Classical Music Vinyl 503 Items

The Royal Philharmonic Orchestra co-invented the incomparable „Pop Goes Classic Sound“. This album celebrated the 60's!

Welsh harpist Amanda Whiting returns on Jazzman Records following on from her successful debut album ’After Dark’ (2021).

New explorations and global changing events have led Whiting to ‘Lost in Abstraction’. The Reynolds/ Thorne/ Whiting trio is joined again by the mesmerising lines of flautist Chip Wickham, resuming their conversation reminiscent of Dorothy Ashby and Frank Wess.

‘Lost in abstraction’ was written during a period of the unknown when Whiting, like most, explored her own sense of self. The world paused, with no timeframe, and the fragility of life was laid bare. A time when humanity was left searching for purpose. Freedom and the dependable structures of familiarity were dissolved in most aspects of life. But music stayed constant. Creativity kept weaving its thread, connecting music and its makers in an indissoluble bond.

The album explores the questions and realisations whilst confined. The spiritual findings, the playful curiousness and the reflective moments of loss. Whiting’s writing indulges the listener with the spiritual ethereal washes of sound demanded of the harp, whilst also embracing her influences across many genres. Classically trained, her roots are evident. But with an emotionally charged energy and spiritual questioning, a new soundscape of modernity has emerged.

So often associated with Ashby and Coltrane, the harp finds itself in the hands of a new voice which tells the story of a period of time where the world was unified in reflection.

So what is that feeling when you resonate? When your breath steadies and you let go Lines no longer restrict or choke Energies envelop, yet set you free Are you lost or found?

Amanda Whiting - harp Chip Wickham - flute Aidan Thorne - bass Jon Reynolds - drums Baldo Verdú - percussion

About Amanda Whiting Following on from her sold out album ‘After Dark’ on Jazzman records, Amanda Whiting is making a name for herself on the British Jazz scene.

From Wales, the home of the harp, Amanda has taken her classical roots and forged them in the path of jazz harpist Dorothy Ashby and Alice Coltrane. Her unique style resulted in her nomination for the Jazz FM “2021 Instrumentalist of the Year.”

She has toured extensively with Matthew Halsall and the Gondwana Orchestra performing at Jazz festivals around the world. More recent collaborations have included touring with Chip Wickham, Greg Foat and Rebecca Vasmant. She also performed at the We Jazz festival, Finland in November 2021.

2022 will see the release of her new album ‘Lost in Abstraction’ and performances in Helsinki and other festivals throughout the year. She will also be performing at XJazz Berlin and We Out Here with the Rebecca Vasmant Ensemble.

Currently based in Berlin, Munich and New Haven (us) Sophia Jani is a composer of contemporary classical and electronic music. She is part of a new generation of artists who were influenced early on by the boundlessness of the 21st century. On February 25th, 2022, her debut album with chamber music works will be released on Berlin-based label Neue Meister.

180g vinyl.

Five years ago, back in September 2016, Stefano Gentile published a photographic book entitled IL Silenzio DEI Tuoi Passi (The Silence of Your Steps), which collected a series of 56 pictures, both in b/w and colour, dedicated to the nights in Venice. The book was a journey through the most remote "calli" and "campi" (streets, alleys and squares, as they're called in Venice) in search of the true 'breath' of the city, far away from the hordes of tourists who 'attack' it every day during daylight hours.

On such occasion, renowned musician Gigi Masin composed a 30 minutes epic ambient track entitled Venezia 2016 which was the perfectsoundtrack to the images included in the book. The track was published on CD and released bounded with the book itself in a limited edition of 480 copies only, and has been unavailable for years now.In 2021 Gigi Masin returned to that great piece of music and to its timeless sounds. Finally, Silentes can now offer Plays Venezia, Masin's latest work contanining a re-edited version of that 'pearl', accompanied by two unreleased tracks composed and recorded in the same period.

Once again inspired by the city, Masin created an enduring and wonderful ambient masterpiece, a sort of return to the origins, to his home. Adding to the intrinsic quality of the originals, the tracks were beautifully mastered by Brandenburg Mastering in Amsterdam. Plays Venezia is simply an unmissable release and one of Masin's greatest accomplishment in a long carrier that never ceases to amaze us.