Classical Music Vinyl 369 Items

Domino is extremely proud to present Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.

The performance took place at The National Opera Grand Theatre in Warsaw on November 29th 2014, and was part of an evening of programming that also featured Jonny Greenwood's (Radiohead) 48 Responses To Polymorphia and the world premiere of Bryce Dessner's (The National) Réponse Lutosławski.

Following an invitation to collaborate at the concert, Beth Gibbons undertook an intense preparation process, including tackling the challenge of learning the original text (and the emotional weight it carries) without speaking the mother language. Typical to Beth though - the elusive yet iconic frontwoman of one of the most important British bands of the last two decades - the challenge was met and exceeded. Her performance alongside the maestro Penderecki has been hailed as triumphant, as you canhear on this release.

To celebrate the 90th anniversary of Luc Ferrari's birth Transversales Disques is very glad to announce the release of Photophonie, unpublished archives, spanning 1973-1992, revelatory collection of commercial, commission and secret music by electroacoustic music pioneer Luc Ferrari.
« Photophonie » (1989) / Music for the photographic exhibition of Alain Willaume.
« Il était une fois » (1973) / Commissioned by the G.M.E.B.
« Trans-Voices » (1992) / Curated by the American Center, Paris.
« Leica » - (1977) / Advertising for the Leica camera.
Affiliated with French Radio’s Groupe de Musique Concrète, co-founder of the GRM with Pierre Schaeffer in 1958, Luc Ferrari (1929-2005), major figure of musique concrète and electroacoustic music, broke away to pave his own path of individualistic expressions of minimalist music, musical theater, field recordings, orchestral music and soundtracks…

The Undreamt-of Centreis the fourth solo album by prolific Australian drummer/composer/producer Laurence Pike, an evocative, contemporary reimagining of the requiem mass. The album drawson the sounds of modern classical music, Japanese environmental ambient music, fourth world electronics, free jazz and the choral traditions of Estonia, with particular influence from Tallinn-based composer Tonu Korvits. Produced in collaboration with the Vox Sydney Philharmonia Choir, conducted by Pike"s childhood friend, composer Sam Lipmanand recorded in a 19th century Gothic church.

Highly original material on a very limited EP... be quick!

Polyphonic Waves OF Soulful Madrigals

The power of duality is an inscrutable thing: we’re endlessly fascinated by the interplay between light and darkness, East and West, voice and silence, our senses tingling from the compelling synergies that thrive in perceived opposites. Drawing from an urbane Antwerpian upbringing and a Moroccan family lineage, the Brussels-based multidisciplinary artist Younes Zarhoni, embraces these very dualities in all of his projects, exploring those murky areas of contrast and bringing all their ambiguous energy to crystal clear focus.

A longtime staple of the local electronic music scene with his hypnotic techno outings as YZ, Zarhoni’s latest focus is on the compositional power of pure harmony and silence: namely, his polyphonic renditions of medieval mystical poetry, sung in multiple voices and left to solemnly radiate beyond their given spatial grounds. Stripped of all instrumental accompaniments, what you get is Gregorian chant meets Boyz 2 Men, articulated by the lyrical ineffability of Arabic tongues and finding their rhythm in the silences that act as the juncture between observation and anticipation.

These sparse stanzas tread under an elusive referential threshold, conjuring visions of architecture and archaism, madrigals and MTV, the sacred and the profane ~ ostensibly disparate elements that seamlessly fold themselves into the radicality of the compositions. In these 20 minutes of verse, Zarhoni oversteps the margins of categorization to deliver an immersive story of song, flowing freely and sustaining the arc of the narrative long after it has ebbed into silence.

New album of piano pieces by Matthew Bourne, provocatively titled This Is Not For You. The album is a return to solo piano following a series of recent collaborations with other artists playing a variety of instruments, including Keeley Forsyth, Alabaster Deplume, Keith Tippett, MINING, Nightports, Mzylkypop, Visionist, Paula Rae Gibson, Shiver, Jameszoo, Emil Karlson and Marcus Vergette. This Is Not For You. showcases Bourne"s more contemplative side, but there are flashes of the unpredictability that makes him such a unique and inspirational performer.

Obliques presents Poème symphonique. Electronic music composer Jonathan Fitoussi revisits Symphony No. 1 “Titan” by Gustav Mahler as part of a world creation commissioned by Radio France. Concert recorded live in the large auditorium of La maison de la radio on November 18, 2023, Paris. Limited Edition clear vinyl LP - No Digital

Renowned for her percussion genius, Limpe Fuchs surprises with a rare venture into her classical roots - the piano. Despite her extensive musical career, documented piano performances have been scarce until now. In this album she transcends time and expectation, diving into the instrument's essence. Her rhythmic finesse as a percussionist leaves an indelible mark on each keystroke. Join Fuchs on this intriguing late venture into the world of piano and savour every note on this unique and raw artistic encounter.

Eight years after its original release in 2015, and sold out upon release, Umor Rex finally presents a vinyl repress of Sirens, by Kara-Lis Coverdale and LXV. This new edition is limited to 500 copies and comes with revised artwork.

Inspired by the link between seduction and violence, Sirens comprises a series of timbrally vast anamorphic pieces that poise the voice as a newly imagined tool of multiplicity. Processes of sample manipulation, signal processing, routing, and source design inform instrumental writing and performance in feedback until intertwined, flickering between states of conflict and consonance. Apparitions of the schizophrenic voice are at one moment fractured and cold and at the next full of warmth and vivaciousness, embodying velvet rituals of romanticism in the digital age.

Ultimately, Sirens is music for ambitious dreamers: surreal sound portraits sound like the warmth of the world laid over an ice cold virtual altar. LXV’s vocal truncations and fleshy sound palettes depict the archivation of the breath and aural fantasies of the flesh which Coverdale sets amongst a vast and unconfined landscape of deeper and unknown force. Harmonically active and dynamic orchestrations underpin post-sacred tonalities while brooding pipe organs, sphinx flutes, and hailstorms of metallic percussion characterize uniquely disjointed discussions between disparate compositional ontologies. At times violent and at others serenely peaceful and seductive, these pieces, at their most powerful moments illuminate a felt space between cybernetic energy and the body.

Composed and recorded by Kara-Lis Coverdale and David Sutton. Mastered by John Tejada. Cover photograph by Cody Cobb. Layout by Daniel Castrejón.

Henrik Schwarz and !K7 are proud to announce a collaboration that will bare many different musical fruits. The first of these is a brand new label called Between Buttons, curated by Henrik and focused on acoustic sounds and contemporary compositions. Between Buttons will be in partnership with !K7’s own neo-classical hub 7K!, and will kick off with a new mini LP by Schwarz entitled Works Piano, followed by an EP entitled Aphorisms by Syrian artists Khaled Kurbeh & Raman Khalaf Ensemble. Mixing up old and new technologies, experimental and more classical approaches, the label will see Schwarz forge new paths in his own work, as well as curating material from the peers he has worked with over the last 15 years. Mainly made up of acoustic sounds, piano, string quartets, self-built instruments, percussion and intriguing classicist elements with a modern twist, there will be EPs from piano virtuoso Bugge Wesseltoft, as well as other electronic producers wanting to show themselves in a different, more 'unplugged' light. “In these times of constant turbo mode, likes and thumbs-up, we need to go back to basics,” says Henrik. “We want to move away from the idea that relentless hasty productivity is a must, and instead take time to create space, to let ideas mature and to focus the mind on subtler sounds.”
Works Piano will be a four track mini album that uses a Yamaha Disklavier as the starting point and reimagines it, reworks it and alters it with various digital and recording technologies. One track is a created with a reactive algorithm and one is composed purely from altered and processed piano sounds.

“Shotns - Shadows: Songs from Testimonies, Volume 3” - is the latest addition (2024) to the Fortunoff Video Archive’s Songs from Testimonies project., brought by the Zisl Slepovitch Ensemble featuring Sasha Lurje. The project brings to life painful memories of surviving the genocide, and memory of those who did not make it, but first and foremost these are the stories of these people’s lives. Volume 3 stays as linguistically and musically diverse as the previous two albums. Songs in Greek, Ladino, Yiddish, Hebrew, and Czech; music from concentration camps and ghettos of Vilna, Warsaw, and Lodz; music of cabaret and theatre from across the globe— adapted to tell the stories of suffering and betrayal, hope and loss.

Artist, composer and producer James William Blades" score Pare De Sufrir will be released via AD 93. Today Blades will be releasing a preview of the album with the single Alma Germela. Pare De Sufrir (translating to "End of Suffering") is the official soundtrack to A.G Rojas" film of the same title.

Compilation of our favorite Arvo Pärt pieces. All sparse and beautiful arrangements. Some solo piano pieces, some duets with piano, violin cello and viola and one string quartet. The pieces on this record are all unique to the style of Arvo Pärt - deceptively simple compositions that force you to live in the moment you are listening to them. A Pärt quote from the back of the record - "You can kill people with sound. And if you can kill, then maybe there is also the sound that is opposite of killing. And the distance between these two points is very big. And you are free -- you can choose. In art everything is possible, but everything is not necessary." This record comes in a beautiful "tip on" old school cover with metallic gold foil and features an incredible painting from the 16th century manuscript Kometenbuch.

Volker Bertelmann and Hildur Guðnadóttir hardly need an introduction - their distinct styles have graced the speakers of pretty much anyone enamored with experimental music in the last decade, and between them the two have chalked up an enviable canon of successes. Bertelmann, under the Hauschka moniker has explored the extremities of prepared piano improvisation, and Guðnadóttir has taken cinematic, explorative cello music into a new era of depth and passion, so to hear them both together is a rare and unexpected treat. Rare is putting it lightly even - „Pan Tone“ is a recording of a single concert which the duo performed on the 26th of February 2010 as part of Arctic Circle - Bubbly Blue and Green festival at Kings Place in London, and documents an event that would truly never be repeated. Sure, they could attempt to re-create the event, but the spontaneity and glorious serendipity in this particular recording is a pleasure to behold.

Bertelmann and Guðnadóttir decided to create a set of compositions which based on the idea of the ocean, and took a book of Pantones to extract exact references to the specific colors of the sea. These watery tones form the backbone of the performance and inform the direction of the collaboration, guiding us through rich blues, glassy greens and frothy whites. In listening to the music it seems incredibly appropriate that the artists should choose blue as the middle ground in their work; the ineffable lightness that Bertelmann brings to the table is a stark contrast to Guðnadóttir´s sinking darkness, and as the two styles collide we witness a plethora of tones, shades and hues. It sounds as if the two artists have been playing together for decades, and their sound is so perfectly matched you might wonder why it´s taken them this long to collaborate. All that´s left for us to do is to soak in the tidal beauty of this very exclusive body of music, to listen to it sing, bubble and crash through its duration before settling in total silence. When the record reaches its conclusion there is an unsettling calm, a sense that you have witnessed something very special indeed, and that is a feeling to prize amongst all else.

2022 repress

Steve Reich´s "Six Pianos" played by Gregor Schwellenbach, Hauschka, Daniel Brandt, Paul Frick, etc. The LP comes in a special printed sleeve and 180g Vinyl plus a WAV&MP3 Download code.