Dancehall 19 Items

Deejay-turned-produced Jah Thomas’ Midnight Rock helped shift roots reggae to dancehall in the late 1970s and Thomas continued producing in the new millennium, sometimes revamping Roots Radics tracks from Channel One, and alternately cutting fresh work at King Jammy’s, Black Scorpio, and Mixing Lab. Secret Tapes has stellar guests like roots messenger Luciano, dancehall don Super Cat, supreme crooner Courtney Melody, Jah Thomas himself, and a collab between Pinchers and Josie Wales; Tony Curtis, Ghost and Mitch are courtesy of a Buju Banton co-production. Special request to all dancehall fans!

Brand new /// Good for you >> straight out of Kingston, via the BKV / Duppy connection, here comes this mixtape out of the house of I Jahbar’s Roolings Muzik operation, presenting 15 highest grade productions – past & present – from I Jahbar alongside extended Roolings crew >>

“If you don’t know about Roolings Muzik then now you do kid. I Jahbar’s main creative outlet since he started having musical dreams aged 15, Roolings is a home for a fresh stable of Jamaican vocalists scouted and often mentored by I Jah including G Sudden, Buddy Don and RDL Shellah who joined him in his later work with Duppy Gun.

Roolings Muzik Allstars – a collection of the label’s finest moments – proves I Jah is a producer in his own right too, with a dizzying range of riddim material from ruff 00s ragga madness and vintage digi roots dialed up 11 notches with the DIY island energy that I Jah injects into the universe. Everything here was mostly recorded while he was still a professional football player, splitting time between the pitch and the studio then rehearsing everything at Chopdawg Sundays dancehall cookout sessions.

Combining the signature soundscapes of Scorn with tartareous textures, the newest album “The Only Place” reaches a psychedelic groove, based on what Harris calls “Pushing an original idea further” with his own shades of light and dark and celestial electricity of what SCORN is. These 10 new tracks add elements unheard in Scorn since Evanescense and Gyral - ethereal ambiences and floating, near-melodic-but-not-quite moments, a signature of Harris’ abilities to generate feelings in a lost world of his own creation. credits Mixed by MJ Harris in the Lad’s Old Room B14 Vocals on Distortion by Kool Keith, recorded at Studio G Brooklyn Vocals Engineered by Tony Maimone, Assisted by Ross Colombo Bass Guitar on Distortion by Submerged, recorded at Blue Site I Saaremaa Mastered by Daniele Antezza for Dadub Mastering Studio Artwork and Layout by Machine™

La Fe Daniel Rincon (NAP/Isla Records) in Montreal and Michael Red in Vancouver. Go further into mutated dembow/dancehall polyrythmns. “made over a weekend here in montreal while michael was visiting. we juss put our lil heads and hearts together and then boom. also the weekend I found out my studio was haunted. the ghosts were so into it that the lights would start going crazy flickering. ever since they flicker that shit when the beat is phat” -daniel

“Kizaki Ondo” is a folk song from Nitta Kizaki town in Gunma, north of Tokyo. Played annually by local performers at the Bon-Odori traditional summer dance festival, it features unabashed lyrics about prostitution along with a rhythmic drive sure to appeal to fans of contemporary electronic genres as well as aficionados of traditional musics. The first track is a wildly echoing vocal version recorded in 1980, redolent of humid summer nights; the second track, recorded in 1981, is an instrumental version, both by the Kizaki Ondo Preservation Society. The other two tracks are extensions of tradition, with Tokyo-based producer Clark Naito’s 2018 revisions of “Kizaki Ondo”, providing trap-inspired interpretations, with a vocal version using the original lyrics, along with a sweet instrumental take. This release, the third edition of the EM Records Japanese folklore series, directed by Riyo Mountains, is available on LP & CD, with English lyrics and notes, and rare photos. Evocative cover art by Shinsuke Takagi (Soi48).

Now also available as LP-Vinyl is the new album for one of Jamaica's most exciting voices! - "Lovesick" is the third album and a natural next step for the young artist to expound on the ups and downs of love and relationships. Known to fans as an 'old soul' his lyrics and the emotional impact of his voice go beyond his years and show kinship to the great R&B/reggae balladeers. The 15-track strong longplayer will be released as CD-Digipak with an additional 12-page booklet and is a great and long awaited follow-up to the self titled debut "Romain Virgo" from 2010 and "The System" from 2012, it will appeal to all the worldwide fans of contemporary reggae music!

VP Press Release: "LoveSick," the upcoming album from rising reggae star Romain Virgo. The 16-track album takes listeners on a journey that explores every emotion felt when finding love, losing love and finding love again. In the many twists and turns of romance and relationships, Romain represents a young man who has experienced it all and now has a dynamic story to tell. Executive produced by Niko Browne for Lifeline Music, with additional production by Sting International and Vikings Production, the album presents a new pop reggae sound traced with his signature lovers rock style woven throughout.

Dre Island, 5 Star, Iba Mahr, Aza Lineage, Earth and The Fullness, Monkey Marc jumping on the Yaad n Abraad Riddim. Six times dope.

"Phantom Dancehall" is the exploration of the Greensleeves / VP Records catalogue by DJ Spooky aka Paul Miller. The musical tapestry is built on samples from familiar (and not so familiar) reggae tracks over electronic beats and melodies produced by Miller and protégé Stephen Levitin (stage name Apple Juice Kid). Selected tracks include the keyboard work of Alex Thompson aka Fourth Shift. Guest vocals from Walshy Fire (Major Lazer) and dancehall newcomer Sanjay added to vocal samples of Busy Signal, Lady Saw and Garnett Silk give the project an eclectic, modern dancehall flavor!

Limited edition for Record Store Day 2018!

Ken “Everything I Own” Boothe played a significant part in covering Sir Coxsone’s Studio One walls with gold — and goodness knows that label fostered its share of legends. Collaborating with the master, Blundetto could have laid it on thick with heavy production; instead alongside his discreet partner Blackjoy, he created a gorgeous production using the purest of Jamaican music, proving yet again that time has nothing on the suave tones of Mr. Rocksteady...

"Full House" rhythm