Disco | Boogie Vinyl 414 Items

After much online hype shrouded in mystery, Soundway presents the first in a new series of 12” releases which will make available many hard-to-find and in-demand dancefloor tracks on loud, DJ-friendly pressings.
On this first 12” are two late 1980s Ghanaian highlife cuts taken from the catalogue of Nakasi Records. Nakasi was run by the late producer Nana Asiedu (Big Joe) - a well-known figure in the Ghanaian and African music community of 1980s London.
The A-side showcases a track from Jon K’s second solo album, which was a re-working of a traditional Fanti language Asafo company song Asafo Beesuon. Made famous by C.K.Mann on his seminal album ‘Funky Highlife’, this version very much reflects the more westernised late 1980s sound of highlife music recorded in the UK, Holland, Canada and Germany for both ex-pat Ghanaian audiences and those back home in West Africa.
The album features the stalwart session musician Alfred Bannerman, the go-to Ghanaian guitarist known for the classic cut of ‘Let Me Love You’ by Bunny Mack, among many other tracks over the last 40 years, including his work on contemporary releases for Soundway such as Konkoma and Ibibio Sound Machine.
On the B-side, Pat Thomas (the brother in-law of Big Joe) needs little introduction having been touring the world extensively in recent years with the Kwashibu Area Band. Somehow this dancefloor-heavy cut has eluded recent compilations and reissues. With horns arranged by long time friend and collaborator Ebo Taylor, it’s an instantly recognisable sound that also features Rex Gyamfi - himself a well-known purveyor of 1980s ‘burger-highlife’.

Sons Of Slum released three singles on Stax and Gamma in the 1970s. They were reputed to be Chicago's finest live band of their time, the band broke up in 1978. 'Music Is Message' is a high octane funk and soul crossover jam which which has the potential to be a future classic. On the flip the tempo is lowered and a rasping horn supplements the killer groove with a smoothing vocal delivery. Cordial Recordings will release an album of previously unreleased songs that were recorded back in the mid 1970s in 2019.

A boogie classic!

Classic CARIBBEAN DISCO-FUNK / MODERN SOUL from 1979 by Trinidad Soul Diva NADIE LA FOND. Produced by RICHARD ‘NAPPY’ MAYERS. First ever vinyl reissue of this sought-after 12”.

Amazing ISLAND DISCO-FUNK by Trinidad Soul Diva NADIE LA FOND. Produced by RICHARD ‘NAPPY’ MAYERS.

CARIBBEAN DISCO-FUNK DANCEFLOOR BOMB by the great RICHARD ‘NAPPY’ MAYERS, the man behind some of the best Soca, Disco and Funk sounds ever produced in Trinidad.

‘Dancing In Outer Space’ is a certified jazz-funk classic from a legendary band! 12" vinyl, cut loud at 45rpm.It sits at the pinnacle of the underground UK dance scene that went on to have a global influence. Stateside, the track had big support in clubs such as the mythic ‘Paradise Garage’ and 'The Loft' by the likes of Larry Levan and David Mancuso. An instantly recognisable anthem that is just as fresh today as it was when it was first released.Official Mr Bongo reissue. Licensed from Chemical Discs.

Keni Burke’s signature hit ‘Risin’ To The Top’ gets an official remastered, reissue alongside the 12 inch mix of his ’81 killer jam ‘You’re The Best’.

Rain&Shine proudly present ENERGIZE, a band out of Marin County, California in 1979. Previously unattainable even for top DJs due to rarity, Rain&Shine gives this double A side modern soul/disco 45 an official reissue treatment.ENERGIZE came to age in a post-hippie era, where musicians went back to playing covers in bars. However Marin was still inexpensive and it was possible to pool money together to buy studio time. That's how ENERGIZE formed - working musicians led by the superb producer and guitar player, Archie Williams (son of Archie Williams Sr - a passionate educator, WWII air force pilot and 1936 Olympic champion) Dan Hayes - songwriter and guitarist, and John Isabeau - lyrics and our executive producer. John is now a successful Hollywood producer, Oscar documentary award winner, and resides in James Brown's former house in Las Vegas. The record also features a hugely successful blues vocalist who has asks to remain uncredited. Archie, John and I now have grown children and a few grandkids as well and getting a kick that 40 years later, our self-produced record has found an audience. Far Out

Hot on the heels of the well received Dirty Channels Vs Danny Russell 'Watchin Out/ Frazelle 'Today Is The Day' (Linkwood edit), we bring you more twelve inch heat. This time in the shape of an unreleased nugget from funk and soul legend, Bobby Boyd, the founding member and lead singer of Bobby Boyd's Congress - who metamorphosed into The Lafayette Afro Rock Band, after Bobby's departure in 1971.

On the A-side, producer and engineer extraordinaire Bob Blank - who's worked closely with the likes of Arthur Russell, Taana Gardner,Sun Ra, Larry Levan and Kid Creole - turns out a mix that hits the sweet spot between boogie and proto-house with a hint of Latin freestyle.

Whilst the flip sees darting synths and swirling pads layered over a tight machine groove, as Bobby reminds us of the simply joy that dancing can bring.

Brit-Funk classic and huge favourite of Dam-Funk. A certified UK boogie bomb, originally released in 1982, and coming hot on the heels of the Pink Rhythm reissue campaign.

With the disco revival firmly set at full steam Quantize Recordings felt it was the right time to dig in & rework what is widely regarded as one of the biggest anthems from the disco era - Loleatta Holloway's 'Love Sensation'. Often imitated, & much sampled they had to be firmly on their game with this and boy did they hit it hard... now blessed with the talent of Susu Bobien on lead vocals (and the equally talented Tasha LaRae on BVs!) alongside a full horn section, Love Sensation is back once more and ready to do damage to a whole new generation of dance floors!

The much sought after accapella is also included on this release, the ONLY format you'll ever be able to get this on!

The Gospel you want to be digging...just made it's way to the surface!

41Funk Crew and Bay area legend MAX KANE teams up with one of the Bay's rising star's and one of most versatile musical talents TRAILER LIMON, combining their superpowers to put their stamp on the next wave of modern Funk with "EGO DEATH". MAX KANE rolls out a masterful arrangement that commands your attention and has us walking in rhythm with drums that slap, a rubber bassline with a boogaloo bounce and laser lead synths lighting up the path for TRAILER LIMON to complete the sonic funk baptism with his flawless voice and even more powerful message. This might be the opening single for any funk night trying to achieve and complete FULL FUNKALATION!

After transformation comes pure love and that's exactly what EAST LIBERTY QUARTERS delivers with "MIDS" a beautiful arrangement with their classic delicate abilities that shine light and open up the horizon to pure sonic bliss. After a short break this masterful trio returns with a enchanting and hypnotic groove that builds up with ice cold synth arrangements and then bodies you with warm basslines sewed together with flawless drums. MIDS way through you realize you have fully left planet earth and you are now on the EAST LIBERTY QUARTERS MOTHERSHIP, enjoy the glide!

Limited edition vinyl!
Unknown studio session that was obtained from Stu Gardner. Must say it’s of the highest order without doubt some of the great session musicians of the time playing on this. We got the original reels transferred and with this great quality thought it the right opportunity to get Boston’s finest, DJ Kon to do one of his famous reworks. We weren’t disappointed.

Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!

During the 1970s and 80s, the city of Boston and its environs produced some of the era’s most iconic music stars, from rock megaliths like Aerosmith and The Cars to disco and soul celebutantes Donna Summer, New Edition and Tavares. These artists emerged from Beantown’s thriving underground music scene to fnd global success, but what about the countless contemporaries who never made it beyond the local circuit? Native DJ, producer and bass player Serge Gamesbourg began digging in the
crates for forgotten gems more than two decades ago; emerging in 2018 with his frst BBE compilation, lovingly titled Boston Goes Disco!

With artwork paying homage to 80’s rap compilation “Boston Goes Def”, Boston Goes Disco! provides an exciting insight into the city during its most culturally fertile period, uncovering a rich musical history previously only known to those who were there.

‘Taste of Chicago’, edit kingpin and DJ par
excellence Jamie 3:26 drops a 12”
comprising two of his most highly prized
cuts.
At the top of many a vinyl digger’s wish-list
since its highly limited white label release in
2010, the Jamie 3:26 edit of Calendar’s 1977
disco stepper ‘Comin’ On Strong’ has
become the stuf of legend, played to
devastating efect by Theo Parrish among
others over recent years.
On the fip, Jamie 3:26 heads into classic
Chicago House territory with a fery
reworking of impossible-to-fnd Braxton
Holmes banger ‘Stomps & Shouts’, taken
from his mythical ‘Cabrini-Greens and
Cornbread’ project.
A scintillating teaser of what’s to come later
this year when BBE release ‘Taste Of
Chicago’, a full album’s worth of Jamie’s
incredible edits, this 12” is surely a must
have for House and Disco players the world
over.

Limited edition vinyl!
Finally opening up the garage after 8 months of deep winter, Chandeliers are hopping in the black Chrysler LeBaron convertible, and rumbling down Western Ave to a bubbling, dark and sensual soundtrack called "High Diamond". A gothic synth-funk house beat pumps the blood of this diamond, brooding and mood-altering, evoking a feeling that there is something menacing going on just blocks away, but for now, we are here, and we will dance. The flip side "Snake Bomb", is a wicked, reptilian instrumental, where the promises of our new snake democracy lies in the power of those with their hands on the synthesizers and drum machines. With a trapped-out drum kit pushing us into the future, and industrial metallic synth bombs being hurled over our newly shed skins lying on the sand next to us, "Snake Bomb" spins us at 45 revolutions per minute into some distant but oddly familiar past, when we were still trying to escape from our lizard leaders.