Disco | Boogie Vinyl 277 Items

Soundway Records delivers a beautifully remastered reissue of Brazilian duo Grupo Controle Digital’s only album, “A Festa É Nossa”. First released in 1988, the album is now housed in a tip-on heavyweight sleeve and restored artwork.
With the title track “A Festa É Nossa” having circulated the last few years in the DJ sets of influential tastemakers, the album has become highly sought after by electronic fans and collectors alike. Lo-fi synths and cruising bass lines permeate the record, influenced by the group’s Brazilian contemporaries at the time such as Tim Maia, Cláudio Zoli, Secos E Molhados, and rock outfit Made In Brazil.
Band members Billy Jaguar and Gel Valiery regularly performed in various groups in São Paulo throughout the 80s and 90s, but after Gel passed away, Grupo Controle Digital was no more - the band and the album faded into obscurity and Billy became a priest, working with gospel music. It remained that way until Brazilian DJ Millos Kaiser (from label Selva Discos, and one half of Brazilian street party organisers Selvagem) tracked down the remaining member of the group to be able to include one of their tracks on the highly anticipated Soundway compilation “Onda De Amor: Synthesized Brazilian Hits That Never Were (1984-94)”, released in July 2018.
Audio restored by Neal Birnie and re-mastered by Frank Merritt at The Carvery, London. Artwork restored by Lewis Heriz.

2023 Repress

Two seminal 12" mixes of a pair of enormous tracks from The Whispers. Both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. Side A features the notorious anthem "Keep On Lovin' Me" (the one with *that* life affirming video) whilst Side B houses the outstanding, semi-slept-on "Turn Me Out".

Francis, a solo unit of Makoto Ori, is finally releasing a long-awaited new single! This time around, the vocalist is the remarkable SSW Emiri Kano, and the lyrics are written by the legendary Yasuhiro Konishi.

A few years ago, Melodies family members Floating Points and DJ Red Greg got their hands on a couple of original 70s obscurities. While these standout records shone brightly in their own right, the two DJs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. Of these new recordings, they cut only five copies for themselves and a few DJ friends of theirs.

Today, Melodies International is very proud to bring you MEL006 and MEL007. Fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two ‘You’re A Melody’ classics weren’t originally meant to get official releases. But due to popular request, they are now available to play and share in very special moments at parties around the world.

San Francisco native and modern funk wiz Diamond Ortiz makes his first appearance on Austin Boogie Crew Records with "Goodies", a sweet and enticing 12” EP of quality jams!

Coming off the buzz of his acclaimed "Loveline" LP, Diamond takes a slightly more chill but equally party-centric approach on Goodies. This is the first 12” release on ABC and it’s fire from front to back!

Considering the incredibly wide range of styles adopted by Piero Umiliani during his career, it will come as no surprise for you to know that he also produced disco. At that time in Italy disco had still an exotic appeal and was considered apt to accompany a genre of movies that was at once erotic and comic. “Discomusic” is some sort of a white version of a sound that is inherently black, a unique record within Umiliani‘s discography. The track “Discomania” became popular as the closing theme of 90° Minuto, a famous Italian football TV show.

Producer and Dublab DJ Zane Reynolds, aka SFV Acid, is pairing acid house beats with the fresh boogie funk of the '00 years!

After the success of Citta/Notte twelve inch reissue, Taigher reached into his drawer of unreleased songs from the 1980s and found a demo of Nuvole. After some brainstorming, the Vintage Pleasure Boutique team together with Taigher decided to finish the production that started back in 1986. And here is Taigher’s second single, a soft Italo disco production, including an Italoconnection remix, and additionally a ballad version, referring to the original primary demo.

East Coast Love Affair is back with a 9-minute epic late-night mid-tempo deep disco chugger featuring Shetland-born and Edinburgh-based R&B Singer and songwriter Philomenah. Hanna (Philomenah) has done some great backing vocals for Ecla in the past but takes front-and-center Vocal and lyric writing duty on this Epic 12". It's Like a modern-day Onda with a sprinkle of pop.

On the flip two percussive house dub workouts with maybe a little hint of MAW 90s major label work (we have been revisiting these in the club recently) with our own Athens of the North studio special sauce.

Disco Segreta sets your summer on fire introducing the reissue of one of the rarest and most obscure Italian disco records ever! Dana was the moniker of the very first band led by Sardinian singer Gianni Virdis. The band had a short life, from 1977 to 1980, and later disbanded to be renamed into another band called "Mediterraneo" and only released a 45 single. It contained two tracks: “Estate” and “S’Inghelada”. The first one is sung in Italian and is a sexy, summer-infused lyrics disco track with gummy moogs, while “S’Inghelada” - with the typical 70s falsetto singing - is possibly the only disco tracks ever sung in Sardinian language, which makes this record of even higher historical importance, as it renders the amazing variety and originality of the Italian disco scene of the era, contributing to put a piece of the puzzle of the ‘70s Italian disco scene back in its place. Originally released as a privately-pressed 45 in the spring of 1977, on Franco Idini’s “Tekno Record”, a Sassari-based label which mainly released local folk, but also some rock, along with this disco gem. Unfortunately, all the copies pressed were badly mastered and printed, resulting in low quality of the originals. But 46 years after its original release, Disco Segreta reissues Dana in a new fully remastered 12” edition on a super lush 180g. “Sardinian Sunset” marbled vinyl edition, bringing back “Estate” and “S’Inghelada” to its original glory, for a newer generation of the Italian disco sound aficionados. Note this release is strictly limited and numbered to 100 copies and only available on Disco Segreta website as well as to the subscribers of the Disco Segreta Record Society and as for all of our 2023 releases, will never be reissued again in this format.

4th pressing.

Medical Records presents the 2nd pressing of their second release (MR-002)! This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. The 1st pressing on Medical was released in 2010 and is also now long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuochi.In 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. It became quite an import hit in America’s underground club scene, and sparked the mini-LP “Ce N’est Qu’un Début” that same year (originally released on Materiali Sonori in 1984 (Italy). It consists of 6 captivating tracks including the hit “Problèmes d’amour” as well as the track “Dance boy dance” which has appeared on other cult disco compilations. “Ce N’est Qu’un Début” will appeal to lovers of Italo disco, early new wave, and minimal pop. Presented on high-quality 160gram black vinyl this time in a limited edition of 500 copies.

Club culture in France would have been different if not for Micky Milan (real name Milan Zdravkovic). He is one of the true trailblazers of what is known today as French Boogie. It all started when he was the in-house DJ of the highly popular club L''échappatoire in the Parisian suburb of Clichy sous Bois. In those days, he was well connected with Champs Disques, back then, the hippest record shop located on the Champs Élysées and had privileged access to the best imported U.S. 12" thus making his club the undisputed stronghold of disco funk. A significant fact is that he is one of the very few French artists signed on the legendary U.S. Salsoul record label with the song "Quand tu danses". Teaming up with funkateer and close friend François Feldman, the track was recorded with Feldman on keyboards along with the Gibson Brothers on percussions, drums and keyboards, a French group, originally hailing from Martinique and Kamil Rustam who later went on to work to the who&who of soul and funk music adding his powerful licks of funky guitar. The influence of Lamont Dozier of "Going back to my roots", fame is that of a tutelary god all over these tracks. The goal behind this EP is to highlight Micky Milan’s multifaceted musical talents, from disco funk to jazz and synth pop. The record contains two tracks never previously released on vinyl, the groovesque “Paris amour” built on guitar riffs carrying the sexy voice of Alexandra and the instrumental version of "Quand tu danses"; epitomizing the essence of funk and the power of a sound on par with the American productions of the time. Hail to the pioneer

Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!

Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.

"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.

Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!

Two disco jewels signed by Maestro Alessandroni for an obscure Italian sexy-comedy in 1976, presented here in a new edit on 12'' designed for the dancefloor.

Classic CARIBBEAN DISCO-FUNK / MODERN SOUL from 1979 by Trinidad Soul Diva NADIE LA FOND. Produced by RICHARD ‘NAPPY’ MAYERS. First ever vinyl reissue of this sought-after 12”.

Amazing ISLAND DISCO-FUNK by Trinidad Soul Diva NADIE LA FOND. Produced by RICHARD ‘NAPPY’ MAYERS.

CARIBBEAN DISCO-FUNK DANCEFLOOR BOMB by the great RICHARD ‘NAPPY’ MAYERS, the man behind some of the best Soca, Disco and Funk sounds ever produced in Trinidad.

Nu York Groove Sessions drops another hot LP of rare boogie, disco dub & holy grail cuts! Followers of Larry Levan's Paradise Garage, crate diggin fanatics & trainspotters alike should jump for joy as thus runs the full spectrum for you & yours. Super limited pressings so don't miss out!

Eddie Pendergrass presents Love Cryme’s 45rpm 12-inch “Electric Lady" and "Under The N Fluence” .
This great boogie/new funk releases contains the vocal and instrumental versions.

Love Cryme is back with another club-ready pressing of their signature Sacramento based boogie funk sound. This is the much anticipated follow up to their sought after 2013 debut on RysQue’ Records, and is Eddie Pendergrass Present’s first 12-inch offering.

Having spent exactly ten years living off the small change and 45 adapters of each others pockets, Finders Keepers/Cache-Cache Records co-founders Andy Votel and Doug Shipton spread their wings and pool their DJ bags for a new series of sporadic various artists compilations focussing on the global punk and makeshift electro records that have kept their beer soaked dance floors and distorted sound systems moving in recent years. Meet the younger sarcastic sisters of some of the classic Finders Keepers family and their spotty friends then watch what happens when jazz punk underdogs cock their legs to their overqualified elder brothers.

Plastic Dance presents ten unacquainted and elusive slices of synthetic squat pop, angular funk, teapot kosmische and fraudulent disco from self-propelled imprints and global co-ops. Named after Günter Bernas obscure DIY anti-band this ongoing series combines rare, unknown and untravelled wax nuggets of night club punk, art school Zeuhl and quasi-political pop united by soldering irons, C-60s and sarcastic synth tones. Featuring a cross section of unobtainable unreleased unknown and unwanted reluctant punk and snide synth pop with sleeve-notes by respected DJ/Haç hack/Situationist addict John McCready and artwork by airbrush legend Terry Pastor (Ziggy Stardust/Soft Machine/Arthur C. Clarke) Plastic Dance becomes flexible under heat.

Benedek's debut LP for PPU!

PPU's first long-play LP highlights some of the early beginnings of one of our favorite producers, Uku Kuut. Written and recorded at Uku's home studio in Los Angeles and Stockholm between 1982 & 1989. Some tracks co-written with Maryn E. Coote, famous jazz vocalist who had her beginnings in 1960s Soviet Union. "That's my mom" recalls Uku, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, Uku's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear. In true PPU style this LP is a mix of Uku Kuut's raw cassette demos, forgotten masters and unreleased magic.

For the 7th release on his label,Temi Kogbe compiles Willy Nfor's greatest songs from his solo works. The session player (bass) was involved heavily in the African boogie / funk scene with a impressive credits list.
Willy is little-known master bass player who left his country for Nigeria at 20, formed the Mighty Flames with made a name for himself as a session player played with Bongos' The Groovies, William Onyeabor (Crashes in Love), Odion Iruoje at Phonodisk where he played on several releases, left for Paris, became a sought-after session player, formed Ghetto formed Ghetto Blaster
(with Fela Kuti's Egypt 80 alumni), joined Mory Kante band toured the world on the back of the Global Hit record, unfortunately, he died before the world could really know him.
This compilation (from three rare Nigeria-produced LPs; Mighty Flames' Willie Nfor, Feel So Fine, My Turn) capture Willy's vision of a free world where love, music and breaks migrate freely. His afro-boogie nods to Bootsy Collins and Louis Johnson (The Brothers Johnson) but it invariably afro and inalienably Willy's music, a space funk with deeply rooted rhythmic grooves that has made these LPs highly sought-after by music aficionados and selectors worldwide.

In 1982, a group of friends deep into post-punk, jazz and dub got together in Mad Professor's studio and lay down their youthful interpretation of a NYC disco cut. Their unique take included trombone, vibraphone, piano, and an ital dose of tape delay. They called the song Trouble and released two versions (vocal and dub) on their friend Tony McDermott's !Drum! label with artwork inspired by Russian Constructivism. TIP!
The group, comprised of Justin Langlands, Chrysta Jones, John Schofield, Tom Dixon, and Dave Killen, decided to call themselves A-Team, having no idea that Mr.T and Co. would make them almost totally ungoogle-able 30 years later. The result of their adolescent studio idealism sounds akin to otherdisco misfits like Arthur Russell, Maximum Joy, Talking Drums and wouldn't sound out of place on legendary NYC label 99 Records. Remastered with an extended Club Dub formaximum dance-floor action.

Finally available on single LP format! All 5 parts of Dam-Funks magnum opus!

EPS023 is the second Mantis 45rpm on Epsilon Record Co.
This is a sensational previously unissued double sider from 1976.
Do We Have Love is a beautiful sweet soul side with killer vocal from Rocky Whitaker.
Click on play and put on your dancing shoes!

Don Blackman is an iconic, cult artist. A pianist, songwriter, producer, and vocalist from New York he is a mystical figure for record collectors, one of those artists where if you found an old dusty record with Don's name on it, you'd buy it on sight. He is best known for his 1982 magnum-opus, the eponymous album that featured the all-time classics 'Heart's Desire' and 'Holding You, Loving You’. He also collaborated with other greats such as Bernard Wright, Weldon Irvine, Roy Ayers, and Lenny White.

We couldn't believe it when Chicago DJ/digger/producer, Marc Davis, told us there was a vault of unreleased Don Blackman material. Marc had reached out to Don’s children, Irene and Kyle, in 2019, building a relationship with Kyle with whom he shared a musical affinity. To Marc's delight, Kyle confirmed that there was indeed a treasure trove. As Kyle described it, “In 2013, shortly after my dad’s passing, my sister and I collected all of his possessions and put them in a storage unit. I came across forty years’ worth of music history. Hundreds of cassettes, CDs, Disks, reel-to-reels, paperwork, photos and VHS tapes. It took about ten years to organise and digitise everything. All of this magic was almost thrown away in the trash, never to be seen, never to be heard forever.”

Two tracks were selected, 'Your Love Makes Me Crazy' and 'Say You'll Be Mine'. 'Your Love Makes Me Crazy' is as funky as it gets, with infectiously catchy vocal hooks, and a serious jam, whereas ‘Say You’ll Be Mine’ is a classy, soulful boogie, instrumental number, that shows off Don’s masterful piano playing. Both tracks warrant full attention and capture a master at work. He was also a one-man show when it came to production, playing all of the instruments when recording these tunes in his home studio in South Jamaica, Queens.

On first hearing the tracks, Marc knew he wanted to extend the songs and enlisted fellow Chicago legend, Tone B. Nimble, to work on the project with him. Their extension/edit of the songs was conducted in a way that was respectful and true to how the tracks were originally recorded by Don. They extended and re-sequenced the groovy parts of the songs organically for the DJs and dancers.

The final words on this release are best coming from Kyle, “We are very excited and thrilled to continue to share all of this unreleased magic with the world. We hope that this music will help, heal, and inspire a new generation of artists to never give up, and to strive for what their hearts desire.”

Drawing inspiration from the depths of late 70’s NYC proto-rap disco instrumentals, Nigerian boogie, Jamaican dub and modern jazzy house - The Lahaar is a Trans-Tasman collaboration between Julien Dyne, Horatio Luna and Surprise Chef’s Lachlan Stuckey, featuring Mara TK and Toby Laing on vocals. The EP embarks on a 5-track rollercoaster - kicking off with “Doin’ It”, fast-paced jazz-funk peppered with marimba and organ riffs, balanced out by the siren vocals of Mara TK. “Step 2” suddenly brakes and swerves into cruise mode, repurposing the trumpets and dub echoes - picking up tempo in the soulful melancholia of “Work Work Work”. In the last two tracks the organs and guitars make a frenetic comeback by way of disco-house, ending with a nod to 70s cop movie funk.

Long time house and disco devotee Dave Lee comes through on Z Records once more with a sampler from this years ZR Essentials collection. It features two of his masterful reworks starting with Jamiroquai's 'Little L'. He flips into a funked up cosmic delight with plenty of the original's synth flourishes melodic hooks and orchestration all present and correct but with added slap bass, replayed rhodes and beefy new drums which make this a surefire dancefloor winner pretty much anywhere. On the flip comes Dave Lee's Disco Fantasy mix of Shelia & B Devotion's 1979 hit 'Spacer' which has a more retro disco sound thanks to the masterful original work of Chic. Additional clav, new string parts and solo-ing keys give 'Spacer' the extended DJ mix it never had at the time of original release.

An extremely rare and in-demand record from the disco-funk group has been unearthed and restored. The Movers enjoyed huge success in the 1970s, releasing album after album of ground-breaking sounds, including fusions of South African marabi jazz, funk, disco and jive. The line up of the band shifted throughout its existence - however this particular album produced by David Thekwane features musicians Jabu Sibumbe, L Rhikoti, Lloyd Lelosa and Sankie Chounyane.

Here comes Emotional Rescue and Konduko's last in their series of Noel Williams/King Sporty reissues, this time looking at later electro productions and the hip-hop/boogie influenced 'Sun Country'. Vocals and co-production come from Williams' long-time partner Betty Wright and as well as a vocal and instrumental mix there's a longform remix by Bay Area disco dub stalwarts, 40 Thieves. By this point in his career, the godfather of Miami Bass had travelled a long way from his Jamaican roots in reggae and soul, paying homage to the warm climbs of the Sunshine State and laying down a much copied template using the Tr-808 drum machine create the electronic emulations of the breakbeat, claps accenting the backbeat and trademark low frequencies shaking the floorboards. The instrumental stretches the arrangement, emphasising the interplay between electronics, bass, vocal samples, scratching and fx, the voice transformed into a percussive element in its own right. The flip sees 40 Thieves flexing their understated understanding of electro funk, making for a rounded, generation-jumping package.

Official limited edition reissue of Asso's Italo masterpiece from 1983. Featuring "Do It Again", a killer Balearic disco-style cover of the Steely Dan classic. On the flip side you get the wonderful boogie jazz-funker "Don't Stop", a track which is pure blissed-out dancefloor heaven and deservedly became a Loft and Garage classic as well as receiving heavy rotation on both the cosmic and Balearic scenes. With the coolest of laid-back jazzy piano grooves underpinned with driving funky squelching bass and superb syncopated drums.

Another Boogie classic on PPU! So, so good!!!

Lexi alter ego, Tony Lovelesss returns with the 2nd installment in the Reel-2-reel series. These 3 tracks of classic funk and disco have been recontextualized to move modern dance floors while retaining their klassic appeal. Limited hand stamped white label!

This special 12" features two tracks that will not be on the vinyl version of the forthcoming AC Soul Symphony, Disco opus "Metamorphosis" featuring a 20 piece orchestra alongside a whole host top live players. That makes it an even more vital pick up because both are pure disco fire. 'I Want To See You Dance' has the title's classic refrain repeated over big Salsoul style string licks, funky basslines and soloing piano. 'The Talented Mr Adams' is a tribute to the legendary disco producer Patrick Adams and is a super sweet swooner with golden live strings and brass backing up a loose-limbed rhythm and vamping pianos that get you in the mood for love. These two tracks act as a fine teaser for what's to come on the much-anticipated album from a contemporary version of acts like Mfsb and Love Unlimited Orchestra.

Kalita are delighted to announce the first ever re-release of Los Angeles-based outfit Addmoro"s three sought-after recordings from their privately released invisible 1985 boogie grail "Keep On Trying".

A juicy 4-track EP from Eine Welt. 700wet is an art pop project by queer opera singer Marja Christians (award-winning dancer) and Cid Hohner (Moonwalk X Records, Otto, Aufgang B). Luring outsider synth-pop with touching and honest opera vocals. It reminds of Grace Jones doing minimal wave in a Chicago house. They call it “Lovers-Dance”. While you may melt on the slow and extended dubbed out title jam “Gimme Love”, the sassy “Cannoli Amore” is a catchy, fun dancer at 120 bpm. Recorded during the pandemic primarily with nothing but cheap 1989 Yamaha keyboards.The project also reflected what they wanted to hear when there was a big void.

F.U.D return with a duo of uplifting Bahian dancefloor bumpers ! J-Kriv & Dicky Trisco amp things up on the reworks & we're guaranteed a summertime smash !

Limited repress of 250 copies!

Official limited edition reissue of one of the rarest italian cosmic disco release from 1977. Previously available only as a 7" with short vocal and instrumental cuts for radio play. Now reissued as 12" including for the first time the extended disco version remastered from the original master tapes directly from the archives of the italian radio 101 that produced this song during mid seventies.

Chances are if you are reading this, you are probably already familiar with Dinosaur L's “Go
Bang” and danced countless times to Loose Joints' ""It's All Over My Face"". A prolific musician,
Arthur Russell produced an abundant amount of recordings over the course of his career.
Although a classically trained cellist, he released a number of successful underground dance
hits under various monikers and collaborations. As a solo artist however, his inability to
complete projects resulted in a limited amount of official releases; World of Echo (1986) being
his only full-length solo effort to see release in his lifetime. After releasing a number of
Club singles on labels like West End & Sire, Russell went on to form Sleeping Bag Records with
Will Socolov as an outlet for a sound not as restrictive as his ""disco"" material.
The initial concept was that Russell would provide the musical direction while Socolov handled
the business side. The label had huge success early on with Class Action’s “Weekend” remixed
by Larry Levan, and Russell’s seminal “Go Bang,” credited to Dinosaur L and remixed by Francois
Kevorkian. Although Russell and Socolov shared a lot of musical common ground, the difference
in vision began to show. Russell’s avant-garde sensibilities and perfectionism were not
compatible with an industry standard to release singles in quick succession, and his ""work in
progress"" approach began to be financially draining, ultimately resulting in the dissolution
of their partnership around 1983. With Arthur's departure, Sleeping Bag moved away from the
experimental and towards a successful hip-hop route with the growing involvement of Kurtis
Mantronik and leading to propel the careers of artists like Todd Terry, Just-Ice
and EPMD.
By the mid-80s, Russell’s health began to deteriorate after contracting HIV. Although the
business partnership did not work out, Socolov and Russell maintained their friendship. Aware
of the time he had left, Russell reached out to Socolov to record what was to become Indian
Ocean, his last release on Sleeping Bag and the last great collaboration between Arthur and
his old friend Walter Gibbons.
Unlike the rest of Russell's Dance collaborations, “School Bell/Treehouse” is very intimate
composition, putting to the forefront all the elements that defined him musically; with his
own voice and cello as the anchors to a piece that keeps growing in intensity, melding the
tribal rhythms of Mustafa Ahmed’s conga with percussions that sound like distorted drum
machines. There is a lot of beauty in this piece, with Peter Zummo's melancholic trombone lines
and Arthur's keyboard playing. Adequately ""mixed with love"" by Walter Gibbons, ""School
Bell/Treehouse"" really synthesizes the energy and soundscapes of Arthur's dancefloor.

A true Holy Grail from the Cloud One catalog, “Don’t Let My Rainbow Pass Me By” is the third of a string of titles on Golden Flamingo produced by the P&P duo of Patrick Adams and Peter Brown and featuring vocals from “Guardian Angel” singer Margot Williams.

Similar to previous Cloud One’s productions, this record had all the elements of a Patrick Adams classic, but with vocal arrangements that foreshadowed the work he would do with Inner Life and Jocelyn Brown at Salsoul. Perhaps not so much of a coincidence then that Margot Williams would provide backing vocals on Inner Life’s Second and final album.

Even though it was originally released in 1981, “Don’t Let My Rainbow Pass Me By” is still championed by high-profile deejays today. Over the years, it’s been notably sampled in Basement Jaxx’s Romeo and covered by Todd Terje and Prins Thomas in “Reinbagan"" as a Dub-Disco cut. Available for the first time since it’s original release, our only piece of advise is to don’t let this classic pass you by.

This is the real late nite music, recorded in 1987 at his home studio NEI (Gary, Indiana), Willie Junei Lee Jr's music is beyond this time. Guitarist, Director, Vocalist, Songwriter, Composer, Producer, Junei is still booking dates today.