Dancehall 117 Items

D3 unveils a collection of unreleased tracks from the British duo Synchrojack, who have previously released material on Ferox, Mosaic, 4th Wave and Vibes And Pepper Records. The compilation, entitled "Sugarhouse", is divided into two EPs. The first part features 3 original tracks entitled "Trap & Move, Unlock & Power of Eight", accompanied by remixes from Russ Gabriel, the mastermind behind the Ferox label, and Tom Churchill, a respected figure in deep house from Cardiff. Expect high quality deep house tracks characterised by dynamic drums, enchanting basslines and lush synths, all coming together to create an irresistible and seamless groove.

Just a few months after the release of "Shine," his debut solo album featuring some of the finest R'n'B voices of the moment, Stefano Cosi presents his new single "That's On Point" on Angis Music, already home to the Huma project of which he is part along with pianist Alberto Lincetto. The single, which boasts the important collaboration with UK soul legend Omar, was written and produced remotely during Covid, waiting for the right moment to be released. Now it seems that the moment has finally arrived and to complete the offer alongside the original version are two remixes by Abacus, prominent figure in the deep house scene since the '90s, plus a mid-tempo dub version by Italian talent Edoardo Della Bitta aka EDB. Don't miss out on this future classic!

This new Wonderwax release is a soulful South African affair: Edsoul feat Moresoul “Never Let You Go”, previously available only digitally, is finally out on wax, including Spinna’s Galactic Soul mixes and 2 remixes from Rodney SA and Thapsoul.

Stefano De Santis kicks off this Best Of Various with Murk, as the name suggests its a dark workout from one of Rome’s finest producers. Following that are Batavia Collective from Jakarta. When we first heard the live demo for this we were blown away and had to get it out on TLM. Batavia Collective are Elfa Zulham on drums, Doni Joesran on keys and Kenny Gabriel on synth bass. All mixed by Stefano De Santis. Rounding off the A side we have Cormac Fulton and his follow up to Perplexed on Tlm025 with a new track called Loungeware. Based in Salford this is another atmospheric track from Cormac featuring Netherlands born but now Rio de Janeiro based flautist Floor Polder. Floor also appeared on Steve Conry’s rework of Guinu - Eletromadinga which featured on Colin Curtis Presents Jazz Dance Fusion 4 Part 2. Loungeware was mixed by Steve Conry and Matt Cox. Onto the AA side and we have Montreal resident Mike Perras with Soullous, a superb dancefloor track, live drums and amazing keys, in fact everything you want from house music. Next up is Future Jazz Ensemble from Vibo Valentia who follow on from their Rough Time EP Tlm028 and appearance on Tlm030 with another broken jazz monster of a track called Over The Rainbow. Finishing off side AA is Takahiro Fuchigami from Fukuoka with another fine track called Outer Heaven, a great follow up to Strange Acquaintance which was on Tlm034.

Vinyl has slight paper scuffs.

Record is close to VG+.

Ships in a label sleeve.

Small light scuff on side B,

Record is close to VG+.

Record is close to VG+.

Record is close to VG+.

Small light scuff on side A.

Small light scuff on side A.

Record has a few pressing inclusions.

Vinyl closer to VG+

Small light scuff on side B.

Small light scuff on side A.

Record has some hairlines and a few superficial scratches.

Record has some hairlines and a few superficial scratches.

Record has some hairlines and a few superficial scratches.

Record has some hairlines and a few superficial scratches.

Cover with seam split

Death Is Not The End's 333 series is back with another dig into the catalogue of the NYC-based Flames label on this reissue of a highly coveted Revolutionaries LP, Meditation in Dub.
One of reggae music's most famed session bands, The Revolutionaries were an often revolving cast of some of the finest session musicians on the island during the roots and early dancehall periods of the mid/late 1970s and early 1980s. These would include Earl 'Wire' Lindo, Radcliffe 'Dougie' Bryan, Ansell Collins, Bobby Kalphat, Lloyd Parks, Uziah 'Sticky' Thompson, Bongo Herman, Stanley Bryan, Bo Peep, Eric 'Bingy Bunny' Lamont, Errol 'Tarzan' Nelson, Skully Simms, Robbie Lyn, Mikey 'Mao' Chung amongst many others. The enduring core of the group, however, was undoubtedly in the coming together of the legendary rhythm section of drummer Sly Dunbar and bassist Robbie Shakespeare - with the formation of The Revolutionaries marking the first time that this often unparalleled duo worked together.
The group laid down these rhythm tracks at their base at the storied Channel One recording studio, Maxfield Avenue, Kingston sometime in the mid 1970s - under the arrangement of one of reggae music's great undersung figures, Ossie Hibbert. Early in 1975 Ossie was to move to Maxfield Avenue just as Jo Jo & Ernest Hookim's studio was starting up. A well-respected session musician himself through the late 1960s and early 70s (he played keys for Bunny 'Striker' Lee and Keith Hudson and would also form part of another foundational session band, The Soul Syndicate) he was initially summoned by Jo Jo as a band member for The Revolutationaries but quickly assumed the role of producer, engineer and talent scout for the studio, responsible for selecting the artists to bring into the studio.
These tracks were recorded by Hibbert around this time for Winston Jones, the original singer and composer of Stop That Train (later made world-famous by Keith & Tex's version) with his Spanishtonians for Prince Buster's label in the early 1960s. Jones had moved from JA to NYC in the early 1970s where he established and ran the Flames label. The imprint would go on to form a core part of Brooklyn's reggae scene from the mid-1970s until the early 1990s, though Jones often employed the use of Channel One, Hibbert and The Revolutionaries back home in the recording of rhythm tracks for his productions. Thus the Meditation in Dub LP is essentially formed of stellar dub versions to many of the early Flames labels 45s, produced and released by Jones throughout the mid to late 1970s, including crucial takes on a great many popular rhythms of that period. One of any self-respecting dub LP collectors' holy grails, with originals going for up to £400, it is issued here under license from the now Texas-based Jones with the kind assistance of Rob at DKR in sourcing the audio for this new cut.

The label of the B Side overlaps the matrix runout, but not the grooves.

Misprint release with Anthony B' Conscious Entertainer labels.