Classic Rock 65 Items

Essential double-LP-collection of tracks by the turkisch fuzz-master!

The appetite for The Zombies material has increased over the years, and has continued to grow since their induction to the Rock and Roll Hall of Fame in 2019. They have now become the subject of a soon to be released major documentary covering their ongoing career called ‘Hung Up On a Dream’ directed by Robert Schwartzman. Disbanding before their seminal Odessey & Oracle album was released, Rod Argent and Colin Blunstone have revived the band with a new touring line-up and album, while original bass player Chris White has continued his career as a songwriter and producer. The Best of The Chris White Experience is a limited edition 12” album release for Record Store Day 2024, featuring 10 tracks from Chris’ considerable production and writing catalogues. Produced on heavyweight 180g vinyl, it comprises selections from throughout the last 50 years and contains rare and unreleased performances. Including appearances from The Zombies, Argent, Diana Dors, Colin Blunstone and more remastered and available on vinyl for the very first time. This release will not be available in any other physical or digital formats.

Bluesy rust-belt psych from Ohio's December's Children! Bouncing between male and female vocalists, tight harmonies, country flavor and rock 'n' roll style, their sound fit the transition between pop and heavy rock in the late '60s. Pressed on pink vinyl!

This country-blues psych album was originally released near the end of 1970, and though it was their sole album, December's Children are a good example of how music was changing between the end of the '60s and beginning of the '70s. Accented by psychedelic keys & organ (especially in "Trilogy"), it's been described as Texas garage rock, with funky, hook driven guitar - particularly in "Sweet Talkin' Woman" and "Last Monday Night."

Opting for a more straight forward rock 'n' roll sound, the band never considered themselves psychedelic (though that was being pushed at the time), and though they weren't as heavy as Blue Cheer, their country-blues sound is nearly a precursor to later albums by Savoy Brown and Blodwyn Pig.

DSD was founded in the beginning of the Earth year 2011 in Oulu, Finland, on band members’ mutual love for 60’s and 70’s kraut, prog and psychedelic rock. This is the 6th full length album (4th on Space Rock Productions) by the Finnish Space Rock masters from the north! It features 6 high energy space rockers, originally released digitally in April 2023 but now it appears on Vinyl. It features several special guests including Dr Space from Øresund Space Collective. The album opens with the high energy track ‘Spaced and Confused’, with the classic DSD sound and vibe. ‘Beyond the Cosmic Wall’ has a bit of a Kingston Wall vibe and quite a psychedelic mix. ‘Void Oscillations’ is a very spacey and floating number. ‘Indigo Blue’ starts side B with a more mellow vibe for the first 3 mins and then rocks into a cool spaced out jam. ‘Matkalainen’ is sung in Finnish and features some nice flute playing on this great track. The album ends with ‘Nymphaea Tetragona (Forever Floating)’ a more relaxed track, but the end has this sort of heavy bluesy stoner vibe. Cool way to end the album. Another classic space rock record.

DSD was founded in the beginning of the Earth year 2011 in Oulu, Finland, on band members’ mutual love for 60’s and 70’s kraut, prog and psychedelic rock. This is the 6th full length album (4th on Space Rock Productions) by the Finnish Space Rock masters from the north! It features 6 high energy space rockers, originally released digitally in April 2023 but now it appears on Vinyl. It features several special guests including Dr Space from Øresund Space Collective. The album opens with the high energy track ‘Spaced and Confused’, with the classic DSD sound and vibe. ‘Beyond the Cosmic Wall’ has a bit of a Kingston Wall vibe and quite a psychedelic mix. ‘Void Oscillations’ is a very spacey and floating number. ‘Indigo Blue’ starts side B with a more mellow vibe for the first 3 mins and then rocks into a cool spaced out jam. ‘Matkalainen’ is sung in Finnish and features some nice flute playing on this great track. The album ends with ‘Nymphaea Tetragona (Forever Floating)’ a more relaxed track, but the end has this sort of heavy bluesy stoner vibe. Cool way to end the album. Another classic space rock record.

Lady Lake is the second album by British progressive rock band Gnidrolog. Originally released in 1972 offers fans an immersive experience into the band's unique blend of intricate melodies, complex arrangements, and thought-provoking lyrics. Gnidrolog's Lady Lake showcases the band's exceptional musicianship and songwriting skills. The album seamlessly combines elements of progressive rock, folk, and classical music to create a captivating sonic journey.

The treasured Japanese soft rock album produced by Haruomi Hosono is finally reissued in analog LP format! The only album "Aiiro no Kisetsu" (The Season of The Color of Love) (original release date: July 1975) by the group "Kaze Chorus Dan" (Wind Chorus Group) from the Yamaha Popular Song Contest is reissued on analog vinyl. Haruomi Hosono participated fully as producer, lyricist, composer, arranger, and player. The beautiful chorus work of mixed voices, the tight performance by the Tin Pan Alley family, and the Western taste and groove that is like A&M are the best kept soft-rock treasures.

From one of the last few concerts of King Crimson’s final US tour of the ‘70s, “usa” was issued as an epitaph for the band in Spring 1975 as a single album, at a time when doubles or even triple live albums were considered more the norm for live releases. Deleted towards the end of the vinyl era in the mid-1980s, it remained unreleased in the CD era until the expanded edition was finally issued in October 2002. In common with much of Crimson’s output, it was not well received by critics when originally released, though its critical reputation grew immeasurably in the intervening years to the point where a review of the “21st Century Guide to King Crimson” boxed set in 2004 identified the album as the point

"Graveyard Club Music" Moku. Selected and edited two self-produced EPs, and announced the first nationally distributed album "MokuROKU / MokuROKU 2". The four-piece band "Moku" sings pure Japanese lyrics that are strongly influenced by folk music over a gloomy dance beat that makes ghosts dance. The dub elements, which are as deep as the roots in the ground, seem to take them in a completely different direction from the artists who came before them, while still retaining the dim but tasteful psychedelics of Shintaro Sakamoto and Kikagakumoyo.

Life After Romance", the fourth album following "Hard Candy" (1976) and "Prone" (1979), the most popular album of his career, and NED DOHENY's only release in the 1980s, is being reissued for the first time on color LP. The most popular song on the album is a self-covered version of "Whatcha Gonna Do For Me?" (Chaka Khan's version was a big hit as you know), but there are also "Love's A Heartache," "Heartbreak In The Making," and many others, The album also includes "Love's A Heartache" and "Heartbreak In The Making," both of which are sweet and soulful ballads as well as up-tempo songs that are full of Ned's unique compositional sensibilities. The musicians featured on the album are also gorgeous, including Jimmy Haslip, Abraham Laboriel, John Robinson, Gary Mallaber, Timothy Schmit, and many more.

Øresund Space Collective (øsc), formed in 2004, is a totally improvising Scandinavian space rock band and has been releasing albums since 2006. The band has played concerts & festivals all over Europe. Their music is quite diverse and influenced by the ever-changing line up in the collective. Picks From Space was a Cd-r series produced by Dr Space between 2005-2007. The collective during this time period was primarily the members of the bands Mantric Muse (dk), Bland Bladen (se), and The Carpet Knights (se). The main players being: Magnus (guitar and synth), Sebbe (guitar), Tobias (guitar), Jocke (bass), Michael (bass), Dave (bass), Kaufmann (drums), Søren (drums), Ola (synths), Mogens (synths), Dr Space (synths) plus additional players like Solvi (guitar), Eduardo (guitar), and a few others…. There were 12 CDs in the series. Each disc was a mixture of usually one or two rehearsal room jams with the exception of Disc 11, which was unreleased studio material (most but not all of which has appeared now). It is estimated about 50 complete sets were burned and exist. A few volumes exist in more copies as they were more popular and there was a period where you could buy them separately. During the covid period, Dr Space found most of the original recordings and was able to greatly improve the sound on most of the recordings. This is what you hear on this limited-edition set starting with some tracks from the very first Jam session in April 2004 to one of the last regular jams in 2007. There are some of the best jams the band ever had in this very inspired series of music exploring the early origins of the band. Artwork by David Graham

Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

Svart Records is proud to reissue the production of Argentinian blues rock legend Pappo's Blues as vinyl versions. Guitarist-singer Pappo aka Norberto Aníbal Napolitano (1950 – 2005) is one of his country's biggest rock legends, who also managed to make a career outside his home country. He was there right from the beginning of Argentine rock, as guitarist of the first version of Los Abuelos de la Nada, Conexión Nº 5, Engranaje and Los Gatos, the band that made Argentine rock a household name thanks to the success of their first single, “La Balsa”, which sold more than 200.000 copies in 1967.

Jorge Álvarez (co-founder of the first Argentinian independent rock label Mandioca) encouraged Pappo to develop his own music. What followed was the formation of the first version of Pappo’s Blues in 1971, a trio that had Pappo himself on guitar and vocals, David Lebón on bass and Black Amaya on drums. Their self-named debut album was an unqualified success among the ever-growing audience of Argentine rock. It contained a bundle of all-time classics such as “El hombre suburbano” (The suburban man), “El viejo” (The old man) and “Adónde está la Libertad” (Where is freedom?).

Pappo’s Blues (1971, also known as “Volume One”) introduced a new element to Argentine rock: a harder rock and blues sound, combined with intelligent and sensitive lyrics with centered on the vicissitudes of a typical young man trying to live life according to his own rules, surrounded by the mores of an intolerant society. The arabesques of Pappo’s guitar, complemented by a solid and yet elastic rhythm section, made for an exciting and daring sound, where his trademark rock and blues sound also extended to embrace blues ballads and even excursions into psychedelia.

Baa Records’ first ever limited remaster and reissue of PHAENDIN วงแผ่นดิน “Five Precepts” in 7” single. Phaendin (“Land”) was a coming-together of musicians from other prominent bands in the Thai phuea chiwit (“songs for life”) folk-song scene. Phaendin “Five Precepts” album was first made & recorded in 1994. In this 7” reissued, we have “Five Precepts ศีลห้า“ — an early 90s Thai funk-rock Pali Chant recorded in 1994 on side 1, and a handpicked blues rock track “Accident อุบัติเหตุ“ on side 2. Both reproduced and remastered first quarter of 2024.

Prowler featured the wildly prolific team of Martin Briley and Brian Engel from such faves as Mandrake Paddle Steamer, Starbuck 'Do You Like Boys', Liverpool Echo, Shambles 'Hello Baby', True Adventure, etc. This is not really a reissue per se because the original uncensored version has never been released on vinyl before. It was released in a censored form as the oddly titled 'Pale Green (Hmmmm) Driving Man' in 1972. The BBC’s policy at the time would not allow a commercial product or brand name being used. Same reason The Kinks had to re-record 'Lola' for the single version substituting 'chery cola' in place of 'Coca-Cola'. Prowler masked the offending 'Vauxhall' auto brand name in their song with a Moog (played by Chris Thomas) sort of replicating an accelerating car. The fact that you can clearly hear the word 'Vauxhall' several other times outside of the chorus didn’t seem to phase anyone. It was all for naught. The Beeb didn’t play it anyway. The subject matter alone, a kerb crawler searching the streets for unwitting victims tempted by his tainted 'sticky brandy balls' sweets would warrant a ban from The Beeb regardless. The unique B-side 'I’m Your Leading Man', a demo from 1972, has never appeared on vinyl before. As always, we provide more bang for the buck!" 300 pressed.

Includes Ramones Italian FAN Club Postcard. Limited 150 Copies!

Sky's 1979 self-titled album blends technical prowess with catchy melodies, creating an eclectic prog experience. This album showcases virtuoso musicianship and flamboyant arrangements, rivaling classic prog epics, Sky's debut is a hidden treasure waiting to be discovered.

Donald Fagen and Walter Becker are two of the most sophisticated minds in the American Pop idiom. Originally broadcast live on Kmet FM, the famous Record Plant Studio concert was part of the 1974 promotional tour for the band's third album "Pretzel Logic". In front of a small audience and backed by a stellar band featuring classy session players like drummer Jeff Porcaro and keyboardist Michael Mc Donald, Fagen and Becker deliver immaculate versions of classic songs including "Do it Again", "Rikki Don't Lose That Number", and "Reelin' In The Years'' and other gems like "Bodhisattva", and "The Boston Rag".

The material for «Gemini Twins» was created in the summer of 2022 and finished in 2023. Serge: "I am interested in the themes of Man, his place in the Universe. From primitive times to the era of space exploration, people continue to ask themselves eternal questions: Who am I? Where am I from? Where am I going? The character of 'The Story Of Captain Glosster' is a slightly modified version of Homer’s Odysseus. This is the image of the End of the Wanderings. But Odysseus, after long wanderings, returned to his beloved woman. On the contrary, Captain Glosster found his love as a result of his trips. Found her in Other Worlds. I don’t use science fiction images because that’s how it’s supposed to be according to the laws of the genre. It would be too primitive and not interesting. The composition 'Time Loop' is not a reference to some kind of science fiction. In my composition, the image of the Time Loop is an image of human life. Life is rhythmic, irreversible. Under any given circumstances, we do not have the ability to press «Ctrl+Z». We can only move forward. 'Solstice' is inspired by the feeling of a calm, soft summer day. When all thoughts are stable, there is no anxiety and the world around you looks amazing through the haze of sun rays and summer smells. I tried to convey this state in my track. 'Over the Mountains' could, of course, be an image from science fiction. But not necessarily. This is the feeling of flying over the mountains. Perhaps on another planet. Or maybe not. This is a feeling of triumph from conquering air. 'Fugit Irreparabile Tempus' is my musical reflections on our world and the place of Man in this world.”

For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

Back in print for the first time in 50 years! This studio creation Junk Shop Glam grail was produced by Miki Dallon (The Sorrows, Boys Blue, Shakane, New York Dolls) for his Young Blood International label in 1974. This is Obviously not the later more famous UK punk group of the same name. This was a one-off studio project. We first heard this on our good friend Phil King's superb Velvet Tinmine comp yonks ago. Made to be played in the discotheques back before disco ruined said discotheques." 300 pressed.

Released in 1970 on the british cult label The Village Thing (owned by singer/songwriter Ian A. Anderson), the sole album by couple Anne and Graham Hemingway is a superb acid folk manifesto. Coming all the way from Cardiff, the duo has been described as a mystical, magical hippie small family. Alongside classic guitars, they played dulcimer, glockenspiel, vibes, bells, kazoo and small percussion, joined throughout by label-mate John Turner (bowed and finger-picked string bass) and Andy Leggett.