Dancehall 30 Items

The Music Lovers collection bring you a cool selection of Rockesteady anthems, get ready to party!

On the third and final part in the series of updates of The Pass The Kouchie riddim, Kasi teams up with the great Tippa Irie for a version of the Faith Evans classic, backed with a drum & bass style mix with Mr Williamz vocalling ‘Tommy Ranks’.

Roy Ellis releases this new single featuring his Swiss backing band, Cosmic Shuffling, one of the best traditional Ska and Rock Steady acts from central Europe. Jamaican artist Roy Ellis has toured with Cosmic Shuffling during the last years and from the good experiences and vibes resulting from the gigs together, they decided going to the studio for recording this single entitled ‘Shine Your Light On Me’ which is a great reggae stomper to hit the dancefloors. Roy Ellis doesn’t need much introduction nowadays, his first compositions were recorded in 1964 with the top of the cream from Jamaican artists at that time. Up to date, has released over 60 records and sold millions of copies, specially with his album on Trojan Records from 1969 ‘Skinhead Moonstomp’ which has sold over 7 million copies and still is one of the label’s best sellers. This brand new single is released on vinyl 7”.

When Will We Learn sees O$vmv$m reunite with Gloucester voice of thunder Rider Shafique for the spiritual successor to 2017’s Lion (lava Lava). These tracks have been circling around in various forms for a few years and graced dancefloors / soundsystems from Riga-Bristol-NYC - but for various reasons are only now coming to light. The A side features Rider delivering a wake up call / warning over a Computer Paul via Radiophonic workshop style rhythm track while on the B side Dj Neek sends it through the desk on the fly and strips the instrumental down to its core essence.

'Rayhana' EP is a departure from the cerebral, industrial deep dive of his debut album 'Unlit Signals', and now draws from wider influences, twisting Baile funk, broken beat and hi-tech bass music into floor-focussed, sinewy new shapes. Guaranteed to cause jubilant carnage wherever heard, the heavy artillery of title track 'Rayhana' is a vocal led, rumbling rhythmic monster with chest-pummelling low end, neck-snapping metallic claps and razor-sharp hats. Almost a deeper dub of its predecessor, 'Dark Lavis' is an instrumental tension builder, where mangled eastern elements whip up a head spinning vortex that's carried by behemoth bass and stuttering, swung beats, which take you deep inside the ride. Based around the UK broken sound, with a touch of dancehall, on '5G Bats' Smith slow things down but ups the energy, with double-time breaks, stroboscopic samples, machine gun like flickers and all manner of stretched, wavey tones. 'Rayhana' follows tastemaker favourites by Ploy on esteemed imprints Timedance, Hemlock, Hessle Audio and L.I.E.S., plus remixes of his music by Beatrice Dillon and Peder Mannerfelt. Ploy has graced Best Track Of The Year lists in The Guardian, Crack, FACT, Mixmag, Dummy and DJ. He did a week-long residency on Rinse FM, helmed multiple NTS shows and recorded mixes for Dekmantel. Boiler Room and FACT. A regular at discerning UK and European clubs, he has also appeared at Dimensions festival, Dekmantel Selectors, and has toured East Asia and the US multiple times. Last year Ploy released the impeccable album 'Unlit Signals' which was released via L.I.E.S. with no PR, and therefore only caught the attention of a few astute journalists. This future classic deserved to be huge, but slipped largely under the radar. On launching Deaf Test, Smith comments, "it's a vehicle for my personal output now. I have more club-focussed music on the way, and I'll be exploring meaningful collaborations too. The name is due to me being deaf in one ear from an early age".PRINTED SLEEVE WITH INN...

The sound company operating under the project name "Noiseshaper" is poised to release a very special vinyl album into record shops worldwide.The band received great acclaim for their first albums, which were released on the legendary and famous Rockers Hifi label Different Drummer. They later became celebrated for their musical contribution to the US television series CSI - Miami ! The Viennese coffeetable boys Axel Hirn und Florian Fleischmann achieved cult status with their 12-inch single "The Only Redeemer", which was later released in the US by Quango (Island Records /Palm Pictures) and fast became a permanent fixture on the playlists of the best and most popular DJs in Berlin, Vienna, Tokyo, Paris, London and New York. The next dancefloor filler followed with "All A Dem A Do", sung by Juggla, which was the band"s first release to get heavy rotation on many European and US radio stations. Next up were remixes by and for heavyweights such as Sly & Robbie, Outkast, Seven Dub and Carl Douglas.Noiseshaper"s defining sound has been distilled and condensed an utterly distinctive blend of "housey downbeats with a fat reggae flavour" has brought the Noiseshapers international acclaim and popularity.The very special VINYL release is the essential of what NOISESHAPER has ever done all over the years with a special focus on HEAVY bass remixes by Adrian Sherwood & Paolo Baldini. It is another very impressive display of how a musical style has progressed. Dub as a style with all its reference points between commerce and innovation ! 8 pounding dub flavour tunes all are best for bringing the dancefloors of the dub universe to boiling point. Heavy bass for heavy dancing!

L.A.B is a reggae band from New Zealand. Its founding members are Brad Kora (backing vocals and drums) and Stuart Kora (backing vocals, keyboard and guitar) of the band „KORA”. They soon engaged Joel Shadbolt on lead vocals and guitar, Ara Adams-Tamatea, formerly of “KATCHAFIRE” as bassist, and Miharo Gregory as keyboardist. The band mostly composes reggae music, with a mix of electronic, blues, rock and funk music.
Their song "In the Air" topped New Zealand chart in March 2020. At the end of the year, it was ranked as New Zealand's best-performing single of 2020. "Why Oh Why" also topped the New Zealnd chart in December 2020. L.A.B released 5 full length albums so far – called 1, 2, 3, 4 and V !
Echo Beach outa Germany came up with the spirit injection to let PAOLO BALDINI do some DUBs on the backcatalogue of L.A.B and to do an IN DUB album. Here we are – here we go – here we dub.
A perfect blend of POP DUB. Listen to it loud.

Weekend Loving from Jennifer Lara is a perfect blend of boogie funk, roots reggae and lovers rock. Produced by Black Solidarity Records in 1985, this album is a masterpiece from the Studio One princess. Recorded at Tuff Gong and Music Mountain studios in Jamaica, the rhythm tracks are played by some of the best musicians from the island in the sun: Lincoln ‘Style’ Scott (Drum), Errol ‘Flabba’ Holt (Bass), Robbye Lyn (Piano & Synthetiser), Dean Frazer & Ronald ‘Nambo’ Robinson (Horns). This reissue was carefully remastered from Black Solidarity master tape, now presented as a double LP 45 rpm DJ friendly edition. The original Limonious artwork was reloaded and a bonus track was added to complete the set: ’In My Time’, an obscure slow synth groove, full of hope and melancholy.
Jennifer Lara was first taken to Studio One in 1969 by keyboardist Richard Ace, who was a session musician. She never left the Studio One family and became resident harmonist. She added backing vocals to the songs of some of the camp’s biggest names, including Delroy Wilson, Freddie McGregor, Dennis Brown and Sugar Minott. In 1974, Jennifer Lara recorded her debut album with Coxsone Dodd at Studio One in Brentford Road. The results of the sessions appeared on ‘Studio One Presents Jennifer Lara’, which was an instant success. Jennifer Lara was one of Clement 'Coxsone' Dodd’s protégés. One year after Coxsone passed, she died at the Kingston Public Hospital. She is survived by two children, daughter Ika and son Cheka. Jennifer Lara was a very likeable person, got on with everyone. She was involved in many benefit concerts to help to poor and the needy in Jamaica. May your soul rest in peace, we love you Jennifer.

"Brigadistak Sound System" (Esan Ozenki Records 1999) is the title of Fermin Muguruza's first solo album. Now, on the 20th Anniversary of its publication, we present you a carefully edited double vinyl, format in which it was not originally edited.The album was recorded for more than 6 months in different studios around the world: Rome, Carracas, Los Angeles, Azkarate_And groups like Todos Tus Muertos, Manu Chao, Desorden Público and many others participated in these recordings.The album ended with a remix by Mad Professor and in this edition we have added another remix, work by Xabi Pery.180 gr vinyl, gatefold sleeve.

Dub Inc, one of the most famous French reggae bands, is back with a new studio album!For ten years, the musicians and singers have been sharing on stage their inimitable sense of melody, sincere lyrics and human ethics. They managed to get fans all over the world (from the US to North Africa, Germany, Portugal etc) and collaborate with the most prestigious international artists (Tiken Jah Fakoly, David Hinds, Tarrus Riley...)With their unique mix of reggae, dancehall, kabylian and world music, the band, led by singers Bouchkour et Komlan, delivers his universal message around the planet, advocating for diversity and spreading their explosive energy!

Eight years after their first collaboration, ‘The Compass Joint’, slipped out as an ultra-limited white label, Charlie Soul Clap and Tom Trago have reunited to bring us a similarly warming, sun-splashed sequel, ‘The Compass Jawn’.

Like its predecessor – a now near-mythical 12-minute epic recorded late one night in Tom’s former squat-turned-studio close to legendary Amsterdam venue Trouw, and subsequently championed by DJ Harvey – ‘The Compass Jawn’ was inspired by the pair’s mutual love of both Caribbean keyboardist and FM synthesis enthusiast Wally Badarou, and the 1980s output of Chris Blackwell’s legendary Compass Point studio in Nassau, the Bahamas.

As sequels go, ‘The Compass Jawn’ is a bit of a belter. During the recording in 2019, Tom and Charlie sought to subtly evolve the original’s memorable lead line, reaching the for Yamaha DX7’s percussion patch – something utilized many times by Badarou during the 1980s.

The resultant ‘Studio Version’ is, if anything, even more emotive and uplifting than its predecessor. Underpinned by a shuffling rhythm pattern, the track ebbs and flows brilliantly, with jaunty synth stabs, undulating melodies and sparkling keyboard riffs ushering in held-note chords and a gorgeously rushing, ever-rising lead line. Throw in some starry pads and sunset-ready synth motifs, and you have another gorgeous, life-affirming treat.

‘The Compass Jawn’ comes backed with two top-notch alternative mixes. First up is an ambient ‘Dub’ mix from Trago that strips back the beats and instead focuses on the track’s many key melodic elements. Pushed forwards by drum machine handclaps, it’s a bubbly, sun-bright revision full to bursting with twinkling electronic motifs, jammed-out motifs, hands-aloft riffs and a bleeping take on the fluid and kaleidoscopic lead line.

Rounding off the package is the duo’s original demo mix – a raw, tough, and slightly more sub-heavy affair that’s notably more percussive and sweat-soaked whilst still sporting the key lead lines and FM synth sounds that make the studio version such a memorable and mood-enhancing affair.

Limited edition of 300 copies on triple vinyl in a gatefold outfit.

TEKA as the musical mastermind behind “Vizion” has created hits for the likes of Lutan Fyah, Richie Spice, Ziggi Recardo, Trettmann and Megaloh and more within the last 15 years. In 2005, his “Crystal Woman” riddim got voiced by the energetic deejay Cali P among others – which led to a close work relationship. Since then, Cali collaborated with artists like Walshy Fire, Capleton, Equiknoxx, Swing Ting & Massive B. In late 2018, Cali P and TEKA launched “Vizion” on the freshly founded label LowLow as a new project exploring the hybridity of reggae and hip hop.

The two reggae protagonists use current styles from the international hip hop scene and unite them with their typical, heavyweight roots sound. The result is a warm, authentic hybrid of tracks, which blast both radio and sound system suitable productions through your bass bins, with an optimistic yet serious flavour.

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.

Nearly a decade since their last record, Jay Malinowski and Eon Sinclair better known as duo Bedouin Soundclash, return with their fifth studio album ‘MASS’ to be released Oct. 4th via Mr Bongo.
While pulling from their old catalogue of eclectic post-punk world-beat tendencies, the band journeys further into New Orleans jazz, afro-pop, electronic and gospel on their latest offering, reflecting a creative rebirth influenced by the cities and musicians that surrounded them. Co-produced by Bedouin Soundclash and legendary Philadelphia House DJ King Britt, along with musical direction from Ben Jaffe of Preservation Hall, ‘MASS’ spans two communities, recorded at Marigny Studio’s in New Orleans with the Preservation Hall Jazz Band, and in Vancouver at St. James Church with the children of the St. James Music Academy.
Mirroring the magnetic energy of New Orleans, ‘MASS’ is a dense sonic journey that incorporates an impressive array of musical influences including Big Band swing to New Orleans jazz, pop, electronica, and more. From the post-punk-soca of album opener ‘Salt Water’, the jangling Big Band swing-pop of recent single ‘Clockwork’, to the Talking Heads-channelling ‘When We’re Gone’, and the dubbing afro-pop gospel of ‘Holy’ that features Mike Dillon distorting his marimbas into another sonic dimension, ‘MASS’ is jam-packed with infectious melodies and summery feel-good vibes.