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Detroit Underground

Detroit Underground Downbeat | Electronica | Leftfield 7 Items

Name: Anklepants - Pollen
Brand: Detroit Underground
SKU: 587368
Price: 13.99 EUR
Availability: InStock

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Detroit Underground

Anklepants

Pollen

LP | 2018 | US | Original (Detroit Underground)

13,99 €*

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Release: 2018 / US – Original

Genre: Electronic & Dance

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Anklepants introduces his brand new album for Detroit Undergroud, a collection of ten cuts, made with his very own arsenal of digital and hardware toys, most of them self made and customised for his purposes. This multi faceted artist creates a blend of twisted ryhthms, synthetic melodies and weird textures and noises, yet danceable stuff but with heavy focus in experimentation and risk.

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Derek Michael

Tunnels

12" | 2023 | US | Original (Detroit Underground)

14,39 €* 15,99 € -10%

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Release: 2023 / US – Original

Genre: Electronic & Dance

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I spent a lot of time crossing the Detroit/Windsor boarder tunnel. - My family lives half in the US and half in Canada and my father crossed daily for for work and materials. My brother and I would sit on old paint cans in the back of his work truck. long trips to home depot in the hopes that we could get a rally’s banana milkshake before heading home. - I hated that work truck, but we loved the trips, no matter how mundane. We would spend hours crossing that boarder tunnel when it was busy, our bottoms would hurt from the metal paint cans. When i was in high school i would smuggle cigarettes to sell to the Canadian kids, it was a good business. The dark tunnel in disrepair built over 90 years ago felt like a relic of the past, its leaky walls and pale yellow tiles were always crumbling around you. It was claustrophobic and uncomfortable. But the tunnel made your mind wander with thoughts of what was above you, giant cargo ships or sea monsters. It was an anxious place, the uncertainty of its structure or the dreaded boarder patrol on the other side. Would be be pulled in and searched? would the carton of camels i hid under the seat be found? - It was a special place and a special time. These sounds are about traffic and the movement and time in this strange tunnel.

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Kero

Demo Vectors

12" | 2021 | US | Original (Detroit Underground)

15,99 €*

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Release: 2021 / US – Original

Genre: Electronic & Dance

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Audio visual sculptor Kero operates the multidisciplinary arts collective Detroit Underground record label and continues to produce bit crushed experimental electronic music with over two decades under his belt. Demo Vectors showcases Kero's sonic range—bouncing back and forth between IDM fractures, broken electro shapes and an all around low-end forcefield. Splicing machined modular tunes with syncopated rhythms and Detroit-inspired slivers, Kero's fingerprints can be found on imprints like Blueprint, Wild oats, Ghostly International, Shitkatapult, Semantica, Touchin' Bass, BPitch Control, and many others. Using different studio setups from 1998 to 2021, Demo Vectors culminated from many different locations including Detroit, Windsor, Barcelona, Berlin and Los Angeles and reveals Kero's curriculum vitae packaged in a 60 minute robust collection. The downtempo groove of "abstr_b&b" offers a classic bricolage of collapsed mechanical percussion straight from the foundry as the definitive sound design and glitchy bits of "bliss" take shape. Fluid robotics and bass jabs progress on "groundzeroback" pushing each pixel to their breaking point. You'll also find stark industrial elements on tracks like "PREFREAK.EPS" and spastic acid on "comoffice-1" displaying the wide angle lens Kero employs to capture improvised dark drill'n bass techniques with a Squarepusher sheen. From the slow burning "pill'lathe2" humming its way across laid back digitized acrobatics to the aptly titled "color_cub" that clicks, cuts and collects subtle low frequency modulations, Demo Vectors is a tightly compacted and forward thinking IDM album. Sandblasted electronics mixed with shattered glass and corrosive blips'n bleeps, Demo Vectors acts as Kero's raison d'etre as each piece eclipses itself.

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Kero

Demovectors

LP | 2021 | US | Original (Detroit Underground)

11,99 €*

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Release: 2021 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

Brown vinyl

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Kero, Steph Copeland

Syndrome

12" | 2023 | US | Original (Detroit Underground)

13,99 €*

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Release: 2023 / US – Original

Genre: Electronic & Dance

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Kero & Steph’s landmark collaboration Syndrome now sees a sumptuous release on vinyl and evocative music video, spinning data into densely layered visual treats. Steph’s coolly ethereal voice and poignant writing drift in harmonies atop the sliced-up, glitched, hard-hitting precision of Kero’s productions. The unforgettable directness of her compositional sense is here, as her long resume of scores and placements would suggest. It finds an urban-technological counterpart in Kero’s frenetic sounds. The DU label boss is in full force straight from the chilling post-pop of the opening titular cut. “Walk in the park” is a production masterwork, punchy organic percussion against grinding bass. “Who am I to complain” is at once arresting and vulnerable with vocals, but still packs an emotional gut-punch in the accompanying instrumental. “Count down from 7” is more stripped down and urgent, melodic hooks propelled by lo-fi rhythmic mechanism’s menace. For the remixes, Oberman Knocks unleashes utter digital destruction - computer memory banks dropped through a wormhole. That thoroughly deconstructs Mtch into composite textures -- and opens “Walk in the Park” to near-unrecognizable, yet somehow danceable mayhem. The new physical and motion elements find a visual language for these sonic strata of imagination and digital construction. From designer Christoph Grünberger, known for his tome The Age of Data: Embracing Algorithms in Art & Design, we get the packed outer sleeve and 2D design. These enshroud a calm-looking Steph in a Shibuya Crossing-style trip inside Defasten’s geometries, opposite a catalog of branching visualizations and glyphs. Defasten, known for his live AV work fusing virtual reality and performance, here explodes faceted 3D cubes, in the cover and further in the music video. These pulsing crystalline hyper-geometries delve into data as expressive medium, shifting and vibrating with the glowing tones and crisp percussive hits of Kero and Steph’s composition. It’s a rare music video that matches the music in intricacy and form - a world that can only exist in virtual space, but that feels as immersively dreamy as the sound score. “Sugar coated fabric … in braided covers” and “silver linings” were never so tempting.

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V.A.

Railways A Berlin Compilation

LP | 2022 | US | Original (Detroit Underground)

20,99 €*

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Release: 2022 / US – Original

Genre: Electronic & Dance

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Some sonic communities grow even in isolation, in the lonely obsessive moments in the studio as time melts away. Deep inside the Detroit Underground nests a Berlin underground, chasing those resonant shared sounds. DU Berlin draws together some of that love felt through music in the German capital. It’s not the wild city of reunification or *Berlin Calling* or tourist-style movies or the easyJet set. This is the side of the city that endlessly romances machines for the sheer joy of it, as The Allegorist titles her track, “until dawn.” And with some big names and emerging, ranging from mainstays to veteran agitators, the Berlin DU crew have telegraphed each other through productions and mutual inspiration. The results vibrate and rumble with sympathetic frequencies, but never limited to grayscale or dithered palettes.

Design: Neubau Berlin.

T.Raumschiere, Akkamiau, Yaporigami, Andre Uhl, The Allergorist,Lars Fenin, Peter Kirn, Jessica Kert, Brayan Valenzuela, Nitta aka Dinamite

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Vladislav Delay

Lp-Untitled Circa 2014

LP | 2019 | US | Original (Detroit Underground)

26,99 €*

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Release: 2019 / US – Original

Genre: Electronic & Dance

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"Master of ambient spaces and far out places, long-time Finnish producer Sasu Ripatti (aka Vladislav Delay) blesses us once again with another release, this from his 'Visa' period of unreleased tracks.
The first track out of the gate is a recognizable Vladislav Delay piece, but instead of gently flowing rivers of sound, instead we have a series of stiff, machine-like rhythms applied to his classic infinitely deep pads and ambient environmental sounds. It just continues to pile in more elements until becoming almost indistinguishable from his natural, organic flow. From there we move into somewhat more familiar territory but still unusually stripped down and mechanical for a Vladislav Delay joint. It’s fascinating to see such an intricate songwriting process laid bare in such a way, often exposing each individual, nearly bottomless sound in isolation.
Deeper into the album, things veer into decidedly more abrasive and synthetic territory, at times becoming an almost unrecognizable artist for a moment, only to be eventually subsumed under layers of shifting ambience that could only be Sasu.

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