Classic Rock 378 Items

Original album on 180 gram vinyl, newly remastered by Jimmy Page in single sleeve replicating the original album.

In the words of Mr. Plant "This is the last night of the last tour". The final New York show and the last concert of the 1973 Tour in fact. The opening numbers are just powered through and Jimmy's playing is spectacular! The Whole Lotta Love version is a strange one , with Bonham doing a full 5 minute non-stop hammering and Plant filling in with some eerie echo moans. A necessary addition for all the Zep fans !

Original album on 180 gram vinyl, newly remastered in single sleeve replicating the original album.

Original album on 180 gram vinyl, newly remastered in single sleeve replicating the original album.

Limited to 300 copies on red vinyl.

Ironhand Records is proud to announce the EP of Mustafa Kuş & İmece, musically at the crossroads of funk, jazz, and psychedelic, with Anatolian rhythms.
Mustafa Kuş, who went to Germany for his education and founded his band İmece in 1976, released three albums and one single until 1985.
Compiled from those, the 4 songs in this EP blend Anatolian rhythms with funk and jazz, entertaining bass lines, crazy drum attacks, saxophone, and keyboard solos.
Remastered from the original master tapes, limited to 300 copies exclusive for hhv.de on red vinyl. You will hear the idol of today’s many popular bands!

200g 45rpm

Original album on 180 gram vinyl, newly remastered by Jimmy Page in single sleeve replicating the original album.

Kupa 4 (Kupa Dörtlüsü) was a band formed of Greek and Turkish musicians who lived in a mutual culture in İstanbul (or Constantinople). Their roots connected to rebetiko and laiko, but they were also children of the revolution. Therefore while playing in a tradition of a laiko band, they also had influences from beat and surf. Groovy drumming, Killer Farfisa, and bouzouki-like electric guitar sounds are the key elements in Kupa 4's soundscape.

The band rocked the taverns in Turkey and attracted both minorities' and Turks' attention until the Cyprus crisis in 1974. In this compilation, you will be hearing the recordings of Kupa 4, where they performed a unique laiko beat/surf style made in Turkey. Plus, in 2 tracks, you will listen to the band performing as an influential Anatolian Rock band.

Presented with a liner notes, archieve photos and a great re-mastered sound.

50th Anniversary Re-Edition - Includes Original Releasesheet Inlay - Original Release: 1972 - 2021 Re-Cut carefully overseen by Manuel Göttsching. We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself. As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book, Publisher : Head Heritage (1 Oct. 1995) : “Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I’ve written before, PIL sounds like this. John L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off.

Astral Magic is a new Finnish Space Rock project lead by Santtu Laakso (Dark Sun).This album is highly inspired by ‘Hawkwind’ and the ‘Spirits Burning Project’. All music, instruments, vocals and lyrics by Santtu Laakso. + guest Musicans: Guitar by Martin Weaver (ex-Dark and Wicked Lady) on 6 of the 9 tracks, Ukulele by Samuli Sailo on ‘Winds of Time’ Additional synths by Scott Heller (øsc, Dr Space, ...) on 'Winds of Time'

Heavy Psych Sounds Records is really proud to present the Psychedelic-Space split of the century!! "The Intergalactic Connection – Exploring The Sideral Remote Hyperspace" it's a split album that came from deep deep space !!! Here Giöbia meets The Cosmic Dead, two of the best modern space-rock bands you can find. The Italian quartet come with 3 incredible songs, while the Scottish guys deliver a 19 minute long suite. This piece of psychedelic journey is a travel inside the universe, 4 tracks full of heavy psych and space rock riffs that will bring you into a psychedlic vortex with no way out! A must-have for all the space travelers. Fans of Hawkwind, Pink Floyd, UFO and Gong will be more than enthusiastic ...It's a Space Ritual journey !!

Lost & found studio recordings (1971-79) by US singer-songwriter SID Bradley including some of the sought-after 45 sides released with his band Erik in the early ‘70s plus fabulous previously unreleased tracks. This is serious stuff, folks!! Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!). A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the 60s and by the early 70s he was part of Erik, a group responsible for a couple of self-produced 45s, “Child Of The Sea” / “Nothing Is Easy” and “Sometime In Your Life” / “Rebel Woman”. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid’s music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. You may be familiar with the hard-psych sounding “Child Of The Sea” as it has been included on several psych comps and it was also part of the “Lodge 49” soundtrack. The flip, “Nothing Is Easy” wouldn’t sound out of place on any Rubbles volume. “Rebel Woman” is now considered a proto-metal cult classic and it was recently included on the “Brown Acid” series. After the demise of Erik, Sid continued recording his songs using different musicians. Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several Digital only albums that caught the attention of mags like Shindig! We’re now very glad to present a selection of those tracks, collected for the first time on a vinyl LP. Includes insert with liner notes and photos and download card.

Fabulous US hard-psychedelic album by Noah, recorded in 1972 but never released at the time. Expanded to a double set including the Sound Barrier (pre-Noah) sought-after garage-psych 45s plus unreleased demos, ’67-71. Master tape sound and insert with rare photos and liner notes by Plastic Crimewave. Riyl: Blue Cheer, SIR Lord Baltimore, Fraction, Iron Butterfly, Steppenwolf… Formed in the late 60s in Salem, Ohio, out of the ashes of two garage bands, the Markees and the Sound Barrier (of the legendary “Hey, Hey” 45 on Zounds), Noah consisted of Mark Scheuring (guitar & lead vocals), Larry Davis (drums), Paul Hess (bass & backup vocals) and Danny Hall (keyboards & backup vocals). In 1972 the band recorded in just two days a concept album titled “Brain Suck” at Cleveland Recording studios with engineer/producer Ken Hamann (of Grand Funk Railroad and James Gang fame). Noah’s music was dark and heavy, dominated by killer Hammond organ, hard guitar and powerful vocals. This is truly a major find for anyone into hard psychedelia. In the words of Steve Krakow (Plastic Crimewave): “it conjures the heavy, doomy vibe of Blue Cheer's "Fruit and Icebergs" suite; the bluster of Sir Lord Baltimore (but maybe with Keith Emerson on keys); and a biker ferocity found on the Fraction Moonblood Lp. I'm also imagining Steppenwolf, Iron Butterfly, or Vanilla Fudge on some bad drugs with a Mothers-like malignance”. The LP sessions were never released properly (in fact a truncated vinyl edition with some songs missing and late Sound Barrier demos added was released in 1995 by Al Simones on his Head Records label, without the band’s knowledge) so this is the first time that the “Brain Suck” album is released as originally intended by the band.