Disco | Boogie Vinyl 366 Items

Two slices of prime cut DISCO–BOOGIE–FUNK from 1979 by this US band formed by siblings Rebecca Dru and Ian Wilson. Featuring Tower Of Power horn section.

Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's. They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.

Originally released in South Africa in 1978, “Whistling Jigs To The Moon” is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O’ Donnell and David Williams from psych-folk legends MELLOW CANDLE.
In 1974, following the break-up of Mellow Candle, Alison and David arrived to South Africa. Once there, they met a couple of fellow expat musicians, Barrie Glenn and Jo Dudding, forming Flibbertigibbet in a niche folk and traditional circle of immigrant and local musicians, building up a repertoire of tunes and songs both original and traditional. They appeared at evenings held in communal houses, at folk nights and the Boksburg Folk Club.
Producer David Marks offered to release their album and launch it in a series of concerts at the renowned Market Theatre. They enlisted the help of a number of fine musicians on the recording, namely classical first violinist Francesco Cignoli, jazz bassist Denis Lalouette, Nippy Cripwell on string bass, Colin Shapiro on flute and Dave Lambert on fiddle.
“Whistling Jigs To The Moon” saw the light in 1978.
First ever legit vinyl reissue, master tape sound and insert with lyrics, liner notes and photos

Finally, Marlena Shaw’s timeless cover of Diana Ross’ ‘Touch Me In The Morning’ gets the official, remastered, reissue treatment alongside the downtempo, slow jam - ‘Shaw Biz / Suddenly It’s How I Like To Feel'.‘Touch Me In The Morning’ is as iconic a track as you’ll ever hear, becoming a huge anthem of discotheques the world over. A tale of lost love, capturing the emotions and exposed honesty of a separation, contrasted with those intrinsically uplifting string and horn sections. It is a truly epic embodiment of strength and courage that Shaw’s vocals summon from your very soul.

33 years after it’s first release Rick Clarke’s street soul simmerdown on Local Records, ‘Love With A Stranger’, gets a much welcomed official reissue, lovingly remastered from the original tapes.

Just peep that OG artwork to get a taste of how this one’s about to go down. Written and produced by John Collins, known for producing The Specials - ‘Ghost Town’, ‘Love With A Stranger’ perfectly encapsulates that '80s street soul sound. Distinctly soulful, synthy slow jams, heavy on the bass with a touch of the low-slung, lovers rock vibrations about them. Rick Clarke’s sultry sweet nothings weave their way irresistibly through this five minute gem, but for those that want to provide their own rendition over the top, the dub has been affectionately cut to the flip.

Top tier tackle – reissued to serenade red dressed souls the world over once more.

Official re-release of The Nelson Family's Gospel LP from 1986. Essential for any serious collectors of Gospel. Quality from end-to-end, including the cuts Thank You Lord (firm favorite of Floating Points and Skymark), Filled With His Spirit and Everlasting Love.

Charly Kingson, (ps. for Charlie Kingue Soppo) is a legend of afro-funk who managed to shake the entire continent up with his infamous 1978 LP, Born In Africa. Often forgotten when conversations turn to Afro-dance, and the likes of Tony Allen or Fela Kuti, he has been an incredible source of inspiration to many musicians exploring the funkier side of jazz-dance, and this album itself goes way beyond any traditional notion of tropical discotheque. "Born In African" itself is a funky groover for the dancefloor and here is the original 1982 Remix, made by Dutch legendary percussionist Eddie Conard available again, featuring “Nimele Bolo” on the flip-side. Released in 1982 on Ariola/Fleet, but also pressed on the original Fleet label. The latter (remarkably with identical catalog-number) never saw daylight. But, we got them all! All in all, this hard to find 12” (at Discogs copies on the Ariola/Fleet label go for around 250 euro) was recently re-discovered, and now you can finally enjoy it again.

Originally released in 1983 Stop Bajon (Primavera) became a favourite in Rimini Discotheques, Balearic Islands and even Chicago during the early house days. It was an anthem on what went on to become the Italo Disco movement. The vocal mix is still revered and played to this day by DJ's such as DJ Harvey at his Mercury Rising night at Pikes, Ibiza. This special limited edition release from Best Record Italy features for the first time the original acapellas (tracked down during tape restoration) plus the song Stadera that was available only on the first italian pressing and of course the original extended club vocal and instrumental.

First legit ever vinyl reissue of this ITALO-DISCO / FUNK anthem from 1983 produced by TONY CARRASCO and originally released on Proto Records. File next to KLEIN & MBO.

First ever vinyl reissue of this rare & sought after private 12” from Germany, 1979, recorded at the legendary Conny’s Studio. Smooth & laid-back disco-funk-balearic sounds, including the underground club classic “House At The Sea”.
Goya was a German band featuring drummer Charles M. Heuer, also a collaborator of Günter Schickert.

Rare and in High demand Afro digital Soul EP, recorded in Abidjan (Ivory Coast) in 1981.
Originally from Martinique, Clem Marise Voltine aka Mac Gregor moved to Abidjan in 1979 searching for, what she called, her “negritude quest”. She sang about her love for her adoptive city until her death in April 2004 at CHU of Abidjan, Trechville Hospital.
A visionary composer, poet and singer, mixing Creole, French and Nouchi, she made a brilliant musical bridge between the West-Indies and Ivory Coast, backed by a soulful group of top Ivorian musicians such as the great Houon Pierre.
This unique and must have record is a pure dancefloor killer and will definitely be the next Afro Tropical Hit of the next decade!
Fully Licensed in Abidjan, remastered at Carvery Studio on a 12inch vinyl (45 RPM).

We weren’t too familiar with this 1984 Release on Sleeping Bag Records until reading Tim Lawrence’s Book Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. What we learned, was the “behind the scenes” drama that went on during the recording of this single. Arthur Russell and DJ Nicky Siano contemplated working together once again after their first collaboration in 1978 lead to a successful 12” single called “Kiss me Again” on Sire under the Moniker Dinosaur where David Byrne even played lead guitar. Their second collaboration “Tiger Stripes” came as the result of Siano convincing the father or a then girlfriend to fund the venture. Arthur wrote the lyrics, and while Siano remembers remembers the Demo tracks being promising, problems began to emerge as Studio time began ticking. Russell became annoyed by Siano’s hyperactive personality in the Studio, while the former Gallery/Studio 54 DJ grew impatient of his collaborator’s constant changes and money spent in studio time. However according Author Tim Lawrence the feud escalated when Arthur wanted to introduce a drum machine after the session drummer could not keep the time. As a result, he ended up scrapping the original tracks which included vocals recorded by Evelyn Thomas. However the nail in the coffin came when Siano assumed the role of lead vocalist at which point Russell quit appalled by how terrible he sounded. Although a perfectionist, Russell also suspected Siano had been using the project as a platform for himself as a vocalist. In any case their project went on with Siano as lead and newly recorded backup vocals by Maxine Bell. Released on Splash Records in 1984, Siano is credited as the artist and sole-producer while Russell only agreed to be credited under the alias Killer Whale. Not too long after, Sleeping Bag released a 7” promotional copy of “Tiger Stripes” featuring only Bell as the sole vocalist, a different B-Side and Felix as the artist name. Although Russell did not credit himself by his real name, he credited the Killer Whale alias for all the writing and production on the single. There is a 12” on Sleeping bag which credits Siano for production on Tiger Stripes” but it’s clear from the release of the 7” that Russell wanted to make a statement. Beyond this peculiar story however, the music itself is worth the note. In a 2014 piece for The Vinyl Factory, Peter Zummo, one of Arthur Russell’s closest collaborators best describes this release: Side A: ‘Tiger Stripes’, is a crazy editing job with lots of disparate elements. The opening beats give little sense of what key it will be in. Side B: ‘You Can’t Hold Me Down’, is drum machine and conga, rhythm guitar, keyboard, female refrain and lead vocal, and male chant on “bad little kitten – pounce on you.” There’s no real bass. I like it not only for the way it sounds but also that it shows that you don’t have to follow the rules.

From the pumping heart of The Magnetic System comes the “dirtiest” Da-Da-dancefloor
anti-jams with this lost 1979 blueprint of Italian conceptual cosmic disco played by the
cream of the Goblin studio band. Ultra rare and unscrubbed, Finders Keepers finally snip the
trip from the cash machine to the trash machine. Pay dirt just got dirtier.
Carving its own grubby niche as an early prototype of cosmic disco cum Italo space funk
whilst simultaneously harbouring Dada hat stand satire with a junkshop glam aesthetic this
ecological illogical poplitical crab cabaret clearly broke the mould before way before the jelly
had set.
Fans of “other” obtuse outernational agit-camp might find a fantasy fusion between France’s
J. P. Massiera and Sweden’s enviroMENTAL marvel Kaptain Zoom while trying to unravel the
Madfilth tangle - but rest assured there were method men behind this madness and a portal
to Italian funk royalty still festers at the bottom of the psych rap scrapheap.
Originally drip fed out of Cesare Andrea Bixio’s Cinevox stable as one of a tight grip of nonsoundtrack
LPs, made to test the label’s commercial potential, Madfilth would follow the
band Goblin (and their non-cinematic Roller) as well as the hens’ teeth eponymous long
player by the group The Motowns in what was perhaps the last-ditch attempt at custom
built popsploitation - combining the skills of overqualified composers with undercooked
conceptual mind farts! Naturally, after almost 40 years in the barrel, this micro-brewed
oddity finally quenches the acquired taste of a new breed of shambolic psychotropic guzzlers
proving that 1979 was obviously good year for fool’s gold. The Madfilth medicine has finally
come to cure your psychic ills so open wide and don’t bite the spoon.
As both doctors and diggers will agree, always read the label. It is beneath the flamboyant
rhythm rants and vari-speed osric slop of alt-comedic sarcy-satirist Alberto Macaro (a genetic
beneficiary of a vaudevillian comic bloodline) that we find The Magnetic System maestros
Franco Bixio and Vince Tempera as the sonic driving force behind this unmarked treasure
trove of B-musical diamanté discoids. It will also come as little surprise that Cinevox/Dario
Argento favourites Goblin were not too distant from the whiff of this curates egg with the
men who many consider to be the group’s greatest assets in bass player Fabio Pignatelli
alongside sports rock drummer Agostino Marangolo. It was this unison that remained
consistent throughout Goblin’s career, weathering the temporary departure of Claudio
Simonetti and maintaining the stylistic heartbeat of the group. Madfilth’s inclusion of Goblin
synth Maverick Maurizio Guarini and the band’s mid-period guitarist Carlo Penessi (founder
of the band Etna) pinpoints the jobbing Goblin session group during the time they recorded
the soundtracks for the films Buio Amiga and Squadra Antigagsters. This lesser celebrated
late 70’s era also witnessed the mutating Goblin rhythm section providing discoid backbeats
for records such as Giorgio Farinas Discocross LP, Simonetti’s own Capricorn alter-ego and
the homoerotic nightclub spin-off Easy Going - all of which, alongside Madfilth, provide a
strong mutual stylistic support system for their claim to cosmic discos deep red bloodline.

Deadstock found from previous distributor of the official remastered edition released in 2015 on S.P.Q.R. of a rare 80s disco classic by Steve Watson, containing the rare and sought after original extended version of Born To Boogie and not the more common shorter single edit. Don't sleep!

Nigeria’s Kingsley Bucknor’s ‘Just U and Me’ LP gets the long-awaited reissue treatment from Melbourne’s Left Ear Records. After cutting his teeth playing with Fela in the 70’s and releasing two afrobeat LP’s Kingsley travelled the globe before finding himself in London, it’s here that he laid down 6 distinctive electro-funk tunes inspired by African rhythms and music he’d heard through his travels in the States and in Europe. Originally issued on Kinglsley’s own KAB records in ’85 and according to Kingsley the release was well received at the time, but due to constraints of international marketing the record remained mostly unknown outside of his homeland. Fast-forward to 2017 and the stage is set for a new global audience to appreciate the distinct sound of KB.

long overdue reissue with rock city pioneer Billy Jones.. here's what he had to say about his crew.

...in the early 80's Billy Jones was the lead guitarist for an outstanding group of touring musicians who called themselves 'The Incredible Rock City Band'. They performed on military installations all over the United States for the U.S. Dept. of MWR for more than ten years during the 80's and 90's. ...I'm sure that there are many veterans out there who remember seeing this band at NCO and Officer's clubs back in the day.

'The Incredible Rock City Band' members :
Justice "Jay" Little ...drums/vocal
Karl "Drac" Lane ...bass/vocal/keyboards/guitar
Morris "Mo" Moore ...percussion/vocal/synthesizer
Jerry Herd ...mini-moog/trumpet/keyboards/vocal
James "Whimpy" Cross ...sax/vocal/keyboards
Jerrold Lewis ...vocal/keyboards/bass
Billy Jones ...guitar/vocal

Here’s one very rare early 80’s soul and boogie LP, as clean original copies now fetch well over $500, if you can find it... This brand new and first official reissue ever contains the now classic modern soul dancer ‘Not About That (Show Me Some Respect)’ alongside some very attractive ballad material for the more dedicated soul fans. The elusive Van Jones from Pughsville, VA continued to record - as he did since 1976 - several 7” and 12” singles into the decade. But this highly sought after album from 1981 is widely considered as the definitive moment in his short though fruitful recording career. - Marc Janssen

A very rare LP originally released in 1983 has made its way to Soundway and been mastered with the utmost care.
The only known recorded album by the band, it also features the track “Fella’s Doing It In Lagos” which was included on and inspired the name for Soundway’s hit compilation in 2016.
Band members: Austing D. Ilukhor, Charles Chiagoro, Geofrey Ochiagha, Hawly Adeyefa Jnr, Klesye Edward Doja, Shola Damole, Stanley Ifejoku.

When there's Rhythm people will move, and moving people was the fate for these two songs from Spanish Supergroup Barrabas. Originally released in 1972 on RCA Spain, 'Wild Safari' and 'Woman' would become underground hits among New York City disc jockeys at time when Discotheques preceded disco music. Over the years It has been well documented that the music from the Iberian Rockers and in particular their song 'Woman' found a home in both Nicky Siano's Gallery and in David Mancuso's Legendary Loft around 1973. Curiously but perhaps not surprising, a few years later 'Woman' would also become a breaker's anthem in a nascent hip-hop scene, where having obscure or 'ultimate' breaks would separate a Grandmaster from the rest of the flock.

The Story behind Barrabas is quite peculiar as well. With members from various Latin countries (Cuba, Philipines, Portugal and Spain), the band led by Fernando Arbex were accidental pioneers in a sense, blending Latin, African, and American influences into a package destined to move people across the globe. With a succesful debut album, Barrabas was one of the first international groups to leave its mark on the disco circuit with these two hit singles. 'Woman' and 'Wild Safari' charted well in various countries across Europe and the Americas, including the USA and Canada.

Although the group never followed up the success of their first LP, the legacy of tracks like 'Woman' and 'Wild Safari' is treasured by the DJs who have studied the histories of clubs like the Paradise Garage and The Loft. It's really not surprising to find a decade later in the 80s, 'High Energy' and 'Freestyle' covers of 'Woman' or the groove sampled into a House Music beat even to this day. There was indeed something about that Woman.

Recently, HBO's Show "Vinyl" paid homage to 'Wild Safari' in a scene that more than symbolically depicted the birth of the disco era as we would come to know it.

Part of the Get On Down Sound vinyl series with the aim to bring back their favorite Dance 12-Inches to a new generation of Vinyl-DJs. Re-mastered for optimal club use, these are official re-issues of some of Dance Music's most influential cuts.

Prime are delighted to announce the long-awaited OFFICIAL 12 inch re-release of probably the most revered Paradise Garage anthem of all time - M.F.S.B. feat The Three Degrees and the now legendary "Love Is The Message".

Originally released in 1973, "Love Is The Message" has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from Tom Moulton which is always a £25-30 record if you've ever been lucky enough to find a mint one and copies of the rarer U.S. 12" with the long mix are like gold!

Worry no more as the quality on this 12" is from the best master and 100% sanctioned by Sony Music.

On the flip we are proud to re-release "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, using Tom Moulton's full original 5.42 mix. Another piece of significant dance-floor history.

As double-siders go, it really doesn't get any better than this. There is already high-demand from lots of DJs needing to replace their battered copies so accept no substitute. This is the real deal.

We are proud to announce another belter of a double-sided monster. Welcome to the brilliant Herbie Hancock with the always in-demand slinky groover Stars In Your Eyes on the much coveted 11.21 "special disco remix".
This is quite simply one of the smoothest Disco rides you will ever take with a production made in heaven and a vocalist supreme with Gavin Christopher taking it to another level. Find an original U.S. promo of this if you can.
There's lookalikes about which are inferior quality! As if that wasn't enough, we've only gone and paired it with the hugely rare U.S. promo-only 12" "special
disco remix" of the scintillating Saturday Night.
This is as rare as hens teeth and you'd be lucky to find a mint one for less than €50.
Featuring an extended percussion break from the fantastic Sheila E, this a very different mix to the original album version and was never widely circulated at the time.
So another nice rare gem. As double-siders go, this really takes some beating. Order with confidence because this will still be selling for years to come.

1983, in the history of synths, is a key year. During the January edition of NAMM (the most important music fair in the US), indeed, MIDI - the standard protocol for electronic instruments interaction - was introduced to the world. Until then, programming and making synths work together was something practiced by a restricted elite of “wizards", explorers armed with cables and analog patches, who could create new sonic worlds - but totally temporary, not replicable. Real superheroes of sonic synthesis, scientists of filters who, nowadays, are highly considered by musicians all over the world, after decades of forced exile. In Italy, the seeds of this tradition were planted in RAI’s Laboratory of Phonology (in Milan), in the middle of the 1950’s; later, pioneers like Piero Umiliani, Federico Monti Arduini (aka Il Guardiano Del Faro), Marcello Giombini, Giampiero Boneschi and Fabio Borgazzi (Fabio Fabor) introduced electronic music in pop. Fabor (together with Antonio Arena) is the protagonist of “Superman", an album of library music released by the World label (owned by Minstrel group) in 1984. Borgazzi, born in 1920, lived through the whole saga of Italian easy listening music (from big orchestras to the digital revolution), always keeping up with the latest styles and trends.

Official reissue of one of the hardest to find albums by the Afro Soul maestro, a pure Afro Funk spiritual grail from 1978!
Born in 1943 in Ikole-Ekiti in Ondo State, Nigeria, Orlando Julius Ekemode (“Orlando was really a nickname, taken from the Nigerian actor, Orlando Martins“) had started in music from an early age, becoming the school drummer and learning flute, bugle and other instruments at St Peters Anglican School in Ikole-Ekiti. Nigerian musician, singer-songwriter and multi-instrumentalist, he is credited as one of the first musicians to fuse US R&B into traditional highlife music, creating his own influential Afrobeat sound during the mid-‘60s.
From his time playing in the USA during the 1970s onwards, he is credited with bringing African music to a broader audience and famously co-composed the song “Going Back To My Roots” with Lamont Dozier. In 1978, Orlando Julius Ekemode decided to produce himself this amazing session, originally recorded between Maryland and West Virginia (USA) and released in limited quantity in Nigeria by the obscure label Jungle Records. 6 stunning Afro-Funk monster tracks, recorded by 8 musicians based in Oakland.
Fully licensed with the artist and remastered by The Carvery. Essential!

Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.