Dancehall Vinyl 177 Items

/ all out

/ like glue buyout riddim

Limited to 750 numbered copies!

The cosmic theme is well served on ten effects-riddled tracks, with the rockers style material being littered by all manner of stratosphere-breaking sounds from the mixing board, strategically adorned with snatches of ghostly echo and pneumatic percussion. It’s certainly an appropriate mood for a post-apocalyptic battle involving cartoon machines! Another DUB ESSENTIAL ALBUM from the legendary SCIENTIST!

Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on Missyou). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.

Scientist’s name will be found on many dub releases in people’s record collections. His connection to King Tubby is inseparable and many would say that when dub had fallen on quieter times it was Scientist who breathed new life into it. His paired down mixing style suited the new dancehall reggae sound that came as the 70’s rolled into the 80’s. This 1982 LP includes the priceless dub to Johnny Osbourne’s classic Give A Little Love, as well as further cuts to the likes of Hugh Mundell and Wayne Jarrett. Scientist is always in control! Includes 6 bonus tracks!

Reissue of this 1982 release, recorded and mixed at Channel One and King Tubby's Studios. Includes killer songs such as "Reggae Dance," "Unwilling Baby Mother," "Sweet Reggae Music," and "This Kind Of Way". A dancehall classic!

This is a superior Jah Thomas record with all the great midnight rock Rub A Rub riddims. A big album that represents Jah Thomas, packed full of early dancehall numbers that let you fully enjoy the wonderful atmosphere of the time, including the big hit title track!!

Rhythm Discs! has unearthed the Disco MIX of Sister Candy’s lost gem Keep Bubbling / Version = originally released in 1984 on Raiders Records, the original has been remastered under exclusive licence from Sir Lloyd & Sister Candy. Includes a DJ Sports Remix!

Mallory Williams (son of Jamaican pianist and band leader, Luther Williams), a celebrated musician, singer, arranger, and producer, launched his musical journey in 1976 as a keyboard player in various bands within Jamaica's vibrant tourism industry. Along his path, he performed and toured with prestigious groups like Jimmy Cliff's Oneness Band and also We The People Band, providing backing for countless Jamaican artists.

In 1985, during the reggae's digital revolution, Mallory Williams collaborated with Tony DaCosta (from Skatalites fame) and his group the Tony DaCosta Affair (tda), to craft the remarkable single "Yu Saaf." This release not only showcases DaCosta's impressive vocal range but also highlights Mallory's instrumental talent, which incorporates a pioneering proto-digital rhythm. We are thrilled to announce that the 7" reissue of this single will be released back again on Mallory's original 'now' imprint. "Yu Saaf," which translates to "You're Soft" is a pure sound business! It not only serves as a testament to Mallory's production skills but also possesses the power to silence any selectors.

In the ongoing Harry J reissue series, we present Freddie McKay's 'Bag Over Shoulder,' one of his final recordings in 1986 before his untimely passing. Freddie, a truly talented singer, seamlessly navigated from the early Ska days right up to the Digital era. Check out this outstanding tune, giving a shout-out to all the backpack posse.

Inspired in equal parts by gangsterism and the exceptional talent of U Roy on King Tubby’s sound system, Josie Wales left gang violence behind to toast on U Roy’s Sturgav sound system at the dawning of the 1980s; after a popular set of albums for Junjo Lawes, Michael Chin and George Phang, the excellent Ruling was produced by singer Tristan Palmer and released on Ossie Thomas’ Black Solidarity label in 1986. Josie is on fine and commanding form throughout, equally at home on spongy Roots Radics rhythms and early digital tracks built by Steely and Clevie. An exceptional slice of mid-1980s dancehall – all killer no filler!

We've got a passion for two things: reggae and motorcycles, and we're thrilled to present a reissue that fuses these two loves in a fantastic tune. Singer Earl Anthony first graced the music scene in the early '80s, gaining recognition for his hit "Sensi Man Rock." However, he also left his mark with a few other undercover tracks over the years. In this feature, we highlight a hidden gem from 1987, a scorching digi production that celebrates his Kawasaki motorcycle and his woman's passion for high-speed thrills.

Out now! The revival of Ruddy Henry's "New Girl In Town," a cherished rubadub gem. Originally launched in 1986 under the AIT label (All Island Television), a short-lived yet impactful music project spearheaded by producer Peter Moodie. This revival features the stellar instrumental and synthesizer sounds courtesy of the talented Star & Rhythm King backing band. A heartfelt shout-out to our dedicated team in Kingston for their boots-on-the-ground efforts in locating Mr. Henry.

"Late Night Attack come catch the Late Night Attack!" Good things come to those who wait. We're thrilled to finally unveil the latest reissue in our Harry J grail series, a long-anticipated release "Late Night Attack." This 1987 gem shares the same rhythm as "Jam The Calypso," a reissue from a couple of years ago. Vicious Irie, also known as Sedley Downer, delivers an absolute fire performance, spitting lyrics over this fast-paced Harry J digi riddim.

Delving into the captivating world of the NY reggae scene of 1989, "So Dem Say" by Winston Fisher (aka Fisha) is an extraordinary yet elusive one-away record. Cherished by Digi dancehall aficionados, it's now poised to make a long-awaited comeback. Originally released as a 12" vinyl single, this sought-after classic is set to be revived in an economical 7" edition with none of its original essence, timing and power compromised. Everything remains intact and sourced directly from the original sources. Stay tuned for the highly anticipated release of this timeless gem.

Hard piece of stepping digital from 1989 with the masters of the era on the rhythm track, Steely & Clevie. Likewise, Conroy is one of the iconic artists of the late '80s digital era with numerous classics to his name.

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

Revisiting this dancehall gem! A genre-defining track from the late '80s, Kirk Wonder's "Dollars Weak," licensed from producer Mansfield McClean, features innovative use of synthesizers and infectious rhythm programming. Coupled with Wonder's signature vocals and the now-classic lyrics "dollars weak, but life is sweet," it captures the complex socio-economic realities of the era—a message that continues to hold relevance. Out Now!

Introducing Mark Anthony James, born on April 8, 1968, in Kingston city, Jamaica. A musical career spanning since 1983 when he adopted the stage name "Blacka Shines" and marked his entry into the studio with his first recording in 1987 amidst the digital reggae revolution. As the mid-'90s unfolded, a significant transformation took place, leading to a new chapter in his artistic identity. During this period, Mark James embraced the new name "Ultimate Shines," marking a conscious evolution in his artistic identity. Presented here are two 7"s from the earlier works of Mark James, featuring the 1989 recut of "Mob Him Kill Him" and the 1990 gem "Fraid A Prison," produced on Roland Gordon's imprints "Gorland" and "Gin". These releases were made possible through collaboration with Mark James and Richard McPherson.

compilation incl. tracks by Bounty Killer, Admiral Bailey, Powerman, Galaxy P, Brian & Tony Gold, ...

Crucial set of dubs from Scientist! 'Barry Brown Meets The Scientist' features twelve extra-heavy Scientist mixes of Barry Brown tracks originally cut and played at King Tubby's by the legendary Roots Radics. Six vocal mixes and a further six dubs, where the peerless Scientist really cuts loose on the mixing board, nudging the EQ's and royally dubbing Brown outta sight!

8 tracks of 100% pure Baile Funk feat. MC Binho and MC Dandao ... dude is from Stuttgart, Germany

Na also, doch auf Vinyl!!!

New release from Superfly Studio is a collaboration between Poland based producers Dreadsquad and UK dancehall veteran Tenor Fly (Fashion Records / Freestylers / Congo Natty / Pendulum). It's a joyful-skanking-uptempo tune which evokes the good old days when music used to carry a lot of positive energy. On the single you will find many bass oriented remixes from such talented producers as: Mr Benn (UK), Riddim Tuffa (UK), Adam Faz (Poland).

Mungo’s Hi Fi are at the controls delivering their latest productions featuring megatons of talent from a dream lineup of MCs. Mungo's Hi Fi champion the evolution of reggae, dub and dancehall music and are reinvigorating soundsystem culture.

On the third and final part in the series of updates of The Pass The Kouchie riddim, Kasi teams up with the great Tippa Irie for a version of the Faith Evans classic, backed with a drum & bass style mix with Mr Williamz vocalling ‘Tommy Ranks’.

Million Stylez (Sweden), Ziggi Recardo (Netherlands), Mr Williamz (England), and Cali P (Switzerland) make up the cast, directed by Curtis Lynch aka Da Grynch on a bangin’ bassline driven remix of the ‘Report To Me’ track by Gregory Isaacs.

Produced by Duppy Founders in Los Angeles and Jamaica, limited to 500 copies incl. Giant poster!

These records come with an oversized poster — half of the records with Fyah Flames, half with I Jahbar.

Tradesman has been grafting hard in the studio making another massive digital riddim named ‘Springbox’. On it Speng Bond vividly paints a vocal picture of a rammed dance as he has to ‘Fight fi come in’ while Parly B rips it up with the ‘Rudeboy skank’. One of the discs carries a dub on the flip, the other a clean riddim track - ideal for dropping versions to mash up any dance hall. These vinyls are strictly limited to 500 so you will need to move fast to secure your copy.

"Full House" rhythm

We proudly present to you our new vinyl release, Subactive strikes with their first 12” on our imprint. After the first 7” release with the legendary Mikey Murka, Subactive now teams up with El Fata and Danny Dread on the vocals and a mad Dub Version from Naram and Art out of Jahtari and Colonel Mustard.

Side A features El Fata on a relick of the Run Run Riddim, a modern digital style with fat basslines and melodic progression chords that will shake up the dancefloor. The dub version comes in a very different style and influenced by the German down-tempo dub culture.

On the B side we can find the veteran Danny Dread with his conscious lyrics and a dub version by Naram which is heavily influenced by Asian and Arabic sounds. This is a limited edition of 500 copies with our first full print sleeve.

Taken from the acclaimed album "Migration", which covers a myriad of bass genres, this opening track "Positive Up" finds Poirier in a deep dubby dancehall mood. Reminiscent of classic Unity or Jammy's productions, the 80s digital vibe is updated to suit modern dancehalls and soundsystems.
Regular collaborator Face-T provides the vocal counter, once again displaying his brilliant lyricism and delivery, whilst also evoking the legendary Shinehead with a whistling solo - its been a while since we heard one of those!