Dancehall 14 Items

This third album, elected "Best French Reggae Album" at the Web Reggae Awards 2008, is rich in months of touring around the world that followed the first two albums. More electro and world music, still as mixed, Afrikya is very rightly carried by the title Métissage,which will be the subject of their very first video clip. The other acclaimed songs, Tiens bon, Djamila or Day after day oscillate between reggae, ragga and rai to the delight of an ever-growing audience. The album remained in the charts for 20 weeks, the record of the band's entire discography so far.

Music is for Kids,a real producer album oscillating between reggae, hip-hop and electronic music, which crosses borders, with more than 20 guests and 8 different nationalities. Naâman's official beatmaker surrounds himself with the Jamaican legend Sizzla,the new rising stars of the French scene such as Demi Portion, Jahneration or Marcus Gad.

Leon Dinero returns with "One Way Love", another magical rendition from the James Hunter catalogue. Dinero, along with the Inversions and produced by Victor Axelrod, transforms the uptempo R&B classic into a rocksteady mover whose relaxed groove and soulful vocal give the track an authenticity that may have folks scratching their head as to which version came first. A testament to the incomparable songwriting savvy of Mr Hunter, "One Way Love" is a track that defies the constraints of genre labelling with unfettered elegance and lyrical prowess.

While far from a household name in reggae, Judah Eskender Tafari cultivated a loyal fanbase and respectable catalogue during his recording career. The Studio One single, "Rastafari Tell You" sits at the top of a small set of deep cuts he recorded for Coxson Dodd's famed studio starting in 1978. These have continued to find a place at roots reggae sound systems and DJ rub-a-dub parties after nearly five decades. The earnest lyrics and spiritual mission of these early recordings would define Judah's entire career, extending through the decades to "Great Escape", a new Daptone 45 produced by label stalwart Victor Axelrod. The song alludes to the Old Testament in a vision of mankind gone astray, trying to escape the confines of Earth for salvation. Axelrod provides a lush roots backdrop against which Eskender shines in a way we haven't heard in years.

Jamaican reissue.

Death Is Not The End's 333 series is back with another dig into the catalogue of the NYC-based Flames label on this reissue of a highly coveted Revolutionaries LP, Meditation in Dub.
One of reggae music's most famed session bands, The Revolutionaries were an often revolving cast of some of the finest session musicians on the island during the roots and early dancehall periods of the mid/late 1970s and early 1980s. These would include Earl 'Wire' Lindo, Radcliffe 'Dougie' Bryan, Ansell Collins, Bobby Kalphat, Lloyd Parks, Uziah 'Sticky' Thompson, Bongo Herman, Stanley Bryan, Bo Peep, Eric 'Bingy Bunny' Lamont, Errol 'Tarzan' Nelson, Skully Simms, Robbie Lyn, Mikey 'Mao' Chung amongst many others. The enduring core of the group, however, was undoubtedly in the coming together of the legendary rhythm section of drummer Sly Dunbar and bassist Robbie Shakespeare - with the formation of The Revolutionaries marking the first time that this often unparalleled duo worked together.
The group laid down these rhythm tracks at their base at the storied Channel One recording studio, Maxfield Avenue, Kingston sometime in the mid 1970s - under the arrangement of one of reggae music's great undersung figures, Ossie Hibbert. Early in 1975 Ossie was to move to Maxfield Avenue just as Jo Jo & Ernest Hookim's studio was starting up. A well-respected session musician himself through the late 1960s and early 70s (he played keys for Bunny 'Striker' Lee and Keith Hudson and would also form part of another foundational session band, The Soul Syndicate) he was initially summoned by Jo Jo as a band member for The Revolutationaries but quickly assumed the role of producer, engineer and talent scout for the studio, responsible for selecting the artists to bring into the studio.
These tracks were recorded by Hibbert around this time for Winston Jones, the original singer and composer of Stop That Train (later made world-famous by Keith & Tex's version) with his Spanishtonians for Prince Buster's label in the early 1960s. Jones had moved from JA to NYC in the early 1970s where he established and ran the Flames label. The imprint would go on to form a core part of Brooklyn's reggae scene from the mid-1970s until the early 1990s, though Jones often employed the use of Channel One, Hibbert and The Revolutionaries back home in the recording of rhythm tracks for his productions. Thus the Meditation in Dub LP is essentially formed of stellar dub versions to many of the early Flames labels 45s, produced and released by Jones throughout the mid to late 1970s, including crucial takes on a great many popular rhythms of that period. One of any self-respecting dub LP collectors' holy grails, with originals going for up to £400, it is issued here under license from the now Texas-based Jones with the kind assistance of Rob at DKR in sourcing the audio for this new cut.