Detroit House Vinyl 166 Items

Detroit heat!

Reissue of Terrence Parker's fantastic EP from 95' on his own Intangible label remastered and sounding fresh as ever. Classic Detroit house music that is both timeless and essential!

Official redition by Phil Weeks & Didier Allyne on BPM classic done by Alton Miller 1996. For Deep house fan like Prescription release.

TroiAlexis is a young talented Detroit female song writter who was discovered by Omar S at the Conant Gardens Party Store who sung Acapella to him at a Hi Tech party and was blown away by her Soulful voice!!

Keep Techno FXHE!

Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

Now pressed as a double pack with two new versions of 'U' and 'Set It Out'

“So I called Bill since we hadn’t recorded in a while. He came by and I started playing ideas for him and these four happened that day. Full length coming.” - Theo Parrish says so and also produced and arranged it!

New Big Strick release for 2015!

NDATL continues with a release from Detroit soldier Norm Talley (Upstairz Asylum) Right out the gate Norm deep aggressive sound comes across loud & clear on "Gonna Be". Then down deep in the sound of "Power" where spoken words give insight. Side B "The Bounce" should have dancefloors worldwide doing just that. "The Truth" no longer needed to be sought cause here it is in musical form. And a stray away from the usual Norm Talley we get the softer side "Dearly Beloved" ft Jerald Dameyon.

For this new project, we decided to bring back to you guys 4 amazing tracks clearly oriented chicago acid. those amazing tracks are obviously very rare to find & as you know now, it has been done a complete new mastering

Generation Next comes with a new 12" of four slow-burning tracks built around classic drum-machine rhythms and vintage keys.

Theo Parrish is one of those characters who manages to unite lovers of both house and techno, indeed producing offerings that seem to make the distinction utterly redundant. How does he doe it? Well, if this pair of new tracks are anything to go on, it's the simple trick of making tracks that combine the soufulness and rootsy earthiness of house with a trippy sense of the futuristic and psychedelic that elevates them out of the ordinary. Take, for instance 'In Motion's simple piano stabs and the subsequent off kilter groove that builds up around them. Or, equally, the cheeky bass keyboard manoeuvres that form the backbone of 'Don't Play' featuring Ava, funky enough to be Stevie Wonder but then matched with caustic, scything hi-hats that have more than a hint of the surreal and robotic about them. Best of all, it doesn't feel like a compromise, it feels like a full on creation that acknowledges both traditions but refuses to follow either slavishly.

Chicago's Leron Carson back on Sound Signature with two fresh new cuts.

Repress! Long, strung out deep Theo beats and deep, deep jazz is the flavour of this release, with a strong Sun Ra vibe.

After a successful year for both Big Strick and Generation Next, they come with the LP album titled "Like Father Like Son2. Four months after they collaborated on the "Like Father Like Son" EP , this 10-track masterpiece shows off skills from two eras of dance music on one platform with an array of styles and versatility.

Promotional Item pressed in limited quantities specially for the Detroit Electronic Music Festival (demf). Lt 1 is a re-edit of Oliver Sain's “b-oo-g-ie”. Mustang 1 is a re-edit of Nightlife Unlimited's “Peaches & Prunes”. Ultra Limited

Pomelo introduces the Motor City’s superbly talented Kemetrix, aka Soulwerkz Detroit. Part of the Mahogani Music family and closely associated to Moodyman as well as Sherard Ingram aka DJ Stingray, Kemetrix blazes a unique path through soul, funk, ghettotech and sci-fi electro styles. ‘Soulbrother #3? brings both KDJ’s deepness and Stingray’s futurism to the table, merging both sides of Detroit’s 20th century musical heritage, Motown and Metroplex, in singular fashion. Kemetrix’s influences range from Curtis Mayfield’s falsetto vocal style and social commentary, to George Clinton’s collage production style, and J Dilla’s raw and unquantized beat programming. Kemetrix’s music comes from the ghetto. It is raw, intense, and authentic, a unique expression of the struggle and hardships of Detroit inner city life – true soul music for the 21st century.

Limited edition. Numbered on cover.

All Trackz Written by Alister. Co Written and Mixed by Omar S Available on Af13 Records

All music by Andres Specter Ordonez Illustration by Sean Linn Graphics by Thomas Xu 2023 Whobody Publishing BMI

Extremely rude, extremely powerful, extremely Detroit. You will never miss this one if you are on the dance floor. The boss of Visillusion records was one of the first music producers and DJ’s who dipped his toes into the deep black pond of techno. Actually, that was so long ago that nobody knew the name of this genre at the time. From 1987 he has appeared under different monikers around the globe for many occasions and he is definitely cannot be stopped.

Unreleased Oligo tracks from the 90's! Very strong sounding underground acid and techno feat. 8 tracks and 12 locked grooves. Orange vinyl version, limited to 100 copies

Oftentimes in this busy and chaotic world it’s challenging to draw a parallel between two congruent events. In this case drawing its inspiration from Detroit’s meteoric rise from the ruins of the past, BerettaMusic a label founded in Detroit in 2002 who took a several year hiatus is back in a big way, also rising from the ashes like it’s birth city has done. Ryan Sadorus who co-founded the label with Brian Kage delivers some next level quirky Detroit house jams. Already getting spins by local Detroit DJ’s and the verdict is in and the tracks are dance floor ready and sure to get people moving. The release also features vinyl artwork by renowned midwest artist Jon Griffin featured on full color vinyl jackets. First off is “Slippah”, a shuffling and quirky bass heavy stormer. The track builds through various levels dropping into syncopated and distorted vocal riffs, lifting its way into some pulsing synth stabs with perfectly timed filtering which lends itself to the overall energy rise through the track. With a huge breakdown and vocal stab sequence, it’s sure to have them moving! “Hit 'em with da slippah!” Expansive is a chugging deep house tune with atmospheric synth business to really set the mood anytime of the night. A deep bassline carries the tune along into a breakdown complete with a quote from the man himself, Carl Sagan. Brian Kage delivers a stunning remix of Expansive, imprinting his own defined style he’s known for as he keeps things level grounded with evolving Detroit-inspired soulful elements. Last but not least, “Flexxin” is ripping speaker work out of epic proportions. Another quirky, bass heavy jam that will definitely wake up the dance floor. Written and Produced by Ryan Sadorus, mixed by Brian Kage at The Bear Cave in Detroit Mastered by Dietrich Schoenemann Label art by Brian Kage & Juju / painted original portrait art by Jon Griffin Special thanks to: Juju, my parents and family, Brian Kage, Ronnie Perez, Sims Cabrera and the entire Guam crew, Norm Talley, Dietrich and to you for your support! - Ryan Sadorus

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

Big Strick and Generation Next have come together to bring us three tracks that are made for the dance floor. ‘Rain Dance’ by Big Strick is the first song off of the new EP. It definitely has various aspects of deep house and soul of a Detroit native. The next song is ‘And You Too’ by Generation Next. This is a groove where you can get up and dance as well as casually listen. The bass makes you move and it is accompanied by a simple yet affective drum pattern. The last track is titled ‘Like Father, Like Son’ - Generation Next and Big Strick collaborate to bring us a melodic dance tune. This track will be played in clubs around the world. Simple chords, groovy baseline and knocking drums. This 12” is one to be respected!

From the depths of the Detroit underground, Black Catalogue presents MD. This 5 track EP is just a small glimpse into the soul and versatility of this artist. Deep, futuristic soul from another dimension. And it's just the beginning. Another winner from Monty Luke's label.

12" featuring the tracks that are only available on the CD.

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REPRESS! Long, strung out deep Theo beats and deep, deep jazz is the flavour of this release, with a strong Sun Ra vibe.

Theo Parrish teams up with Amp Fiddler on "Ghetto Proposal" - a deep grimy chugger of a track featuring vocals from Kitten Koroi and John Douglas on trumpet. Instrumental version on the flip.

Vinyl only! Booty House from the mysterious Shanaynay Lindqvist.

Industrollution: The lethal audio toxin of rhythmic machinery.

Drivetrain (Detroit, Usa) “Spin The Record” Functional, purposeful and guaranteed to ignite any dance floor; put the needle on the record and wait for the climatic twist.

Jay Strata (Glasgow, Scotland) “Heart Strings” Drenched in rich, creamy chords, the seduction of a deep, melodic rapture, effortlessly takes control.

Teknobrat (Ottawa, Canada) “Acid Barnako” With elements known and beyond integrating in acid oscillation, the magnetic chorus refrain pushes the frequecy spectrum.

DJ Mourad (Tunis, Tunisia) “Illegal Alien” A mysteriously abstract high-tech warning signal clouds the atmosphere while the unforgiving thunder-pulse clears the air.

In the year 2000 the internet had not yet become the new messiah. I would often cross the Channel by ferry on my way to London where I would spend the weekend going out and hunting for records, especially those that were impossible to find in Belgium. As soon as I set foot in a record shop, then under the influence of labels like Rephlex, Warp and Planet Mu, I would rush like a gold digger, head down in the racks that mentioned these labels, to try and find the piece I was missing or the latest release not yet distributed in Belgium. The artists that obviously haunted me the most at the time were Aphex Twin and Squarepusher. During one of my visits to the record shop "Sister Ray", I was, as was often the case, deep in the Squarepusher rack. And there, I find a record that I do not yet know, an LP entitled Ceephax Acid Quakers 1000, on the fantastic label "Lo Recording" ! Without hesitation and without further investigation I rush to buy it, convinced that I am holding the new Holy Grail from Squarepusher. Back in Brussels, I listen to this mysterious LP straight away and I discover a completely different album from what I was expecting. More audacious than what Squarepusher had produced in the past and which was more in line with the sound I was looking for at the time. I had to look hard at the record sleeve to understand this new approach. "Produced by Andy Jenkinson... but no, it's Tom Jenkinson....there must be a mistake?" Knowing the record shops of Brussels well, here I was on my way with the record under my arm to get more info. A record shop owner in the city centre tells me that this "Andy" is Tom's little brother, and that if I'm interested, he just brought in another record by this artist who calls himself "Ceephax"... Of course I'm interested! Icing on the cake, it is on a Belgian label, and moreover, provided with a cassette. I had to meet the guys who were behind this impressive "First Cask" label. I don't know by what magic I managed to meet Ga?l, one of the two founders, but what is sure is that since that day he has become more than a friend and he arranged for me to get in touch not with Squarepusher but with Andy. Two historical albums united in a superb gatefold !

Sealed copy with a stuffed and bent corner!

Sealed copy with a strong stuffed and bnt corner!

Motor City label Upstairs Asylum celebrates its roots in 313 with this new Dance Detroit EP featuring a wealth of American house innovators. First up, Reggie Dokes and Steve Crawford join forces on 'Fear Of Failure', a house track steeped in Detroit soul. Martin Prather's 'Until' follows on with his stylish and soul-drenched grooves. Steve Crawford then goes it alone and turns up the drums on his potent 'Let You Go' (feat Tony B) and then get deeply emotional on 'Love Is Here' this time with help from featured artist Anthony Poteat. Prather and then label regular and Atlanta man Reggie Dokes closes down with his 'Not Ready.'

Norm Talley's Upstairs Asylum label only arrived in 2021 but is already up there with the great Motor City imprints. The boss has been busy putting together a trio of new EPs for the first half of 2023 that showcases a wealth of Mid-West talent. House hero Boo Williams kicks off this one with his typically tight drum programming and party-starting synth work on 'Tickin Clock.' Eric Johnson keeps it raw, deep and loopy on 'Melodic Gruv' then Reggie Dokes brings his signature Atlanta house sound to 'Mother's Child' with its melancholic lead sax and 'End of Time' is a broken beat bliss out.

Upstairs Asylum Recordings is one of the many seminal Detroit labels run by local legend Norm Talley. It's right in the middle of a busy run right now with no fewer superb run with three new EPs all dropping in quick succession. This one is a split EP with US duo Solid Gold Playaz taking care of the a-side. As always with this pair, their sounds are deep and dusty house with exquisite melodies tugging at the heart. On the flip, Gari Romalis steps up with the slick percussive skip of 'Detroit After Dark' then 'Panties' from Brian Neal brings jacked up analogue groves that lean into techno with a big fat bassline.

All Tracks Produced and Mixed Down by Isaac Prieto Mastering by Pheek Vinyl Pressed at Archer Records in Detroit

A new label out of Mexico, Short Attention Records launches its second release with a five track offering of proper melodic techno from Hector Ram with the word 'quality' stamped large upon them. 'Midnight Sounds' starts things off with the grand rhythmically-building 'Midnight Sounds', almost New Order-esque at times. 'For Our Small Parties' follows, old skool again in flavour, blending subtly employed breaks and a sturdy house framework, then 'Dear Dancefloor', probably the gentlest and most fragile effort here, opens side two. 'On The Road' boasts a more electro feel and Orbital-esque synths, and is deemed worthy of a second airing via a nicely throbbing remix from Detroit's Generation Next closing proceedings.