Detroit House Vinyl Singles 154 Items

three tracks by Rick White, Theo Parrish and Kenny Dixon Jr.

All Trackz Written by Alister. Co Written and Mixed by Omar S Available on Af13 Records

When it comes to soulful house, Detroit native Alton Miller is about as ingrained as it gets.
Peacefrog, Planet E, Moods & Grooves, Mahogani and Sound Signature have all endorsed his talents and with an album looming later in the year, Waella's Choice sow the seeds with 'All Things Good'. Club music for the sensitive souls, with some arresting spoken word poetry and even a broken beat deviation.
'All Things Good' is the fourth release from London label Waella's Choice, following Hanna, RANGEr and the London on Key compilation.

RAWAX prouldy presents Alton Miller! The Grand Seigneur of Detroit House with an outstanding debut on the 12th edition of our Motor City Edition. We could't be happier with this result.
This is a vinyl only release!

Sound Signature comes correct for 2017 with a new single from Alton Miller. On the flip is a killer remix from none other than Theo Parrish!

Detroit mainstay Andrés returns to MotorCity Wine Recordings with an anthemic 4 tracker entitled Sunday Kinda Love. For those that know, MotorCity Wine is the spot for Sunday parties, so we only thought it appropriate to have one of Detroit’s most seminal producers highlight the vibe with this EP. On the A side is Andrés’s dusty house sound that we’ve all come to love, complete with bouncing basslines, slick vocal chops, and drums to turn out any dance floor. On the flip side Andrés slows the tempo just a touch to highlight his chunky midtempo beatdown sounds, with “Rubin Samba” bringing a Latin flair and “Sunday Kinda Love” driving it all home. Essential Detroit music manufactured in Detroit and housed in a gorgeous vinyl package, TIP!

Official redition by Phil Weeks & Didier Allyne on BPM classic done by Alton Miller 1996. For Deep house fan like Prescription release.

Coming off a strong 2020 for the label with releases from Big Strick, Gnext, and Butterbandz, 7 Days follows up with an EP featuring all 3. This trio (or Trinity) put on a fantastic showcasing of talent. The EP starts off with a sweeping dance tune from Big Strick titled Balance. The catchy piano keys lift your spirits as the drum programming moves your feet. The very animated baseline is a strong force in this song as well. Somebody’s Watching shows us Gnext’s deep side once again. Hard- hitting drums, delayed hi-hats, warm synth pad, aggressive yet friendly bass line, and some acid sprinkled on top. What’s not to like? Lastly we get to see more of what to expect from ButterBandz. Another classic in the making for the rising producer on the 7 Days imprint. Ultra Instinct also has a deep underground feel. He brings a thundering, in your face, base line on top of a systematic drum program and airy synth pad. The heat is turning up for 7 Days and this is just a taste of things to come.

New Big Strick release for 2015!

“So I called Bill since we hadn’t recorded in a while. He came by and I started playing ideas for him and these four happened that day. Full length coming.” - Theo Parrish says so and also produced and arranged it!

Collection V1" marks FIT SOUND's first compilation, showcasing tracks from renowned artists Jared Wilson, Bizz O.D., and FIT Siegel. Detroit’s own Jared Wilson is a true master of the Tb-303, delivering jacking and melodic acid for over a decade. 'Mind Travel' is a mesmerizing 10-minute journey that intertwines melodic acid lines with ethereal strings. Bizz O.D., an enigmatic figure known for her jackin' acid techno tracks released between '93 and '98, emerges once again with the previously unreleased floor-killing acid stomper, 'One Two,' which, despite being recorded in the mid-'90s, remains as fresh as ever. FIT Siegel's contribution, 'No Feedback,' originated as a sampling exercise in the studio and transformed into an experimental yet functional piece that would find its home in the crates of adventurous DJs."

Both a fan of the number and the machine, Michigander Music boss Brian Kage has always related eight to the paths we take in life — and being on the right one. For the label's eighth release, Kage pays homage to electronic music's futuristic past by bringing it up to speed with the present, including reimagining one of his own releases from when net labels were a thing.

Opening with "808 and the Great Lakes State," there's a clear influence — in title and sound — from a certain seminal pioneering Manchester techno group, 808 State — who formed and debuted in '88, by the way. With the recent passing of one of its members, Andy Barker, the track exists as a tribute to the formative moments and blissful memories of those '90s experience. The most iconic touches of this new age techno and acid sound are all there, but the end result is something more subtle, more spacious, and more patient for the modern ear.

Kage follows up with a new mix, re-envisioning "Eight Ways" — a deep, pulsating techno journey originally released on Thinner almost 20 years ago. With the "808 Mix," Kage takes the mentally stimulating hypnotism of the original and emboldens it into something more body driven by way of 808 bass kicks and sharpened hi-hats — a matured version begging for immediate dance floor play. The underlying liquid pads remain, with symphonic layers of increasingly dramatic piano chords, fluttery synth lines, and a heavens-opening ebb and flow of angelic melodies.

Finishing off the release, "Learn to Surrender" is pure electronic Detroit techno through and through. Electrically charged dub chords build on top of a revolving synth and rhythmic bass line, interwoven to constantly propel the track forward. Midway through, meditative vocals provide a mantra for surrendering to life, having already led listeners to becoming lost in the fully immersive sea of sounds.

“808 and the Great Lakes State” is a purposeful, mental, and physical trip connecting the many points of electronic music — and of life itself — as only a truly timeless approach can.

For those in the know, Brian Kage's chops as a producer and studio wizard are well established. The artist has released on Omar S' Fxhe, Carl Craigs' Planet-E, Steve Bug’s PokerFlat, Rob Modell’s Echospace, his own labels Beretta Music and Michigander, and other imprints, helped launch the careers of internationally respected DJs and producers like Seth Troxler, Ryan Crosson, and Luke Hess, and mix, mastered, and engineered for Ataxia, John F.M., OB Ignitt, Monty Luke, and more. Lauded for a sound that is rooted, yet forever forward in its approach, his most recent work, 909 Nights EP, is no exception. The title track reintroduces a winning team with Taho and Kage combining forces again. The release gets off the starting line with a booming kick, that signature drum sound of acid house's most infamous rhythm machine. Syncopated closed hats and cymbal crashes rush in before their crunchy snare and clap companions join in. Pitch bending open hats introduce track progressions like earth shattering orchestral stabs and rich, uplifting piano notes underwritten by deep chords and a fat bass line while short, squelchy, guitar-like licks dance below. As atmospheric as it is bumping, a synthetic flute playfully flutters into the mix, elevated by airy strings and a French filtered elastic brass solo lead. A touch of acid completes this journey through sound. Listeners would be forgiven for thinking they reopened Club Zanzibar in Detroit and this was its anthem. Shifting gears, "Warehouse Vibes" flares up next with phased effects and a filtered kick driving the track along a conveyor belt towards an all-enveloping dubby techno bliss. Pressure steadily builds up before being released in the form of steam flowing from creaky, rusted pipes. While the sonic palette delivers on its promise, this is no ordinary warehouse we've entered the gates into; it's breaking in through the shattered window of an abandoned industrial manufacturing facility territory instead. Perhaps a little fuzzy after the previous beatdown, "jax" is an intentionally full-body workout as the fist-pumping grip of the preceding cut gives way to hip-thrusting, put-your-back-in-it dancing action. Jacking drums lend the track a hefty bounce while the vocals really hammer the point home, in case there was somehow any confusion left as to what to do with this one. An impressing flex, partygoers are guaranteed to be going home seeing gains after each play. The Motor City may make less cars these days, but Brian Kage is an integral component of artists under the 313 emblem ensuring there's no shortage of newer model Detroit house and techno productions that are reliable and well worth the ride.

For Michigander’s fifth release, Brian Kage delivers four solid dance-floor fillers, each infused with a unique blend of melodic Detroit soul, intelligent acid and perfectly mixed percussion. Each offering teleports the listener into a future where social distancing has finally abated and celebration can commence. Lockdown starts the record off with undulating 303 bass notes that groove around in a circular arpeggiated formation until hypnotic 909 percussion breaks through with echoing claps and weaves together a tale of futuristic tension building. Hold On Pain Ends features a stabbing analog synth-line that repeats a half-beat phrasing contrasted with slamming technical percussion, a heavy kick and a lush pad that is perfect for late nights in a warehouse. That Woman from Michigan contains gentle swinging upbeat percussion and deep soothing chords with samples of Governor Whitmer asking all Michiganders to do their part and join together in solidarity. A subtly modulating acid line builds tension into a perfectly resonating crescendo. F.U Covid19 - An ominous swelling pad rips across the dystopian horizon as swinging rimshots build around a deep pulsing kick and a dirty mono synth swirl. Echoing vocal samples punctuate this acidic frenzy until the tension falls away giving dancers an opportunity to catch their breath before the next round of infectious rhythmic groove forces the hypnotic spell to intensify.

Wild Oats proudly presents a new record by Byron the Aquarius, Gone Today Here Tomorrow. The 6-track EP explores the nature of reality and being, the pursuit of ecstasy and bliss, and embracing the ephemeral.

Church Boy Lou was born from a dream in the summer of 2014. A captivating and enigmatic fi gure, created by the innovative, genre-bending, Dirt Tech Reck label head Waajeed. Recently crowned DJ Mag’s Underground Hero and just off the heals of his lead single with Defected’s Dames Brown, he continues to cultivate rhythms from the pews of the Baptist church.

This second offering from Church Boy Lou embodies the same spirit and uniqueness as his first release, Weep EP in 2015. "The Night Is Coming" brings you the first hand experience of a minister leading his church with the Word of God. These heartfelt lyrics warn of the dark times ahead of us. However, “Keep On Praying” brings a positive note and beckons us to the dance floor. “Push Em’ in the Face” skillfully integrates high energy Chicago Jack house and techno. Rolling snares and energetic beats fuse with powerful lyrics to face all challenges head on.

This well composed four track offering has an opener, closer and prime time options for all DJ’s across the board. With a sonic steeping of gospel samples and an authenticity that could only come from Detroit City.

Back in stock! Super limited pressing by a well known producer who prefers to let the music speak for itself. "DEFINITION" feels like ROLANDO's "JAGUAR" and may remind folks of DERICK MAY, but all the other tracks are equally as cool. A mix of deep house and/or techno. Hand stamped white labels.

DJ Aakmel on Norm Talleys Upstairs Asylum Records

Record is close to NM.

Label cover.

Big Strick and Generation Next have come together to bring us three tracks that are made for the dance floor. ‘Rain Dance’ by Big Strick is the first song off of the new EP. It definitely has various aspects of deep house and soul of a Detroit native. The next song is ‘And You Too’ by Generation Next. This is a groove where you can get up and dance as well as casually listen. The bass makes you move and it is accompanied by a simple yet affective drum pattern. The last track is titled ‘Like Father, Like Son’ - Generation Next and Big Strick collaborate to bring us a melodic dance tune. This track will be played in clubs around the world. Simple chords, groovy baseline and knocking drums. This 12” is one to be respected!

Coming off his last record, ‘Nocturne’, Generation Next shows us that he has no plans in slowing down. Even though his last EP was impressive, ‘Ender’ just shows us how much this producer has evolved.

Generation Next comes with a new 12" of four slow-burning tracks built around classic drum-machine rhythms and vintage keys.

A new label out of Mexico, Short Attention Records launches its second release with a five track offering of proper melodic techno from Hector Ram with the word 'quality' stamped large upon them. 'Midnight Sounds' starts things off with the grand rhythmically-building 'Midnight Sounds', almost New Order-esque at times. 'For Our Small Parties' follows, old skool again in flavour, blending subtly employed breaks and a sturdy house framework, then 'Dear Dancefloor', probably the gentlest and most fragile effort here, opens side two. 'On The Road' boasts a more electro feel and Orbital-esque synths, and is deemed worthy of a second airing via a nicely throbbing remix from Detroit's Generation Next closing proceedings.

All Tracks Produced and Mixed Down by Isaac Prieto Mastering by Pheek Vinyl Pressed at Archer Records in Detroit

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BerettaMusic, known for discovering and developing Detroit talent and serving as a launching ground for several well known artists such as Seth Troxler, Ryan Crosson, Luke Hess and many others continues on the heels of many recent successful records. The label further solidifies their legacy in Detroit dance music with a release from Detroit native John “Zoetic” Briggs.

Briggs, a.k.a. Zoetic (Atjazz Records, Yoruba Records), brings his talents to BerettaMusic, one of Detroit's hottest boutique record labels, with his distinctive take on electronic dance music. His “Spirit World” EP is an electronic 'chef-d'oeuvre' that skillfully weaves Techno, House, Funk, Jazz, and World music elements, creating a unique release perfect for the dancefloor and your headphones. Beretta label boss Ryan Sadorus (one half of Airport Society) steps up on remix duties to deliver a hypnotic deep house jam perfect for those late night sets.

Written and Produced by John “Zoetic” Briggs. Remix by Ryan Sadorus. Mixed and mastered at the Bear Cave in Detroit cut by Dietrich Schoenemann. Pressed at the world famous Archer Records in Detroit.

Fly Free is the newest EP by Jon Dixon on his Hi-Tech Jazz label, 4EVR 4WRD (Forever Forward). He collaborated with 2 good friends and Detroit legends, John "Jammin" Collins and Al Ester to create two unique edits that best suit their personal DJ style. He is no stranger to both jazz heads and techno innovators. He's played with UR's Timeline with Mad Mike, Carl Craig to jazz great Marcus Belgrave. "I wanted to make something that could be the theme song for a Detroit summer regardless of where you're going or coming from," Jon said. "I wanted to create a song that was perfect for cruising down Jefferson heading to Belle Isle, or being stuck in downtown traffic after a game." Jon Dixon took something so familiar to the people of Detroit and transformed it into a piece the world can dance to.

Back with a new EP and featuring 2 of Detroits finest vocalists, Jon Dixon brings the Detroit Jazzy House style he’s known for. L’Renee and Kenny Watson both bring their unique voices to Jon’s masterful production and Jimpster, also lends a hand with an incredible remix. The Vocal sessions Vol. 1 is the first EP featuring some of Jon’s favorite vocalists. This is Hi-Tech Jazz at its finest.

Pomelo introduces the Motor City’s superbly talented Kemetrix, aka Soulwerkz Detroit. Part of the Mahogani Music family and closely associated to Moodyman as well as Sherard Ingram aka DJ Stingray, Kemetrix blazes a unique path through soul, funk, ghettotech and sci-fi electro styles. ‘Soulbrother #3? brings both KDJ’s deepness and Stingray’s futurism to the table, merging both sides of Detroit’s 20th century musical heritage, Motown and Metroplex, in singular fashion. Kemetrix’s influences range from Curtis Mayfield’s falsetto vocal style and social commentary, to George Clinton’s collage production style, and J Dilla’s raw and unquantized beat programming. Kemetrix’s music comes from the ghetto. It is raw, intense, and authentic, a unique expression of the struggle and hardships of Detroit inner city life – true soul music for the 21st century.

Limited edition. Numbered on cover.

One of Detroit's best house producer gets the Boot treatment… some classics from Kenny Dixon Jr.!

With How We Groove, Lello Di Franco (L.D.F.) and Brian Garrett (Javonntte) pair up for a prototypical Yore release, a high-quality affair that’s natural clubby yet also artful. Di Franco’s an Italian DJ and producer who’s based in Naples and whose career began in the early ’90s; Garrett, on the other hand, hails from Detroit and has been creating material for almost as long. Their respective output locates itself solidly in house and techno but extends into soul, funk, and jazz areas too. Said gravitations aren’t mere flirtations either; Garrett’s interest in jazz began in high school, and when he was fifteen or so the aspiring musician even had a month’s worth of lessons in the mid-’80s with-wait for it-Miles Davis (Garrett’s mom apparently had connections). Associations with Aretha Franklin, Blake Baxter, and others surface in his history-but that’s for another time. All three tracks qualify as dance productions but satisfy equally well on pure listening grounds. While a strong ’80s vibe initially oozes from “Believe” in the electronic drum fills that get it moving, the cut quickly settles into a light-speed groove that percolates with single-minded determination. The richly detailed arrangement shape-shifts rapidly: at one moment, syncopated piano chords give the track a classic house feel; at another synthesizer flourishes and bass pulses lend it a sleek, sci-fi quality as the material thrusts breathlessly forward. The less frenetic “From Day to Night” is earthier and funkier though no less artful. As a punchy bottom end establishes an infectious house vibe (with a bit of jazz swing also in the mix), see-sawing vocal elements and bubbly synthesizer touches elevate the track to a headier ‘listening’ realm.

Chicago's Leron Carson back on Sound Signature with two fresh new cuts.

Promotional Item pressed in limited quantities specially for the Detroit Electronic Music Festival (demf). Lt 1 is a re-edit of Oliver Sain's “b-oo-g-ie”. Mustang 1 is a re-edit of Nightlife Unlimited's “Peaches & Prunes”. Ultra Limited

Record is close to VG+.

Underground house heads will very much be familiar with this tune. It has been circulating as a white label owned only by the coolest and most connected cats and now Detroit badman Marcellus Pittman does the right thing and gives it an official pressing on his own Unirhythm label. A-side jam 'Pick Yourself Up' (feat Crystal Procedures) is dusty, loopy, trippy house with swirling vocals adding to the late night feel, then 'Ode 2 Juan' slows things down to smoky basement house vibes with melancholic pads bringing hints of light to the muggy atmosphere.

From the depths of the Detroit underground, Black Catalogue presents MD. This 5 track EP is just a small glimpse into the soul and versatility of this artist. Deep, futuristic soul from another dimension. And it's just the beginning. Another winner from Monty Luke's label.

Melodic, powerfull and very deep classic tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.

One of Detroit's best house producer gets the Boot treatment… some classics from Kenny Dixon Jr.!

Nicholas returns on X-masters for a collaboration with Detroits Nikki-O.

Detroit's Niko Marks with a Soulful Detroit House EP. Soulful,Jazzy, with vocals
so sweet, your soul's gonna hurt. Strictly limited to 250 copies, no repress.

Limited Edition for Record Store Day 2019! Landed Records is delighted to welcome back the legendary Norm Talley with a very special, limited edition 12″ vinyl masterpiece from one of the originators and true players of the Detroit House music scene! This release, as with all his releases, is written and produced through Norm’s fully analogue set-up. NO computers, NO digital limiters, No gimmicks. Just pure, warm, deep Detroit goodness. LTD edition 180g vinyl.

NDATL continues with a release from Detroit soldier Norm Talley (Upstairz Asylum) Right out the gate Norm deep aggressive sound comes across loud & clear on "Gonna Be". Then down deep in the sound of "Power" where spoken words give insight. Side B "The Bounce" should have dancefloors worldwide doing just that. "The Truth" no longer needed to be sought cause here it is in musical form. And a stray away from the usual Norm Talley we get the softer side "Dearly Beloved" ft Jerald Dameyon.

Another classic release on Makin' Madd Records in the rebound! This time it's The Shadow aka Lou Robinson of Scan7) "The Lurking Shadow EP" which came out 1995 will be soon available again on solid black vinyl. Re-mastered edition - don't sleep! Special thanks to Mr. Terrence Parker!

Another classic release on Makin' Madd Records in the rebound! This time it's The Shadow aka Lou Robinson of Scan7) "The Lurking Shadow EP" which came out 1995 will be soon available again on solid black vinyl. Re-mastered edition - don't sleep! Special thanks to Mr. Terrence Parker!

Repress of Norm Talley's 2011 Mixmode heater

Detroit heat!

Be Quick! Very limited repress of one of Moody's classic remixes from the 90's!

Unreleased Oligo tracks from the 90's! Very strong sounding underground acid and techno feat. 8 tracks and 12 locked grooves. Orange vinyl version, limited to 100 copies

Now pressed as a double pack with two new versions of 'U' and 'Set It Out'

Here's Omar S & Alister Fawnwoda new version of I Love Your Girlfriend, The Long Mix featuring John F.M.
John F.M. is the son of porn star and Funk Band Keyboardist LakeSide F.M. BRADLEY.
Mitchell Yoshida who appeared on Omar S Can't Change album early 2022 a tribute to Virgil Abloh song title Virgil Brings the Asian Persuasion to the equation on Keyboard,Bass and losing to Omar S on Street Fighter ALPHA 2 on Studio breaks.

Keep Techno FXHE!

TroiAlexis is a young talented Detroit female song writter who was discovered by Omar S at the Conant Gardens Party Store who sung Acapella to him at a Hi Tech party and was blown away by her Soulful voice!!