Disco | Boogie Vinyl 296 Items

Premonition or Premonitions (they were known as both) is a new york disco / Soul / Funk group you probably have never heard of, we have an LP coming soon but while we wait in our flats and houses here is a reissue of their rarest (it's all rare) Disco 45 flipped with an Excellent mid-tempo floater which is 100% my bag. Let's face it, you are going to like one of these sides so get it done.

The Star Beams album is a bit of an enigma. When we first came across their epic dance-floor monster 'Disco Stomp’ it was on a Disco Calypso compilation, so we assumed it originated from the Caribbean. Years later we worked out how wrong we were and that this nugget was actually from South Africa and taken off an ultra scarce album on JAS Pride records from 1976. The next problem was tracking down an original copy and we don’t think we’ve ever seen our Bongo team member Gary Johnson as happy as the day he turned up clutching a copy under his arm.
'Play Disco Specials' was produced by Ray Nkwe who also worked with Mankunku Quartet and The Soul Jazzmen, with all writing credits on the album going to Ray, the recording credited to engineer Robin Ritchie and the artwork to Carol Knowles. Other than this, the personnel of the record remains a mystery, but sometimes a bit of mystery is a good thing.
Aside from the disco-jazz-funk of 'Disco Stomp’, which has found it’s way into the DJ sets of Theo Parrish, 'Play Disco Specials’ will appeal to fans of The Star Beams South African contemporaries The Drive, Batsumi and Pacific Express.

The third release 2020 of Best Record Italy is finally coming out with the 12" Vinyl De-Luxe of Dr. TOGO "Be Free" . Two untouched and untouchable original versions from 1982 produced by Gigi Figini and mixed by unforgettable Leonardo "Leopardo" Re Cecconi. Vocals by great Glen White, born Glenn Edritch White, fantastic performance!

/ love is the answer / soul cha cha

Brit Funk at it's best! The 1981 classic Index - 'Starlight', that commands prices of up to £85, gets a much deserved and long-awaited, remastered reissue.
A melding of genres, that incorporated elements of funk, disco, soul and jazz, Brit Funk harnessed a raw energy bubbling up in the UK scene through the late ‘70s & ‘80s. Index 'Starlight' is a prime example of this spirit. Timeless in its makeup, glistening keys, full-frontal basslines and bold funk guitars give the foundation for those divine male and female vocals to sweep over.
Take to the B side for 'The Break' version leaving the vocals at bay and letting the exquisitely arranged instrumentation work the dancers into a frenzy. Favoured by everyone from Four Tet and Motor City Drum Ensemble to Gilles Peterson and DaM-FunK for its extended grooves and uninterrupted breaks, it's a Brit Funk bomb if there ever was one. A must for any discerning digger out there, this deserves a place in every collection!

They Say: “Documentary and industrial underlays for current themes of modern life”. We say: Mind-blowing, percussion-heavy, Afro-tinged, cosmic-disco library bomb. This is the one. An absolutely outstanding record from 1983 and definitely one of the hardest to find on the collectable German library label, Coloursound. The Now Generation (Percussive Underscores) is comfortably one of the very best library records full stop.

For its new release, the Parisian crew Discomatin picked a lesser known banger of the boogie era, Maudit DJ by Clara Capri. Produced in Belgium by Jay Alansky with lyrics written by his sidekick Jacques Duvall, this EP brings together an Italo discoesque bassline surrounded by shiny synths and irresistible guitar licks. On top of that, Clara Capri sings with a high-pitched voice. Maudit DJ is a real celebration of the nightlife.
Fortunately, it’s brought here with all 3 versions transferred from the original tape masters: the extended “Version Longue” with its great introduction sounding like strong early house, the shorter “Version 45 Tours” if you’re in a hurry and, last but not least, the instrumental version for those too shy to play the vocals.
But let’s head back to the 80’s: Jay Alansky and Jacques Duvall are having a real success. They just produced famous Belgium female artist Lio’s first hits and have access to Dan Lacksman’s studio in Brussels - member of Telex with Marc Moulin. During this euphoric period, they met Clara Capri, a young Italian girl really crazy about Disco, swearing only by Giorgio Moroder or Chic.
Her two buddies decide to concoct her a real hymn to the dancefloor. For them it sounds like the perfect time, considering the duo always dreamed of being like a shadow production team, just like Motown’s very own Holland-Dozier-Holland. With a great care to the production and the sound and with the best technologies from the era, they managed to create this French dance music attempt, at a moment when nobody was speaking about French Touch.
Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from french artist Camille de Cussac.

London’s new reissue label Discs of Fun and Love are excited to announce DFL001 - a reissue of Rochelle Raboüin's modern soul rarity "This Is My Year".
Originally recorded in 1977 at Malaco Studios and Sound City this still relatively unknown modern soul dancer is ready to light up dance floors, with the smooth downtempo flip side perfect for the afters. Once a singer in the Earl White Revue, Rochelle had her moment on this beautiful crossover record. After talking to some of the top modern soul DJs across the world, this record still seemed illusive for the deepest of diggers.
The record has been remastered by Grammy nominated mastering house the Carvery.
Discs of Fun and Love is a reissue label run by DJs and diggers Miche (Spiritland’s programmer) and Frederika (a resident at Spiritland).

Tyree Glenn Jr. is no new name in the Tramp family. He is featured on both "Can You Feel It" Modern Soul/Disco comps and not to forget the Tramp 45rpm single release of two LP-only tracks (check his James Brown cover of "Superbad"!).
"Jealous Love" and "Beautiful Woman" were originally released on a superrare german 33rpm single EP from 1984. The first 150 copies come with a picture sleeve, so those who purchase it quickly may be lucky and get one of those!

Reissue on black vinyl limited to 200 copies.

Originally recorded and mixed at “If Walls Could Talk” Studios, NJ (now Taylor-Made Productions, NJ), produced by Herbie Pabst, Glenn Taylor and Barry Byrne, mastered and pressed at Europadisk, NY, Reach Out For Your Life and Oh So Hard made their debut in 1986. Released at the time when the arrival of CD’s predicted the end of vinyl, the songs retained their popularity throughout the years in the US and overseas.
DJ’s in the clubs of Europe and Australia have been spinning Reach Out For Your Life and Oh So Hard on their turntables, leading to the current re-release of this 12 inch EP. Re-mastered by Don Grossinger and pressed by Stereodisk, NJ for Blue Earth Vinyl LLC.
A true Renaissance Man, Herbie has a done it all from building houses and recording studios to cultivate apple orchards and wild honeybees to acting in independent films, developing a following as a headshot photographer, to writing and producing music that has stood the test of time.
With the resurgence of vinyl Herbie’s passion for music drove him to rediscover the songs he had previously produced in the 80s and re-master and re-release them to the new and exciting audience of today. He continues to produce music and at the same time create dramatic works of abstract art that have been shown in galleries and serve as the cover for this most recent 12 inch release, “Reach Out For Your Life”. Herbie lives in Caldwell, NJ with his artwork, his music and his desire to share his creations with the world.

In Gabon, 1983, Frédéric Gassita decided to form the band "Surprise" with his longtime friend Jean-Jean Gateau, having a strong inspiration from the US funk that invaded the radio waves of Gabon: Earth, Wind & Fire, the Commodores, Maze by Frankie Beverly ....
The Guitarist Célestin Assélé Bongo joined the band and provided them the necessary means to record an album. Florence Nang Ekomye, a talented self-taught jazz singer, is immediately recruited, being the voice of Surprise.
Recorded in 1985, benefiting from the unique recording conditions of Studio N'Koussou in Libreville: probably one of the handful studios in the planet to use a Digital 48 Tracks recorder at the time; The result is a sensational production, the use of synthesizers is slamming and the charm of Florence’s voice make the recording quite unique.
Totally unknown until recently, Surprise, primarily an early work from the great composer Frédéric Gassita, still sounds fresh and crisp and we hope it will now get the attention it did not get upon release.

Daughter of the mighty George Kerr, Sandy set the scene alight in ’82 with the explosive classic, ‘Thug Rock’. Badass slap basslines, zapping synths, ethereal pads and Sandy’s iconic rap were a timeless recipe of pure ‘80s, boogie-infused power that’s blasted from many a boombox, sung on all manner of club systems and sound tracked endless open road cruises over the years.
Released on the South Carolina label Catawba Records, two prolific duos blessed ‘Thug Rock’ alongside Sandy and co. Her father, who produced for the likes of Alice Clark and The O’Jays and Sugarhill wizard, Reggie Griffin, headed up the production and arrangement, with ever-dependable M&M aka John Morales & Sergio Munzibai taking the reins on the mix. Their combined talents can be heard in the tangible weight of the track, each element getting the space it deserves to facilitate that crystal-clear clout - from the huge bass riffs and sublime keys, to the punchy drums and Kerr’s infectious rap. An earworm if ever there was one!
Take to the flip to find the much in-demand dub version, echoing out choice snippets of Sandy’s rap to focus in more on that killer boogie-funk groove. Original copies are tough to come by in the UK, so an official reissue will be music to many an ear.

Early ‘80s boogie business from De De, ‘S & M (Sexy Music)’, gets a much-deserved, official reissue. OG copies regularly trade hands for £30+ so it’s high time this sweet sexiness found its way out of more sound systems.
With a title like ‘S&M (Sexy Music)’ it was only ever going to be a sleazy, sexy, synthy heater, drenched in tantalising keys, spacey arps, funk guitars and salacious vocals. And with the production prowess of George Kerr & Reggie Griffin behind it - who produced, wrote and arranged for the likes of The O’Jays, Treacherous Three, The Whatnauts and Patti Labelle to name only a handful – it had certified party starter written all over it!
Two mixes take either side of this full frontal 12 inch. The A side houses the ‘Rated G’ mix, where layered vocals trade off from male to female and sleazed up saxes parade through the later stages as that short but sweet rap rolls around. The B side’s ‘Rated X’ mix adds even steamier verses with ever more female power behind them and extra unadulterated, squelching bass into the pot.
Sensuous offerings from De De that will get any crowd crying out for more.

Soundway Records re-issue the massively in-demand Soca cover-version of Sade’s classic cut “Sweetest Taboo” by Caribbean band Rebles from 1986.
In the late 80s, as electronic music permeated popular culture, Rebles helped define the soca genre outside of the Caribbean. Also known as D’ Rebel’s Band and led by St Vincentian band-leader and trombonist Denniston Young, the group were the 1980s house band for probably the largest Caribbean label, Strakers Records, based in Brooklyn, New York. Strakers released hundreds of Calypso and Soca releases over a thirty year period from 1970 to 2000.
Finally available again after becoming a big record with a number of open-minded contemporary DJs who play Soca, Zouk, Highlife and Soukous alongside Disco and House, the 12” has been officially licensed and re-mastered ready to hit the summer party season head-on.
This 12” paves the way for a big compilation album of Soca crossover sounds coming later this year on Soundway.

Soundway Records presents the official vinyl release of George & Glen Miller’s 1979 hit “Easing” - encapsulating late 70s New York in its blend of disco, soul and Caribbean soca.
Restored, remastered and cut loud for the dancefloor, the 12” single features the original vocal on the A-side and the essential instrumental on the flip.
The Miller brothers’ musical journey began in Trinidad and Tobago in the early 70s. During their teenage years they formed The Groovy Millers - a five piece band made up of George, Glen and their three siblings. After a chance meeting with Lord Shorty, they went on to collaborate with one of the Soca stars of the time and firmly plant their feet in the Soca scene of the musically rich Caribbean island.
Of the five siblings it was George and Glen that pursued a career in music, and in the late 70s the two brothers made the move to North America to develop their music style. Disco dominated the airwaves at the time and a studio session with the prolific Frankie McIntosh resulted in the masterpiece that is Easing. Drawing influence from the blossoming disco and soul scene, George and Glen added Caribbean flavour to the New York sound to startling effect. Soft, subtle keys and guitars are punctuated with layered trumpet and violin riffs, complimenting George’s silken, restrained vocal. Frankie McIntosh’s arrangement shines through with what might be his finest work, placing this track on the mantle with other New York classics of the time.

This reissue comes on 180g. Arabian proto-disco album by Fairuz’s son and his uncle. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

Rain&Shine present in 45 format ‘Pray Again’ and ‘Give Your Best To The Master’ two certified dancefloor cuts from Shirley Finney’s 1979 LP. Officially licensed and re-mastered from Savoy reel-to-reel tapes. Shirley Finney is personally involved in this project, and is overjoyed to see her music hot in demand almost 40 years after the original recording. Limited.

Two Rose Royce treasures from the 1982 Epic LP, “Stronger Than Ever” get a much deserved official, remastered reissue, with each side respectively fetching a pretty penny on their own.
First up, ‘Still In Love’, opens with otherworldly keys and a rumbling bass before diving into an alluring disco anthem where lively strings and animated pianos dance with a dose of ‘80s synth action. The powerful and emotive tones of Rose Norwalt swell with the rising string section, before making way for an exquisite piano solo that give this the power to enthral any dancefloor.
Take to the flip to find ‘Best Love’ which follows in those sparkling footsteps, utilising pitch bent top lines, graceful violins and a springing bassline that blend perfectly with Rose’s voice. A sweet and tender tale with an irresistibly soulful touch.
A Rose Royce double header spread lovingly over either side of a 12” for maximum clarity and punch.

Genuine underground freakiness”– Patrick Lundborg (Acid Archives)

Screaming psychedelic garage from L.A. with fuzzed out guitars, Vox organ, killer vocals, early Oriental vibes...Recorded in 1967-68 but not widely released until 1972.

File next to Music Emporium, Tiffany Shade, Seeds, Rebecca & The Sunnybrook Farmers … Formed in California in 1967, Lite Storm was the first incarnation of spiritual seekers Johnima & Kalassu Wintergate (later on Lightstorm, One…). A pioneering psychedelic band, Lite Storm played at all the hip Sunset Strip clubs, were friends with Kali Bahlu and travelled to the Orient and Far East, touring in Vietnam in 1970.
“Warning” was recorded at a four-track studio in 1967-68, first released as a custom tiny pressing before being licensed to the Beverly Hills label for a proper release. This is the first ever vinyl reissue.

Official LP reissue of 'Peace & Harmony' by Nigerian funk royalty Harry Mosco, Originally released in 1979. Incl the big tracks ''Sexy Dancer'', ''Step On'' and ''Do It Together'' Isle Of Jura digs deep going back 40 years for the reissue of Harry's 1979 album which is something of an undiscovered gem that touches upon Disco, Funk, Boogie, Soul and Dub. Harry passed away in 2012 and we’ve worked closely with his son on the reissue.
Harry Mosco is best known as the founder of legendary 1970s Nigerian Afro-Funk band The Funkees. Originating as an Army band after the Nigerian Civil War they lead the wave of upbeat music produced by young artists in Nigeria in response to the darkness of the recently concluded civil conflict. Following a notable hit single ‘Akula Owu Onyeara’ the band split in 1977 and Harry pursued a solo career.
‘Peace & Harmony’ was Harry’s third LP continuing the rich vein of form found in previous albums ‘Country Boy’ and ‘Funkees’ (For You Specially). He was a visionary who wrote, arranged and produced each song on the LP assisted by Mark Lusari on engineering duties (P.I.L, Jah Wobble & Prince I), whose Reggae and Dub influence can be felt on title track ‘Peace & Harmony’ and ‘Peaceful Dub’. The LP contains two certified floorfillers of Studio 54 era Disco Funk in the shape of ‘Sexy Dancer’ & ‘Step On’ and two slow jams, the soulful ballad ‘She’s Gone’ and horn lead album closer ‘Do It Together’. Mr Funkees was printed on the cover to help record buyers make the connection between Mosco and his former band

Official, remastered reissue of this disco tinged, afro funk treasure and the first time the ‘Karam Bani’ single has been cut to 12” – maximising every ounce of highlife soul from Sidiku Buari’s productions.

Much anticipated re-release of South African disco funk outfit Kumasi's catalogue! Incl the known tunes Picnic (Moger) & Anomakoliwa. Strong from start to finish! TIP!
Kumasi was a group comprised of Ray Phiri, Jabu Sibumbe, Isaac Mtshali and Lloyd Lelosa. Sometime between their formation as The Cannibals (*needing reissues*) and the almighty group Stimela, Kumasi released one album and a couple of singles. The artists had contracts under Gallo and couldn't reveal that they were linked to the music in any way, leading Kumasi to have only a brief mysterious run in the early 80s.
But the secrets out! This release presents a collection of five songs from their incredibly rare full length LP, and adds to that their version of the South African classic, ‘Picnic’. Pressed as a 2x12” compilation, sounding incredible! Kumasi brings a unique blend of disco funk with that special South African tinge.
Ray Phiri died in 2017 - this album goes out in dedication.

Two slices of prime cut DISCO–BOOGIE–FUNK from 1979 by this US band formed by siblings Rebecca Dru and Ian Wilson. Featuring Tower Of Power horn section.

Originally released in South Africa in 1978, “Whistling Jigs To The Moon” is not only a very rare and sought-after album but also a wonderful collection of traditional and original folk tunes with a strong Celtic influence. Featuring Alison O’ Donnell and David Williams from psych-folk legends MELLOW CANDLE.
In 1974, following the break-up of Mellow Candle, Alison and David arrived to South Africa. Once there, they met a couple of fellow expat musicians, Barrie Glenn and Jo Dudding, forming Flibbertigibbet in a niche folk and traditional circle of immigrant and local musicians, building up a repertoire of tunes and songs both original and traditional. They appeared at evenings held in communal houses, at folk nights and the Boksburg Folk Club.
Producer David Marks offered to release their album and launch it in a series of concerts at the renowned Market Theatre. They enlisted the help of a number of fine musicians on the recording, namely classical first violinist Francesco Cignoli, jazz bassist Denis Lalouette, Nippy Cripwell on string bass, Colin Shapiro on flute and Dave Lambert on fiddle.
“Whistling Jigs To The Moon” saw the light in 1978.
First ever legit vinyl reissue, master tape sound and insert with lyrics, liner notes and photos

Rain&Shine continue the love for Steve Elliott’s self-produced music by giving his second LP ‘Completion Of A Miracle’ (1982) another lease of life.
Remastered from the original reel-to-reel tapes. Includes dancefloor cut ‘Wake Up’. Another essential release from Rain&Shine, set to become a future collector’s item.

Official re-release of The Nelson Family's Gospel LP from 1986. Essential for any serious collectors of Gospel. Quality from end-to-end, including the cuts Thank You Lord (firm favorite of Floating Points and Skymark), Filled With His Spirit and Everlasting Love.

First legit ever vinyl reissue of this ITALO-DISCO / FUNK anthem from 1983 produced by TONY CARRASCO and originally released on Proto Records. File next to KLEIN & MBO.

Rare and in High demand Afro digital Soul EP, recorded in Abidjan (Ivory Coast) in 1981.
Originally from Martinique, Clem Marise Voltine aka Mac Gregor moved to Abidjan in 1979 searching for, what she called, her “negritude quest”. She sang about her love for her adoptive city until her death in April 2004 at CHU of Abidjan, Trechville Hospital.
A visionary composer, poet and singer, mixing Creole, French and Nouchi, she made a brilliant musical bridge between the West-Indies and Ivory Coast, backed by a soulful group of top Ivorian musicians such as the great Houon Pierre.
This unique and must have record is a pure dancefloor killer and will definitely be the next Afro Tropical Hit of the next decade!
Fully Licensed in Abidjan, remastered at Carvery Studio on a 12inch vinyl (45 RPM).

First ever vinyl reissue of this rare & sought after private 12” from Germany, 1979, recorded at the legendary Conny’s Studio. Smooth & laid-back disco-funk-balearic sounds, including the underground club classic “House At The Sea”.
Goya was a German band featuring drummer Charles M. Heuer, also a collaborator of Günter Schickert.

We weren’t too familiar with this 1984 Release on Sleeping Bag Records until reading Tim Lawrence’s Book Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. What we learned, was the “behind the scenes” drama that went on during the recording of this single. Arthur Russell and DJ Nicky Siano contemplated working together once again after their first collaboration in 1978 lead to a successful 12” single called “Kiss me Again” on Sire under the Moniker Dinosaur where David Byrne even played lead guitar. Their second collaboration “Tiger Stripes” came as the result of Siano convincing the father or a then girlfriend to fund the venture. Arthur wrote the lyrics, and while Siano remembers remembers the Demo tracks being promising, problems began to emerge as Studio time began ticking. Russell became annoyed by Siano’s hyperactive personality in the Studio, while the former Gallery/Studio 54 DJ grew impatient of his collaborator’s constant changes and money spent in studio time. However according Author Tim Lawrence the feud escalated when Arthur wanted to introduce a drum machine after the session drummer could not keep the time. As a result, he ended up scrapping the original tracks which included vocals recorded by Evelyn Thomas. However the nail in the coffin came when Siano assumed the role of lead vocalist at which point Russell quit appalled by how terrible he sounded. Although a perfectionist, Russell also suspected Siano had been using the project as a platform for himself as a vocalist. In any case their project went on with Siano as lead and newly recorded backup vocals by Maxine Bell. Released on Splash Records in 1984, Siano is credited as the artist and sole-producer while Russell only agreed to be credited under the alias Killer Whale. Not too long after, Sleeping Bag released a 7” promotional copy of “Tiger Stripes” featuring only Bell as the sole vocalist, a different B-Side and Felix as the artist name. Although Russell did not credit himself by his real name, he credited the Killer Whale alias for all the writing and production on the single. There is a 12” on Sleeping bag which credits Siano for production on Tiger Stripes” but it’s clear from the release of the 7” that Russell wanted to make a statement. Beyond this peculiar story however, the music itself is worth the note. In a 2014 piece for The Vinyl Factory, Peter Zummo, one of Arthur Russell’s closest collaborators best describes this release: Side A: ‘Tiger Stripes’, is a crazy editing job with lots of disparate elements. The opening beats give little sense of what key it will be in. Side B: ‘You Can’t Hold Me Down’, is drum machine and conga, rhythm guitar, keyboard, female refrain and lead vocal, and male chant on “bad little kitten – pounce on you.” There’s no real bass. I like it not only for the way it sounds but also that it shows that you don’t have to follow the rules.