Classical Music 1361 Items

LP | 2023 | EU | Original (Storma)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Classical Music

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Jules Archive is a project founded by Marco Marzuoli and Marco Mazzei in 2016.

By employing various technologies, instruments, and approaches, the duo strives to craft a mysterious and fantastical persona named Jules. Through this persona, they aim to immerse listeners in a dreamlike atmosphere, transcending reality and dwelling in imaginary spatiotemporal dimensions.

Platonic Tales is the second chapter of Jules' journeys, more anthropocentric than the first album Adventures & Explorations (Volume 1), but equally exotic and dreamlike. The musical intention of this record was to rework a set of five (plus one) melodic tape loops, already structured in "song form”, through detailed arrangements. The treatment followed an experimental-pop-oriented production approach.

Recorded entirely at home by the artists, the music on the album features analog cassettes containing loops dating back to around 2016. The remaining arrangements were composed during the 2020 pandemic lockdown.

Several international guests collaborated on the album:

Lino Capra Vaccina, the legendary Italian percussionist/minimalist composer, and Jefre Cantu-Ledesma engaged in a musical dialogue on An Ontological Novel.

Andrew Weathers contributed his voice to the tracks A Superior Truth and Exodus.

Christina Vantzou participated in Exodus and concluded the album with a string composition arranged and conducted by Minna Choi, performed by Magik*Magik Orchestra.

Recorded between Città Sant' Angelo (Pescara - Italy, 2016-2020), Francavilla (Chieti - Italy, 2020), and Firenze (2019-2020).

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Felicia Sjögren

Hulda

LP | 2024 | Original (Neue Meister)

Release: 2023 / EU – Original

Genre: Rock & Indie, Classical Music

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"This album is written and recorded on a reed organ with two manuals and pedals. The instrument was built by Alfred Cedergren who was a reed organ builder 1870–1925 in Vänge on the island Gotland, Sweden. During this period of time Hulda Veström lived in the same village. When Hulda was 14 years old she left her mother and sisters to travel to her father in Los Angeles. In spring 1912 she boarded the Titanic together with her aunt, who was also named Hulda. There is a picture of the two Huldas in the wooden chapel in Vänge where the Cedergren instruments today are gathered. In 2019 Felicia Sjögren moved to Vänge and the chapel with reed organs became her closest neighbor. Over time she got to know the instruments and stories of the village. When she decided to write music on one of the organs she knew she was going to dedicate it to Hulda, a teenage girl 100 years into space and time of this very place. Hulda is also the name of one of the few women prophets in the Bible, appearing in the Old Testament with warnings of the doomsday. The album is written and recorded in the chapel by Felicia Sjögren."

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Francesca Guccione

The Geometry Of Time

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-09-27

LP | 2024 | Original (Neue Meister)

Wallis Bird Spark

Visions Of Venus

Release: 2024 / Original

Genre: Classical Music

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LP | 2023 | EU | Original (One Little Independent)

Henrik Lindstrand

Klangland

Release: 2023 / EU – Original

Genre: Classical Music

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Zisl Slepovitch Ensemble & Sasha Lurje

Shotns - Shadows: Songs From Testimonies In The Fortunoff Video Archive, Volume 3

2LP | 2024 | US | Original (Fortunoff Video Archive For Holocaust Testimonies)

LP | 2023 | EU | Original (Berlin Classics)

Release: 2024 / US – Original

Genre: Classical Music

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“Shotns - Shadows: Songs from Testimonies, Volume 3” - is the latest addition (2024) to the Fortunoff Video Archive’s Songs from Testimonies project., brought by the Zisl Slepovitch Ensemble featuring Sasha Lurje. The project brings to life painful memories of surviving the genocide, and memory of those who did not make it, but first and foremost these are the stories of these people’s lives. Volume 3 stays as linguistically and musically diverse as the previous two albums. Songs in Greek, Ladino, Yiddish, Hebrew, and Czech; music from concentration camps and ghettos of Vilna, Warsaw, and Lodz; music of cabaret and theatre from across the globe— adapted to tell the stories of suffering and betrayal, hope and loss.

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Ragnhild Hemsing

Vetra

Release: 2023 / EU – Original

Genre: Classical Music

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Felix Wiener Concert-Verein Klieser

A Golden Christmas

LP | 2023 | EU | Original (Berlin Classics)

Release: 2023 / EU – Original

Genre: Classical Music

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The Teskey Brothers With Orchestra Victoria

Live At Hamer Hall

2LP | 2021 | AU | Original (Ivy League)

LP | 2023 | EU | Original (RCO Live)

Release: 2021 / AU – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl. Still in shrink, but opened

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Mariss Jansons

Bilder Einer Ausstellung

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2023 | EU | Original (Promu)

Carlo Boccadoro

Naive Bayes

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2023 | EU | Original (Amicimiei)

Albert Alan Owen

Chorales

Artemis Quartett & Capucon & Harnoncourt

Release: 2023 / EU – Original

Genre: Organic Grooves, Classical Music

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AmiciMiei is very proud to announce the upcoming release of Chorales. Albert Alan Owen’s latest work is a meandering yet wonderful solo piano album recorded during the summer of 2020.

Deeply emotional and spiritual, Albert Alan Owen’s Chorales is a minimalist, profound and impressive listening journey. Captivating. 300 copies.

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Heroic Beethoven (Best Of)

2LP | 2020 | EU | Original (Warner Classics)

25,64 €* 26,99 € -5%

Release: 2020 / EU – Original

Genre: Classical Music

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Spark And Earth Clear Vinyl Edition

Mario Diaz De Leon

LP | 2023 | EU | Original (Denovali)

25,19 €* 27,99 € -10%

Release: 2023 / EU – Original

Genre: Classical Music

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Metrodora Red Vinyl Edition

Stratos Demetrio

LP | 1976 | EU | Reissue (Cramps)

Release: 1976 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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LP | 2023 | EU | Original (Erato)

John Eliot Ebs Gardiner

Wassermusik Water Music

Release: 2023 / EU – Original

Genre: Classical Music

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Itzhak Perlman & Bbc Roshdestwenskij

Violinkonzerte 1 & 2

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2022 | UK | Original (Jazzman)

Amanda Whiting

Lost In Abstraction

Release: 2022 / UK – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Paloma Clear Vinyl Edtion

Laila Sakini

LP | 2022 | UK | Original (Modern Love)

Schreier & Thomanerchor Staatskapelle Dresden

Release: 2022 / UK – Original

Genre: Electronic & Dance, Classical Music

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When Laila Sakini's debut album ‘Vivienne’ arrived in 2020, it felt like the record we were waiting for to map out our tangled reactions to an uninvited reality. Never self-consciously strange, it revealed itself slowly and cautiously, like a shadow in the corner of the eye, or an alchemical symbol in a bowl of alphabet spaghetti. This time around Sakini has worked her unique world-building to an even finer point, forming six tracks around a theme that's so close to our heart it's almost beating in time. Initially inspired by Krzysztof Kieślowski's 1991 arthouse classic "The Double Life of Veronique", the cult Polish director's enduring modern fairytale that serves as a cosmic rumination on identity and choice. Detailing two identical women - both singers, both in love - the film lets one live as the other dies, forcing us to consider the implications of art and endurance in the face of life's myriad challenges.

Sakini takes Polish composer Zbigniew Preisner's influential score for the film and uses it as a jumping-off point for ‘Paloma’, bending the more grandiose moments into baroque awkwardness on opening track 'Fluer D'Oranger' and evoking the mood of scene-setting cues 'Weronika' and 'Véronique' on the recorder-led 'The Light That Flickers In The Mirror'. And while Preisner's score zeroed in on the musical virtuosity of the film's lead characters, Sakini reinterprets that as a metaphor for self-discovery. Playing piano, violin, glockenspiel, timbale, recorder, and occasionally singing, Sakini captures a mood of innocence that immediately transports the listener back to simpler times. Her music isn't self-consciously simplistic, but forcing herself to interface with instruments impulsively rather than studiously, her sounds are all heart, no filigree.

In spirit, it reminds us of cult Canadian album "The Langley Schools Music Project", a collection of 1970s recordings of school kids singing rudimentary renditions of pop songs in a school gymnasium. That album's genius was in the bottling of hope and innocence: the feeling of joy from hearing and wholesomely interacting with music that's known and loved without a sense of hierarchy or desire for cultural clout. Sakini subtly subverts this by evoking the amateur spirit in the most bewitching way; instead of sourcing her ideas from Bowie, Fleetwood Mac and the Beach Boys, her stock is the established art canon, and by reforming those sounds she makes an insightful comment on intellectualism and access. European classical music is all too often trapped behind the frosted glass of respectability and assumed skill - craft replaces spirit, and technique replaces soul. By approaching these gestures from a different angle, Sakini softens the edges sonically and intellectually, finding music that bubbles with emotion, and most strikingly - hope.

Her choice of instruments and the way she interacts with them allows us to feel as if we're not only listening but contributing. It's a bottom-up way of absorbing art that's traditionally been top-down, and a reminder that we're all part of the experience, whether we're humming along to the remnants of a theme as it dribbles out of an ear in the shower, or dreaming of spotlights in a parallel life that may or may not be real. Sakini's music is nostalgic in a sense, but nowhere near the buttered popcorn and high-fructose candy migraine of the Netflix/Spotify algorithm generation of regurgitated churn. She makes sounds that remind us of what time and experience may have stolen from us, and how we might recover it. We're gagged.

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Peter Schreier Singt Weihnachtslieder

LP | 2022 | EU | Original (Berlin Classics)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Incunabulum)

Jozef Van Wissem

OST Nosferatu

Battiato Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Classical Music

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Jozef Van Wissem- Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds. In 2013 van Wissem won the Cannes Soundtrack Award at the Cannes Film Festival for Jim Jarmusch's "Only Lovers Left Alive ". In December 2017 Jozef van Wissem was invited to perform the madrigal depicted in Caravaggio's painting The Lute Player (1596) at the Hermitage museum of Saint Petersburg. In 2022 three of his works were used for in the soundtrack and trailer of Irma Vep (HBO). His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. "La Cinémathèque Française in Paris commissioned me to write and perform the score at the presentation of the restored version of Nosferatu. I was a bit overwhelmed by its success. It was sold out. I wasn't going to repeat it. But people kept asking. In the beginning the soundtrack was more improvised and reactive to the images but after a few times the audience kind of showed me the way. To start with a few notes and building the score slowly to a dense slow metal ending. I found an old 7-inch single with recordings of extinct birds on a market, I electronically processed and added them to the score . " Manipulating the sounds of electric guitar in alternate tuning he manages to create the feeling of fear, equal to the experience of the victims of Count Orlok. "To me Nosferatu personifies this Death Bird of the Plague. The Black Death depicted in the film offers a timeless parallel with contemporary society. The vampire Count Orlok infests the city with rats and people are infected with the plague. They must quarantaine. This provokes hysteria. Much like nowadays".

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Franco Battiato

LP | 1977 | EU | Reissue (RCA)

Release: 1977 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Some Kind Of Peace - Piano Reworks

Ólafur Arnalds

LP | 2020 | EU | Reissue (Mercury Classics)

Release: 2020 / EU – Reissue

Genre: Classical Music

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Pale Horizon White Teal & Beige Vinyl Edition

Spencer Zahn

LP | 2022 | EU | Original (Cascine)

Behold! I Make All Things New

Release: 2022 / EU – Original

Genre: Classical Music

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Limited White Teal & Beige Vinyl.Spencer Zahn's second record for Cascine emerged from a series of piano sketches born of daily improvisations in Kingston, New York, where he relocated during the pandemic after 14 years in the buzz of Brooklyn. Inspired by the space and pace of upstate life, he explored a more restrained, resonant mode of playing, letting chords delay all the way to silence, until the seeds of songs took shape. Zahn accompanied himself on upright bass, finessing each piece without cluttering it, focusing on the notion of "the instrument in a room.Recruiting long-time collaborator Andy Highmore for piano duties, the duo booked time at Figure 8 Recording in Prospect Heights to craft the lulling, lyrical 12-track suite of Pale Horizon. The tonality of the instruments was central to Zahn's vision, fusing them to feel like a single entity, with upright bass blending in an elegant gradient with the low strings on the piano. An air of Keith Jarrett and Ryuichi Sakamoto hangs over the collection, acoustic and unhurried, stately but subdued, ruminative daydream melodies heard on the breeze in a quiet garden.

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Jozef Van Wissem

LP | 2022 | EU | Original (Incunabulum)

Caroline Shaw / So Percussion

Release: 2022 / EU – Original

Genre: Classical Music

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Behold! I Make All Things New is all instrumental and consists of sparse works for lute and electronics. There are no vocals this time. It is more a return to the minimal neo classical style of his early work. It was written and recorded in lockdown in Warsaw and Rotterdam between 2019 and 2021. Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.According to the New York Times "Van Wissem is both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy". His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. The timeless value of his work can be described by one of his previous interviews: "_the lute goes against all technology and against all computers and against all the shit you don't need."

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Let The Soil Play Its Simple Part

LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Warner Classics)

Fatma Said

El Nour

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | UK | Original (Pan)

Patrick Belaga

Blutt

LP | 2021 | EU | Original (Be With)

Release: 2021 / UK – Original

Genre: Classical Music

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Conceived At The Heel Of Italy's Boot-Shaped Peninsula In Apulia, Patrick Belaga's Blutt Makes Music For The Unruly Imagination. The Title Is An Old German Word For 'Naked', 'Bare', But It Can Also Mean 'Blood' When Spelt Blut. Take Away Another Letter And It Makes 'Butt'. None Of These Definitions And Adaptations Were What Prompted The Classically-Trained Composer And Cellist To Name His Second Album With A Word Simulating The Sound Of A Punctured Artery. That Came Later. Blutt's Nine Woozy Compositions Are Inspired By A Contemplative Road Trip With A Friend, And The Mysterious Muffled Music Heard From An Unidentified Source. It Was A Combination Of Jazz And Classical Music That Haunted Belaga's Wanderings Through The Byzantine Town Gallipoli, And Soon Infected His Dreams Of Long-Gone Civilizations. This Record Is Its Outcome, Where Organic Instrumentals And Electronic Production Merge Into A Sound That's Both Contemporary And Ancient. Samples Of Mewing Incantations And Tape Hiss Sway Atop The Waltzing Thud Of Piano Chords On "Sigh". Composite Layers Of Belaga's Cello Play In Downcast Harmony On "Rust". There's A Wistful Sense For The Romantic, In The Eerie Rhythm Of A Piece Like "Momentum". The Quarter Tones Of An Eastern European And Middle Eastern Folk Scale Probe A Profound Melancholy Via Kai Knight's Violin. Its Notes Are Haunted By A Field Recording Of Running Water On "Unsoft", Echoes Of Panpipes And A Jew's Harp On Opener "Lilt". As A Consummate Composer And Performer Known For His Work With Artists Wu Tsang, Boychild, Josh Johnson And Asma Maroof, Belaga's Blutt Is Itself Marked By Flawless Collaborations. Vocalist And Instrumentalist Jazmin Romero Sings And Composes The Surreal Melodies Of "Grey Eye". Multidisciplinary Dance Artist And Producer Riley Watts Contributes To The Muted, Motorik Movement Of "The Tunnel Is A Tower". Together, The Record Plays As A Stunning Soundtrack To The Strangeness Of Sleeping, And The Heartbreaking Transience Of Time. Like An Intense Dream Half-Remembered, The...

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Steve Moore

Analog Sensitivity

Sigur Rós With Steindór Andersen & Hilmar Örn Hilma

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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When a synth master like Steve Moore joins forces with the legendary KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. The story of Analog Sensitivity starts with those soundtracks, or more specifically the time in between them. Rather than being commissioned by KPM, this LP comes from music Steve was recording sporadically and tinkering with for over three years during the downtime between his film projects. There were no ideas about what it was nor a plan for how it would be released, or even if it was going to be released at all. However, after Jon Tye invited him to play on the Ocean Moon project for KPM Steve realised that the hallowed library label might be the perfect home for what he had been working on. The people at KPM agreed. Finishing production in late 2019 in Albany, NY, he came up with the track sequencing and suddenly, he had an album: Analog Sensitivity.

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Odins Raven Magic

2LP | 2020 | EU | Original (Krúnk)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Warner Classics)

Martin Kohlstedt

Flur

Release: 2020 / EU – Original

Genre: Classical Music

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Thibaut Garcia / Oct / Ben Glassberg

Aranjuez

LP | 2020 | EU | Original (Erato)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Shelter Press)

Okkyung Lee

Yeo-Neun

Martin Kohlstedt / Gewandhaus Chor

Release: 2020 / EU – Original

Genre: Classical Music

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Springing from body of work spanning decades, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with ‘Yeo-Neun’. Her first outing with Shelter Press, and arguably her most ground-breaking and unexpected album to date.

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Ströme

LP | 2019 | EU | Original (Warner Classics)

Release: 2019 / EU – Original

Genre: Classical Music

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LP | 2012 | DE | Original (Denovali)

Poppy Ackroyd

Escapement

Release: 2012 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Beth Gibbons & The Polish Radio Orchestra

Henryk Górecki: Symphony No. 3

LP | 2019 | UK | Original (Domino)

LP | 2012 | US | Original (Kranky)

Release: 2019 / UK – Original

Genre: Classical Music

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Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.

The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski.

Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Penderecki has been hailed as triumphant, as you canhear on this release.

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Mirrorring

Foreign Body

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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The Undreamt-Of Centre Green Vinyl Edition

Laurence Pike

LP | 2024 | UK | Original (Leaf)

2LP | 2020 | EU | Original (Deutsche Grammophon)

Release: 2024 / UK – Original

Genre: Classical Music

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Preorder shipping from 2024-09-06

The Undreamt-of Centreis the fourth solo album by prolific Australian drummer/composer/producer Laurence Pike, an evocative, contemporary reimagining of the requiem mass. The album drawson the sounds of modern classical music, Japanese environmental ambient music, fourth world electronics, free jazz and the choral traditions of Estonia, with particular influence from Tallinn-based composer Tonu Korvits. Produced in collaboration with the Vox Sydney Philharmonia Choir, conducted by Pike"s childhood friend, composer Sam Lipmanand recorded in a 19th century Gothic church.

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Lang Lang

Goldberg Variations

Release: 2020 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2015 | DE | Original (Kick The Flame)

Martin Kohlstedt

Nacht Reworks

Release: 2015 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

LP | 2024 | Original (Leaf)

Matthew Bourne

This Is Not For You.

LP | 2022 | DE | Original (KulturManufaktur)

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-07-12

New album of piano pieces by Matthew Bourne, provocatively titled This Is Not For You. The album is a return to solo piano following a series of recent collaborations with other artists playing a variety of instruments, including Keeley Forsyth, Alabaster Deplume, Keith Tippett, MINING, Nightports, Mzylkypop, Visionist, Paula Rae Gibson, Shiver, Jameszoo, Emil Karlson and Marcus Vergette. This Is Not For You. showcases Bourne"s more contemplative side, but there are flashes of the unpredictability that makes him such a unique and inspirational performer.

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Toechter

Zephyr

Release: 2022 / DE – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | US | Original (Late Music)

Sarah Davachi

Cantus, Descant

LP | 2024 | Original (Rl Production)

Release: 2020 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Side B is VG+, other sides are NM. Beginning seam splits.

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Romain Sextet Leleu

Nuit Fantastique

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-08-02

Essential Maria Callas Black Vinyl Edition

Maria Callas

LP | 2024 | EU | Original (Elemental)

Release: 2024 / EU – Original

Genre: Classical Music

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Oème Symphonique - Revisite De La Symphonie N°1 "Titan" De Gustav Mahler Clear Vinyl Edtion

Jonathan Fitoussi

LP | 2024 | EU | Original (Obliques)

LP | 2024 | EU | Original (Futura Resistenza)

Release: 2024 / EU – Original

Genre: Classical Music

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Obliques presents Poème symphonique. Electronic music composer Jonathan Fitoussi revisits Symphony No. 1 “Titan” by Gustav Mahler as part of a world creation commissioned by Radio France. Concert recorded live in the large auditorium of La maison de la radio on November 18, 2023, Paris. Limited Edition clear vinyl LP - No Digital

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Limpe Fuchs

Pianoon

LP | 2024 | US | Original (Helical)

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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Renowned for her percussion genius, Limpe Fuchs surprises with a rare venture into her classical roots - the piano. Despite her extensive musical career, documented piano performances have been scarce until now. In this album she transcends time and expectation, diving into the instrument's essence. Her rhythmic finesse as a percussionist leaves an indelible mark on each keystroke. Join Fuchs on this intriguing late venture into the world of piano and savour every note on this unique and raw artistic encounter.

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Leonardo Barbadoro

Musica Automata

Inferno (Original Soundtrack)

Release: 2024 / US – Original

Genre: Electronic & Dance, Classical Music

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Musica Automata is an album that brings together two dimensions often perceived as incompatible: the boundless expressive possibilities of electronics implemented by an acoustic instrumental body in a sensory reality, beating, vibrating, and blowing. An orchestra of automated instruments – robots – controlled by digital impulses. This ensemble of musical robots (part of the Logos foundation in Ghent) includes numerous classical instruments as well as many unconventional instruments, making it the largest orchestra of robots in existence. The expressive possibilities of these instruments, thanks to their many controllable parameters, are innumerable: in fact, these are not limited to note control, but also dynamics, sound envelope, microtonal control and much more. If it is true that an electronic instrument can foster compositional invention, exploring where the musician, due to anatomical limits, cannot go, it is equally true that the sound produced by a vibration in real space has physical characteristics that make the sonic uniqueness of every single event fascinating. The second aspect is the precise control of every detail of the performance. Traditionally, the composer entrusts the score to the musicians, who perform it by translating the signs into actions. In this scenario, an ineliminable gap emerges between the author's concept and the sound event. This, in the case of Musica Automata, does not happen: Leonardo was able to calibrate and draw every tonal detail for every single note played. What you hear, therefore, is the exact and arbitrary snapshot of the musical fact imagined by the author who, in doing so, also becomes the performer of his own work. To be faithful to the performance of the pieces, Leonardo has chosen a radical approach: no artificial processing has been added in post-production, even the reverberations of the instruments are those recorded in the real environment and with them, the sounds of the moving robots that become part of the music itself.

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Keith Emerson

LP | 1981 | JP | Original (Polydor)

LP | Original (Ghost Ship)

Release: 1981 / JP – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM. Cover is missing.

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Oly Ralfe

Notes From Another Sea

Release: Original

Genre: Classical Music

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Kara-Lis Coverdale And Lxv

Sirens

LP | 2015 | EU | Reissue (Umor-Rex)

Assoluta Mar ia Callas Crystal Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schizophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body.

Composed and recorded by Kara-Lis Coverdale and David Sutton. Mastered by John Tejada. Cover photograph by Cody Cobb. Layout by Daniel Castrejón.

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Maria Callas

Release: 2023 / EU – Original

Genre: Classical Music

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La Divina Mar ia Callas Red Vinyl Edition

Maria Callas

Release: 2023 / EU – Original

Genre: Classical Music

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10" | 2023 | EU | Original (Deutsche Grammophon)

Joep Beving

Post

Release: 2023 / EU – Original

Genre: Classical Music

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Schubert: Impromptus D 899 & D 935

Elisabeth Leonskaja

2LP | 2018 | EU | Original (Warner Classics)

Release: 2018 / EU – Original

Genre: Classical Music

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Itzhak Perlman / Carlo Maria Giulini / Cso

Violinkonzert

LP | 2017 | EU | Original (Warner Classics)

Release: 2017 / EU – Original

Genre: Classical Music

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Simon Rattle / POL / The Ambrosian Singers

Holst: The Planets

Release: 2023 / EU – Original

Genre: Classical Music

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Maria Callas From Studio To Screen

Maria Serafin Callas

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Warner)

Vision String Quartet

Spectrum

24,79 €* 30,99 € -20%

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (ECM)

Evgueni Galperine

Theory Of Becoming

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Deutsche Grammophon)

Daniel Barenboim

Encores

Release: 2022 / EU – Original

Genre: Classical Music

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Johannsson, Johann / Echo Collective

12 Conversations With Thilo Heinzmann

LP | 2019 | EU | Reissue (Deutsche Grammophon)

Release: 2019 / EU – Reissue

Genre: Classical Music

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Schumann: Kinderszenen Op.15 & Kreisleriana Op.16

Martha Argerich

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Nikolaus Harnoncourt / Wiener Sängerknaben

Music At The Court Of Emperor Maximilian I

LP | 2017 | EU | Original (Deutsche Grammophon)

Release: 2017 / EU – Original

Genre: Classical Music

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LP | 2017 | EU | Original (Between Buttons)

Henrik Schwarz

Works Piano

Music From The Temple Of Light

Release: 2017 / EU – Original

Genre: Classical Music

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Henrik Schwarz and !K7 are proud to announce a collaboration that will bare many different musical fruits. The first of these is a brand new label called Between Buttons, curated by Henrik and focused on acoustic sounds and contemporary compositions. Between Buttons will be in partnership with !K7’s own neo-classical hub 7K!, and will kick off with a new mini LP by Schwarz entitled Works Piano, followed by an EP entitled Aphorisms by Syrian artists Khaled Kurbeh & Raman Khalaf Ensemble. Mixing up old and new technologies, experimental and more classical approaches, the label will see Schwarz forge new paths in his own work, as well as curating material from the peers he has worked with over the last 15 years. Mainly made up of acoustic sounds, piano, string quartets, self-built instruments, percussion and intriguing classicist elements with a modern twist, there will be EPs from piano virtuoso Bugge Wesseltoft, as well as other electronic producers wanting to show themselves in a different, more 'unplugged' light. “In these times of constant turbo mode, likes and thumbs-up, we need to go back to basics,” says Henrik. “We want to move away from the idea that relentless hasty productivity is a must, and instead take time to create space, to let ideas mature and to focus the mind on subtler sounds.”
Works Piano will be a four track mini album that uses a Yamaha Disklavier as the starting point and reimagines it, reworks it and alters it with various digital and recording technologies. One track is a created with a reactive algorithm and one is composed purely from altered and processed piano sounds.

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Peter Culshaw

LP | 2023 | EU | Original (Iskra)

24,29 €* 26,99 € -10%

LP | 2022 | EU | Original (Masterworks)

Release: 2023 / EU – Original

Genre: Electronic & Dance, Classical Music

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Peter Culshaw was described by Malcolm Mclaren as “the Indiana Jones of World Music” and has tracked down music from the Amazon to Siberia and lived with Pygmies in Central Africa and dervishes in Istanbul. Culshaw interviewed many of the greats including Fela Kuti, Nusrat Fateh Ali Khan, Caetano Veloso and Ibrahim Ferrer. His book Clandestino, now published in ten languages, was a biography/ travelogue on the road with Manu Chao. The result of decades of research is this, his first solo album. As a composer, his East-West group West India Company’s album New Demons, which featured Bollywood diva Asha Bhosle, was released by Editions EG , a label set up by Brian Eno. He has composed award - winning music for assorted dance companies and animated films. He wrote an “opera” recorded in Havana, to be released soon. Music From The Temple of Light was recorded mainly in Half Step Audio, in Mumbai with some of the most vital contemporary Indian musicians including Paras Nath on bansuri flute and Chandana Bala Kalyan on enchanting vocals. The music is a mysterious mix of East and West, ancient and modern, led by minimal tantric piano, objective, meditative music for a chaotic age. Other recordings took place in pre-war Odesa and it was mixed in London. It is the first part of a trilogy. The project was funded by the sale of Malcolm Mclaren’s classic Mercedes, which he left to Culshaw and some successful bets on Leicester City Football Club. The next release on Iskra in 2023 will be Aeroclube - an anglo-Brazilian fever dream. recorded in Salvador, Bahia. Music From THE Temple OF Light will be released on Vinyl, CD and digitally in March 2023, preceded by a trio of “singles”……

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Avril & Monthaye

Lastman Heroes

24,29 €* 26,99 € -10%

Release: 2022 / EU – Original

Genre: Classical Music

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Trina Basu & Arun Ramamurthy

Nakshatra

LP | 2023 | EU | Original (Spinster)

Release: 2023 / EU – Original

Genre: Classical Music

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Florian Christl & Ndr Radiophilharmonie & Ben Pal

About Time

LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Deutsche Grammophon)

V.A.

Summer Tales

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Gülbaba)

Ozan Tekin

Anarya

LP | 2022 | EU | Original (Mercury Classics)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Preorder shipping from 2024-08-02

Cologne - based composer and multi - instrumentalist Ozan Tekin’s second studio album “Anarya” will be released via Gülbaba Records on May 27 th . Tekin winds his musical journey back from Cologne to Adana with a long layover in Istanbul in “Anarya”. A triangle of migration drawn by musical notation and performance. The album is composed of 14 tracks and each one of them is a sound story that echoes Tekin’s distinct memories from these three cities. “Anarya” is the end product of a process in which Tekin and his upright piano co - tuned each other. It is an artistic representation of the idiosyncratic phenomenon called stimmung in German; a spectrum of tones, moods and atmospheres expressed in personal and instrumental terms. Tekin concludes the piano conversations from his previously released EPs in 2021 (“Anarya I” and “Anarya Ii”). The remarkably catchy melodies and immersive melancholic arpeggios fl ow throughout. The transposed narrative of “Anarya” sprung up from its roots when Tekin came across with a 66 - years old worn out piano in Cologne. Mesmerized by its unique sound, he felt the urge to make recordings with this piano before it fell apart. Aft er spending months learning its mechanics, Tekin recorded his second album with the old upright piano he repaired and brought back to life. The uneasy changes in time signatures and ambient ornamentations with gloomy synths of 80’s, lush strings and room tones set up the atmospheric stage of “Anarya I” in the first five tracks. Following six tracks of the album attempts to revisit Tekin’s emotional and episodic memories in Istanbul. His unaffected absorption into piano music in the first two parts of “Anar ya” are followed by his coyishly joyful tracks later in the album: an idle “ode”, a lost “lament” and a colorful “jam”. These three tracks blend the neoclassical, jazz and ambient sounds of Cologne and Istanbul with sentiments of childhood and rascality in Adana. The piano conversations of Tekin throughout “Anarya” are accompanied by his analogue synthesizers, vocals, bass guitar, Hanitra Wagner’s violin and Berke Can Özcan’s drums , percussions and vibraphone, and Emre Malikler’s mix and mastering. The sou nds of collaboration go deeper and louder as the album’s tracks move forward and Tekin’s memories go backwards simultaneously. Anarya gitmek (“to go back”) is a vernacular saying from Tekin’s hometown Adana and Tekin makes a figurative attempt to migrate b ackwards via the compositions that came into being in his most recent home, Cologne. Having been born out of an upright piano, Tekin’s compositions have instrumental origins, however, due to his constantly mutating sense of belonging, his melodies can’t be pinpointed to any specific heimat . Tekin’s continuously transforming music is an invitation to his listeners to explore and experience his music in their own terms. Tekin’s personal memories that shape “Anarya” is open to new forms of sonic exploration and rearrangement. This openness lies in Tekin’s determined faith in not to be entrenched in any single genre. The immersive intimacy radiating from the collaborative piano conversations in “Anarya” is an invitation signature to his music’s current and fut ure followers. Text by Mehmet Ekinci

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Lambert

Open

Release: 2022 / EU – Original

Genre: Classical Music

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A Matter Of Life Black Vinyl Edition

Penguin Cafe

LP | 2011 | EU | Reissue (Erased Tapes)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Quadro Nuevo / Münchner Rundfunkorchester

Volkslied Reloaded

2LP | 2019 | EU | Original (Sony Classical)

Release: 2019 / EU – Original

Genre: Classical Music

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Marianne Faithfull / Rso Wien

The Seven Deadly Sins

2LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Classical Music

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Twentieth Century Blues-An Evening In The Weimar

Marianne Faithfull

2LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Sony Classical)

Alexis Ffrench

Truth

Release: 2022 / EU – Original

Genre: Classical Music

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Genre: Classical Music

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Havels, The (Irena & Vojtech Havlovi)

Saving One Who Was Dead / Little Crusader

LP | 2022 | EU | Original (Sirius)

4 Hands Black Vinyl Editoin

Release: 2022 / EU – Original

Genre: Classical Music

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"Absence of the loved one is a theme running through both films, but during the creative process we never discuss with the Havels the themes, symptoms or attributes of the characters. We do not specify any meanings. Our collaboration is intuitive, based on interconnectedness. We neither explain things to each other nor analyse. From the outset we have a common goal: to quieten the viewers’ perception, to attune them to certain vibrations by visual, musical and acoustic repetitions, thus enabling them to focus on every tiny detail, every subtle aesthetic quality, so that by the end of the film they have a sense of reconciliation. In fact it is a state similar to meditation or prayer. The aim is being shown Mercy. Each time, the linking of the filmed images with Irena and Vojtech’s music has uncovered a new quality that we have named: a commentary on eternity. Characters cease to be determined by their senses, psychological motivations, or the times they live in. They find liberation in the stream of eternal time." /Václav Kadrnka

"We would like to thank all our friends, sound engineers and musicians. The main thanks go to director Václav Kadrnka, his family and all his collaborators for the precious opportunity to assist them in creating both films. We have worked on our music for the film Saving One Who Was Dead for three years. We met with Václav, discussed the screenplay while it was being born and many other things. We have gradually prepared several working versions that included compositions for piano, Indonesian gamelan, gongs, Tibetan bowls, bells and mini-bells. Yet, step by step, we made it simpler and simpler and eventually only kept violas da gamba, organ and chanting. Everything else was redundant. We made most of the recordings of the compositions for viola da gamba in a church in Prague. The composition for organ was recorded in Milan where we performed a concert shortly before the pandemic arrived in December 2019. We tried to record it in various churches in Bohemia but it was not until the church in Milan that we found the best sounding organ.

As for Little Crusader, we recorded the music for the film after it was completed. We had several versions and used the piano version for this album. Together with Václav, we searched for instruments that would work the best for this Medieval story. Eventually, we opted for harmonium with simple chanting which accompanies the character little boy Jenik. Violas da gamba intertwine, move close and then apart from each other the same way as paths of little boy Jenik and his father who is searching for him. Simple chanting and Tibetan bowl accompany scenes with little boy Jenik’s mother who awaits them at home. Trombone and saxophone are like metal swords and the knights’ armor. Violoncello and viola da gamba walk in the rhythm of horse’s hooves, in the rhythm of heartbeat of both the horse and his rider – a father searching for his lost son." / Irena and Vojtěch Havlovi

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Roedelius Story

LP | 2022 | EU | Original (Erased Tapes)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Bryce Dessner / Aaron Dessner / Lco

Cyrano

2LP | 2022 | EU (Universal Music Classics)

Release: 2022 / EU

Genre: Classical Music

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Teskey Brothers & Orchestra Victoria

Live At Hamer Hall

2LP | 2021 | EU | Original (Vertigo Berlin)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Sony Classical)

Esther Abrami

Violin Classics

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Downwards)

Ann Margaret Hogan

Without The Moon

LP | 2021 | EU | Original (Infine)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Hogan’s involvement with new wave, new romanticism, post punk and all-things-avant makes her a uniquely placed character through the last four decades on the scene - her recording/performing biography intersects with everyone from Soft Cell, The The and The Human League through to Simon Fisher Turner, Barry Adamson, The Style Council and more recently with Karl O’Connor aka Regis’ Downwards universe. For ‘Without the Moon’ (a title borrowed from Cathi Unsworth’s book of the same name), Hogan pulls out some of the most satisfying collaborations from her archive, featuring a couple of tracks originally released in 1985 on Cabaret Voltaire’s Doublevision label, as well as recordings that are here issued for the very first time. It’s properly all-over-the-place brilliance, ranging from Nick Cave’s incredible 1983 piano blues slo-mo grind ‘Vixo’ all the way thru to the Paul Kendall (Nitzer Ebb/Depeche Mode) engineered ‘Come Take My Hand’ produced and featuring Barry Adamson and sounding like some vintage Les Disques du Crépuscule poolside obscurity. Opening with ideas mapped out while staying at Lydia Lunch’s gaff in summer ’83, the record lassos 30 years of Hogan’s personal highlights, harking to a time circa 1984 when she regularly caught The Birthday Party playing Leeds or London, often crossing paths with Cave, and right thru to 1989’s ‘Come Take My Hand’. While ‘Delirious Eyes’ is a gorgeous slow dervish of swaying middle eastern scales featuring Gini Ball’s elusive smoke trail vocals, it’s best heard in context of the sequencing, which soon erupts with Marc Almond’s vocals on the arsonist thrill of ‘Burning Boats’ and JG Thirlwell’s signature clangour, while ’Scattered Carelessly’ was written in 2008 and gives the sweetest canvas for Hogan’s keys complemented by a whispering Jarboe ov Swans, and ‘Black Nocturne’ stars a perfectly tempered guitar shimmer by Kid Congo Powers, a longtime accomplice, whom Hogan first heard playing guitar on The Cramps’ records that she played in DJ sets at the time. Illuminated by Hogan’s favoured solo piano, ranging from flickering candlelight to hammering theatrics, and even including a rare appearance of her vocals on the could-have-been-a-popsong closer, the six songs on ‘Without The Moon’ speak to an incredibly rich artistic life spent immured at the core of her practice. Song to song, she outlines an extraordinary oeuvre that ties together and leaps between eras, drawing on decades of experience as a performer, composer, collaborator and ardent listener to portray a full spectra of styles she’s been involved in shaping for decades. Stunning.

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Gaspar Claus

Tancade

2LP | 2021 | EU | Original (Sony Classical)

Release: 2021 / EU – Original

Genre: Classical Music

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Tancade is the solo debut by experimental cellist Gaspar Claus. Following on from his previous soundtrack work and a wealth of collaborations (incl. Bryce Dessner, Sufjan Stevens, Jim O’Rourke), Claus brings forth a collection of pieces which free the cello from its own limitations. Majestic and adventurous, stormy and radiant, dreamy and rigorous, Tancade defies categorisation, evoking chamber music suspended in the fourth dimension, the soundtrack of an experimental film or the strange folk music of an undiscovered tribe.

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Martin Stadtfeld

Piano Songbook

23,99 €* 29,99 € -20%

Release: 2021 / EU – Original

Genre: Classical Music

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Emily D'angelo / Das Freie Orchester Berlin

Enargeia

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Martha Argerich / Charles Dutoit / Royal Philharmonic Orchestra

Tchaikowsky: Klavierkonzert 1

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Irena And Vojtech Havlovi

Melodies In The Sand

LP | 2021 | EU | Original (Melody As Truth)

Piero Milesi, Daniel Bacalov

Release: 2021 / EU – Original

Genre: Organic Grooves, Classical Music

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Melody As Truth present “Melodies In The Sand”, a collection of works from Czech artists Irena and Vojtěch Havlovi. The husband-and-wife duo began working together in the mid 80’s as part of experimental ensemble Capella Antiqua e Moderna, a unique association of musicians whose repertoire spanned various styles of European classical music. With an inventive and unorthodox approach to both historical and modern compositional techniques and interpretive procedures, the Havel’s have steadfastly developed a unique and musically autonomous language which continues to expand to this day. Spanning their early work in Capella Antique e Moderna to recent pieces recorded for Viola De Gamba, ‘Melodies In The Sand’ is presented to the listener with the simple aim of shining a light on these incredible musicians. Their work has within it the ability to penetrate and enrich the innermost corners of a perceptive human soul, a gift which they share with sincerity and humbleness.

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La Camera Astratta

LP | 2018 | IT | Original (Soave)

Release: 2018 / IT – Original

Genre: Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | US | Original (Deathbomb Arc)

White Boy Scream

Bakunawa

LP | 2020 | EU | Original (Vizztone)

Release: 2021 / US – Original

Genre: Classical Music

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White Boy Scream is the experimental classical project from opera singer and composer Micaela Tobin. On her latest release, 'bakunawa', she dissects her voice through the use of electronics as a means of exploring identity and ancestral trauma. “bakunawa” is an homage to the pre-colonial mythology of her motherland, the Philippines. Part sonic ritual, part diasporic storytelling. Micaela Tobin is currently on Faculty as a Voice Instructor at the California Institute for the Arts. She most recently performed a principal role in the critically acclaimed experimental opera, Sweet Land (comp.Raven Chacon & Du Yun), which made it’s U.S. premiere in March 2020. Her previous album, 'Remains' was listed as one of the top 10 Noise/ Industrial Albums of 2018 by The Wire Magazine.

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Lucky Losers

Godless Land

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2016 | EU | Original (Mercury Classics)

Ólafur Arnalds

Island Songs