Classical Music 700 Items

2LP | 2022 | EU | Original (Infine)

Release: 2022 / EU – Original

Genre: Classical Music

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"The stakes are high; if I mess up the last bar, the whole recording is ruined." As Dutch pianist Nicolas van Poucke acknowledges, there is an electricity in the room whenever the lathe is on. Direct-to-disc recording generates tension and release unlike other methods, not least in the final moments of a 20-minute solo piano recital. Described as "the young freethinker" of his generation, van Poucke relished the challenge. Having spent day one setting up to record works by Frédéric Chopin, van Poucke changed tack on day two to perform two Beethoven piano sonatas - Sonata No. 12 Opus 26 in A flat major, and Sonata No. 23 Opus 57 in f minor, also known as the "Appassionata".

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Vanessa Wagner

Study Of The Invisible

A Wave From A Shore Bleeding Glacier Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Classical Music

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France pianist Vanessa Wagner continues her exploration of the minimalist repertoire by introducing her audience to pieces, many rare or unpublished, by acclaimed composers, young pianists, and genre-bending personalities from the ambient and electronic scenes. In France or even Europe, Vanessa Wagner is practically the only “classical” pianist to tackle this contemporary and timeless repertoire. Study Of The Invisible features interpretations of pieces by a spectrum of composers that includes Suzanne Ciani, Harold Budd, David Lang, Bryce Dessner and Phillip Glass. Info: France pianist Vanessa Wagner continues her exploration of the minimalist repertoire by introducing her audience to pieces, many rare or unpublished, by acclaimed composers, young pianists, and genre-bending personalities from the ambient and electronic scenes. In France or even Europe, Vanessa Wagner is practically the only “classical” pianist to tackle this contemporary and timeless repertoire. Study of The Invisible features interpretations of pieces by a spectrum of composers that includes Suzanne Ciani, Harold Budd, David Lang, Bryce Dessner and Phillip Glass.

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Disassembler

LP | 2022 | US | Original (Western Vinyl)

LP | 2022 | US | Original (Western Vinyl)

Release: 2022 / US – Original

Genre: Electronic & Dance, Classical Music

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Via tape loops and synth motifs sent from LA to NY, sound artist Christopher Royal King has teamed with violinist and composer Christopher Tignor toward richly timbral, emotionally gripping works of spontaneity that unfurl immense details with each replay while marrying west coast outboard-ambient to studied east coast modern classical. The resulting debut album, A Wave From A Shore, exhibits both artists' sonic identifiers falling in and out of cooperation before binding into a new entity distinct from either's solitary palettes. A visual artist whose work includes album covers for Thrice and Deftones in addition to video bumps for Adult Swim, Christopher Royal King spent his teenage years cutting his teeth on heavy metal and punk before gravitating, quickly and perhaps unexpectedly, toward experimental composers like Philip Glass and Terry Riley. This unlikely seesaw of influences led directly to King forming the post-rock pillar This Will Destroy You with fellow San Antonio native Jeremy Galindo. Similar to his former band's output, King's solo meanderings impart a mood of buoyancy and contemplation while hinting at darker, more shadowy hues beneath the glimmer, making his music stand apart from the glut of New Age droners and modular-synth influencers. Where the genre at large is sometimes guilty of being the spiritual equivalent of a topical balm, King's aesthetic is more like a rigorous therapy session that's as healing as it is confronting. Christopher Tignor first crossed paths with King in the mid 2000s, lending string arrangements to This Will Destroy You releases, and sometimes touring as a live member of the group. Over the years, Tignor has mounted an impressive discography under his own name and with his groups Slow Six, and Wires Under Tension, all while completing Princeton's PhD program for music composition, and NYU's Masters of computer science program. He put the full power of his dual studies to use, arriving at the illusionist-like meld of sound design and physical performance that his current-day solo efforts portray. In his own words "I banned backing tracks, click tracks, and even live looping - anything that would enforce a strict grid. All sounds originate from me kicking a drum, playing the violin, or various natural percussion sources. I built software that lets me do all this. This offers an unprecedented amount of control over this music's elastic sense of time." King's own music follows parallel rivulets of happenstance, but in desktop form, his array of analog gadgets in perpetual dialogue with one another as he omnipotently guides and documents the chatter. Tignor's lucid string work frames King's impressionism, sharpening the focus while being softened by the textural overgrowth. Their debut A Wave From A Shore does its part to rescue ambient music from its purely anesthetic functionality, offering instead a profound, often ravaging emotional experience for listeners who wish to be moved and not just lulled.

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Rob Burger

Marching With Feathers

Nikos Giousef, Irene Tiniakou, George Katsanos

Release: 2022 / US – Original

Genre: Classical Music

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Rob Burger's keyboard work can be heard in everything from Guggenheim showcases to the blockbuster film Ocean's 8 -- in addition to albums by John Zorn, Laurie Anderson, and Iron & Wine -- but the moonlit compositions he spins up on his own may be his most compelling work. His newest solo venture, Marching With Feathers, departs from the controlled exotica and kosmische of 2019's The Grid towards a genreless seesaw of electrified apprehension and capacious piano rumination. Piano-based tracks like "Figurine" and "Still" draw the listener into a realm of quiet contemplation, while arid psyche vignettes like "Library Science" and "Hotel For Saints" imbue the collection with a vital groove, conjuring images of a searing, high desert plain. At the core of the album is a central dichotomy between strength and gentleness, power and vulnerability. By uniting these seemingly opposing concepts, Burger catches you off guard by carving trails that turn from mirage to starkreality at every bend. As the album draws to a close, the listener feels as though they're waking from a dream, pensive yet determined to rise, like a lost hikerreaching a vista - or a clenched fist full of feathers.

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Adagios From The Underground

2LP | 2020 | EU | Original (Underflow)

4 Hands Clear Vinyl Editoin

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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"In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. ‘An otherworldly child’s voice’, ‘a Siren’s voice’ or ‘a castrato voice’, as it has been described, it easily climbs to tonic heights that the human voice can only reach with great effort." The pieces chosen for the program reflect this criterion, with works such as the aria “Erbarme Dich, Mein Gott” from the oratorio of J. S. Bach's “St Matthew Passion”, “Ave Maria” from Franz Schubert's “Ellens Gesang Iii”, H. Purcell's “Music for a while” as well as choral works like “Lacrimosa” from W. A. Mozart's Requiem and the First part (Grave) from G. B. Pergolesi's “Stabat Mater”. S. Rachmaninov's “Vocalise” is also a very interesting choice for musical saw, a song without lyrics as it is. The program also includes two works by greek composers, Ioannis Planiteros's “Ina ti”, written in the 17th century and still performed nowadays by local choirs in Zakynthos, and “ The Trawler” from Nikos Skalkotas's popular ballet “The Sea”, as a tribute to the great composer on the occasion of the 70th anniversary of his death. George Katsanos, in three ambient tracks of the album, is really traveling us in the mysterious amazing music world of "Adagios from the Underground". Nikos Giousef soprano and baritone musical saw Irene Tiniakou piano George Katsanos Moog synthesizer, music box, kalimba, effects

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Roedelius Story

LP | 2022 | EU | Original (Erased Tapes)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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2LP | 2021 | EU | Original (Sony Classical)

Dirk Maassen

Echoes

Release: 2021 / EU – Original

Genre: Classical Music

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Jakub Jozef Orlinski / Il Pomo D'oro / Corti / Said, F.

Anima Aeterna

2LP | 2021 | EU | Original (Erato)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Sturmfreie Bude)

Deine Freunde

Das Weihnachtsalbum

Release: 2021 / EU – Original

Genre: Classical Music, Childrens

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LP | 2021 | EU | Original (Warner Classics)

Riopy

Bliss

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Erased Tapes)

Nils Frahm

Graz

Nikolaus Harnoncourt / Cmw

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Piano Day 2021 sees Nils Frahm surprise the world with his Erased Tapes debut. Wait, what? How? Anyone who has seen the trail blazing sonic pioneer live will know Nils likes to deadpan a joke. Graz is in fact the first studio album he recorded for the label back in 2009, that somehow remained a secret… until now. Nils Frahm has quietly changed the musical landscape, reincarnating the centuries old figure of a pianist-composer for a new generation of music fans. As Nils’ word-of-mouth popularity grew and grew, so did the pop-culture profile of his instrument. He founded Piano Day with a team of like-minded friends in 2015 to help that process, some years releasing an album of piano recordings to celebrate one of humankind’s greatest inventions. Graz is one such record; an unheard snapshot of a young Nils recorded at Mumuth, the University of Music and Performing Arts Graz, in 2009 as part of the thesis Conversations for Piano and Room produced by Thomas Geiger, which received an award in the Classical Surround Recording category at the 127th AES Convention in New York. Whilst at the time it was decided to keep the grand piano recordings from the Graz sessions locked away and instead focus on his close mic’ed, dampened piano explorations which would become his acclaimed studio album Felt in 2011, two of the pieces — most notably Hammers — lived on as part of his live set, and were expanded on and re-recorded as part of his breakthrough 2013 record Spaces (a collage of field recordings from concerts which broke the Fourth Wall and included audience coughs). Over his mercurial career, Nils has pushed and pulled at the boundaries and parameters of his prolific work like that. He’s physically changed his piano (the softened prepared strings of Felt) played with a modified body (Screws recorded with 9 fingers and a broken thumb) played with scale (Solo recorded on the 3.7 metre high Klavins M370) and with the different layers of formats (last year’s Tripping with Nils Frahm nested his studio setup inside a live performance, concert film and live album). Now with Graz he has found the final frontier for play: time itself and his own discography. Graz is a moment of time at the very beginning of Nils’ quiet revolution. The essential genius is already evident; the harmonic language of classical, and the immediacy of jazz. Nils seems to pull down each idea moment by moment, gently, to not scare away the muse. He describes: “sometimes when you hear a piano, you might think it’s a conversation between a woman and a man. At the same time, it can hint at shapes of the universe and describe how a black hole looks. You can make

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Brandenburgische Konzerte 1-6

2LP | 2021 | EU | Original (Warner Classics)

Release: 2021 / EU – Original

Genre: Classical Music

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Wilhelm Furtwängler & Wiener Philharmonika

Sinfonien 1 & 3 "Eroica"

2LP | 2021 | EU | Original (Warner Classics)

Release: 2021 / EU – Original

Genre: Classical Music

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2LP | 2021 | EU | Original (Erato)

Anne Queffelec

Gymnopedies, Gnossiennes

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | US | Original (Western Vinyl)

Elori Saxl

The Blue Of Distance

2LP | 2020 | EU | Original (Parlophone Label Group)

Release: 2021 / US – Original

Genre: Classical Music

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Limited Edition Cloudy Clear Vinyl.Combining Processed Recordings Of Wind And Water With Analog Synthesizers And Chamber Orchestra, Elori Kramer's The Blue Of Distance Is An Audio Dissertation On The Role Technology Plays In Our Relationships To Geography And Nature, Unspoolinginto An Examination Of Memory And Longing Across Seven Sections That Layer Filmic Minimalism Over Churning Electronic Soundbeds. Half Of The Suite Was Written In The Adirondack Mountains During Summer Amid Lakes, Rivers, And Moss-Ladenforest Floors, While The Other Half Was Conceived On A Frozen Lake Superior Island In Deep Winter, Creating A Subtextual Dialogue Between The Two Extreme Settings. Kramer, Who Was Born In 1990 And Grew Up Alongside The Internet, Uses Her Musicto Explore Nature In The Actual And The Virtual World, Through Direct Experience And Facsimile Alike, Focussing And Blurring The Line Between The Two. "Looking Back At My Videos Of That Summer-- Which Is Where The Processed Audio Came From-- I Triedto Remember What It Had Felt Like To Be There," She Recalls, "Thinking About Questions Of Reality Versus Imagination; Physical Versus Digital; And The Ways In Which Memory Shifts Through Our Minds And Technology." The Title The Blue Ofdistance Was Derived From Rebecca Solnit's Book A Field Guide To Getting Lost, Referring To The Phenomenon Of Faraway Mountains Appearing Blue Due To Light Particles Getting Lost Over Distance. "If We Were To Go Up To The Mountains Thatappear Blue From Far Away, We Would See That They Weren't Actually That Color." She Says. "This Beauty Is Made Possible Because Of Their Distance," Much In The Same Way That The Splendor Of A Lush Season Is Only Fully Realized In The Throes Of A Bleak One, And The Joy Of An Event Can Only Be Felt When It Has Long Since Been Consigned To Remembrance.R.I.Y.L Kaitlyn Aurelia Smith, Philip Glass, Steve Reich, Josiah Steinbrick, Emily Sprague

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Simon Rattle

The Nutcracker

Release: 2020 / EU – Original

Genre: Classical Music

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Klaviersonate 29, Op.106 "Hammerklavier"

Igor Levit

2LP | 2019 | EU | Original (Sony Classical)

Release: 2019 / EU – Original

Genre: Classical Music

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Schwellenbach / Hauschka / Brandt / Frick / Sarp / Farah

Steve Reich: Six Pianos

LP | 2016 | EU | Original (Film)

LP | 2015 | EU | Original (Erased Tapes)

Release: 2016 / EU – Original

Genre: Classical Music

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2022 repress

Steve Reich´s "Six Pianos" played by Gregor Schwellenbach, Hauschka, Daniel Brandt, Paul Frick, etc. The LP comes in a special printed sleeve and 180g Vinyl plus a WAV&MP3 Download code.

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Lubomyr Melnyk

Rivers And Streams

Release: 2015 / EU – Original

Genre: Electronic & Dance, Classical Music

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LP | 2014 | EU | Original (Music On Vinyl)

Philip Glass

Low Symphony

Release: 2014 / EU – Original

Genre: Classical Music

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First time on vinyl.
Pressed on 180g audiophile vinyl.

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LP | 2024 | EU | Original (Erato)

Alexandre Tharaud

Bachtharaud

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-10-18

LP | 2024 | EU | Original (Sony Classical)

Danny Elfman

OST Spider-Man 2

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-09-27

Griegfranckshor-Pletnevschostakowitsch

Lozakovich / Pletnev

LP | 2024 | EU | Original (Warner Classics)

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-08-30

LP | 2024 | Original (Neue Meister)

Meinen / Falgren

The Circle

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-08-23

LP | 2024 | EU | Original (Parlophone Label Group)

Pati / Onba / Villaume

Nessun Dorma

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-09-20

LP | 2024 | EU | Original (AD93)

James William Blades

Pare De Sufrir

Nathalie Stutzmann / Atlanta Symphony Orchestra

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-10-04

Artist, composer and producer James William Blades" score Pare De Sufrir will be released via AD 93. Today Blades will be releasing a preview of the album with the single Alma Germela. Pare De Sufrir (translating to "End of Suffering") is the official soundtrack to A.G Rojas" film of the same title.

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Sinfonie Nr.9 "Aus Der Neuen Welt"

LP | 2024 | EU | Original (Erato)

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-08-30

LP | 2017 | EU | Original (No Format)

Koki Nakano

Lift

Release: 2017 / EU – Original

Genre: Classical Music

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Caine:The Passion Of Octavius Catto

Uri Caine

LP | 2020 | Original (Winter & Winter)

Release: 2020 / Original

Genre: Classical Music

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OST Cowboy Bebop: Songs For The Cosmic Sofa

Seatbelts

LP | 2024 | EU | Original (Masterworks)

Release: 2024 / EU – Original

Genre: Classical Music

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2LP | 2016 | EU | Original (Warner Classics)

André Previn

Der Nussknacker

Release: 2016 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Erato)

Renaud Capucon

Un Violon À Paris

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Deutsche Grammophon)

V.A.

Winter Tales

26,59 €* 27,99 € -5%

False Signed Artprint Edition

Release: 2021 / EU – Original

Genre: Classical Music

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In celebration of Specialty Records’ 75th anniversary, a new Sam Cooke compilation featuring tracks from his Specialty catalogue focusing on his pop-leaning tracks plus the live recordings from the legendary 1955 Shrine Concert that has never been available on vinyl before. 3x10″ released in a triple-gatefold jacket, featuring replica flyers and other ephemera included as inserts in the packaging.

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Lambert

LP | 2020 | EU | Original (Mercury Classics)

26,09 €* 28,99 € -10%

LP | 2022 | EU | Original (Deutsche Grammophon)

Release: 2020 / EU – Original

Genre: Classical Music

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Limited to 150 copies with a signed artprint by Lambert.

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Abbado

Pierino E Il Lupo

Release: 2022 / EU – Original

Genre: Classical Music

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We Will Live On Black Vinyl Edition

Deru

LP | 2022 | EU | Original (Friends Of Friends)

LP | 2022 | EU | Original (Promu)

Release: 2022 / EU – Original

Genre: Classical Music

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"We Will Live On" by Deru was made with a Disklavier (an acoustic piano outfitted with solenoids that allowed it to be digitally controlled) and custom made software to sequence it. This made the piano appear to play itself. Technology seemingly embedded with humanity.

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La Junta Escondida

Suite Punta Del Este

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Mercury Classics)

Clint Mansell

She Will

Release: 2022 / EU – Original

Genre: Classical Music

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Ravi Shankar, Andre Previn

Shankar: Concerto For Sitar & Orchestra

LP | 2022 | EU | Original (Parlophone Label Group)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Chaikin)

Nick Zinner

41 Strings

Release: 2022 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-08-02

2LP | 2014 | EU | Reissue (Mister I.B.E.)

Ibrahim Maalouf

Au Pays D'alice

Release: 2014 / EU – Reissue

Genre: Classical Music

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Ensemble Intercontemporain & Jackson, George

Reich / Richter

LP | 2022 | EU | Original (Nonesuch)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Mercury Classics)

Paray / Dso

The Music Of Chabrier

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Mercury Classics)

Hanson / Ero

Fiesta In Hifi

Release: 2021 / EU – Original

Genre: Classical Music

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2LP | 2021 | EU | Original (Modern)

Pat Metheny

Road To The Sun

Release: 2021 / EU – Original

Genre: Classical Music

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Funeral Cargo Clear Vinyl Edition

Ann Margaret Hogan

LP | 2021 | EU | Original (Downwards)

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Post-punk/new wave hero Ann Margaret Hogan’s second album of solo piano and field recordings for Downwards is a box of subtle wonders, mastered by Veronica Vasicka and highly recommended if yr into Satie, Virginia Astley, Sarah Davachi. A weight of history flows through Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to stop the relentless mind-grind for its 40 minute duration on more than one occasion. After previous fixations on the iron age forts and burial mounds of the Clywdian Range in North Wales, Hogan transmutes the scenery of her more immediate locale, Oxton on The Wirral - from the cadence of its red sandstone landmark Thor’s Rock, to memories of its boating lake, for example - into a quiet yet ravishing suite inflected with traces of wildlife and industry recorded on long walks, all subsumed within a deep blue estuarial atmosphere silted by the strange reality of life in the current era, echoing the surreal, sunny period when the album was conceived. A generation on from her pivotal work with spar Marc Almond and likes of Deux Filles and Nick Cave, and forty generations since The Wirral hosted, as she says “a Norse parliament at Thingwall”, Hogan weaves time and place into a reflective, funereal sort of parlour music, turning daily ambulations amid the gorse and under luminous skies into gorgeous, life affirming and intimate self expressions. The eight pieces are mostly improvised and flow with a free, fleeting concision from the palpable warmth of ‘Forgotten Prelude’ and bluesy ache of ‘Fragile Elements’ to more funereal modes in ’Mesto’ and ‘Funeral Cargo’ suggestive of a Viking burial soundtrack. At its core, ‘Wolfswalzer’, a dedication to her one time collaborator and erstwhile Kraftwerk member Wolfgang Flür - is described by Hogan as “a simple waltz of coffee, food, friends and music”, and ‘Impromptu’ is the album’s slowest, soaked in the feeling of atmospheric immanence that defines the album’s timeless appeal. It’s an unspeakably moving album, words really do it no justice.

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Peter Gregson

Patina

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Modern)

Robert Ames

Change Ringing

Release: 2021 / EU – Original

Genre: Classical Music

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Karajan / Berliner Philharmoniker

Grieg: Peer Gynt Suiten 1 & 2, Sigurd Jorsalfar

LP | 2019 | EU | Original (Deutsche Grammophon)

Release: 2019 / EU – Original

Genre: Classical Music

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LP | 2018 | EU | Original (ECM)

Danish String Quartet

Last Leaf

Release: 2018 / EU – Original

Genre: Classical Music

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LP | 2016 | EU | Original (Decca)

Janine Jansen

Die Vier Jahreszeiten

Release: 2016 / EU – Original

Genre: Classical Music

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Nathan Milstein / Claudio Abbado / Wp

Violinkonzerte

LP | 2016 | EU | Original (Deutsche Grammophon)

Release: 2016 / EU – Original

Genre: Classical Music

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Beethoven: Sinfonie Nr. 5

Carlos Kleiber / Wp

LP | 2015 | EU | Original (Deutsche Grammophon)

Release: 2015 / EU – Original

Genre: Classical Music

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Ballett Suiten 2:Dornröschen & Schwanensee

Mstislav Rostropowitsch

LP | 2015 | EU | Original (Deutsche Grammophon)

Release: 2015 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Village Green)

Angele David-Guillou

A Question Of Angles

Release: 2020 / EU – Original

Genre: Classical Music

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Anja Lechner / Francois Couturier

Lontano

LP | 2020 | EU | Original (ECM)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Decca)

City Of The Sun

Chapters III & IV

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Mercury Classics)

Sophie Hutchings

Scattered On The Wind

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2010 | EU | Reissue (Deutsche Grammophon)

Max Richter

Infra

LP | 2016 | UK | Original (Village Green)

Release: 2010 / EU – Reissue

Genre: Classical Music

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If you thought classical music was snobby and polished: give this a chance!

"Infra" is the 2010 album by neo-classical composer Max Richter, released July 2010 on FatCat Records.

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Ilya Beshevli

Night Forest

Release: 2016 / UK – Original

Genre: Classical Music

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LP | 2016 | EU | Original (Deutsche Grammophon)

Jóhann Jóhannsson

Orphée

Carl Orff - Carmina Burana

Release: 2016 / EU – Original

Genre: Classical Music

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Composer and Golden Globe winning Jóhann Jóhannsson releases his first album for Deutsche Grammophon Recordings. It feels like a meditation over beauty and creativity Jóhannsson is a role model for the growing scene of contemporary composers who draw their inspiration from soundtracks, Minimalism, Ambient und electronic music. “Orphée describes the way out from the dark into the light inspired by mythical variations from Ovid to Cocteau. It’s the story of death and reincarnation as a metaphor for our society. Again Jóhannsson mixes acoustic elements combined with electronics, mysterious soundscapes paired with orchestral and a capella voices.

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Eugene Ormandy

2LP | 2015 | EU | Original (VP Classical)

Release: 2015 / EU – Original

Genre: Classical Music

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Sarah Neufeld of Arcade Fire

Hero Brother

LP | 2013 | UK | Original (Constellation)

Release: 2013 / UK – Original

Genre: Rock & Indie, Classical Music

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Sarah Neufeld is a violinist and composer based in Montréal, Canada. Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre and has performed and recorded with many other groups, including The Luyas, Esmerine and Little Scream.

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LP | 2024 | EU | Original (RCO Live)

Mariss Rco/Janson

Sinfonie Nr.4

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2024 | EU | Original (RCO Live)

Mariss Jansons / RCO

Sinfonie Nr.1

Release: 2024 / EU – Original

Genre: Classical Music

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Preorder shipping from 2024-08-09

LP | 2024 | EU | Original (Hidden Harmony)

Jules Archive

Platonic Tales

LP | 2024 | Original (Neue Meister)

Release: 2024 / EU – Original

Genre: Electronic & Dance, Classical Music

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Jules Archive is a project founded by Marco Marzuoli and Marco Mazzei in 2016.

By employing various technologies, instruments, and approaches, the duo strives to craft a mysterious and fantastical persona named Jules. Through this persona, they aim to immerse listeners in a dreamlike atmosphere, transcending reality and dwelling in imaginary spatiotemporal dimensions.

Platonic Tales is the second chapter of Jules' journeys, more anthropocentric than the first album Adventures & Explorations (Volume 1), but equally exotic and dreamlike. The musical intention of this record was to rework a set of five (plus one) melodic tape loops, already structured in "song form”, through detailed arrangements. The treatment followed an experimental-pop-oriented production approach.

Recorded entirely at home by the artists, the music on the album features analog cassettes containing loops dating back to around 2016. The remaining arrangements were composed during the 2020 pandemic lockdown.

Several international guests collaborated on the album:

Lino Capra Vaccina, the legendary Italian percussionist/minimalist composer, and Jefre Cantu-Ledesma engaged in a musical dialogue on An Ontological Novel.

Andrew Weathers contributed his voice to the tracks A Superior Truth and Exodus.

Christina Vantzou participated in Exodus and concluded the album with a string composition arranged and conducted by Minna Choi, performed by Magik*Magik Orchestra.

Recorded between Città Sant' Angelo (Pescara - Italy, 2016-2020), Francavilla (Chieti - Italy, 2020), and Firenze (2019-2020).

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Francesca Guccione

The Geometry Of Time

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-09-27

LP | 2024 | Original (Neue Meister)

Wallis Bird Spark

Visions Of Venus

Release: 2024 / Original

Genre: Classical Music

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Zisl Slepovitch Ensemble & Sasha Lurje

Shotns - Shadows: Songs From Testimonies In The Fortunoff Video Archive, Volume 3

2LP | 2024 | US | Original (Fortunoff Video Archive For Holocaust Testimonies)

Artemis Quartett & Capucon & Harnoncourt

Release: 2024 / US – Original

Genre: Classical Music

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“Shotns - Shadows: Songs from Testimonies, Volume 3” - is the latest addition (2024) to the Fortunoff Video Archive’s Songs from Testimonies project., brought by the Zisl Slepovitch Ensemble featuring Sasha Lurje. The project brings to life painful memories of surviving the genocide, and memory of those who did not make it, but first and foremost these are the stories of these people’s lives. Volume 3 stays as linguistically and musically diverse as the previous two albums. Songs in Greek, Ladino, Yiddish, Hebrew, and Czech; music from concentration camps and ghettos of Vilna, Warsaw, and Lodz; music of cabaret and theatre from across the globe— adapted to tell the stories of suffering and betrayal, hope and loss.

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Heroic Beethoven (Best Of)

2LP | 2020 | EU | Original (Warner Classics)

25,64 €* 26,99 € -5%

Release: 2020 / EU – Original

Genre: Classical Music

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Paloma Clear Vinyl Edtion

Laila Sakini

LP | 2022 | UK | Original (Modern Love)

Schreier & Thomanerchor Staatskapelle Dresden

Release: 2022 / UK – Original

Genre: Electronic & Dance, Classical Music

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When Laila Sakini's debut album ‘Vivienne’ arrived in 2020, it felt like the record we were waiting for to map out our tangled reactions to an uninvited reality. Never self-consciously strange, it revealed itself slowly and cautiously, like a shadow in the corner of the eye, or an alchemical symbol in a bowl of alphabet spaghetti. This time around Sakini has worked her unique world-building to an even finer point, forming six tracks around a theme that's so close to our heart it's almost beating in time. Initially inspired by Krzysztof Kieślowski's 1991 arthouse classic "The Double Life of Veronique", the cult Polish director's enduring modern fairytale that serves as a cosmic rumination on identity and choice. Detailing two identical women - both singers, both in love - the film lets one live as the other dies, forcing us to consider the implications of art and endurance in the face of life's myriad challenges.

Sakini takes Polish composer Zbigniew Preisner's influential score for the film and uses it as a jumping-off point for ‘Paloma’, bending the more grandiose moments into baroque awkwardness on opening track 'Fluer D'Oranger' and evoking the mood of scene-setting cues 'Weronika' and 'Véronique' on the recorder-led 'The Light That Flickers In The Mirror'. And while Preisner's score zeroed in on the musical virtuosity of the film's lead characters, Sakini reinterprets that as a metaphor for self-discovery. Playing piano, violin, glockenspiel, timbale, recorder, and occasionally singing, Sakini captures a mood of innocence that immediately transports the listener back to simpler times. Her music isn't self-consciously simplistic, but forcing herself to interface with instruments impulsively rather than studiously, her sounds are all heart, no filigree.

In spirit, it reminds us of cult Canadian album "The Langley Schools Music Project", a collection of 1970s recordings of school kids singing rudimentary renditions of pop songs in a school gymnasium. That album's genius was in the bottling of hope and innocence: the feeling of joy from hearing and wholesomely interacting with music that's known and loved without a sense of hierarchy or desire for cultural clout. Sakini subtly subverts this by evoking the amateur spirit in the most bewitching way; instead of sourcing her ideas from Bowie, Fleetwood Mac and the Beach Boys, her stock is the established art canon, and by reforming those sounds she makes an insightful comment on intellectualism and access. European classical music is all too often trapped behind the frosted glass of respectability and assumed skill - craft replaces spirit, and technique replaces soul. By approaching these gestures from a different angle, Sakini softens the edges sonically and intellectually, finding music that bubbles with emotion, and most strikingly - hope.

Her choice of instruments and the way she interacts with them allows us to feel as if we're not only listening but contributing. It's a bottom-up way of absorbing art that's traditionally been top-down, and a reminder that we're all part of the experience, whether we're humming along to the remnants of a theme as it dribbles out of an ear in the shower, or dreaming of spotlights in a parallel life that may or may not be real. Sakini's music is nostalgic in a sense, but nowhere near the buttered popcorn and high-fructose candy migraine of the Netflix/Spotify algorithm generation of regurgitated churn. She makes sounds that remind us of what time and experience may have stolen from us, and how we might recover it. We're gagged.

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Peter Schreier Singt Weihnachtslieder

LP | 2022 | EU | Original (Berlin Classics)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Incunabulum)

Jozef Van Wissem

OST Nosferatu

Some Kind Of Peace - Piano Reworks

Release: 2022 / EU – Original

Genre: Classical Music

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Jozef Van Wissem- Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds. In 2013 van Wissem won the Cannes Soundtrack Award at the Cannes Film Festival for Jim Jarmusch's "Only Lovers Left Alive ". In December 2017 Jozef van Wissem was invited to perform the madrigal depicted in Caravaggio's painting The Lute Player (1596) at the Hermitage museum of Saint Petersburg. In 2022 three of his works were used for in the soundtrack and trailer of Irma Vep (HBO). His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. "La Cinémathèque Française in Paris commissioned me to write and perform the score at the presentation of the restored version of Nosferatu. I was a bit overwhelmed by its success. It was sold out. I wasn't going to repeat it. But people kept asking. In the beginning the soundtrack was more improvised and reactive to the images but after a few times the audience kind of showed me the way. To start with a few notes and building the score slowly to a dense slow metal ending. I found an old 7-inch single with recordings of extinct birds on a market, I electronically processed and added them to the score . " Manipulating the sounds of electric guitar in alternate tuning he manages to create the feeling of fear, equal to the experience of the victims of Count Orlok. "To me Nosferatu personifies this Death Bird of the Plague. The Black Death depicted in the film offers a timeless parallel with contemporary society. The vampire Count Orlok infests the city with rats and people are infected with the plague. They must quarantaine. This provokes hysteria. Much like nowadays".

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Ólafur Arnalds

LP | 2020 | EU | Reissue (Mercury Classics)

Release: 2020 / EU – Reissue

Genre: Classical Music

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Pale Horizon White Teal & Beige Vinyl Edition

Spencer Zahn

LP | 2022 | EU | Original (Cascine)

Behold! I Make All Things New

Release: 2022 / EU – Original

Genre: Classical Music

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Limited White Teal & Beige Vinyl.Spencer Zahn's second record for Cascine emerged from a series of piano sketches born of daily improvisations in Kingston, New York, where he relocated during the pandemic after 14 years in the buzz of Brooklyn. Inspired by the space and pace of upstate life, he explored a more restrained, resonant mode of playing, letting chords delay all the way to silence, until the seeds of songs took shape. Zahn accompanied himself on upright bass, finessing each piece without cluttering it, focusing on the notion of "the instrument in a room.Recruiting long-time collaborator Andy Highmore for piano duties, the duo booked time at Figure 8 Recording in Prospect Heights to craft the lulling, lyrical 12-track suite of Pale Horizon. The tonality of the instruments was central to Zahn's vision, fusing them to feel like a single entity, with upright bass blending in an elegant gradient with the low strings on the piano. An air of Keith Jarrett and Ryuichi Sakamoto hangs over the collection, acoustic and unhurried, stately but subdued, ruminative daydream melodies heard on the breeze in a quiet garden.

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Jozef Van Wissem

LP | 2022 | EU | Original (Incunabulum)

Caroline Shaw / So Percussion

Release: 2022 / EU – Original

Genre: Classical Music

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Behold! I Make All Things New is all instrumental and consists of sparse works for lute and electronics. There are no vocals this time. It is more a return to the minimal neo classical style of his early work. It was written and recorded in lockdown in Warsaw and Rotterdam between 2019 and 2021. Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.According to the New York Times "Van Wissem is both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy". His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. The timeless value of his work can be described by one of his previous interviews: "_the lute goes against all technology and against all computers and against all the shit you don't need."

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Let The Soil Play Its Simple Part

LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Warner Classics)

Fatma Said

El Nour

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | UK | Original (Pan)

Patrick Belaga

Blutt

LP | 2021 | EU | Original (Be With)

Release: 2021 / UK – Original

Genre: Classical Music

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Conceived At The Heel Of Italy's Boot-Shaped Peninsula In Apulia, Patrick Belaga's Blutt Makes Music For The Unruly Imagination. The Title Is An Old German Word For 'Naked', 'Bare', But It Can Also Mean 'Blood' When Spelt Blut. Take Away Another Letter And It Makes 'Butt'. None Of These Definitions And Adaptations Were What Prompted The Classically-Trained Composer And Cellist To Name His Second Album With A Word Simulating The Sound Of A Punctured Artery. That Came Later. Blutt's Nine Woozy Compositions Are Inspired By A Contemplative Road Trip With A Friend, And The Mysterious Muffled Music Heard From An Unidentified Source. It Was A Combination Of Jazz And Classical Music That Haunted Belaga's Wanderings Through The Byzantine Town Gallipoli, And Soon Infected His Dreams Of Long-Gone Civilizations. This Record Is Its Outcome, Where Organic Instrumentals And Electronic Production Merge Into A Sound That's Both Contemporary And Ancient. Samples Of Mewing Incantations And Tape Hiss Sway Atop The Waltzing Thud Of Piano Chords On "Sigh". Composite Layers Of Belaga's Cello Play In Downcast Harmony On "Rust". There's A Wistful Sense For The Romantic, In The Eerie Rhythm Of A Piece Like "Momentum". The Quarter Tones Of An Eastern European And Middle Eastern Folk Scale Probe A Profound Melancholy Via Kai Knight's Violin. Its Notes Are Haunted By A Field Recording Of Running Water On "Unsoft", Echoes Of Panpipes And A Jew's Harp On Opener "Lilt". As A Consummate Composer And Performer Known For His Work With Artists Wu Tsang, Boychild, Josh Johnson And Asma Maroof, Belaga's Blutt Is Itself Marked By Flawless Collaborations. Vocalist And Instrumentalist Jazmin Romero Sings And Composes The Surreal Melodies Of "Grey Eye". Multidisciplinary Dance Artist And Producer Riley Watts Contributes To The Muted, Motorik Movement Of "The Tunnel Is A Tower". Together, The Record Plays As A Stunning Soundtrack To The Strangeness Of Sleeping, And The Heartbreaking Transience Of Time. Like An Intense Dream Half-Remembered, The...

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Steve Moore

Analog Sensitivity

Sigur Rós With Steindór Andersen & Hilmar Örn Hilma

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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When a synth master like Steve Moore joins forces with the legendary KPM, magic must materialise. And so it does with Analog Sensitivity: cinematic, enigmatic synthscapes to both haunt and heal. New York-based multi-instrumentalist/producer/film composer Steve Moore is probably best known for his synthesizer and bass guitar work as Zombi, together with Anthony Paterra. But he is also part of Miracle and Titan as well as being a prolific solo artist releasing music as Gianni Rossi, Lovelock and under his own name. The story of Analog Sensitivity starts with those soundtracks, or more specifically the time in between them. Rather than being commissioned by KPM, this LP comes from music Steve was recording sporadically and tinkering with for over three years during the downtime between his film projects. There were no ideas about what it was nor a plan for how it would be released, or even if it was going to be released at all. However, after Jon Tye invited him to play on the Ocean Moon project for KPM Steve realised that the hallowed library label might be the perfect home for what he had been working on. The people at KPM agreed. Finishing production in late 2019 in Albany, NY, he came up with the track sequencing and suddenly, he had an album: Analog Sensitivity.

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Odins Raven Magic

2LP | 2020 | EU | Original (Krúnk)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Warner Classics)

Martin Kohlstedt

Flur

Release: 2020 / EU – Original

Genre: Classical Music

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Thibaut Garcia / Oct / Ben Glassberg

Aranjuez

LP | 2020 | EU | Original (Erato)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Shelter Press)

Okkyung Lee

Yeo-Neun

Martin Kohlstedt / Gewandhaus Chor

Release: 2020 / EU – Original

Genre: Classical Music

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Springing from body of work spanning decades, defined by a rigorously singular and adventurous approach to sound, cellist, composer, and improvisor, Okkyung Lee, returns with ‘Yeo-Neun’. Her first outing with Shelter Press, and arguably her most ground-breaking and unexpected album to date.

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Ströme

LP | 2019 | EU | Original (Warner Classics)

Release: 2019 / EU – Original

Genre: Classical Music

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Beth Gibbons & The Polish Radio Orchestra

Henryk Górecki: Symphony No. 3

LP | 2019 | UK | Original (Domino)

LP | 2012 | US | Original (Kranky)

Release: 2019 / UK – Original

Genre: Classical Music

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Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.

The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski.

Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Penderecki has been hailed as triumphant, as you canhear on this release.

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Mirrorring

Foreign Body

Release: 2012 / US – Original

Genre: Rock & Indie, Electronic & Dance, Classical Music

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The Undreamt-Of Centre Green Vinyl Edition

Laurence Pike

LP | 2024 | UK | Original (Leaf)

LP | 2024 | Original (Leaf)

Release: 2024 / UK – Original

Genre: Classical Music

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Preorder shipping from 2024-09-06

The Undreamt-of Centreis the fourth solo album by prolific Australian drummer/composer/producer Laurence Pike, an evocative, contemporary reimagining of the requiem mass. The album drawson the sounds of modern classical music, Japanese environmental ambient music, fourth world electronics, free jazz and the choral traditions of Estonia, with particular influence from Tallinn-based composer Tonu Korvits. Produced in collaboration with the Vox Sydney Philharmonia Choir, conducted by Pike"s childhood friend, composer Sam Lipmanand recorded in a 19th century Gothic church.

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Matthew Bourne

This Is Not For You.

LP | 2024 | Original (Rl Production)

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-07-12

New album of piano pieces by Matthew Bourne, provocatively titled This Is Not For You. The album is a return to solo piano following a series of recent collaborations with other artists playing a variety of instruments, including Keeley Forsyth, Alabaster Deplume, Keith Tippett, MINING, Nightports, Mzylkypop, Visionist, Paula Rae Gibson, Shiver, Jameszoo, Emil Karlson and Marcus Vergette. This Is Not For You. showcases Bourne"s more contemplative side, but there are flashes of the unpredictability that makes him such a unique and inspirational performer.

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Romain Sextet Leleu

Nuit Fantastique

Release: 2024 / Original

Genre: Classical Music

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Preorder shipping from 2024-08-02

Essential Maria Callas Black Vinyl Edition

Maria Callas

LP | 2024 | EU | Original (Elemental)

Release: 2024 / EU – Original

Genre: Classical Music

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Oème Symphonique - Revisite De La Symphonie N°1 "Titan" De Gustav Mahler Clear Vinyl Edtion

Jonathan Fitoussi

LP | 2024 | EU | Original (Obliques)

LP | 2024 | EU | Original (Futura Resistenza)

Release: 2024 / EU – Original

Genre: Classical Music

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Obliques presents Poème symphonique. Electronic music composer Jonathan Fitoussi revisits Symphony No. 1 “Titan” by Gustav Mahler as part of a world creation commissioned by Radio France. Concert recorded live in the large auditorium of La maison de la radio on November 18, 2023, Paris. Limited Edition clear vinyl LP - No Digital

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Limpe Fuchs

Pianoon

LP | 2024 | US | Original (Helical)

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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Renowned for her percussion genius, Limpe Fuchs surprises with a rare venture into her classical roots - the piano. Despite her extensive musical career, documented piano performances have been scarce until now. In this album she transcends time and expectation, diving into the instrument's essence. Her rhythmic finesse as a percussionist leaves an indelible mark on each keystroke. Join Fuchs on this intriguing late venture into the world of piano and savour every note on this unique and raw artistic encounter.

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Leonardo Barbadoro

Musica Automata

Kara-Lis Coverdale And Lxv

Release: 2024 / US – Original

Genre: Electronic & Dance, Classical Music

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Musica Automata is an album that brings together two dimensions often perceived as incompatible: the boundless expressive possibilities of electronics implemented by an acoustic instrumental body in a sensory reality, beating, vibrating, and blowing. An orchestra of automated instruments – robots – controlled by digital impulses. This ensemble of musical robots (part of the Logos foundation in Ghent) includes numerous classical instruments as well as many unconventional instruments, making it the largest orchestra of robots in existence. The expressive possibilities of these instruments, thanks to their many controllable parameters, are innumerable: in fact, these are not limited to note control, but also dynamics, sound envelope, microtonal control and much more. If it is true that an electronic instrument can foster compositional invention, exploring where the musician, due to anatomical limits, cannot go, it is equally true that the sound produced by a vibration in real space has physical characteristics that make the sonic uniqueness of every single event fascinating. The second aspect is the precise control of every detail of the performance. Traditionally, the composer entrusts the score to the musicians, who perform it by translating the signs into actions. In this scenario, an ineliminable gap emerges between the author's concept and the sound event. This, in the case of Musica Automata, does not happen: Leonardo was able to calibrate and draw every tonal detail for every single note played. What you hear, therefore, is the exact and arbitrary snapshot of the musical fact imagined by the author who, in doing so, also becomes the performer of his own work. To be faithful to the performance of the pieces, Leonardo has chosen a radical approach: no artificial processing has been added in post-production, even the reverberations of the instruments are those recorded in the real environment and with them, the sounds of the moving robots that become part of the music itself.

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Sirens

LP | 2015 | EU | Reissue (Umor-Rex)