Disco | Boogie Vinyl 353 Items

The motor hasn’t had time to cool down and the belt drive is feeling the fatigue. But Charles Maurice is the kind of DJ who just can’t let a turntable rest. After steaming up the slipmat with three sexy compilations of French Boogie, Charles Maurice is back with Volume 4.
In the late 70s and early 80s, while France was still firmly tuned into variety-show pop, a few enlightened ears and souls picked up the hypnotic beat of funk from across the Atlantic. These first warrior monks spread the good word in discotheques, jumped on newly available frequencies to fill the airwaves and, in some cases, took up instruments themselves to unabashedly build on the U.S. model.
In a short decade stretching from the late 70s to the late 80s – just a blip on the scale of music history – they turned out material in abundance. Lush productions with colorful covers, groovy typeface and creative photo shoots…
But first and foremost, they made music weaned on, spoon-fed and imbued with funk. Music defined by a groove with a robotic beat (Djeneba) that clearly hears hip-hop banging on the door, where layers of synthesizers, handclaps (Eric Chotteau), horns and African percussion line up and follow the all-powerful lead of the swelling slap bass (Cyrill). Music that tells everyday stories, both humorous and lovelorn (Serge Delisle), and often packed with pheromones just waiting to be released on the dance floor or sofa (Chris O’Hara). Shaped by synthetic textures, these productions are also spiced with Caribbean and Creole arrangements that reflect the West Indies’ critical contribution to French Boogie (Wai Kop, Acayouman).
With his immaculate tailoring, slicked back hair and clipped moustache, Charles Maurice has once again transformed himself into a HiFi stylus to explore the groove traced by this specifically French musical style. From 45 to 33 rpm, he has traveled the black spiral to bring us a new selection that proudly features a number of rarely heard pieces and even an unreleased track by Marco Attali. True to form, Monsieur Charles carefully crafted this fourth volume from his personal collection of impeccably restored and mastered vinyl recordings.
Charles Maurice, where French elegance meets uncompromising musical taste.

Platform 23 reunites once more with Vox Man Records to dig deep into their archives and shine a new light on. In the past they have done some mega well loved Alternative Funk compilations which got the label off to a fine start and now they dig into an array of cult cassette releases to bring us treasure from Audiologie N-4 - The Independant Psychedelic Trip and Audiologie 5 et 6 - Ethniques Urbaines. This is music from the avant-garde and post punk scenes that draws on wave, spoken word, dark dub and industrial for its eerie yet alluring charms, all with a real edge. Ethnic, idiosyncratic and psyched out, this is another great overview.

Favorite Recordings presents this new official album reissue of Sunshine by Junior Byron: A real Modern-Soul/Disco masterpiece, originally released in 1981 by Canadian label Formula Records, and very hard to find today.
Based in Canada, Junior Byron had quite a short career as a singer and recorded only a few singles and this stunning album between 1981 and 1985. Produced by André Perry and Joe La Greca, two famous names in the Canadian music scene, Sunshine is not just a one track album, but a complete whole piece of music, including some brilliants highlights such as “Inch by Inch”, “Galaxy” or “Sunshine”, which are today must-haves in many DJ’s lists.
As another longtime favorite collectable piece for Charles Maurice, it’s a real honor and proud for Favorite Recordings, to finally officially reissue it for the first time on vinyl. In order to insure the best sound quality, the original tracklist has been dispatched on a double vinyl version, which should please all DJs and music collectors.

Hot on the heels of the first influential volume - Milano Undiscovered 1982-1986 – here’s the uncommon sophomore release. The city of Borsa and fashion has been always struggling for an underground identity, collecting a series of rough contaminations between post-punk and dance music. The new compilation is undoubtedly a step forward, a second chance for many of the early artists involved. Altogether with some illustrious emerging names of the local electronic scene, here’s a definitive collection of contemporary Italo disco and synth pop tracks from the future past. Enjoy !

Undoubtedly a highlight of the album Open Soul by the legendary Tomorrow’s People that P-vine reissued in 2021, its final track, the titular “Open Soul,” is breathtaking as it is lengthy standing at over twenty minutes. In this new 7 inch single cut edited by soul record spinner T-groove, P-vine will release the track for the first time as a standalone single-cut - perfect for DJs looking for a digestible and danceable cut of the mammoth track. On the B-side, and also lifted from the album, “It Ain’t Fair” is a soul ballad with T-groove’s magic edits once again working the single for dancefloors up and down the country.

Mastered from the original analog tapes for the very first time, Sharp-flat brings you the Witch Disco Singles as you’ve never heard them before. WIT 4 carries a single edit of 'My Desire' backed with 'You Are My Sunshine' from the group's classic 'Movin’ On' LP from 1980.

By the end of the 1970s, Witch was a Zambian music institution. Active since 1972, they had survived the Zamrock years and left an impressivegarage, psych and prog discography in their wake. But at the outset of the 1980s, the band was ready to embrace the modern sounds of a new era. Undertaking personnel changes and relocating to Zimbabwe, they were primed by the independence celebrations of their neighboring country to undertake their mythical transformation into an African disco powerhouse.

With access to a state of the art recording studio in Harare, Witch produced two exquisite albums in the early 1980s. Appearing in 1980,Movin’ On was preceded by the single “My Desire,” which featured new member Christine Jackson on lead vocals. With an upfront funky bass-line, falsetto backing vocals, swirling synths and tight horns, it was a searing hot disco offering that made no bones about the fact that the Witch was ready to get down. Composer/vocalist Stanford Tembo’s mid-tempo burner “You Are My Sunshine" was the perfect fit for the flip.

Documenting the band’s drift from disco into boogie, Witch’s final album Kuomboka was released in 1984 without an accompanying single. New lead vocalist Patrick Chisembele injected youthful energy and a modern soul edge, most notably on “Erotic Delight” with its crisp drums, slinky keys and intoxicating bass groove. Pop reggae was alson within the album’s stylistic purview by way of the closer “Jah Let the Sunshine” as well as “Change of a Feeling,” the flip side of a recently discovered single that wasn’t originally released.

It took Mr Raoul K more than three years of work inside and outside the studio to complete his first album for Compost Records. His first goal was to show all the musical influences he came across during his time in Ivory Coast. Ivorian music has incorporated musical traditions and instruments from East-Africa, West-Africa and from Central Africa – a real musical melting pot. To complete 'African Paradigm', Mr Raoul K used lots of the instruments he bought during his trips to Africa - including a Kenyan Mbira and Senegalese talking drums, for example. All instruments you hear on 'African Paradigm' were played the old-fashioned analog way - no synthesized sounds. Mr Raoul K teamed up with vocalists Ahmed Sosso, Lady Parul and Sona Diabate to emphasize his message, because sometimes (only sometimes) words speak louder than music. His second goal was to share his view on Africa through his music, making 'African Paradigm' a political album as well. Mr Raoul K has always used his music as a means of political expression - 'Le Karantkatrieme Peul' dealing with Barack
Obama's presidency, for example. The album's main track, 'African Paradigm', was an epic track with a running time of about 50 minutes. Mr Raoul K thinks of the track as a work in progress. Here he releases two finished parts plus an additional intro. The remaining parts are scheduled for a later release. If you listen closely, you can hear Mr Raoul K painting layer after layer after layer of sound until the whole picture finally appears. Showing a beautiful continent, torn apart by foreign powers, independent by law but still suffering from the burden of being colonialized for cheap labour and raw materials and suffering from inner conflicts and civil wars. The music mirrors this picture. You can hear the sense of urgency, the suffering - different kinds of driving drums, haunting percussion, dancing flutes, irie effects lurking in the shadows... But there are contemplation and hope as well - the hope, that there will be a better future for Africa.

Stix Records, a sub-label of Favorite Recordings, proudly presents Disco Reggae Vol. 5, pursuing the highly acclaimed series started 10 years ago. Birth land of the Reggae music, Jamaica has also always been fed by Soul, Funk, R&B and Pop music from the US scene, delivering some of the best covers anyone could think of. With it’s Disco Reggae series, Stix Records therefore simply carried on this tradition, offering new versions of classic songs from a wide spectrum of musical styles. On this 5th edition, the list extend to famous name such as The Undertones, Bobby Caldwell, Cerrone, Patti LaBelle, or Ray Parker Jr. to name a few. At the control to tailor these hits with new and exclusive Reggae suits, you’ll find the best producers from the Stix’ roster like Soul Sugar aka Booker Gee, Taggy Matcher, Simon Nyabinghi, or Mato. Together they signed again a perfect soundtrack to extend your summer and fill your playlists, whether to light the dancefloors or just sip a nice cocktail facing the Negril’s sunset!

Further adventures in psychedelic disco cumbia from one-man-band C.A.M.P.O.S. on the much-awaited second studio album

C.A.M.P.O.S. is a one-man tropical electronic psych band consisting of multi-instrumentalist, singer and composer Joshua Douglas Camp. Though C.A.M.P.O.S. stands for Cumbias And More Psychedelic Original Sounds, there are no limits to Camp’s musical creativity, with the project taking cues from everything from Americana and pop rock to Cuban son and German electronica. This is no surprise as Camp has been involved with many diverse groups over the years, including Latin-flavored outfits Chicha Libre, Locobeach and Los Crema Paraíso, but also his country band Westwork, the Eastern-European klezmer quintet Litvakus and literary rockers One Ring Zero.

Since releasing his debut double LP as C.A.M.P.O.S., Miracles & Criminals, on Peace & Rhythm in 2016, Camp has developed his repertoire into a live show that has garnered a devoted following, and which has also seen the live band he assembled evolving into its own distinct entity, Locobeach.

When the pandemic forced Camp into exile he used the time to once more focus on C.A.M.P.O.S. and his one-man-band skills. This initially resulted in two albums, Shake Up The World: Live In The Studio Vol. 1 and Vol. 2, both performed live and recorded in one take at his home studio (and both digitally released by Peace & Rhythm, in 2020 and 2021 respectively).

In addition, he continued to work on the long-awaited follow-up studio album to Miracles & Criminals, which had begun years prior and progressed in the fleeting moments when his other projects allowed. With time to once more concentrate on C.A.M.P.O.S., the album soon began to take shape, eventually coalescing into The Eighth Door. Though catalyzed by isolation, it is far from a solo effort, with Camp enlisting collaborators including pianist and arranger Marlysse Simmons (Bio Ritmo, Miramar), who had initially told Peace & Rhythm about Camp’s unreleased backlog of tropical tracks from back in the Chicha Libre days (which became Miracles & Criminals), to other Chicha Libre band mates Neil Ochoa and Karina Colis, as well as Gabo Tomasini (Yotoco), who was a founding member of Bio Ritmo and played in C.A.M.P.O.S.’s first live appearance in 2016.

As with all C.A.M.P.O.S. releases, The Eighth Door takes you on a cosmic trip to a multi-dimensional landscape of the mind where the body also knows the pleasures of dance and sensuality, but this time there is more focus, with fewer songs and a fuller sound. Yes there is a dark side to planet C.A.M.P.O.S., to which the album sometimes ventures, but ultimately the record is a voyage of self-discovery, making connections between sounds and sentiments that, on paper, appear unlikely companions. Yet, once bound together by the intimate circuitry of Joshua Camp’s creativity and serious songwriting skills, all elements gel in a gravity-defying way. Exotic-sounding electronic keyboards, jangly, fuzzy guitars and percolating percussion loops seamlessly carry the listener through two sides of galaxy-spanning mini epics, sometimes with vocals, sometimes instrumental, and often infused with the shuffling beat of Colombia’s cumbia rhythm with a few disco, rock or salsa accents thrown in for good measure.

Camp juxtaposes the raw and the smooth, destructive and redemptive, sweet and ominous, digital and analog, organic and synthetic, intimate and expansive, all of which combine into an apt metaphor for where we find ourselves today. On The Eighth Door C.A.M.P.O.S. pulls the great unknown to a realm just within our grasp.

Album cover art by Selina Josephs and photo of Joshua Camp by Julian Parker Burns. Released in conjunction with Calle de Campos, Hyperopia Records (Canada) and Sounds and Colours (uk). Digital album has five bonus tracks, which also come with download card for vinyl purchase.

Gospel meets Modern Soul & Boogie on this second never before released LP containing unreleased songs & demos from the vaults of Atlanta, Georgia based group Tomorrows Wish led by vocalist Lester Carr (who now travels with the Tams) & backed by Mary Spencer & Kimberlyn Williams They recorded several R&B singles in the 1970s that never saw the light of day. In the 1980’s, they went on to record a full gospel album under Glory Bound Records. Shortly after, the group disbanded & never recorded or released anything again until now. “On My Mind” contains a ensemble arranged by producer Emanuel Campbell (of Emandolynn Music) & backed by guitarist, Harry Case (known for his highly sought out after LP “In A Mood”) as well as keyboardist: Oliver Wells & bassist: Ricky Keller (both of fusion group Life Force fame).

Soundway Records presents Ayo Manuel ‘1983-1990’, a collection of selected works by one of Nigeria’s DIY pioneers. This mini compilation selects the stand-out cuts from his two albums Love Candidate and Party Time, showcasing the evolution of Ayo’s music. Side A is led by Song Of Love (Instrumental) - mid-tempo, synth-heavy music toeing the line between lo-fi crunch and sophisticated charm. This is followed closely by afro-disco melters Don’t Stop and the aptly titled Fun Time. Both with strong American, disco-funk leanings but full of Nigerian flavour, they come signed, sealed and delivered for any discerning dancefloor. Sojourn (Ajo) lights up side-B, a coming-of-age journey that sets the tone for the rest of the album. With slick US production, but with its feet firmly planted in Yoruba culture, we find a more developed artist combining talking drums with distinct ’90s production, that deliver a unique blend of afro-pop. Gboro Mi Ro echoes the influence of Nigeria’s biggest musical export, Fela Kuti, but still retains its own particular character. Do Goodfollows in the footsteps of its predecessors but with added drama and depth.

Disco Segreta sets your summer on fire introducing the reissue of one of the rarest and most obscure Italian disco records ever! Dana was the moniker of the very first band led by Sardinian singer Gianni Virdis. The band had a short life, from 1977 to 1980, and later disbanded to be renamed into another band called "Mediterraneo" and only released a 45 single. It contained two tracks: “Estate” and “S’Inghelada”. The first one is sung in Italian and is a sexy, summer-infused lyrics disco track with gummy moogs, while “S’Inghelada” - with the typical 70s falsetto singing - is possibly the only disco tracks ever sung in Sardinian language, which makes this record of even higher historical importance, as it renders the amazing variety and originality of the Italian disco scene of the era, contributing to put a piece of the puzzle of the ‘70s Italian disco scene back in its place. Originally released as a privately-pressed 45 in the spring of 1977, on Franco Idini’s “Tekno Record”, a Sassari-based label which mainly released local folk, but also some rock, along with this disco gem. Unfortunately, all the copies pressed were badly mastered and printed, resulting in low quality of the originals. But 46 years after its original release, Disco Segreta reissues Dana in a new fully remastered 12” edition on a super lush 180g. “Sardinian Sunset” marbled vinyl edition, bringing back “Estate” and “S’Inghelada” to its original glory, for a newer generation of the Italian disco sound aficionados. Note this release is strictly limited and numbered to 100 copies and only available on Disco Segreta website as well as to the subscribers of the Disco Segreta Record Society and as for all of our 2023 releases, will never be reissued again in this format.

HHV Exclusive edition limited to 300 copies.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

“Maledetta Quella Notte” is the first EP by Il Mago del Gelato, a new band from Milan (it) with a strong Mediterranean imprint. This first release runs through funk, afrobeat and jazz, where all the different souls that make up the project converge and blend in a perfect balance. The EP ranges between more energetic moments, strongly characterized by Afro-beat and Funk influences to introspective atmospheres, where the reminiscence of a warm, sensual jazz rings out loud. All held together by a full sound, the unique and recognizable mark of the Il Mago del Gelato: vocoder, percussion, 80's synthesizers, roots guitars and a rhythmic section of drum and bass which drags you in a wild and sweaty dance. Before being a record product, Maledetta Quella Notte is a project human, in which the concept of union, exchange, positive vibes is summarized in six tracks with taste of your favorite ice cream.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter. Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers. Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “psi”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango. About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”

Andalou Folk meets western psychedelic and Surf Rock - an incredible fusion and a long overdue release.

Türküola’s new vinyl release of Kayalarınoğlu 2023 is based on Barış Manço & Kurtalan Ekspres’ 1975 album “2023”. On the other hand you can hear tracks like “Estergon Kalesi”, “Ben Bilirim Ben Bilirim” as well. “Estergon Kalesi” was the latest single released before the 2023 LP and “Ben Bilirim” was the A side of the single which contained single version “2023” at the flipside. In addition to these additional tracks you can hear the unedited version of “Kolbastı” first time on vinyl.
2023 was Manço’s most experimental album which contained a lot of electronic sounds of analogue synthesizers and also early drum machines. The track “Kayaların Oğlu-2023” has a touch of early electronic music of its age just like Jean Michael Jarre and Chezlaw Niemen. “Ben Bilirim” is a power funky song while the band’s experiments in Baykoca Destanı drives us to concept albums of pogressive rock groups such as Genesis, Yes, Renaissance etc. You can hear moody Anatolian Rock ballads in “Uzun İnce Bir Yoldayım” and “Yol Verin ağalar Beyler”. In both tracks you can hear a powerful rhythm section formed of two drummers and one percussionist.
The cover art also reflects the esthetic approach of Türküola during 1970s and 1980s. After the accurate reissues of 2023 by different companies, Türküola gives a new path to interpret the album once again but this time in a new vision.

Formed in 1970, Hokis Pokis was a seminal band in the New York disco scene with a handful of underground local hit singles including the highly-sought after “Nowhere” “Find What You’re Looking For” and “City Rhythm”.

Releasing several singles from the mid ‘70s all the way to the ’80s, Luv N’Haight has compiled all of Hokis Pokis’ musical output into an album which also includes 2 previously unreleased tracks. Remixed and remastered digitally from the original master tapes, the versions on the album are elevated from the already amazing originals with a cleaner sound and harder-hitting bottom end, bridging the gap between dancefloor fanatics in disco’s heyday to their modern day counterparts. Never before seen photos along with corresponding liner notes from DJhistory.com’s Bill Brewster are included in the deluxe double-LP package, telling the story of a group of friends that embark on a musical journey that continues to this day. From the beginning of disco’s rise to its inevitable decline, hitting a low point with the “Disco Sucks” movement, to its eventual resurgence in popularity with today’s dance-culture, Hokis Pokis has remained together bonded by friendship first, coupled with a shared musical vision that continues to endure.

Look for Under the Influence of Hokis Pokis album later in the year featuring heavyweight producers Kon, DJ Spun, Citizen Kane, Al Kent, DJ Day and others who all take their turn creating new, original dancefloor classics from the original multi-tracks.

Soundway releases a storming compilation of Cameroonian-born, Nigerian-based super producer Nkono Teles’ solo work. The pioneer of West African electronic music was known for being tapped by over 100 other musicians to produce or arrange their music, from King Sunny Adé, Guy Lobe, even Steve Monite’s album “Only You” and more. Having already appeared on Soundway’s best-selling compilation “Doing It In Lagos”, here more of Nkono’s limited solo work is carefully remastered and reissued on vinyl for the first time. One of a small handful of pioneers of the Nigerian electronic music scene in the 1980s (alongside the likes of Jake Sollo & William Onyeabor), Teles was known for being tapped by over 100 musicians to feature on, produce or arrange their music. The list of ‘80s Nigerian records that his sound and style embellished is seemingly endless: Steve Monite (he arranged and produced the music on the Only You album recently re-issued by Soundway), Dizzy K, Peter Abdul, Odion Iruoje, Steve Black, Rick Asikpo, Feladey, Charly Boy, Majek Fashek & Sonny Okosuns, to name just a few, all engaged his enigmatic production and keyboard services throughout the 1980s. He became known as the first person in Nigeria to push the use of the drum machine into popular music and created a unique and original boogie-funk sound combining these new beats with guitars and an array of new and affordable synthesiser sounds that started appearing in the early 1980s

Stix is back in 2014 with a scorching Disco Reggae Volume 2!

The 2019 reissue for Psychic Mirrors "I Come For Your Love" & "Witching Hour" has been approved and will be available for the first time in almost 10 years. Sounding as fresh as it did in 2011, and remastered by Stan Getz (Flaming Lips, Yoshitoshi, PPU). Stay tuned for more Mickey De Grand IV and Cosmic Chronic!

The underground music scene in Asia has experimented a notorious rise in the last years, Taiwan, Indonesia, Thailand or South Korea are more inside the radar than ever, contributing actively with amazing djs and super talented producers; creating an effervescence subculture where to keep an eye on. Multifaceted producer Mogwaa is not an stranger anymore, awarded in 2021 with best electronic album of the year in South Korea, his versatility and skills have found a place in labels as "Klasse Records", "Spring Theory" or Sound Metaphors' "Bless You" among others. We are glad to present one of the most awaited records on MM Discos; “Del Mar” is a bliss of fresh air, a story about all this little things that make us dream everyday. “The Sea” as the main actor of the movie orchested by Mogwaa and supported by crackles, waves and little islands where to get lost in.

Equally renowned for her song writing as much as her amazingly sultry soul vocals, Barbara Mason was widely known for her early solo ‘60s hits as well as her ‘70s collabs with the likes of Curtis Mayfield before her late ‘70s/early ‘80s disco/boogie dancefloor phase…but the heads at Selector series have unearthed a never released LP of classic cover gems from this evergreen diva of Soul. Limited press.

High Fashion Music enlist an All-Star A Team of world-renowned remixers that includes; Ben Liebrand, Dave Lee, Michael Gray & Luca Moplen. Each step up to the controls and lay down four salacious new grooves on Firefly’s ItaloFunk Disco stomper from the early 80’s – ’Love’ (Is Gonna Be On Your Side). Each remix brings a new vibe and a fresh wax coating. Ben Liebrand adds his own imitable production values as he brilliantly beefs up the original vibe with sass and verve. Dave Lee brings his encyclopaedic disco know how to proceedings with a classic sounding, Chic like journey, whilst Michael Gray’s version has a stylish new four-to-the-floor drums sound, he keeps the funky instrumentation firing whilst still managing to hark back to the days of hanging out in salubrious NYC nightclubs. Finally, Luca Moplen delivers a dance floor delight, an up to date production with real a get down and boogie retro twist. One can just imagine his mix being played back to back on syndicated radio stations across the USA and Europe!

Thelma Houstons' unreleased Soulful AOR tracks from 1980!
After Thelma ended her contract with Motown, she went to work with Terry Woodford to record a set of tracks for her next album. Unfortunately it didn't happened and the tracks was shelved for 36 years. Until now.
Smooth breezy soulful AOR with the Wishbone inc signature sound, (Byrne and Barnes, Robert Byrnem Mac McAnally and others) remastered and released on vinyl for the first time.
Coverart by Yoko Honda - Limited to 500 worldwide!

Melbourne's M5K...where G-Funk, Modern Funk, Boogie, House, and Hip Hop all intersect to give you the most bang imaginable (via real synthesizers and drum machines). West Coast Lead Lines meet Detroit Sub Bass Frequencies; Raw Drum Machine Stabs Snap and Crack while Lush Chords flow from Analog and Digital synths. Ultimately, deep vibes are created, arranged, and mixed down into undisputed dance-floor bangers, making real thick and juicy jams for the ears and bodies of party-goers. The "Absolutely Real" EP on Hobo Camp Records bangs out 5 tracks of Raw Street-Level business (featuring Midnight Runners on the track "Let's Try It Out"), straight from M5K's Melbourne Studio right to your sound-system.
Instruments used: tr808, SCI Drumtraks, Oberheim DX, Roland JV1080, JX 3P, JX8P, Juno 106, Juno Alpha, Fender Rhodes MK1, Polymoog, RE 201, Tascam Portastudio

Going even further into the tape archives of Robbie M we find ourselves with "Friend". This time it's going to be a late night affair, as Robbie smothers you with those smooth vocals as only he can. Rock Island's RAM music direct to you from the Midwest.

Back in! Time for another dirty south rider, going deep south back to the A. It's been two years since his landmark debut on peoples potential unlimited, now B is back with his latest long play entitled "II". Eight previously unreleased selections from Hotlanta producer Wes Gray, recorded over the past couple of years at his home studio. Moon B's signature slank rhythms and cutting basslines you've grown accustomed to are all here.