Dancehall 235 Items

After more than 15 years producing singles and dubplates, Days OF DUB is Simon Nyabinghi's first full lenght album. It offers 12 original dub tracks produced and mixed at All Nations studio, and includes Featurings with innovative artists:Youthie, Kulture D, Iman Onedub. The album particularly explores the sounds of synthesizers and drum machines typical of the 80s while remaining in the pure tradition of dub, mixed with lots of echo and reverbs. Built on the same format as the greatest dub albums, it takes us progressively an alternative rhythmic and atmospheric journey such as experienced in a sound system session. From the initial percussion-based phases through the powerful meditative stages until the biggest "stepper" hits. Faithful to the codes of the genre and reinforced by true originality of composition, it is destined both to purists and to younger fans.

Visionary artist Augustus Pablo is among the most important figures in reggae history. Widely credited with popularizing the use of the melodica in reggae, Pablo was a talented musician and an innovative producer who became an early dub pioneer. Now regarded as classics, his memorable 1970s recordings were part of the remarkable creative surge that vaulted the Jamaican music scene to international prominence. Much of this material was released by Rockers, an independent record label founded by Pablo and named after his popular Kingston sound system. Now, Nature Sounds is proud to present Roots, Rockers, & Dub, a new Augustus Pablo vinyl collection celebrating the 50th anniversary of Rockers. Featuring classic dubs along with rare and out-of-print tracks, the album captures Pabloís immense contribution to roots reggae by highlighting a wealth of material spanning his entire career, all released on Rockers. Fully remastered and released in partnership with the Pablo family, Roots, Rockers, & Dub is a fitting tribute to an artist whose music still reverberates heavily more than two decades after his passing.

All killer no filler 10 track compilation of peak late 80s digital tunes from Park Heights' most productive period. Pure fire produced between Jamaica and New York City. Featuring two previously unreleased tunes and the rest reissued for the first time.

Ten great tracks from Park Height's productive late '80s period, where Mr. Francis produced a lot of great early digital reggae both in Jamaica and right here in NYC. We've selected eight great never before reissued tracks from the catalog, plus two previously unreleased gems. As always, housed in a fresh jacket with the vibes of the time.

Record slightly warped but still enjoyable and close to VG+.

Limited to 750 numbered copies!

A self-released 12" by Toragon, recorded by Asuka Ando and other musicians active in live reggae bands in Japan. 70's roots style with clever backing playing and simple lyrics, similar to the popular killer roots BIG H & Carib Rocks "10 Nen Bun (for 10 years)", a typical Tokyo reggae urban style.

Record is close to NM.

Vinyl with heavy foxing

A collaboration between two prestigious Italian bands, the wizards of dub and the masters of big-band ska-jazz, in perfect symbiosis. An album full of dub atmospheres mixed with orchestral patterns; compelling rhythms of the ska and reggae traditions together with dilated and hypnotic electronic sounds. A recording fruit of a challenge and a celebration of music, something that is undoubtedly reflected in the spectacular outcome. 22 musicians locked in a large studio to rediscover the beauty of sharing after months away from the stage due to the pandemic, without even being able to rehearse. The decision to record a live album was instantaneous, it was just about enjoying the energy of the moment. All tracks were recorded strictly live in the studio, without overdubs, with the aim of apprehending something unrepeatable. The electronics, the melodies of the wind section and the vocal power come together in this work, recorded live at Deep Studio in Treviso (Italy) and mastered by Ibon Larruzea (Bilbao), full of dub atmospheres mixed with orchestral patterns. All this merges into a unique and explosive sound in which the strength of the big band meets the deep and hypnotic beats of dub music. WDD began their journey as a quartet in 2014 and prior to Studio Session #1 they had already released two albums and several singles. NESJO formed in 2012 and have previously released two albums (both available on Brixton Records) and are working on what will be the recording of their next full-length. Northeast Italy is a border area and it's easy to connect with each other in those territories made of enchanted landscapes. That energy, that desire to experiment and get involved, have made possible this ambitious project in which a ska-jazz orchestra and a dub band, each with its own language, are assembled in an amazing sonority.Classic black vinyl!

Rare late 80s reggae/dancehall heat coming yet again on Dinte sub-label 333. This time it's the turn of Hugh Maddo's Pop Style LP. Recorded in Jamaica at Byron Lee's Dynamics & Herman Chin-Loy's Aquarius studios for the Bronx-based Jamaazima label in 1987, it is issued here under license from co-producer and label owner, Nami Harmon. The record features a host of celebrated and renowned musicians incl. Winston Wright, Bobby Ellis, Carlton "Santa" Davis, Dwight Pinkney, Willie Lindo and Mikey "Boo" Richards amongst many others - alongside the sublime vocals of Killamanjaro's Hugh Maddo aka UU Madoo. A must.

Small light scuff on side A.

Disco mix sides from the Jah Life archives. On the A side we have one of Barrington's best, "Black Heart Man", in its original disco mix from 1983, with killer Scientist dub wise. On the flip is one of the all time sleepers from the Jah Life catalog, way under the radar since its original release in the early '80s. Terrie from the Nairobi Sisters voices the immortal "Left With a Broken Heart" on the killer original cut of the rhythm, which follows into a dub wise melodica piece, which sounds to us like the maestro Augustus Pablo. Both sides are pressed using new stampers made from the original mothers, so what you get is identical to the original pressings.

Record is close to VG+.

Inspired in equal parts by gangsterism and the exceptional talent of U Roy on King Tubby’s sound system, Josie Wales left gang violence behind to toast on U Roy’s Sturgav sound system at the dawning of the 1980s; after a popular set of albums for Junjo Lawes, Michael Chin and George Phang, the excellent Ruling was produced by singer Tristan Palmer and released on Ossie Thomas’ Black Solidarity label in 1986. Josie is on fine and commanding form throughout, equally at home on spongy Roots Radics rhythms and early digital tracks built by Steely and Clevie. An exceptional slice of mid-1980s dancehall – all killer no filler!

YamashiRoll & Kaja is a unit established by Deejay / Human Beat Boxer "Kaja", who is active in the dancehall reggae scene, and guitarist "YamashiRoll", who also performs with many other bands. The first 7inch single of their career will be released at last. The A-side features "In The Groove," their breakout track that debuted at No. 1 on the iTunes Store reggae chart. The flip side features the latest track "Get Up!".

Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on Missyou). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.

Death Is Not The End sub-label 333 hit again with a reissue of a rarely encountered piece of prime UK digi, courtesy of Franklyn Bernard aka Frankie B - mixed at Fashion's A Class Studio in Clapham, and released on the Ital Stuff label in early 1986.
Frankie B began his recording career with producer Bert Douglas, first releasing on his Reggae City label in 1984 with the No More Tears 7" under his birth name Franklyn Bernard. In 1985 he then linked up with Ital Stuff - a production team consisting of three brothers who also helmed the Sweet & Bitter Band. Operating a small eight track studio in the basement of their house in Balham, Ital Stuff had recently been responsible for putting together and laying down the backing track to Dixie Peach's classic Pure Worries, released on the Jah Tubbys label in 1985. Upon playing Pure Worries to Frankie he was immediately inspired to lay down his own vocal on the track, which too features Dixie Peach contributing vocal harmonies - it was recorded late 1985 and mixed down along with a ferocious dub side at South London's A Class Studio, eventually seeing release in early 1986.

price tag residue

Just a few months after the release of "Shine," his debut solo album featuring some of the finest R'n'B voices of the moment, Stefano Cosi presents his new single "That's On Point" on Angis Music, already home to the Huma project of which he is part along with pianist Alberto Lincetto. The single, which boasts the important collaboration with UK soul legend Omar, was written and produced remotely during Covid, waiting for the right moment to be released. Now it seems that the moment has finally arrived and to complete the offer alongside the original version are two remixes by Abacus, prominent figure in the deep house scene since the '90s, plus a mid-tempo dub version by Italian talent Edoardo Della Bitta aka EDB. Don't miss out on this future classic!

In the debut EP ‘We Are The Ones/Fire/Forever’, Chicago DJ legend Rahaan collaborates with an incredibly talented group of musicians, including Marcus J. Austin on lead vocals, Nancy Clayton on backing vocals, Carnell C. Newbill (also known as Spike Rebel) on keyboards and backing vocals, Todd Swope on guitar, and Lou Terry on bass.

Together, they create a 3-track EP that perfectly showcases Rahaan’s production skills and the musical talents of the entire group. Rahaan’s experience and expertise as a DJ and producer are evident in each track, with grooves that are sure to keep the dancefloor moving.

The title track, ‘We Are The Ones’, is a story of adventure and return, with a twist. Created by Rahaan and The Ones while under the influence, the track was lost for years as it was unnamed on his computer. However, Rahaan’s determination to find it paid off, and with the help of Ohio Players’ Kenny Anderson on the horns, he built upon the elusive skeleton track.

With Marcus J. Austin on lead vocals and Nancy Clayton on backing vocals, ‘We Are The Ones’ delivers a soulful, 4-to-the-floor anthem that showcases the vocal talents of the group. And in ‘Fire’, Todd Swope’s guitar skills shine through, creating an epic production that draws spiritual inspiration from traditional AfroBeat rhythms.

It’s worth noting that The Ones features some truly talented musicians, including Carnell C. Newbill (Spike Rebel) on keyboards and backing vocals. Spike Rebel is a well-known producer and musician in his own right. With his soulful vocals taking center stage, Carnell Newbill leads the charge on “Forever,” he also superbly delivers on bass, keys, percussion, and guitar. Expertly mixed by Rahaan, this track is sure to become a dance floor anthem.

In summary, ‘The Ones’ EP is an impressive collaboration between some of the most talented musicians in the Chicago underground House and Disco scene. With Rahaan at the helm, this project is sure to be a hit with anyone who loves to dance.

Mastered with Love by the Grammy nominated The Carvery Studios, this is one for any worthwhile DJ’s record bag.

Vinyl closer to VG+

Death Is Not The End turns 10 years old in May, and as part of the celebrations are committing a selection of Dinte NTS Radio shows from over the years to cassette. Kicking off with the recent special Skateland Soundtapes, 1980-1986 - comprising a selection of clips from sessions held at Halfway Tree, Kingston's most storied roller skating rink during the dancehall era's golden period of the early to mid/late 1980s.

Audio sourced with the indefatigable efforts of the Who Cork The Dance crew - big thanks going out to Jayman, Ruff House, Keimo, Omar, Gee Wizz and the one Jah Humble.

Ships in a brand new plain sleeve.

Hard piece of stepping digital from 1989 with the masters of the era on the rhythm track, Steely & Clevie. Likewise, Conroy is one of the iconic artists of the late '80s digital era with numerous classics to his name.

Vinyl with many scuffs and hairlines. Generic label cover with spine damage.

333 reissues a massive sought-after and obscure Jazzbo-produced 45 from Stanford Shirley. The System was recorded at Harry J's studio and released in 1987 on the late Linval Carter's Ujama label. Though one of the lesser known cuts from Jazzbo's late 80s production stable, it is surely up there with one of the best. Killer archetypal digi business.

Hustler Records announces THE DON as its debut release; a beast of a track, leaning more towards heavy breaks with a Ragga vocal and emotive strings. THE DON is all about remembering you are THE DON of your own life and you never walk alone.

THE Ragga Twins: The Ragga Twins started out on London's Unity sound system, and are regarded as pioneer s of the scene. AllMusic called them "crucial cogs in the development of U.K. dance music.

Lusinda: One of the female DJ’s actively pushing boundaries and scenes forwards. Her eclectic taste in music overspills into her sets; ranging through anything bass heavy; House, old skool, Techno, Drum & Bass, UKG and Grime. She focuses on the raw end of the sound whilst still being both accessible and innovative. For more than 16 years DJ Lusinda has been djing around the globe; South America, Europe and USA.

D3 unveils a collection of unreleased tracks from the British duo Synchrojack, who have previously released material on Ferox, Mosaic, 4th Wave and Vibes And Pepper Records. The compilation, entitled "Sugarhouse", is divided into two EPs. The first part features 3 original tracks entitled "Trap & Move, Unlock & Power of Eight", accompanied by remixes from Russ Gabriel, the mastermind behind the Ferox label, and Tom Churchill, a respected figure in deep house from Cardiff. Expect high quality deep house tracks characterised by dynamic drums, enchanting basslines and lush synths, all coming together to create an irresistible and seamless groove.

Stefano De Santis kicks off this Best Of Various with Murk, as the name suggests its a dark workout from one of Rome’s finest producers. Following that are Batavia Collective from Jakarta. When we first heard the live demo for this we were blown away and had to get it out on TLM. Batavia Collective are Elfa Zulham on drums, Doni Joesran on keys and Kenny Gabriel on synth bass. All mixed by Stefano De Santis. Rounding off the A side we have Cormac Fulton and his follow up to Perplexed on Tlm025 with a new track called Loungeware. Based in Salford this is another atmospheric track from Cormac featuring Netherlands born but now Rio de Janeiro based flautist Floor Polder. Floor also appeared on Steve Conry’s rework of Guinu - Eletromadinga which featured on Colin Curtis Presents Jazz Dance Fusion 4 Part 2. Loungeware was mixed by Steve Conry and Matt Cox. Onto the AA side and we have Montreal resident Mike Perras with Soullous, a superb dancefloor track, live drums and amazing keys, in fact everything you want from house music. Next up is Future Jazz Ensemble from Vibo Valentia who follow on from their Rough Time EP Tlm028 and appearance on Tlm030 with another broken jazz monster of a track called Over The Rainbow. Finishing off side AA is Takahiro Fuchigami from Fukuoka with another fine track called Outer Heaven, a great follow up to Strange Acquaintance which was on Tlm034.