for Under the Influence of Hokis Pokis album later in the year featuring heavyweight producers Kon, DJ Spun, Citizen Kane, Al Kent, DJ Day and others who all take their turn creating new, original dancefloor classics from the original multi-tracks.

Dig This Way Records is proud to announce his new MAXI 12" Serie!
Side A Featured Soki Ohale with his I.S.C.A.C. Band project , the track is call Igbo Nwe Egwu and is a mix of Highlife , Boogie and Electronic sound from 1986. It was pressed on a limited and raw LP sponsored by
Imo State Council for Art And Culture , the audio have been restored and remastered by our friend Bassi maestro @Press Rewind Studio
Side B Featured La Bruno - Instant Reaction + Instant Rap , the original LP is litterally impossible to be found , we have been lucky to Locate a clean copy in our 2nd trip to Nigeria and even more lucky to meet La Bruno himself just walking around Owerri in the east side of Nigeria!

French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these. These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco.

Originally released on a promo-only limited edition special 12" mix in the U.S., "Anung Anunga" was pressed in extremely limited quantity, making it one of the rarest Columbia 12" releases ever - a mint copy will currently set you back around £100.
Produced by veteran dance music producer Bert Decoteaux, "Anung Anunga" is the perfect fusion of red-hot Cuban musicians with a contemporary dance production.
The result is simply stunning and continues the tradition of artists like Candido and Joe Bataan crossing over into the Dance Music world.

Rare boogie joint time, Isabr'm or his real name Isaiah Lanes obscure and expensive. Recorded at Starlight Sound in Richmond, California (The same studio when many of the Digital Underground tracks were records as well as Alexander O'Neal) the record has remained obscure due to its price and rarity. Straight dancefloor boogie fire all the way on 'If I had you, flipped with a wonky drum machine balled 'Nothing At All' which I kind of love.

Soul/Disco/Funk single here for the first time ever on vinyl! The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents J Daw featuring Tim Tucker and SkyFunker and the two magnificent electro boogie tracks "Flying First Class" and "Shake That Fnkn Booty”. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!