Disco | Boogie Vinyl 448 Items

Limited Edition for Record Store Day 2018! Two of Jean Carn's seminal hits combined. “Was That All It Was” is a big hitting disco exploration with hints of Jean’s gospel choir background coming to the fore.
The flip houses the classic “Don’t Let It Go To Your Head” – covered on many an occasion since it’s release back in '78.
Pressed on 180g vinyl.

This is another one we have been workin while we are serving time in the Coronavirus State Prison. It is a little beauty that will tick the boxes of every soulie who strives to push the boundaries. Jason here gives his very best, not just writing lyrics but also laying down some great sax lines. HIS vocals and HIS sax are adapting and adopting, making really deep and groovy anything he works on. Remixed by DJ Rocca and mastered by Sam Berdah , an engineer whose mastering services are now a standard part of our production process within all the labels. Remember, its a 7" spinning at 33 rpm, more room for grooves and track lenghts, better sounding quality. Lads, eyes peeled, more of these sounds to come soon on Tesla Groove International Recordings as well, with some great stuff from our artists roster plus a great additional surprise from one of the best Uk Djs and producers ever.

4 surprising tracks tailored for the dance floor and ready to delight the open-minded and
curious listener.

Soul/Disco/Funk single here for the first time ever on vinyl! The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents J Daw featuring Tim Tucker and SkyFunker and the two magnificent electro boogie tracks "Flying First Class" and "Shake That Fnkn Booty”. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

During this difficult situation where we are forced to see beautiful theaters empty and quiet, the eclectic Ital Oscillazioni (Elvio Seta), best known for his bulky live instrumental performances, in the long wait for the release of his 2 first albums offers us a couple of unpublished tracks “obscure-italo” on vinyl, in which he clearly expresses his New Romantic nature. These two releases blend the raw and pure sound of his vintage synths, with the surprising theatricality of the Opera represented here by Gioacchino Rossini’s “L’Equivoco Stravagante”. A retrofuturistic Concept-italoDisco that, while we are sweaty and busy dancing it in a dirty nightclub, will transport us for a few moments to an elegant Italian theater of 1982, surrounded by heavy red velvet curtains.

Rare boogie joint time, Isabr'm or his real name Isaiah Lanes obscure and expensive. Recorded at Starlight Sound in Richmond, California (The same studio when many of the Digital Underground tracks were records as well as Alexander O'Neal) the record has remained obscure due to its price and rarity. Straight dancefloor boogie fire all the way on 'If I had you, flipped with a wonky drum machine balled 'Nothing At All' which I kind of love.

French producer and remixer Nicolas Laugier aka The Reflex is a name synonymous with supreme remixes and reimaginings of disco, soul, funk and dance classics. This brand new and essential double-pack sees Laugier take on some of the immense Salsoul catalogue, lovingly reworking classics alongside deep digs from the seminal NYC disco labels vaults. There's something for every dancefloor occasion here with Inner Life, Metropolis, Leroy Burgess and Aurra all getting The Reflex touch. These new versions are more than just re-edits, these are proper remixes utilising master stems, session tapes and the original spirit of these incredible recordings. It's no wonder The Reflex's 'revisions' have found themselves in the hands of tastemakers, DJs and hardcore record fiends alike! You need these. These brand new mixes have been mastered with love, care and respect for Salsoul / BMG. Artwork and design courtesy of Al Kent / Million Dollar Disco.

Chances are if you are reading this, you are probably already familiar with Dinosaur L's “Go
Bang” and danced countless times to Loose Joints' ""It's All Over My Face"". A prolific musician,
Arthur Russell produced an abundant amount of recordings over the course of his career.
Although a classically trained cellist, he released a number of successful underground dance
hits under various monikers and collaborations. As a solo artist however, his inability to
complete projects resulted in a limited amount of official releases; World of Echo (1986) being
his only full-length solo effort to see release in his lifetime. After releasing a number of
Club singles on labels like West End & Sire, Russell went on to form Sleeping Bag Records with
Will Socolov as an outlet for a sound not as restrictive as his ""disco"" material.
The initial concept was that Russell would provide the musical direction while Socolov handled
the business side. The label had huge success early on with Class Action’s “Weekend” remixed
by Larry Levan, and Russell’s seminal “Go Bang,” credited to Dinosaur L and remixed by Francois
Kevorkian. Although Russell and Socolov shared a lot of musical common ground, the difference
in vision began to show. Russell’s avant-garde sensibilities and perfectionism were not
compatible with an industry standard to release singles in quick succession, and his ""work in
progress"" approach began to be financially draining, ultimately resulting in the dissolution
of their partnership around 1983. With Arthur's departure, Sleeping Bag moved away from the
experimental and towards a successful hip-hop route with the growing involvement of Kurtis
Mantronik and leading to propel the careers of artists like Todd Terry, Just-Ice
and EPMD.
By the mid-80s, Russell’s health began to deteriorate after contracting HIV. Although the
business partnership did not work out, Socolov and Russell maintained their friendship. Aware
of the time he had left, Russell reached out to Socolov to record what was to become Indian
Ocean, his last release on Sleeping Bag and the last great collaboration between Arthur and
his old friend Walter Gibbons.
Unlike the rest of Russell's Dance collaborations, “School Bell/Treehouse” is very intimate
composition, putting to the forefront all the elements that defined him musically; with his
own voice and cello as the anchors to a piece that keeps growing in intensity, melding the
tribal rhythms of Mustafa Ahmed’s conga with percussions that sound like distorted drum
machines. There is a lot of beauty in this piece, with Peter Zummo's melancholic trombone lines
and Arthur's keyboard playing. Adequately ""mixed with love"" by Walter Gibbons, ""School
Bell/Treehouse"" really synthesizes the energy and soundscapes of Arthur's dancefloor.

The Imperial Wonders are one of the finest vocal groups to come out of Cleveland Ohio. "Work of Art" has been remixed by Opolopo, Daft Funk, Pagger and Leo Zero from the original 80s multitrack tapes. Opolopo produces one of his trade marked boogie sensations that is exactly how the band had wanted it to sound in the first place, some proper 80s boogie vibe. New boys Pagger swaggers the groove with ease and panache. Daft Funk house it up some with deepness personified grooves. Leo Zero with some help from Des Morgan flips the song with a spaced out dub that rocks. One not to be missed.

This Banger form 2010 by croatia`s finest Ilija Rudman get a 7" re-issue treatment from personal records. A soulful pre-house journey filled with 80's keyboards and a heavy bass! With the Instumental on the flip.

“Maledetta Quella Notte” is the first EP by Il Mago del Gelato, a new band from Milan (it) with a strong Mediterranean imprint. This first release runs through funk, afrobeat and jazz, where all the different souls that make up the project converge and blend in a perfect balance. The EP ranges between more energetic moments, strongly characterized by Afro-beat and Funk influences to introspective atmospheres, where the reminiscence of a warm, sensual jazz rings out loud. All held together by a full sound, the unique and recognizable mark of the Il Mago del Gelato: vocoder, percussion, 80's synthesizers, roots guitars and a rhythmic section of drum and bass which drags you in a wild and sweaty dance. Before being a record product, Maledetta Quella Notte is a project human, in which the concept of union, exchange, positive vibes is summarized in six tracks with taste of your favorite ice cream.

They don’t get much more anthemic than Idris Muhammad’s ‘Could Heaven Ever Be Like This’ and who better to rework it than edit royalty, Late Nite Tuff Guy. Subtle in his touches yet incorporating a more DJ friendly, dancefloor orientated beat and tension building intro which teases elements of this classic before that instantly recognizable bass riff and staccato guitar chords come into play.
That subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in but the soul and feeling of Idris’ music is lovingly maintained by LNTG.
And for the purists out there, the flip houses the original mix so you’ve got two paths to heaven to choose from.

A much welcomed reissue of the 1978 Idris Muhammad gem 'Boogie To The Top'. Released a year after, arguably, Idris' most well-known anthem, 'Could Heaven Ever Be Like This' the similarities in style and composition are clear. Expertly produced, rich instrumentation, expansive drum fills, gospel tinged full-bodied vocals, all the while epic and life affirming in it's nature - what more could you want?
Young Pulse steps up on the b-side, to add his own subtle touches and tweaks to the original. Looping the guitar and echoing out the vocals whilst working in more of the synth lines. The addition of a crisp clap and extra percussion add an element more vibrancy into this mix, keeping the original feel intact whilst revitalising it for 2018.

For our latest project, on side A you'll find 3 tracks, here Ian Ash's cover of I Want to Thank You, originally sung by Ms Alicia Myers and here performed by Ella May. Surrounded by fantastic musicians such as Mathieu Karcher, Olivier Magarotto and Jérôme Billeter, I was able to give my all to offer my vision of this track! No samples, everything is played from A to Z! Welcome to Ian Ash's "Boogievision" The remix of my cover of I Want to Thank You, originally sung by Ms Alicia Myers, by the offensive combo of Mr Doris and D-Funk. I've always loved the energy Mr Doris puts into his dj sets, his science of the dance floor and his always positive attitude. I've also always been a fan of D-Funk's productions & the instrumental version On the B-side, originally created by Fostin with Jessie Wagner, I was able to get permission to do my own Acid-Jazz version. Jessica needs no introduction, thanks to her enormous vocal prowess. She has toured the world with the Famous "Chic" , Lenny Kravitz , Kid Rock and Duran Duran. To name but a few & the instrumental version.