Disco | Boogie Sale 217 Items

XXX016 consists of two original tracks by Anastasia Zems & Radial Gaze on the A-side and two remixes by Chinaski & S.I.R.S on the flip side.
While the original tracks are infused with dark industrial vibes combined with a sharp kick and throbbing playful basslines, the remix side takes a completely different turn. An (unexpected) almost trance-like remix by Chinaski is best described as a rollercoaster ride that only goes higher and faster. S.I.R.S. delivers us a disco remix with the most groovy bassline that will not go unnoticed on any dancefloor. This altogether makes XXX016 an exploration of different sounds combined on
one EP, exactly how we envision things at XXX. The artwork by Gees Voorhees also perfectly embodies this.

Riccardi Schola is back with Double A-sider 7“ Single. Both songs are like a private press Italo Disco single from the 80s with a new influence in a rough production. The first song „Mistake Disco“ is with the Italian singer Giada Pesce who also works with Riccardi on his debut „On my mind“ on Bordello A Parigi. The second song „M’hai preo il cuore“ is a lovely ballad sung by the Italian singer Giulia aka GGG (her DJ name) with Riccardi on back vocals.

Both songs spread the pure love to the early Italo Disco. Enjoy and listen and dance!

Archeo Recordings is a record label.Old, lost, obscure and forgotten gems and a boundless focus on the new balearic scene for a wider audience of collectors, djs and music lovers. all releases are limited edition. This release is 500 copies limited edition (ar026). 7” with the original song + a special rework by Pellegrino: neapolitan sound at its best!

With a mysteriously unknown release date, “Photochrome” could have been originally put out somewhere between the late 70's to early 80's on the Italian Idea label, which although only boasting a minuscule catalogue of mainly 7”s has gotten the attention of many collectors of European disco obscurities for releases such as “Flavio – Drum Explosion” and “Aleo's Band - Eoe”. “Photochrome” features a very organic sound with hints of early electronics that might have been making their way into studios at the time. A fast passed driving bass line layered with what almost sounds like an early 303 bass line and spacey/cosmic vocals. Dry drum recordings give it a naive DIY feel which coupled with the experimental tricks on the vocals results in a very unique sound that has put this release on the radars of diggers world-wide. Now available once again at an affordable price with a new two part bonus beats remix that starts off as a more DJ friendly tool but soon embarks into a questionable full-fledged acid house excursion. Originally only released in 7" format but now re-issued in remastered 12" format.

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud. The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

The Rephlex alumni and all around electro legend DMX Krew channels the Minneapolis sound, boogie, and freestyle in this classic 2005 Japan-exclusive, now pressed on vinyl for the first time by the good people at Cold Blow.

Kiss Goodbye showcases Ed DMX in his absolute finest form in songwriting and richness of production. A guaranteed antidepressant with timeless moments from an ode to a mature lady in “D.I.V.O.R.C.E.E.”, to a rap about a cheating girlfriend in “Who’s That Guy?". Full of classic quotables combined with funk that would make Morris Day proud. The 2xLP is available in standard black, and a special sexy red edition. Mastered by Noel Summerville whose CV includes too many classics to mention, from Newcleus and Hashim to Ohio Players and Rick Astley! The sleeve has received redesign treatment by the Organic Analogue’s Benedetta Sodini.

‘the Congregation - Jazz Alliance International’ compilation is the latest offering from Mono Jazz label. Compiled by Massimiliano ‘Jazzcat’ Conti - a DJ, broadcaster and internationally respected selector with over 150,000 followers on Mixcloud - and featuring liner notes by Paul Bradshaw (from the iconic ‘Straight no Chaser’ magazine), ‘the Congregation’ is an innovative, largely contemporary selection of tracks that they feel is representative of the current era - a true manifesto of the international jazz scene of the present days. The release was received with great enthusiasm by some of the leading DJs and music critics of the scene – from the UK, to Germany, to Japan – getting early radio support by Patrick Forge (nts), Colin Curtis (Hitmix Radio), Kevin Beadle (twr), Rainer Trüby (Compost Records), Shuya Okino (Kyoto Jazz Massive), Raffaele Costantino (Rai Radio 2), Ilya Rasskazov (Headz.FM), Michael Rütten (Soul Searching), David Patterson (jfsr), Simon Harrison (Basic Soul) & more. Built around a near mythical, unreleased song by Japanese producer Yellowtail featuring legendary beat generation jazz singer Mark Murphy, the selection of tunes contained in this album ventures far and wide. Soulful offerings by Anthony Joseph and Jimetta Rose & The Voices of Creation, percussive and spiritual renditions by the likes of Malcolm Strachan, Right Tempo’s own Francesco Sotgiu and Nicola Conte, Latin-flavoured explorations by Mexican giant Tino Contreras and Acid Jazz’s signed Mama Terra and a hip-hop spiced cut by Portuguese producer Azar Azar are some of the many moods that can be found in ‘the Congregation’.

As the fable goes: pre-discogs, intrepid disc jocks would often take trips to Italy (many tricking their spouse into believe it was a ‘holiday’!) to source records from the seemingly endless supply of top tier Italo, disco and cosmic record shops across the country. According to legend, the classified sections of local yellow pages and information booklets which would contain the addresses of the record shops and dealers in the area would often be ripped out unscrupulously, thwarting – or at least making it more difficult for – the next vinyl tourist to source out the rare gems amongst the rich seams – a wild west vinyl gold rush if you will.

Such stories are a rarity these days, with youtube making some of the most underground tracks common knowledge, and discogs almost making any record obtainable – at a price of course. Upgrading his digging methodology, Bosco has developed a secret New Technique to side-step the machine and in doing so obtained a clutch of amyl-soaked fluffers that are so rare, that upon writing they aren’t even listed online! Seriously, he must be communicating with some interdimensional, upper echelon Italo overlords; taking us on a primo-thrust tour through the most unexposed recesses of the Italo disco galaxy.

Don’t be hoodwinked by their sheer obscurity however; we wouldn’t give a toss if they couldn’t tear the arse off the dancefloor. But they’re all fuckin rhodium grade tackle peeps! Eight neon-drenched late night roman candles of Italo disco decadence that’ll defo have you jizzing rainbow skittles over the dancefloor as you search desperately through the fog for another huff of poppers off Darren.

Total Discogs market value: as yet undetermined

Pharoah Brunson’s Pyramid Points: 9999999999999

Amazing floaty modern soul / disco goodness out of late 70s Queens, NY. 'Love Is The Same' two brilliant and different versions, both dancefloor fire…
Mark Beiner met Ben Iverson in 1976 when I was 17 years old, at the time he was a junior at Newtown High School in Elmhurst, Queens. Mark had taken a part time job as a Produce Clerk at Walbaum's Supermarket on Northern Boulevard in Jackson Heights, Queens, where I met Ben Iverson, the "Frozen Food Manager."
Back then Mark remembers, 'I was going to work early just to talk to him about his musical background and his time spent in the 50's and 60's with the Ohio Doo Wop Group, "The Hornets", or better known as, "Ben Iverson and The Hornets."'
In 1978 after Ben and I discussed getting together and composing music, I started writing poetry and expressing in writing my break-up with my college girlfriend, Paula. Ben and Mark went on to writing two albums worth of material, which in turn gave us a lot of time and presence on stage at our live gigs.
The regular Coast to Coast Band members consisted of Ben Iverson on Lead Vocals, Rhythm Guitarist and Co-Executive Producer, Joe Crowley, who is known today as "New York Congressman Joe Crowley." Carl (Woody Wood) Morton on Bass Guitar, Jimmy Johnson on Keyboards. Lead Guitarist, Lou Jimenez, currently owns his own recording studio, Music Labs in Elmont, Long Island. On Drums, Eddie Byam, on Alto Sax, Jay Cohen, who in the 70's used to record for "Gary U.S. Bonds." Gary Pevols on Trumpet. On Bone, Scott Burrows, Trumpet player, Steve Becker, along side Neil Levine, Stan Stockley, Tom Russo.

Limited to 300 copies. Exclusively available at HHV.
Here comes a new member in the highly acclaimed Wamono series! 180g presents an exceptional collection of Disco and Boogie tunes released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

● 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Nippon Columbia masters

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Nker.

In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious “Do The Bus Stop” hit, Japanese label Victor put out the following year the first Japan made Disco tune with “Sexy Bus Stop”, released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. “Sexy Bus Stop” became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego’s monster hit “The Birth Of The Odyssey - Monkey Magic” to Pink Parachute’s obscure (and excellent!) “Disco Great Tokyo” tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

Here comes a new member in the highly acclaimed Wamono series! 180g presents an exceptional collection of Disco and Boogie tunes released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

● 180g heavy vinyl pressing, reverse board jacket.

● Fully licensed Nippon Columbia masters

● Mastering and lacquer cut by Jukka Sarapää at Timmion Cutting Lab, Helsinki, Finland.

● Signature artwork by Nker.

In the mid-seventies, discotheques were booming in Tokyo and all over Japan. When the Fatback Band topped the 1975 US charts with their infectious “Do The Bus Stop” hit, Japanese label Victor put out the following year the first Japan made Disco tune with “Sexy Bus Stop”, released under the mysterious name Dr. Dragon & Oriental Express, a pseudonym for successful Japanese pop composer Kyohei Tsutsumi. “Sexy Bus Stop” became an instant hit in the country and, taking this opportunity, various Japanese record companies started releasing Disco music. From 1976 until the early 1980s the music was often recorded by skilled studio musicians, rather than by computer input, providing a really solid sound to the dancefloor. Disco music was also spreading into TV series, commercials and anime. From Godiego’s monster hit “The Birth Of The Odyssey - Monkey Magic” to Pink Parachute’s obscure (and excellent!) “Disco Great Tokyo” tune, this selection explores some of the finest Disco and Boogie music released on the legendary Nippon Columbia label in the late seventies and early eighties. Are you ready? Put your dance shoes on, and enjoy!

A certified Patrick Adam’s classic from the Heavenly Star Records back catalogue, Cloud One - Flying High, gets a much-needed remastered reissue. A welcome sight to many, considering originals sell for over £100. One of countless studio projects that Adams put his name to, ‘Flying High’ saw the multi-platinum, award winning producer and songwriter join forces with P&P head honcho Peter Brown to produce this blindingly brilliant cosmic disco number. Stratospheric synths, beefy drums and heavyweight basslines coupled with celestial vocoder refrains, will have your head flying through the clouds at the drop of a needle.

Gospel meets Modern Soul & Boogie on this second never before released LP containing unreleased songs & demos from the vaults of Atlanta, Georgia based group Tomorrows Wish led by vocalist Lester Carr (who now travels with the Tams) & backed by Mary Spencer & Kimberlyn Williams They recorded several R&B singles in the 1970s that never saw the light of day. In the 1980’s, they went on to record a full gospel album under Glory Bound Records. Shortly after, the group disbanded & never recorded or released anything again until now. “On My Mind” contains a ensemble arranged by producer Emanuel Campbell (of Emandolynn Music) & backed by guitarist, Harry Case (known for his highly sought out after LP “In A Mood”) as well as keyboardist: Oliver Wells & bassist: Ricky Keller (both of fusion group Life Force fame).

Disco legend Sylvester comes to Dark Entries with Private Recordings: August 1970, an intimate collection of vintage jazz, blues, and gospel. While Sylvester is best known for his chart-topping collaborations with producer Patrick Cowley, such as “You Make Me Feel (Mighty Real),” this release reveals his passion for the sounds of the 30s and 40s. In 1970 a 22-year-old Sylvester had moved to San Francisco and found himself involved with the Cockettes, the infamous psychedelic performance art troupe. Among this milieu was Peter Mintun, a pianist and record collector living in a commune devoted to retro culture. According to Mintun, “We were like hippies who lived in the twenties. We lived in a house that didn’t have anything modern in it. Nothing in it was made after World War II.” Mintun and Sylvester bonded over their love of Black singers of yore and were allotted a slot during Cockettes performances reviving the music of the Prohibition Era. One afternoon, Sylvester and Mintun recorded a number of their shared favorites using a high-end microphone a friend had acquired. Private Recordings features 9 songs from this session, including standards like “Stormy Weather,” “Happy Days Are Here Again,” and “God Bless the Child.” Sylvester’s unmistakable falsetto brings depth and a dash of camp to these familiar tunes. The recordings are casual and intimate, even capturing banter between Sylvester and Mintun; their brief rendition of “When My Dreamboat Comes Home” has the duo working out a melody in real time. In addition to their sonic explorations of decades past, Sylvester and Mintun also staged photographic shoots in vintage couture. Private Recordings comes with a 16-page booklet on firm cardstock featuring images from these never-before-seen shoots as well as liner notes from Mintun detailing his friendship with Sylvester and their experiences recording. All this is housed in a metallic silver sleeve designed by Eloise Leigh featuring a 1920’s Art Deco aesthetic. The record will be released on September 6th which would have been Sylvester’s 76th birthday, and all proceeds from Private Recordings will go to the two charities that Sylvester left his royalties after his death: Project Open Hand and PRC (formerly Aids Emergency Fund). This essential release documents the earliest known recordings from one of disco’s greatest talents.

Owl Records has another 12" that will get your head swiveling and booty shaking. It comes from the BBC 6 Music host, TV legend turned funk and soul tastemaker Craig Charles who has put totters a couple of sizzling edits. First up he layers a classic Hot Chocolate sample over a rolling and rubbery beat and bassline that will pump any dance floor. On the flip is a more slow and seductive sound in 'Rok On' with its funky bass and sleazy vocals over low-slung and slo-mo beats. Add in the playful trumpets and muted string and you have a brilliantly curious and compelling cut.

A slice of seriously sought after US disco from La She Ba on Heavenly Star Records that has been a firm favourite of master selector Hunee and trades hands for £125+ on the secondhand market, gets a fresh reissue and remaster for a new generation of listeners.

Formed of Catherine Miller on vocals, produced and written by Harvey Miller and arranged by the mighty Patrick Adams, La She Ba – You've Been Hunchin' hits in all the right spots. Exquisite instrumentation with swooning strings, enchanting chords and tight drums laying the foundation for Miller’s celestial vocals to be the star of the show. Heavenly by name, heavenly by nature this is a must have 12 inch for any collection.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence. The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

Soundway Records presents Ayo Manuel ‘1983-1990’, a collection of selected works by one of Nigeria’s DIY pioneers. This mini compilation selects the stand-out cuts from his two albums Love Candidate and Party Time, showcasing the evolution of Ayo’s music. Side A is led by Song Of Love (Instrumental) - mid-tempo, synth-heavy music toeing the line between lo-fi crunch and sophisticated charm. This is followed closely by afro-disco melters Don’t Stop and the aptly titled Fun Time. Both with strong American, disco-funk leanings but full of Nigerian flavour, they come signed, sealed and delivered for any discerning dancefloor. Sojourn (Ajo) lights up side-B, a coming-of-age journey that sets the tone for the rest of the album. With slick US production, but with its feet firmly planted in Yoruba culture, we find a more developed artist combining talking drums with distinct ’90s production, that deliver a unique blend of afro-pop. Gboro Mi Ro echoes the influence of Nigeria’s biggest musical export, Fela Kuti, but still retains its own particular character. Do Goodfollows in the footsteps of its predecessors but with added drama and depth.

Disco Segreta sets your summer on fire introducing the reissue of one of the rarest and most obscure Italian disco records ever! Dana was the moniker of the very first band led by Sardinian singer Gianni Virdis. The band had a short life, from 1977 to 1980, and later disbanded to be renamed into another band called "Mediterraneo" and only released a 45 single. It contained two tracks: “Estate” and “S’Inghelada”. The first one is sung in Italian and is a sexy, summer-infused lyrics disco track with gummy moogs, while “S’Inghelada” - with the typical 70s falsetto singing - is possibly the only disco tracks ever sung in Sardinian language, which makes this record of even higher historical importance, as it renders the amazing variety and originality of the Italian disco scene of the era, contributing to put a piece of the puzzle of the ‘70s Italian disco scene back in its place. Originally released as a privately-pressed 45 in the spring of 1977, on Franco Idini’s “Tekno Record”, a Sassari-based label which mainly released local folk, but also some rock, along with this disco gem. Unfortunately, all the copies pressed were badly mastered and printed, resulting in low quality of the originals. But 46 years after its original release, Disco Segreta reissues Dana in a new fully remastered 12” edition on a super lush 180g. “Sardinian Sunset” marbled vinyl edition, bringing back “Estate” and “S’Inghelada” to its original glory, for a newer generation of the Italian disco sound aficionados. Note this release is strictly limited and numbered to 100 copies and only available on Disco Segreta website as well as to the subscribers of the Disco Segreta Record Society and as for all of our 2023 releases, will never be reissued again in this format.

Disco Segreta sets your summer on fire introducing the reissue of one of the rarest and most obscure Italian disco records ever! Dana was the moniker of the very first band led by Sardinian singer Gianni Virdis. The band had a short life, from 1977 to 1980, and later disbanded to be renamed into another band called "Mediterraneo" and only released a 45 single. It contained two tracks: “Estate” and “S’Inghelada”. The first one is sung in Italian and is a sexy, summer-infused lyrics disco track with gummy moogs, while “S’Inghelada” - with the typical 70s falsetto singing - is possibly the only disco tracks ever sung in Sardinian language, which makes this record of even higher historical importance, as it renders the amazing variety and originality of the Italian disco scene of the era, contributing to put a piece of the puzzle of the ‘70s Italian disco scene back in its place. Originally released as a privately-pressed 45 in the spring of 1977, on Franco Idini’s “Tekno Record”, a Sassari-based label which mainly released local folk, but also some rock, along with this disco gem. Unfortunately, all the copies pressed were badly mastered and printed, resulting in low quality of the originals. But 46 years after its original release, Disco Segreta reissues Dana in a new fully remastered 12” edition on a super lush 180g. “Sardinian Sunset” marbled vinyl edition, bringing back “Estate” and “S’Inghelada” to its original glory, for a newer generation of the Italian disco sound aficionados. Note this release is strictly limited and numbered to 100 copies and only available on Disco Segreta website as well as to the subscribers of the Disco Segreta Record Society and as for all of our 2023 releases, will never be reissued again in this format.

Limited to 1000 copies on curacao colored vinyl. Exclusive to HHV customers.

Vacation. Not only in Italy.

A backpack trip through Australia, a campfire in the allotment.

In the car with friends through the Lunenburg Heath or just a short holiday in your head, during the rainy lunch break or with a glass of spritzer on the balcony. And that includes music, music, music! Grooves that roll into the distance like an Intercity, Rhodes chords soft as the sand on the beach and synthesizers that sparkle like the reflections on the ocean. Music as colorful as a Hawaiian shirt and as warming as the morning sun. Welcome to Erobique's second album: "Erobique No.2"

Here, even the song titles are in holiday mood:

"Ahoj!" greets the young "Springinsfeld". The "Mantas" glide elegantly around the "Acquamarina". "Salut les Copines!" we call to the neighboring boat. "Come along to the 'Ravedave!'" it echoes back happily. "Riding Low" is the motto, and the "Arpeggiator" condenses the "Synaesthesia" of the foggy senses in a wonderful way. The "Italotape" in the cassette deck plays the "Hit Song of Both of Us".

That's all so nice "Verkackt", that sounds like "Future Music"!

Carsten Meyer released his debut album "Erosound" in 1998 under the name "Erobique". Exactly 25 years later, the now 50-year-old releases his second Erobique album on his own label A-sexy.

Thirteen varied tracks and songs between holiday disco and rhythm box rave, recorded and produced with many of his friends and companions.

25 years, that's pretty much how long it took disco to go from the legendary loft parties of pioneer David Mancuso to the awe-inspiring mass spectacles of Daft Punk performances.

Or from Meyer's birth to his first long-playing record. So why only now a second album as “Erobique”?

Meyer has been improvising performances in front of a dancing audience for years. Even his hits "Easy Mobeasy" and "Urlaub in Italien" aren't actually pop songs, but rather arose from spontaneous inspiration, in an adrenaline rush, in the middle of the party, right in the moment! Sang along and faded away again. Recorded live and released as is. Just don't repeat! Every Erobique concert is an attempt to turn the unforeseen, the unexpected and accidents into a unique moment of being there. "Mistakes are king" said the witty Knarf Rellöm once - and Carsten Meyer is the king of mistakes!

How are you supposed to conjure up such moments in the studio, without a party, without the energy that spills back onto the stage at a children's birthday party for adults?

Meyer remembered another Erobique hit and changed his title accordingly:

He collaborated with an overdose of joy!

Drummer Lucas Kochbeck (The KBCs, Bacao Rhythm & Steel Band) who now also supports Carsten at his live gigs as well as neighbor and buddy Christoph M. Kaiser (former bassist with the Jeremy Days, now film music and pop strategist) layed down the Groove foundation with glowing tiles, like at the Trinity, Hamburg's legendary 80s disco.

Sophia Kennedy came over from the neighboring studio to sing and Lieven Brunckhorst dragged the entire wind section of Jan Delay's big band Disco No1 in front of the microphone.

Meyer recorded harps, xylophones and violins in his music room at the Hamburger Fischmarkt or with Tobias Levin in his Electric Avenue studio with a view of the Fleet.

Carsten went to Berlin where he met his hero Siriusmo to put some ideas through the electronic grinder. Nicola Rost of Laing stopped by and left incredibly dense choirs and wonderful songs.

Finally, all tracks were brought to Swabian Ludwigsburg where the Freundskreis DJ and disco expert Martin Welzer aka DJ Friction screwed the whole madness into an incredibly warm and dancefloor-friendly overall sound.

Back to the drawing board, like all A-sexy releases, the cover art is painted and designed by Meyer himself, after all his original career aspiration was to be a school book illustrator.

In the course of one summer, a musical chocolate box was created that will not only enrich the holiday playlist of his fans and listeners, but also made his archive of ideas and sketches, which is several quantum bytes deep, a little bit thinner. Outside of his disco fairs up and down the country, Meyer has not remained idle in the last quarter of a century:

Between 1998 and 2006 he developed hypermodern electronic soul with DJ Koze and Cosmic DJ as an international pony. Together with Jacques Palminger and Chris Dietermann, he supervised amateur songwriters in the project "Songs for Joy" at the Maxim-Gorki-Theater Berlin when they made pop music, which is how the secret hit "Wann Strahlst Du?" was created in 2007 with the great text by Barbara Stützel. In general, theatre: For the theater director Herbert Fritsch he arranged the hits by Gino Paoli and Hugo Wolff for crazy evenings at the Schauspielhaus Zurich (2016) and at the Residenztheater Munich (2015), for Stefan Pucher he shot the fairy tales of Hans Christian Andersen through the home organ wolf ( 2010). For the colleagues from Studio Braun, he brought the "Dorfpunks" to life at the Hamburg Schauspielhaus, and immediately afterwards he developed the authentic Neue-Welle sound for their mockumentary "Fraktus", which was released in cinemas in 2012.

So there we are with film and television music. Here, too, Meyer had a lot to do in recent years. The soundtrack for the popular TV series "Der Tatortreinigung" with Bjarne Mädel in the title role was the best. Incidentally, the "jack of all trades" (quote Peter Bursch) also released a few albums on his own label A-sexy: Rumpel-Funk as "Babyman", the finest chanson pop with Palminger and Yvon Janssen for "Yvon im Kreis der Liebe" and warm, modern Hammond jazz with the "Hamburg Spinners".

And now finally his anniversary album, the silver wedding with himself.
25 years Carsten and Erobique, together forever and happier than ever!

To the next… stop no. We don't want to wait that long!

Six Nine Records Ltd. UK proudly presents Confection’s first release on the label with the amazing track “Delectable U”. The track is taken from the Australian duo’s CD only album “Private Conversations”, which was released in 2012. This is a real masterpiece by Joshua Beagley and Juanita Tippins and a vinyl release was long overdue in our humble opinion. As a really nice bonus, exclusively for this release, Yuki "TGroove" Takahashi has worked his magic and gives us a remix on the flip which definitely takes the track to another level. Enjoy! Definitely not to be missed as it is a limited UK press with full colour printed picture cover!

Cruisin' Records presents an exciting compilation containing six full-length extended versions of summer-ish Italo-Disco tracks, selected from its vast catalog to commemorate in advance its 40th anniversary (1983-2023). "Takes Over" is compiled by Nello Jay, remastered by Dom Scuteri and produced by Best Record. Some epic Cruisin' hits right here of which most are released in 1985. Up beat tracks that havent had the same amount of shine as some of the well known hits. These tracks might be unexplored, but exactly for this reason considered more engaging and intriguing whetting the appetite of followers and lovers of true and genuine Italo-Disco. The compilation could only begin and end with one of the most representative artists of Cruisin': Max-Him, whose most loved creatures are the sensational "Japanese Girl", where the sublime melody and the vocal skills of Massimo Vaccari stand out, and "Lady Fantasy" in the amazing remix version. The sound is powerful and the rhythm is always supported by the choral and structured "For Your Sweet Information" by the fantastic P.J. Marcus, stage name of the singer-saxophonist James Thompson. Then, we have the pleasant surprise that comes out of Ennio Manuel's magic top hat: Roxana, sublime interpreter of a danceable piece "In Your Eyes", whose melodic text... Je t'aime mon amour, I love you , Ich hab dich gern... were very popular in gay clubs all over Europe. "Heigh Ho" is a simple and catchy theme with a great arrangement. The piece sung by Fabian Nesti has such power that even today you never get tired of listening and dancing. Another exceptional piece of pure electricity is "I Need Your Love" where the male and female voices of the Midnight Passion marry perfectly in this masterpiece of great energy. 6 rare and obscure tracks for all Italo aficionados.

HHV Exclusive edition limited to 300 copies.

Magic Source invites you to a journey to the obscure side of disco music. Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer. Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape. An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding

Let’s get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What’s Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music—good music—and you will hear this in the depth of the compositions.

When Ghia expanded from the dynamic duo of composers Lutz Boberg and Frank Simon to a trio with singer Lisa Ohm, it was meant to be something special. While Boberg and Simon had worked with different singers before, it was Lisa who set a new benchmark with her clear and powerful voice. Ohm had already been active as a professional musician since the 1970s and was connected with bands from the infamous Schneeball collective. While recording with Ghia at the Cottage studio, she could also be heard as the key background singer on many Georgie Red and George Kochbeck productions.

The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band’s catalog since it was featured as the B-side of the "What’s Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band’s roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band’s first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn’t perfect until Lisa laid down the final version and a choir was added. It’s difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What’s Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"—and we still mean it! Let’s face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia’s music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s. Here it should be mentioned that their unique tone didn’t come out of nowhere. At the time, composer and guitarist Simon was building his own effects processors to generate the sounds he had in mind. The keyboards and guitars on "What’s Your Voodoo?" were passed through a unique, privately built processor. Combined with a deep synth bassline and the exceptional haunting vocals by Lisa Ohm, it gives the track all the magic the title implies.

But this isn’t yet where the story ends. "Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won’t Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven’t Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.

In May 2021, Yukkyun launched her self-produced solo project, Diva Project. Yukkyun's debut song "Diva ME" became a hit. The first 7inch of her career includes the remastered version of the debut song "Diva ME" and "Utahime" from her first album "Diva You"!!

Splendid Production OF This Inedit Track, Recorded During 1983 AND Never Released Before

Compiled by Sean Marquand and Greg Caz, 2 DJs well-known for their epic parties at Williamsburg’s legendary Black Betty club, that sadly closed in 2009. The duo played a deep variety of strictly vintage samba, samba-rock, Tropicalia, and Brazilian funk under the banner of ‘Brazilian Beats Brooklyn’.

Sean is known as half of Embassy Sound Productions. He took his team to Brazil to help resurrect Black Rio legends Uniao Black for a new release. Greg has DJ'd at some of the hottest Brazilian parties around the globe and presents a monthly radio show ‘Warm Wave’ on Soho Radio NYC.

Featuring Noriel Vilela’s singular “16 Toneladas,” a sublime cover of the Tennessee Ernie Ford smash “16 Tons” with a spare samba groove and unbelievable baritone vocals and hot jams from Tim Maia, Erasmo Carlos, Joao Bosco, Toni Tornado.

Included in this compilation of original 60's and 70's Brazilian gems are some of Greg and Sean's favourite tracks that have been filling dancefloors for years.

Sealed copy with bumped corners and a small seam split!

Further adventures in psychedelic disco cumbia from one-man-band C.A.M.P.O.S. on the much-awaited second studio album

C.A.M.P.O.S. is a one-man tropical electronic psych band consisting of multi-instrumentalist, singer and composer Joshua Douglas Camp. Though C.A.M.P.O.S. stands for Cumbias And More Psychedelic Original Sounds, there are no limits to Camp’s musical creativity, with the project taking cues from everything from Americana and pop rock to Cuban son and German electronica. This is no surprise as Camp has been involved with many diverse groups over the years, including Latin-flavored outfits Chicha Libre, Locobeach and Los Crema Paraíso, but also his country band Westwork, the Eastern-European klezmer quintet Litvakus and literary rockers One Ring Zero.

Since releasing his debut double LP as C.A.M.P.O.S., Miracles & Criminals, on Peace & Rhythm in 2016, Camp has developed his repertoire into a live show that has garnered a devoted following, and which has also seen the live band he assembled evolving into its own distinct entity, Locobeach.

When the pandemic forced Camp into exile he used the time to once more focus on C.A.M.P.O.S. and his one-man-band skills. This initially resulted in two albums, Shake Up The World: Live In The Studio Vol. 1 and Vol. 2, both performed live and recorded in one take at his home studio (and both digitally released by Peace & Rhythm, in 2020 and 2021 respectively).

In addition, he continued to work on the long-awaited follow-up studio album to Miracles & Criminals, which had begun years prior and progressed in the fleeting moments when his other projects allowed. With time to once more concentrate on C.A.M.P.O.S., the album soon began to take shape, eventually coalescing into The Eighth Door. Though catalyzed by isolation, it is far from a solo effort, with Camp enlisting collaborators including pianist and arranger Marlysse Simmons (Bio Ritmo, Miramar), who had initially told Peace & Rhythm about Camp’s unreleased backlog of tropical tracks from back in the Chicha Libre days (which became Miracles & Criminals), to other Chicha Libre band mates Neil Ochoa and Karina Colis, as well as Gabo Tomasini (Yotoco), who was a founding member of Bio Ritmo and played in C.A.M.P.O.S.’s first live appearance in 2016.

As with all C.A.M.P.O.S. releases, The Eighth Door takes you on a cosmic trip to a multi-dimensional landscape of the mind where the body also knows the pleasures of dance and sensuality, but this time there is more focus, with fewer songs and a fuller sound. Yes there is a dark side to planet C.A.M.P.O.S., to which the album sometimes ventures, but ultimately the record is a voyage of self-discovery, making connections between sounds and sentiments that, on paper, appear unlikely companions. Yet, once bound together by the intimate circuitry of Joshua Camp’s creativity and serious songwriting skills, all elements gel in a gravity-defying way. Exotic-sounding electronic keyboards, jangly, fuzzy guitars and percolating percussion loops seamlessly carry the listener through two sides of galaxy-spanning mini epics, sometimes with vocals, sometimes instrumental, and often infused with the shuffling beat of Colombia’s cumbia rhythm with a few disco, rock or salsa accents thrown in for good measure.

Camp juxtaposes the raw and the smooth, destructive and redemptive, sweet and ominous, digital and analog, organic and synthetic, intimate and expansive, all of which combine into an apt metaphor for where we find ourselves today. On The Eighth Door C.A.M.P.O.S. pulls the great unknown to a realm just within our grasp.

Album cover art by Selina Josephs and photo of Joshua Camp by Julian Parker Burns. Released in conjunction with Calle de Campos, Hyperopia Records (Canada) and Sounds and Colours (uk). Digital album has five bonus tracks, which also come with download card for vinyl purchase.

Limited to 300 copies.

Label Release Text:

Attention! Jimmy Patrick Longfort's hit arising from Düsseldorfs cult hang-out Ratinger Hof in 1987 is now officially reissued for the whole universe. All three original tracks got remastered plus Tafs – the Netherlands best kept secret and part of the group Voertuig – produced a pushing, extra groovy instrumental rework of the title track. The 12" is housed in a full cover artwork based on the original with extensive liner notes by Rudi Esch (Electri_city, Die Krupps) on an extra insert.

The title track Attention! is about a young man, waiting in vain for his love's return but instead of a reunion the distance even grows and she leaves him with destination America. For sure this causes a serious and hard to bear heartbreak. Scream it out loud on the dancefloor and dance the pain away!

On rework duty we got Offer Van Kesteren under his Tapedeck Adventures From Space moniker. Slick funk grooves and super galaxy sounds that will heat you up. Burning hot.

Side B starts off with Ma'mbaillé, French lyrics, funky keys and steel drums – a true feelgood song that will make you dance wherever you are. This one is followed by Do You Really Love Me a highlife love song that closes this record properly. Play it again.

The early ’80s were a fertile time for electronic music, as the explosion of relatively affordable synthesizers and drum machines gave creative musicians a new way to express themselves. For Danny Krivit, DJing at the Roxy and soaking in the sonics of the Paradise Garage, it meant an exciting collision of the worlds of dance music and hip hop. For our latest release, Mr. K has pulled out two of his sureshots from that era and given them a tune-up for today’s sound systems.

“Pleasure Boys” by Visage was released in 1982 and epitomized the new wave crossover sound that would be co-opted and expanded on under the Freestyle banner. While the track was conceived with the vocal taking the lead, that vocal was never heard at the Roxy, Krivit’s focus being the thunderous synth bass break that he’d extend to epic proportions using twin copies of the single. It’s this routine that he’s recreated on our featured edit, a bare bones riff that still sounds enormous on a club system.

For the flip, Krivit goes a little deeper with his edit of “Emotional Disguise” by Peter Godwin. Another cut originally released in 1982, Krivit again ditches the overwrought new wave vocal in favor of the atmospheric synth stylings of the instrumental, which he accurately describes as a standout, “played at the Garage and at the Roxy for the hip hop crowd.”

Energetic, atmospheric, and with huge sonic impact, these edits are appearing on 7-inch for the first time.

Heap (who runs Wiener Brut): „While working on the release we kept on jokingly referring to the record as the „Austrian Mashisa“ due to the similarity in sounds it provides. I first played the Megamix on last year’s Dekmantel Selectors festival, where it showed its potential for being a Summer hit. In fact, the original 7'' release was the result of a final school project with the goal to substitute the Austrian tradition of compiling a class magazine when graduating from school.“