Classical Music Vinyl 978 Items

Release: 2021 / EU – Original

Genre: Classical Music

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Argerich / Capucon, G. / Kremer, G. / Artemis Quartett

Libertango

LP | 2021 | EU | Original (Warner Classics)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Decca)

City Of The Sun

Chapters I & II

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2020 | EU | Original (Warner Classics)

Itzhak Perlman / LPO

Die Vier Jahreszeiten

Release: 2020 / EU – Original

Genre: Classical Music

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Charlemagne Palestine & Rrose

The Goldennn Meeenn + Sheeenn

LP | 2019 | EU | Original (Eaux)

Chopin - The Legendary 1965 Recordings

Release: 2019 / EU – Original

Genre: Electronic & Dance, Classical Music

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Charlemagne Palestine's majestic 1976 work The Golden Mean, originally performed by Palestine on two pianos, is revisited here as The Goldennn Meeenn + Sheeenn, a new collaboration between Palestine and enigmatic musician Rrose.
March 2018: the Festival Variations in Nantes commissions Charlemagne Palestine to reinvent The Golden Mean for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, they performed The Goldennn Meeenn + Sheeenn onstage at the main opera house in Nantes -- the sumptuous Théâtre Graslin – with extraordinary results.
The concept of the 'golden mean' goes back to the roots of mathematics, and ancient Greek philosophy. It is an important work in the Palestine mythos, embodying his total immersion in the power of the interval. "It's probably his most systematic work . . . a step-by-step journey through the intervals of the octave," says Rrose. "When we rehearsed it, we were noticing how each interval is like a universe of its own -- with its own history, emotions, and sonic qualities all mixed up together. Every time you move from one interval to the next, it feels like moving into another world.
I love the interval," Palestine told me in a recent interview. "I love when it plays with itself. That's what I learned from organ musics too. You can just do an interval, and if they're just slightly out of tune with each other, then they shimmer . . . they play themselves. And it sounds like somebody's playing lots of notes. In your ear, it's like an aural phenomenon . . . that's my whole concept. I make something that then does itself somehow. It continues by itself. So I don't have to always be there. And that makes my music a little less egocentric. So there's more space. Also for the listener — the ear plays with these things, and you're not always being given orders. Your ear isn't given orders all the time of what to listen for."
Beautifully recorded, with mastering by Rashad Becker of Dubplates and Mastering, The Golden Mean + Sheeenn feels expansive, radiant and hypnotic, opening new ears to its enduring mystery.
Rrose adds this note to listeners: "Do not focus your attention on the notes being played, but on the ocean of overtones swimming, suspended, overhead, brushing against one another, kissing one another, melting into one another.

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Martha Argerich

LP | 2016 | EU | Original (Warner Classics)

Release: 2016 / EU – Original

Genre: Classical Music

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Presents Sorrow - A Reimagining Of Gorecki's 3rd Symphony

Colin Stetson

2LP | 2016 | EU | Original (52Hz)

Release: 2016 / EU – Original

Genre: Electronic & Dance, Classical Music

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Carlo Maria Giulini

La Mernocturnes

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2020 | UK | Original (Erased Tapes)

Nils Frahm

Empty

12" | 2016 | CH | Original (Cave12)

Release: 2020 / UK – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Download included.

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DDK

Floating Piece Of Space

Release: 2016 / CH – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2020 | FR | Original (Erato)

Bertrand Chamayou

Good Night!

Release: 2020 / FR – Original

Genre: Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Itzhak Perlman / Daniel Barenboim / Yo-Yo Ma

Tripelkonzert

Release: 2024 / EU – Original

Genre: Classical Music

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Xv Xxvii Iii Xxi Ix: Variations & Coda

Luka Aron

LP | 2024 | UK | Original (Warm Winters Ltd.)

Anne-Sophie Mutter / Seiji Ozawa

Release: 2024 / UK – Original

Genre: Classical Music

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Luka Aron is a German musician and composer of electroacoustic and minimalist music based between Stockholm and Berlin. 'XV Xxvii III XXI IX: Variations & Coda' is his debut vinyl release. Apart from his solo work, he is also a member of the trio Minua (signed to Nils Frahm's Leiter label) and the dream gaze band Roomer. His work was previously described as "thick, impasto layers of slow-moving sound that completely command your attention" in The Guardian.
'XV Xxvii III XXI IX: Variations & Coda' is a four-part suite for an acoustic ensemble (bass clarinet, contrabass, euphonium, foghorn organ, harpsichord, serpent, shō, and trumpet) and analog as well digital synthesis. The result is an album of spiralling compositions which navigate labyrinthine structures of multiple closely related overtones and layers of heavy distortion based on Aron's research and observations of the physiology of hearing through minute listening tests. On the album, the composer collaborates with a number of notable musicians: Mattias Hållsten and Santos Silva (both members of the late CC Hennix' Kamigaku ensemble), just intonation contrabassist Vilhelm Bromander, or Amina Hocine, among others. The release was mastered by Stephan Mathieu at Schwebung Mastering.

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Symphonie Espagnolezigeunerweisen

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2013 | US | Original (Dead Oceans)

Julianna Barwick

Nepenthe

Masur/Pappano/Sawallisch/Jansons/Ozawa/+

Release: 2013 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Stuffed corners.

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Intense Tchaikovsky Best Of

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2019 | Original (Neue Meister)

Motschmann & Panzl

Lifestream

Release: 2019 / Original

Genre: Classical Music

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Helbig / Somdr / Faure Quartett / Järvi

Pocket Symphonies Electronica

LP | 2016 | Original (Neue Meister)

Release: 2016 / Original

Genre: Classical Music

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Sven Helbig / Vocalconsort Berlin / Kristjan Järvi

I Eat The Sun And Drink The Rain

LP | 2016 | Original (Neue Meister)

Release: 2016 / Original

Genre: Classical Music

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LP | 2016 | EU | Original (Berlin Classics)

Concerto Köln

The Four Seasons

Release: 2016 / EU – Original

Genre: Classical Music

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Daniel Behle / Schnyder Trio

Mein Hamburg

LP | 2016 | EU | Original (Berlin Classics)

Release: 2016 / EU – Original

Genre: Classical Music

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Knauer / Schumacher / Zürcher Kammerorchester

Überbach

LP | 2016 | Original (Neue Meister)

Release: 2016 / Original

Genre: Classical Music

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Albanese,Federico:By The Deep Sea

Federico Albanese

LP | 2018 | Original (Neue Meister)

Release: 2018 / Original

Genre: Classical Music

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Itzhak Perlman

Violinkonzerte

Release: 2024 / EU – Original

Genre: Classical Music

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Mstislav Rostropowitsch

Cellokonzerte 1&2

Release: 2024 / EU – Original

Genre: Classical Music

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Jaroussky Pahud Koopman Biondi Antonini +

Best Of Vivaldi

Release: 2024 / EU – Original

Genre: Classical Music

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Simon Rattle

Sinfonie Nr.5

Release: 2024 / EU – Original

Genre: Classical Music

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G. Tharaud Abq Bostridge Harnoncourt Capucon

The Best Of Schubert

Release: 2024 / EU – Original

Genre: Classical Music

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Sarah Oco Chang

Die Vier Jahreszeiten

Release: 2023 / EU – Original

Genre: Classical Music

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Alexandre Onf Langrée Tharaud

Klavierkonzerte

LP | 2023 | EU | Original (Erato)

Release: 2023 / EU – Original

Genre: Classical Music

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La Divina Mar ia Callas Black Vinyl Edition

Maria Callas

Release: 2023 / EU – Original

Genre: Classical Music

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Daniel Barenboim

Klavierkonzert 5

Release: 2023 / EU – Original

Genre: Classical Music

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Little / Studt / Roscoe / Aldwinckle

The Sound Of Arvo Pärt

LP | 2015 | EU | Original (Erato)

Release: 2015 / EU – Original

Genre: Classical Music

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Kyung Wha Chung / St.Luke's Chamber Ensemble

Die Vier Jahreszeiten

LP | 2022 | EU | Original (Warner Classics)

Release: 2022 / EU – Original

Genre: Classical Music

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Rampal / Laskine / Lancelot / Paillard / Ocjfp

Konzert Für Flöte & Harfe,Konzert Für Klarinette

LP | 2022 | EU | Original (Erato)

Release: 2022 / EU – Original

Genre: Classical Music

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Claudio Arrau / Carlo Maria Giulini / Pol

Klavierkonzert 1

LP | 2022 | EU | Original (Warner Classics)

Release: 2022 / EU – Original

Genre: Classical Music

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Jacqueline Du Pre / Daniel Barenboim / Eco

Cellokonzerte

LP | 2018 | EU | Original (Warner Classics)

Release: 2018 / EU – Original

Genre: Classical Music

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Renaud Capucon / Francois-Xavier Roth / Lso

Violinkonzerte 1 & 2

LP | 2018 | EU | Original (Erato)

Release: 2018 / EU – Original

Genre: Classical Music

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Gautier Capuçon / Jerome Ducros

Emotions

LP | 2020 | EU | Original (Erato)

Release: 2020 / EU – Original

Genre: Classical Music

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The Perlman Sound Limited Edition

Itzhak Perlman

LP | 2015 | EU | Original (Warner Classics)

Release: 2015 / EU – Original

Genre: Classical Music

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Béroff / Debussy / Egorov / Ousset / Francois

Impressions: The Sound Of Debussy

LP | 2018 | EU | Original (Warner Classics)

Release: 2018 / EU – Original

Genre: Classical Music

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Die Planeten (The Planets)

Sir Adrian Boult / Lpo

LP | 2020 | EU | Original (Warner Classics)

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2024 | EU | Original (Arealive Srl)

Francesco Taskayali

Dreambox

23,19 €* 28,99 € -20%

Release: 2024 / EU – Original

Genre: Classical Music

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Photophonie Bandes Magnetiques Inedites 1973 - 1992

Luc Ferrari

LP | 2019 | EU | Original (Transversales Disques)

23,74 €* 24,99 € -5%

Trina Basu & Arun Ramamurthy

Release: 2019 / EU – Original

Genre: Electronic & Dance, Classical Music

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To celebrate the 90th anniversary of Luc Ferrari's birth Transversales Disques is very glad to announce the release of Photophonie, unpublished archives, spanning 1973-1992, revelatory collection of commercial, commission and secret music by electroacoustic music pioneer Luc Ferrari.
« Photophonie » (1989) / Music for the photographic exhibition of Alain Willaume.
« Il était une fois » (1973) / Commissioned by the G.M.E.B.
« Trans-Voices » (1992) / Curated by the American Center, Paris.
« Leica » - (1977) / Advertising for the Leica camera.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005), major figure of musique concrète and electroacoustic music, broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks…

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Nakshatra

LP | 2023 | EU | Original (Spinster)

Release: 2023 / EU – Original

Genre: Classical Music

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Florian Christl & Ndr Radiophilharmonie & Ben Pal

About Time

LP | 2022 | EU | Original (Sony Music)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Deutsche Grammophon)

V.A.

Summer Tales

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Gülbaba)

Ozan Tekin

Anarya

LP | 2022 | EU | Original (Mercury Classics)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Preorder shipping from 2024-08-02

Cologne - based composer and multi - instrumentalist Ozan Tekin’s second studio album “Anarya” will be released via Gülbaba Records on May 27 th . Tekin winds his musical journey back from Cologne to Adana with a long layover in Istanbul in “Anarya”. A triangle of migration drawn by musical notation and performance. The album is composed of 14 tracks and each one of them is a sound story that echoes Tekin’s distinct memories from these three cities. “Anarya” is the end product of a process in which Tekin and his upright piano co - tuned each other. It is an artistic representation of the idiosyncratic phenomenon called stimmung in German; a spectrum of tones, moods and atmospheres expressed in personal and instrumental terms. Tekin concludes the piano conversations from his previously released EPs in 2021 (“Anarya I” and “Anarya Ii”). The remarkably catchy melodies and immersive melancholic arpeggios fl ow throughout. The transposed narrative of “Anarya” sprung up from its roots when Tekin came across with a 66 - years old worn out piano in Cologne. Mesmerized by its unique sound, he felt the urge to make recordings with this piano before it fell apart. Aft er spending months learning its mechanics, Tekin recorded his second album with the old upright piano he repaired and brought back to life. The uneasy changes in time signatures and ambient ornamentations with gloomy synths of 80’s, lush strings and room tones set up the atmospheric stage of “Anarya I” in the first five tracks. Following six tracks of the album attempts to revisit Tekin’s emotional and episodic memories in Istanbul. His unaffected absorption into piano music in the first two parts of “Anar ya” are followed by his coyishly joyful tracks later in the album: an idle “ode”, a lost “lament” and a colorful “jam”. These three tracks blend the neoclassical, jazz and ambient sounds of Cologne and Istanbul with sentiments of childhood and rascality in Adana. The piano conversations of Tekin throughout “Anarya” are accompanied by his analogue synthesizers, vocals, bass guitar, Hanitra Wagner’s violin and Berke Can Özcan’s drums , percussions and vibraphone, and Emre Malikler’s mix and mastering. The sou nds of collaboration go deeper and louder as the album’s tracks move forward and Tekin’s memories go backwards simultaneously. Anarya gitmek (“to go back”) is a vernacular saying from Tekin’s hometown Adana and Tekin makes a figurative attempt to migrate b ackwards via the compositions that came into being in his most recent home, Cologne. Having been born out of an upright piano, Tekin’s compositions have instrumental origins, however, due to his constantly mutating sense of belonging, his melodies can’t be pinpointed to any specific heimat . Tekin’s continuously transforming music is an invitation to his listeners to explore and experience his music in their own terms. Tekin’s personal memories that shape “Anarya” is open to new forms of sonic exploration and rearrangement. This openness lies in Tekin’s determined faith in not to be entrenched in any single genre. The immersive intimacy radiating from the collaborative piano conversations in “Anarya” is an invitation signature to his music’s current and fut ure followers. Text by Mehmet Ekinci

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Lambert

Open

Release: 2022 / EU – Original

Genre: Classical Music

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A Matter Of Life Black Vinyl Edition

Penguin Cafe

LP | 2011 | EU | Reissue (Erased Tapes)

Release: 2011 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Quadro Nuevo / Münchner Rundfunkorchester

Volkslied Reloaded

2LP | 2019 | EU | Original (Sony Classical)

Release: 2019 / EU – Original

Genre: Classical Music

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Marianne Faithfull / Rso Wien

The Seven Deadly Sins

2LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Classical Music

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Twentieth Century Blues-An Evening In The Weimar

Marianne Faithfull

2LP | 2021 | EU | Original (Sony)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Sony Classical)

Alexis Ffrench

Truth

Release: 2022 / EU – Original

Genre: Classical Music

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Havels, The (Irena & Vojtech Havlovi)

Saving One Who Was Dead / Little Crusader

LP | 2022 | EU | Original (Sirius)

4 Hands Black Vinyl Editoin

Release: 2022 / EU – Original

Genre: Classical Music

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"Absence of the loved one is a theme running through both films, but during the creative process we never discuss with the Havels the themes, symptoms or attributes of the characters. We do not specify any meanings. Our collaboration is intuitive, based on interconnectedness. We neither explain things to each other nor analyse. From the outset we have a common goal: to quieten the viewers’ perception, to attune them to certain vibrations by visual, musical and acoustic repetitions, thus enabling them to focus on every tiny detail, every subtle aesthetic quality, so that by the end of the film they have a sense of reconciliation. In fact it is a state similar to meditation or prayer. The aim is being shown Mercy. Each time, the linking of the filmed images with Irena and Vojtech’s music has uncovered a new quality that we have named: a commentary on eternity. Characters cease to be determined by their senses, psychological motivations, or the times they live in. They find liberation in the stream of eternal time." /Václav Kadrnka

"We would like to thank all our friends, sound engineers and musicians. The main thanks go to director Václav Kadrnka, his family and all his collaborators for the precious opportunity to assist them in creating both films. We have worked on our music for the film Saving One Who Was Dead for three years. We met with Václav, discussed the screenplay while it was being born and many other things. We have gradually prepared several working versions that included compositions for piano, Indonesian gamelan, gongs, Tibetan bowls, bells and mini-bells. Yet, step by step, we made it simpler and simpler and eventually only kept violas da gamba, organ and chanting. Everything else was redundant. We made most of the recordings of the compositions for viola da gamba in a church in Prague. The composition for organ was recorded in Milan where we performed a concert shortly before the pandemic arrived in December 2019. We tried to record it in various churches in Bohemia but it was not until the church in Milan that we found the best sounding organ.

As for Little Crusader, we recorded the music for the film after it was completed. We had several versions and used the piano version for this album. Together with Václav, we searched for instruments that would work the best for this Medieval story. Eventually, we opted for harmonium with simple chanting which accompanies the character little boy Jenik. Violas da gamba intertwine, move close and then apart from each other the same way as paths of little boy Jenik and his father who is searching for him. Simple chanting and Tibetan bowl accompany scenes with little boy Jenik’s mother who awaits them at home. Trombone and saxophone are like metal swords and the knights’ armor. Violoncello and viola da gamba walk in the rhythm of horse’s hooves, in the rhythm of heartbeat of both the horse and his rider – a father searching for his lost son." / Irena and Vojtěch Havlovi

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Roedelius Story

LP | 2022 | EU | Original (Erased Tapes)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Classical Music

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Bryce Dessner / Aaron Dessner / Lco

Cyrano

2LP | 2022 | EU (Universal Music Classics)

Release: 2022 / EU

Genre: Classical Music

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Teskey Brothers & Orchestra Victoria

Live At Hamer Hall

2LP | 2021 | EU | Original (Vertigo Berlin)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Sony Classical)

Esther Abrami

Violin Classics

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Downwards)

Ann Margaret Hogan

Without The Moon

LP | 2021 | EU | Original (Infine)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Classical Music

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Hogan’s involvement with new wave, new romanticism, post punk and all-things-avant makes her a uniquely placed character through the last four decades on the scene - her recording/performing biography intersects with everyone from Soft Cell, The The and The Human League through to Simon Fisher Turner, Barry Adamson, The Style Council and more recently with Karl O’Connor aka Regis’ Downwards universe. For ‘Without the Moon’ (a title borrowed from Cathi Unsworth’s book of the same name), Hogan pulls out some of the most satisfying collaborations from her archive, featuring a couple of tracks originally released in 1985 on Cabaret Voltaire’s Doublevision label, as well as recordings that are here issued for the very first time. It’s properly all-over-the-place brilliance, ranging from Nick Cave’s incredible 1983 piano blues slo-mo grind ‘Vixo’ all the way thru to the Paul Kendall (Nitzer Ebb/Depeche Mode) engineered ‘Come Take My Hand’ produced and featuring Barry Adamson and sounding like some vintage Les Disques du Crépuscule poolside obscurity. Opening with ideas mapped out while staying at Lydia Lunch’s gaff in summer ’83, the record lassos 30 years of Hogan’s personal highlights, harking to a time circa 1984 when she regularly caught The Birthday Party playing Leeds or London, often crossing paths with Cave, and right thru to 1989’s ‘Come Take My Hand’. While ‘Delirious Eyes’ is a gorgeous slow dervish of swaying middle eastern scales featuring Gini Ball’s elusive smoke trail vocals, it’s best heard in context of the sequencing, which soon erupts with Marc Almond’s vocals on the arsonist thrill of ‘Burning Boats’ and JG Thirlwell’s signature clangour, while ’Scattered Carelessly’ was written in 2008 and gives the sweetest canvas for Hogan’s keys complemented by a whispering Jarboe ov Swans, and ‘Black Nocturne’ stars a perfectly tempered guitar shimmer by Kid Congo Powers, a longtime accomplice, whom Hogan first heard playing guitar on The Cramps’ records that she played in DJ sets at the time. Illuminated by Hogan’s favoured solo piano, ranging from flickering candlelight to hammering theatrics, and even including a rare appearance of her vocals on the could-have-been-a-popsong closer, the six songs on ‘Without The Moon’ speak to an incredibly rich artistic life spent immured at the core of her practice. Song to song, she outlines an extraordinary oeuvre that ties together and leaps between eras, drawing on decades of experience as a performer, composer, collaborator and ardent listener to portray a full spectra of styles she’s been involved in shaping for decades. Stunning.

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Gaspar Claus

Tancade

2LP | 2021 | EU | Original (Sony Classical)

Release: 2021 / EU – Original

Genre: Classical Music

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Tancade is the solo debut by experimental cellist Gaspar Claus. Following on from his previous soundtrack work and a wealth of collaborations (incl. Bryce Dessner, Sufjan Stevens, Jim O’Rourke), Claus brings forth a collection of pieces which free the cello from its own limitations. Majestic and adventurous, stormy and radiant, dreamy and rigorous, Tancade defies categorisation, evoking chamber music suspended in the fourth dimension, the soundtrack of an experimental film or the strange folk music of an undiscovered tribe.

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Martin Stadtfeld

Piano Songbook

23,99 €* 29,99 € -20%

Release: 2021 / EU – Original

Genre: Classical Music

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Emily D'angelo / Das Freie Orchester Berlin

Enargeia

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Martha Argerich / Charles Dutoit / Royal Philharmonic Orchestra

Tchaikowsky: Klavierkonzert 1

LP | 2021 | EU | Original (Deutsche Grammophon)

Release: 2021 / EU – Original

Genre: Classical Music

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Irena And Vojtech Havlovi

Melodies In The Sand

LP | 2021 | EU | Original (Melody As Truth)

Piero Milesi, Daniel Bacalov

Release: 2021 / EU – Original

Genre: Organic Grooves, Classical Music

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Melody As Truth present “Melodies In The Sand”, a collection of works from Czech artists Irena and Vojtěch Havlovi. The husband-and-wife duo began working together in the mid 80’s as part of experimental ensemble Capella Antiqua e Moderna, a unique association of musicians whose repertoire spanned various styles of European classical music. With an inventive and unorthodox approach to both historical and modern compositional techniques and interpretive procedures, the Havel’s have steadfastly developed a unique and musically autonomous language which continues to expand to this day. Spanning their early work in Capella Antique e Moderna to recent pieces recorded for Viola De Gamba, ‘Melodies In The Sand’ is presented to the listener with the simple aim of shining a light on these incredible musicians. Their work has within it the ability to penetrate and enrich the innermost corners of a perceptive human soul, a gift which they share with sincerity and humbleness.

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La Camera Astratta

LP | 2018 | IT | Original (Soave)

Release: 2018 / IT – Original

Genre: Electronic & Dance, Classical Music, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2021 | US | Original (Deathbomb Arc)

White Boy Scream

Bakunawa

LP | 2020 | EU | Original (Vizztone)

Release: 2021 / US – Original

Genre: Classical Music

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White Boy Scream is the experimental classical project from opera singer and composer Micaela Tobin. On her latest release, 'bakunawa', she dissects her voice through the use of electronics as a means of exploring identity and ancestral trauma. “bakunawa” is an homage to the pre-colonial mythology of her motherland, the Philippines. Part sonic ritual, part diasporic storytelling. Micaela Tobin is currently on Faculty as a Voice Instructor at the California Institute for the Arts. She most recently performed a principal role in the critically acclaimed experimental opera, Sweet Land (comp.Raven Chacon & Du Yun), which made it’s U.S. premiere in March 2020. Her previous album, 'Remains' was listed as one of the top 10 Noise/ Industrial Albums of 2018 by The Wire Magazine.

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Lucky Losers

Godless Land

Release: 2020 / EU – Original

Genre: Classical Music

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LP | 2016 | EU | Original (Mercury Classics)

Ólafur Arnalds

Island Songs

Daniel Barenboim, Isaac Albéniz, Frédéric Chopin, Claude Debussy, Franz Liszt, Franz Schubert, Robert Schumann

Release: 2016 / EU – Original

Genre: Electronic & Dance, Classical Music

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After his impressive and acclaimed work with "For Now I Am Winter" and "The Chopin Project", multi-instrumentalist and composer Ólafur Arnalds goes on a journey in his home country Island for his latest album. He recorded seven songs within seven weeks in seven different locations together with local artists and friends like Nanna Bryndís Hilmarsdóttir (Of Monsters And Men) and Einar Georg Einarsson, influenced and inspired by each surrounding. The album also contains another bonus track „Study for Player Piano“.

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Encores

LP | 2022 | EU | Original (Deutsche Grammophon)

Release: 2022 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2019 | US | Original (W.25th)

Sarah Davachi

Pale Bloom

LP | 2015 | US | Original (Thrill Jockey)

Release: 2019 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: VG+

Clear vinyl!

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Colleen

Captain Of None

LP | 2024 | EU | Original (Kythibong)

Release: 2015 / US – Original

Genre: Electronic & Dance, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. Original inner sleeve.

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Carla Pallone

OST Midnight Skin

Reinhold Friedl: Scarlatti

Release: 2024 / EU – Original

Genre: Classical Music, Soundtracks

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“What a shadow in the instrument, and what a murmur, of the forests from whence issued its wood.” Rainer Maria Rilke

While reading the “Midnight Skin” script for the first time, Carla Pallone (Vacarme, Mansfield.TYA) in Nantes met Fanny in Athens. And the Eucalyptus trees. And it was at this same moment that she saw through her window, an Eucalyptus tree. Fact and fiction are already mixing, and Carla Pallone welcomes this sign with a smile. Then comes the meeting with filmmaker Manolis Mavris, and his work: first “Brutalia”, then “Midnight Skin”. The writing is chiseled and precise. Each frame is a painting. At the center of the film: Fanny's solitude which excludes her from humankind. This solitude requires a place for expression. Carla Pallone thus imagines an “organic” music, linked to the way that wood, strings and other materials live and resonate. A poetic and strange sound universe, close to Fanny, to her physical and psychological states. She has found the perfect junction between acoustic and electronic, highlighting a modern violin, out of the times. The result is a soundtrack similar to Fanny, inhabited, dark and moving. Human.

Somewhere between Mickaël Nyman and Mica Levi, Carla Pallone knows how to write atmospheres, create landscapes and draw lines of fiction. Her classical training and her taste for ancient music have nourished her path as a composer, to open the spectrum of her music to the widest possible audience. With a strong appreciation for the strings, she explores a sensitive sound universe, which unfolds between organic and analog materials. Acute sense of melody, neoclassicism, minimalism... repetitive pieces of music rub shoulders with ritornellos with great joy. And if the violin is king, synthesizers also find their proper place as disturbing basses or melodic sweeps. There is great sensivity in her sound research, at the crossroads of musical paths, from the most classical to the most experimental, improvised or meditative.

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Zeitkratzer

LP | 2023 | EU | Original (Karl)

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Three: Four)

Raphael Loher

Keemuun

Release: 2022 / EU – Original

Genre: Classical Music

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Music From The Temple Of Light

Peter Culshaw

LP | 2023 | EU | Original (Iskra)

24,29 €* 26,99 € -10%

LP | 2022 | EU | Original (Masterworks)

Release: 2023 / EU – Original

Genre: Electronic & Dance, Classical Music

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Peter Culshaw was described by Malcolm Mclaren as “the Indiana Jones of World Music” and has tracked down music from the Amazon to Siberia and lived with Pygmies in Central Africa and dervishes in Istanbul. Culshaw interviewed many of the greats including Fela Kuti, Nusrat Fateh Ali Khan, Caetano Veloso and Ibrahim Ferrer. His book Clandestino, now published in ten languages, was a biography/ travelogue on the road with Manu Chao. The result of decades of research is this, his first solo album. As a composer, his East-West group West India Company’s album New Demons, which featured Bollywood diva Asha Bhosle, was released by Editions EG , a label set up by Brian Eno. He has composed award - winning music for assorted dance companies and animated films. He wrote an “opera” recorded in Havana, to be released soon. Music From The Temple of Light was recorded mainly in Half Step Audio, in Mumbai with some of the most vital contemporary Indian musicians including Paras Nath on bansuri flute and Chandana Bala Kalyan on enchanting vocals. The music is a mysterious mix of East and West, ancient and modern, led by minimal tantric piano, objective, meditative music for a chaotic age. Other recordings took place in pre-war Odesa and it was mixed in London. It is the first part of a trilogy. The project was funded by the sale of Malcolm Mclaren’s classic Mercedes, which he left to Culshaw and some successful bets on Leicester City Football Club. The next release on Iskra in 2023 will be Aeroclube - an anglo-Brazilian fever dream. recorded in Salvador, Bahia. Music From THE Temple OF Light will be released on Vinyl, CD and digitally in March 2023, preceded by a trio of “singles”……

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Avril & Monthaye

Lastman Heroes

24,29 €* 26,99 € -10%

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Deutsche Grammophon)

Daniel Barenboim

Encores

24,69 €* 25,99 € -5%

Release: 2022 / EU – Original

Genre: Classical Music

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Johannsson, Johann / Echo Collective

12 Conversations With Thilo Heinzmann

LP | 2019 | EU | Reissue (Deutsche Grammophon)

24,69 €* 25,99 € -5%

Release: 2019 / EU – Reissue

Genre: Classical Music

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Schumann: Kinderszenen Op.15 & Kreisleriana Op.16

Martha Argerich

LP | 2021 | EU | Original (Deutsche Grammophon)

24,69 €* 25,99 € -5%

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Warner)

Vision String Quartet

Spectrum

24,79 €* 30,99 € -20%

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2023 | EU | Original (Erato)

John Eliot Ebs Gardiner

Wassermusik Water Music

Release: 2023 / EU – Original

Genre: Classical Music

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Itzhak Perlman & Bbc Roshdestwenskij

Violinkonzerte 1 & 2

Release: 2023 / EU – Original

Genre: Classical Music

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LP | 2022 | UK | Original (Jazzman)

Amanda Whiting

Lost In Abstraction

Release: 2022 / UK – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: VG+, Cover: Near Mint

Paloma Clear Vinyl Edtion

Laila Sakini

LP | 2022 | UK | Original (Modern Love)

Schreier & Thomanerchor Staatskapelle Dresden

Release: 2022 / UK – Original

Genre: Electronic & Dance, Classical Music

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When Laila Sakini's debut album ‘Vivienne’ arrived in 2020, it felt like the record we were waiting for to map out our tangled reactions to an uninvited reality. Never self-consciously strange, it revealed itself slowly and cautiously, like a shadow in the corner of the eye, or an alchemical symbol in a bowl of alphabet spaghetti. This time around Sakini has worked her unique world-building to an even finer point, forming six tracks around a theme that's so close to our heart it's almost beating in time. Initially inspired by Krzysztof Kieślowski's 1991 arthouse classic "The Double Life of Veronique", the cult Polish director's enduring modern fairytale that serves as a cosmic rumination on identity and choice. Detailing two identical women - both singers, both in love - the film lets one live as the other dies, forcing us to consider the implications of art and endurance in the face of life's myriad challenges.

Sakini takes Polish composer Zbigniew Preisner's influential score for the film and uses it as a jumping-off point for ‘Paloma’, bending the more grandiose moments into baroque awkwardness on opening track 'Fluer D'Oranger' and evoking the mood of scene-setting cues 'Weronika' and 'Véronique' on the recorder-led 'The Light That Flickers In The Mirror'. And while Preisner's score zeroed in on the musical virtuosity of the film's lead characters, Sakini reinterprets that as a metaphor for self-discovery. Playing piano, violin, glockenspiel, timbale, recorder, and occasionally singing, Sakini captures a mood of innocence that immediately transports the listener back to simpler times. Her music isn't self-consciously simplistic, but forcing herself to interface with instruments impulsively rather than studiously, her sounds are all heart, no filigree.

In spirit, it reminds us of cult Canadian album "The Langley Schools Music Project", a collection of 1970s recordings of school kids singing rudimentary renditions of pop songs in a school gymnasium. That album's genius was in the bottling of hope and innocence: the feeling of joy from hearing and wholesomely interacting with music that's known and loved without a sense of hierarchy or desire for cultural clout. Sakini subtly subverts this by evoking the amateur spirit in the most bewitching way; instead of sourcing her ideas from Bowie, Fleetwood Mac and the Beach Boys, her stock is the established art canon, and by reforming those sounds she makes an insightful comment on intellectualism and access. European classical music is all too often trapped behind the frosted glass of respectability and assumed skill - craft replaces spirit, and technique replaces soul. By approaching these gestures from a different angle, Sakini softens the edges sonically and intellectually, finding music that bubbles with emotion, and most strikingly - hope.

Her choice of instruments and the way she interacts with them allows us to feel as if we're not only listening but contributing. It's a bottom-up way of absorbing art that's traditionally been top-down, and a reminder that we're all part of the experience, whether we're humming along to the remnants of a theme as it dribbles out of an ear in the shower, or dreaming of spotlights in a parallel life that may or may not be real. Sakini's music is nostalgic in a sense, but nowhere near the buttered popcorn and high-fructose candy migraine of the Netflix/Spotify algorithm generation of regurgitated churn. She makes sounds that remind us of what time and experience may have stolen from us, and how we might recover it. We're gagged.

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Peter Schreier Singt Weihnachtslieder

LP | 2022 | EU | Original (Berlin Classics)

Release: 2022 / EU – Original

Genre: Classical Music

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LP | 2022 | EU | Original (Incunabulum)

Jozef Van Wissem

OST Nosferatu

Some Kind Of Peace - Piano Reworks

Release: 2022 / EU – Original

Genre: Classical Music

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Jozef Van Wissem- Lute, Electronics, Beats, Electric Guitar, Found Bird Sounds. In 2013 van Wissem won the Cannes Soundtrack Award at the Cannes Film Festival for Jim Jarmusch's "Only Lovers Left Alive ". In December 2017 Jozef van Wissem was invited to perform the madrigal depicted in Caravaggio's painting The Lute Player (1596) at the Hermitage museum of Saint Petersburg. In 2022 three of his works were used for in the soundtrack and trailer of Irma Vep (HBO). His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. "La Cinémathèque Française in Paris commissioned me to write and perform the score at the presentation of the restored version of Nosferatu. I was a bit overwhelmed by its success. It was sold out. I wasn't going to repeat it. But people kept asking. In the beginning the soundtrack was more improvised and reactive to the images but after a few times the audience kind of showed me the way. To start with a few notes and building the score slowly to a dense slow metal ending. I found an old 7-inch single with recordings of extinct birds on a market, I electronically processed and added them to the score . " Manipulating the sounds of electric guitar in alternate tuning he manages to create the feeling of fear, equal to the experience of the victims of Count Orlok. "To me Nosferatu personifies this Death Bird of the Plague. The Black Death depicted in the film offers a timeless parallel with contemporary society. The vampire Count Orlok infests the city with rats and people are infected with the plague. They must quarantaine. This provokes hysteria. Much like nowadays".

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Ólafur Arnalds

LP | 2020 | EU | Reissue (Mercury Classics)

Release: 2020 / EU – Reissue

Genre: Classical Music

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Pale Horizon White Teal & Beige Vinyl Edition

Spencer Zahn

LP | 2022 | EU | Original (Cascine)

Behold! I Make All Things New

Release: 2022 / EU – Original

Genre: Classical Music

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Limited White Teal & Beige Vinyl.Spencer Zahn's second record for Cascine emerged from a series of piano sketches born of daily improvisations in Kingston, New York, where he relocated during the pandemic after 14 years in the buzz of Brooklyn. Inspired by the space and pace of upstate life, he explored a more restrained, resonant mode of playing, letting chords delay all the way to silence, until the seeds of songs took shape. Zahn accompanied himself on upright bass, finessing each piece without cluttering it, focusing on the notion of "the instrument in a room.Recruiting long-time collaborator Andy Highmore for piano duties, the duo booked time at Figure 8 Recording in Prospect Heights to craft the lulling, lyrical 12-track suite of Pale Horizon. The tonality of the instruments was central to Zahn's vision, fusing them to feel like a single entity, with upright bass blending in an elegant gradient with the low strings on the piano. An air of Keith Jarrett and Ryuichi Sakamoto hangs over the collection, acoustic and unhurried, stately but subdued, ruminative daydream melodies heard on the breeze in a quiet garden.

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Jozef Van Wissem

LP | 2022 | EU | Original (Incunabulum)

Caroline Shaw / So Percussion

Release: 2022 / EU – Original

Genre: Classical Music

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Behold! I Make All Things New is all instrumental and consists of sparse works for lute and electronics. There are no vocals this time. It is more a return to the minimal neo classical style of his early work. It was written and recorded in lockdown in Warsaw and Rotterdam between 2019 and 2021. Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.Jozef van Wissem is an avant garde composer and lutenist playing his all black, one of a kind custom made baroque lute all around the world.According to the New York Times "Van Wissem is both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy". His completely unique musical world can be easily verified by his collaborations, especially that these relationships are also strengthening his own musical character. He worked together with Zola Jesus, Tilda Swinton, Jarboe as well as with his long-time collaborative partner, also his friend, Jim Jarmusch. The timeless value of his work can be described by one of his previous interviews: "_the lute goes against all technology and against all computers and against all the shit you don't need."

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Let The Soil Play Its Simple Part

LP | 2021 | EU | Original (Nonesuch)

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | EU | Original (Warner Classics)

Fatma Said

El Nour

Release: 2021 / EU – Original

Genre: Classical Music

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LP | 2021 | UK | Original (Pan)

Patrick Belaga

Blutt

LP | 2021 | EU | Original (Be With)

Release: 2021 / UK – Original

Genre: Classical Music

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Conceived At The Heel Of Italy's Boot-Shaped Peninsula In Apulia, Patrick Belaga's Blutt Makes Music For The Unruly Imagination. The Title Is An Old German Word For 'Naked', 'Bare', But It Can Also Mean 'Blood' When Spelt Blut. Take Away Another Letter And It Makes 'Butt'. None Of These Definitions And Adaptations Were What Prompted The Classically-Trained Composer And Cellist To Name His Second Album With A Word Simulating The Sound Of A Punctured Artery. That Came Later. Blutt's Nine Woozy Compositions Are Inspired By A Contemplative Road Trip With A Friend, And The Mysterious Muffled Music Heard From An Unidentified Source. It Was A Combination Of Jazz And Classical Music That Haunted Belaga's Wanderings Through The Byzantine Town Gallipoli, And Soon Infected His Dreams Of Long-Gone Civilizations. This Record Is Its Outcome, Where Organic Instrumentals And Electronic Production Merge Into A Sound That's Both Contemporary And Ancient. Samples Of Mewing Incantations And Tape Hiss Sway Atop The Waltzing Thud Of Piano Chords On "Sigh". Composite Layers Of Belaga's Cello Play In Downcast Harmony On "Rust". There's A Wistful Sense For The Romantic, In The Eerie Rhythm Of A Piece Like "Momentum". The Quarter Tones Of An Eastern European And Middle Eastern Folk Scale Probe A Profound Melancholy Via Kai Knight's Violin. Its Notes Are Haunted By A Field Recording Of Running Water On "Unsoft", Echoes Of Panpipes And A Jew's Harp On Opener "Lilt". As A Consummate Composer And Performer Known For His Work With Artists Wu Tsang, Boychild, Josh Johnson And Asma Maroof, Belaga's Blutt Is Itself Marked By Flawless Collaborations. Vocalist And Instrumentalist Jazmin Romero Sings And Composes The Surreal Melodies Of "Grey Eye". Multidisciplinary Dance Artist And Producer Riley Watts Contributes To The Muted, Motorik Movement Of "The Tunnel Is A Tower". Together, The Record Plays As A Stunning Soundtrack To The Strangeness Of Sleeping, And The Heartbreaking Transience Of Time. Like An Intense Dream Half-Remembered, The...

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Steve Moore

Analog Sensitivity